I’m just like my country, I’m young, scrappy, and hungry And I’m not throwing away my shot!
h

pixel skylines
ojovivo
Keni
RMH
No title available
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
todays bird

roma★
Interview Vampire Daily

Game Changer & Make Some Noise
Show & Tell
almost home
Sweet Seals For You, Always

No title available
🩵 avery cochrane 🩵
Fai_Ryy
Cookie Run:Kingdom Official!
seen from United Kingdom
seen from United States
seen from Canada
seen from United Kingdom
seen from United Kingdom

seen from Russia
seen from United Kingdom
seen from United States

seen from Panama
seen from Brazil
seen from Argentina

seen from United Kingdom

seen from Brazil
seen from United States
seen from Pakistan
seen from Denmark
seen from United Kingdom
seen from Azerbaijan

seen from Türkiye
seen from Vietnam
@laviebohemma
I’m just like my country, I’m young, scrappy, and hungry And I’m not throwing away my shot!
Throughout, Burr is easily the most relatable character. Who among us has not watched as a favored colleague rose through the ranks, drawing lucky ticket after lucky ticket, as you also toiled away, but to no reward? In “Right Hand Man,” Burr comes to then-general George Washington to propose a strategy for the war. At this point in history, Burr is a war hero: he fought his way through enemy forces in 1775 to rescue the body of his commander, Richard Montgomery, for which he received a citation for bravery. Yet in this scene, Washington ignores Burr’s ideas and opinions in favor of young upstart Hamilton, asking him to “close the door on [his] way out.” Burr’s frustration at this deeply unfair dismissal is palpable. Burr is a genius, credentialed beyond belief. But at every point, Hamilton, either consciously or unconsciously, keeps Burr from “the room where it happens,” the place where the decisions are being made. Their eventual last encounter becomes more understandable by the second. […] Burr really has two roles in the show: the omniscient narrator, and himself in the present moment. In the affecting finale, as he recounts the moments that led up to his and Hamilton’s fateful, fatal conflict, Odom’s voice takes on a note of barely disguised panic. As the keeper of the narrative, he knows what is coming yet is powerless to stop it. Odom has said in interviews that he lets himself be shocked by the ending every night, lets himself believe it can be avoided until it can’t. He is a miraculous actor, one whom you can watch thinking, a rare and impressive skill. As he takes his position in the final duel, his eyes wide with fear, you can feel every inevitable step that led to this. Burr’s last “present-moment” word, as he’s shooting Hamilton, is “Wait!” in a terrifyingly sad recollection of his earlier catchphrase, which was the watchword of his ambitions—now to be dashed. This leads to his all-too-knowing coda to the duel: “History obliterates—in every picture it paints, it paints me in all my mistakes…Now I’m the villain in your history. I was too young and blind to see—I should have known the world was wide enough for both Hamilton and me.” (That last is something the real Burr actually said before his own death at 80.) Odom weeps as he sings this, both out of regret and out of catharsis for all the pent-up frustration he’s been holding in the entire show.
The Real Hero Of ‘Hamilton’ Is Aaron Burr (The Federalist)
when we open up our lives, sons and daughters, husbands, wives - and fight that fight, there will be light.
The Guilty Ones + name meanings part 2/2
bonus!!:
Dear Diary….
If someone is like “Hey, let me grab your ass” my only choice is to say, “Fuck you, no.” It’s not being treated badly and not doing anything about it, it’s being treated badly, making a mental note, and then moving on, and that person will no longer be in my life… …I’m not a victim. And the people who are victims of something, my heart is completely with them. But I’m not. I know I’ve been treated like a woman in this business. Oh, I know it. I mean I’ve got lots of stories, but they don’t have any control over me. Kelli O’Hara for The Interval
her hair is so pretty omg
Broadway Pro Tip
If Brian D’Arcy James starts singing about how great things are gonna be everything’s about to go to shit real fast
Project Broadway → Week One: Tony Awards Week
Best Performance by a Leading Actress in a Musical 2015 + Reactions
“And the Tony Award goes to… Kelli O’Hara for The King and I!”
got damn I love musical theatre
Yes, I did make Bruce, Helen, and Alison(s) Bechdel on Sims.
Diana Goodman from Next to Normal ENFP typing by Rebecca
Extraverted Intuition (Ne) “It’s the seventh night this week I’ve sat ‘til morning imagining the ways you might have died. In a freak September ice storm without warning, there’s a gang war, there’s a bird flu, trains collide.” Diana seems to know everything that could go wrong, as well as many things that likely will go wrong. She looks to the future and does not see anything particularly bright, regardless of the fact that she can see a million ways it might turn out. This is very prevalent when she is first introduced in the show and describing how she believes Gabe could’ve died, as well as when she fights back during “Didn’t I See This Movie?” claiming that she knows how things could go awry during her ECT. However, this scene also plays into one of her other functions, as will become evident later.
Introverted Feeling (Fi) “You don’t know, I know you don’t know. You say that you’re hurting, it sure doesn’t show.” Diana has a way of thinking and feeling about life that is her all her own. She tends to believe that no one else fully understands what she is going through (which is likely true!), which ends up being the basis of the song “You Don’t Know.” Through Gabe, we can see that she prizes loyalty and support as some of the highest morals to her, personally. She tends to be able to read people surprisingly well, realizing there is something amiss about both Dr. Madden and Dr. Fine. She values her freedom and free will and refuses to be locked in, the focus of “I Miss The Mountains” and her actions during the scene.
Extraverted Thinking (Te) “Most people who think they’re happy just haven’t thought about it enough. Most people who think they’re happy are actually just stupid.” While it is not fully explored within the show, we can assume that Diana has a mind filled to the brim with information which she has structured in her own fashion. One of the biggest indicators of this is mentions of how she studied architecture while in college, which shows she must’ve had a good ability to organize an environment through her head. We also see how she uses thought over feeling at times, choosing to believe something much more objective than a common person would, such as in what being happy really means! She shows in “You Don’t Know (reprise)” and “The Break” that she can analyze her own condition and wishes to find some logic to it.
Introverted Sensing (Si) “My black coat thrown over my blue nightgown. You drove too fast, the lights of the city flew past…” Diana does not dwell in the past unless she is letting it cloud over her. It isn’t until we see her reach one of her most distressed moments where she ends up reaching to the past to vividly recall what happened when Gabe was dying. This is brought back by hearing the music box once again. She sees a shade of Gabe when Henry is near, but does not fully register it. She also recalls how similar the movies are to her current situation in “Didn’t I See This Movie?”. For the most part, she is looking towards a future and has a tendency to only bring up her memories when under extreme emotional stress, as those memories are surpressed.
endless list of flawless people → Laura Osnes
“People say I have my own Cinderella story, and in a way, I guess I do”
I can draw a circle / You lived your life inside
Teal Wicks at the Broadway Princess Party
Taylor Louderman performs as Rapunzel at the Broadway Princess Party
Kara Lindsay performing at Broadway Princess Party