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Reblog and put in the tags some art / writing / otherwise creative advice that goes against common advice
This user wants to write but words fails them.
writers, reblog and put in the tags your favorite punctuation and how many words are in the last google doc you opened
Are You Using Too Much Stage Direction?
Ninety-nine times out of a hundred, we don’t need to know that someone crossed the room, reached for the coffee cup, turned sideways, took a step forward, or glanced to the left.
Visual writers have an especially hard time with this (fiction writers who “see” their story in their head, and write down the images blow-for-blow, as though narrating a movie).
There’s nothing wrong with this writing process, of course. Just know that you’ll be more prone to adding excessive, pointless movements to your novel or short story.
Then, when revising, ask yourself if they are important to the story (sometimes, it is important that someone took a step forward!) and take out the ones that aren’t. Or, better yet, delete them all, then put back only the ones that have left holes in their absence.
Remember, stage direction is different from meaningful gesture or action.
Meaningful gestures and actions can orient the reader or give information about character or plot.
Stage direction, by my definition, is pointless movement.
Here is an original excerpt from Haruki Murakami’s Hard Boiled Wonderland and the End of the World to illustrate my point.
“See anyone milling around in the hall?” I asked. “Not a soul,” she said. I undid the chain, let her in, and quickly relocked the door. “Something sure smells good,” she said. “Mind if I peek in the kitchen?” “Go right ahead. But are you sure there aren’t any strange characters hanging around the entrance? No one doing street repairs, or just sitting in a parked car?” “Nothing of the kind,” she said, plunking the books down on the kitchen table. Then she lifted the lid of each pot on the range. “You make all this yourself?”
Here, we get just enough to orient us–we know the woman was outside the apartment, she walked into the house, went into the kitchen, and the narrator followed her there. But Murakami doesn’t actually say that. He allows us to infer those movements from the dialogue and the light peppering of action and description.
Now, here is the same excerpt re-written with way too much stage direction:
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This is what info dumping oc lore feels like
[ID: Four images of different animals standing on the beach, facing the ocean. Each image has inspirational, writing related text. The first image is of a cow. The text says: "Writing one sentence is more progress than writing no sentences." The second is a horse. "Every deranged story starts with a single deranged word." The third is a cat. "Write enough paragraphs, and you'll find places to use semicolons and em dashes." The fourth and last image is a hippo with its mouth wide open. "If you love it, it's a good story." End ID.]
Okay, we got a new one, boys.
Close enough welcome back Chekov's gun.
Prev you can’t bury this in your own tags
I also like the idea of showing something as a problem before it’s shown as a strength. Almost every character trait has two sides, and by showing the “bad” side first, it sets things up to not only make sense, but to also be very satisfying.
[Image ID: Tumblr tags reading: #it's actually kind of a reverse Chekhov's Gun #Chekhov's Gun says "if there is a setup then there must be payoff" #Asimov's Tail says "if there is a payoff there must be setup" #and I think the tail is also important #a tail is not something you'd expect to see on a character unless explicitly pointed out #someone stepping on the tail not only reveals its existence but also tells us things about it #eg it's floor length sensitive and the character either can't or won't keep it out of the way of foot traffic #the upshot seems to be "acclimatise your audience to things they don't understand before you use them" #you don't need to explain how a gun on the mantelpiece works in the same way you need to explain how your protagonist's tail does /End ID]
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