Week 2 - The MET: Heavenly Bodies Exhibition
Part 1 - Prior Knowledge of Heavenly Bodies:
Since the Heavenly Bodies exhibition opened up at the MET, I have been hoping that I would get to see it in person. Not only did I get to see it in person on this study tour, I got to see with my mother last week and for the first time. Since I was very fortunate to see this exhibition twice, I had plenty of time to examine each and every piece and details on the garments displayed during this exhibition in New York. Before even going to the exhibit the first time, I was a little unsure what the whole premise of Heavenly Bodies was about. My original thought of the exhibition was based on how fashion became influenced by the Catholic religion and their values. After going to the exhibition and reading The MET website’s press release on the exhibition, however, I know understand the premise of the entire exhibition better. The real premise behind the Heavenly Bodies exhibition is how religion has been influencing fashion for years and how designers interpretations of the Catholic religion and fashion have been intertwined and innovating one another for decades. While it may have taken me a bit of time to truly understand the premise of the exhibition, I found it very fulfilling to examine the garments featured in the galleries and look for all the tiny, intricate details that make the exhibition worthwhile and memorable for any fashion enthusiast out there.
Part 2 - Observations While Wandering the Exhibition:
After seeing the exhibition twice within a two-week period, I find that the exhibition itself is not only filled with extravagant dresses, but it is very spread out through the entire museum. When first entering the MET, the main part of the exhibition, located in the Medieval & Byzantine Art Gallery, allows people to see an array of gowns and garments meant to reflect the Madonna, the Catholic religion, and the Virgin Mary. Additionally, this main part of the exhibition features two different dress collections from Versace and Dolce & Gabbana's runway collections from the late 90s. Within the other two parts of the gallery, the Robert Lehman Wing and Anna Wintour Costume Center, people can find a small collection of gowns that interpret various designers outlooks on the Catholic religion as well as a collection of the Pope’s jewels, gowns, crowns, etc. that have been lent to the museum by the Vatican. While the exhibition itself allows you to see a lot of different visual interpretations of fashion and Catholicism, people will also find themselves wondering how Catholicism/Catholic iconography has influenced fashion and/or fashion designers. Walking through this exhibition myself, I found that Catholicism/Catholic iconography has influenced fashion and/or fashion designers to be very extravagant with fashion and allowed fashion to be overindulged in the finer things of life. Though the Catholic religion is not based on luxury, greed, or lust and was founded on the principles of giving up your humanly sins for your relationship with Christ and your entrance into Heaven, this notion overtime has been diluted by lust, power, and greed. Examples of this dilution can be seen as the Pope’s outfits and garments became adorned with jewels over time. Moreover, the Virgin Mary is seen through the religion, not as a poor young woman in society but a goddess that should be adorned with the finest and rarest jewels, due to the gift she bestowed upon Earth. Due to these examples, it is safe to say that Catholicism/Catholic iconography has influenced fashion and/or fashion designers to create fashion that is lavish and overindulges in the finer things of life.
Part 3 - A Few of My Favorite Things from the Exhibition:
Though the exhibition has numerous pieces that I wish I could take home with me and keep in my closet, there was one piece that I found myself gravitating towards to the most. The piece I gravitated towards the most in the exhibition was a blood-red Valentino gown that was placed right in the front of the main part of the exhibition, just as you entered the church-like room. What made me gravitate towards this Valentino dress was that the dress has a huge slit down to the belly button, which not only showed a lot of a woman’s skin but exposed an abundance of cleavage. Because of the daring slit, I thought that the dress showed a striking difference in the way Catholics viewed women, as they are not meant to be objectified or exposed in an unholy manner. Adding on, I found this piece in the exhibition to be one of the only pieces that interpreted the Catholic religion very loosely and was meant to lean towards a more haute couture look than a symbolic piece. With all of this in mind, I found this red Valentino dress and its loose interpretation on the Catholic religion to be very gravitating in the exhibition because it was the one dress that made a striking display in the exhibition, since the dress was not made in mind with the views of how women should look to the church nor was based on any interpretation of the Madonna or Virgin Mary, which was seen countless times throughout the entire exhibition.
Part 4 - Best Dressed Celebrity at the MET Gala:
Despite the countless fashion interpretations of the Madonna or Virgin Mary, the exhibition is quite striking and should be something fashion enthusiast see, whether they enjoyed the MET Gala looks or had a favorite celebrity look for the gala. For me, my favorite celebrity look of the 2018 MET Gala was Blake Lively’s Versace Gown. After seeing Blake Lively’s gown on the MET Gala red carpet, I found that she best exemplified the theme of the exhibition because she painted herself to look like the ideal Madonna figure that is exhibited through the entire exhibition with her lavish, gold headpieces, long trains, and intricate embroideries. Furthermore, the colors used in the dress were colors that can be seen throughout the different clergies in the Vatican and that are colors used throughout the religion in various paintings and artworks. Due to these reasons, I found that Blake Lively was the best dressed during the MET Gala and looked the most heavenly like.