I mean, I do like spiders
what?

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@literateshellfish18
I mean, I do like spiders
what?
My unintentional X/Twitter Magnum Opus. Never received so many likes for something in my life! I called it 'The Journey' as I wanted to paint his growth and struggles through his eyes. Eyes always tell a story. My original post is -> here <-
There is literally nothing in nature that blooms all year long, so do not expect yourself to do so.
The absolute contempt for these locks is palpable.
Every time you go in a public place and something ISN’T disgusting it’s because somebody cleaned it. Every time you feel comfortable using a public bathroom or sitting at a restaurant table or setting something on a gas station counter or playing on a playground it’s because somebody cleaned it.
Thank you to everyone who cleans the world, especially those who are underpaid and under appreciated.
Activated them like sleeper agents
hold him !! (doodle)
I think that if you lose an arm and get fitted for a prosthetic u should get to refer to your prosthetist as your arms dealer
And if it's a leg you can call them your footman like you're tge queen of france
Clark Kent gaslighting Lois Lane into believing he’s not Superman.
[audio transcription: bird pushes through the door and begins laughing like a super-villain]
tiktoks with vine energy pt. 17
Official silly sign(s)
books with non linear narrative, experiments with the form, etc: go!
please do not all say house of leaves i know some of you bitches read books
Alan Moore's Voice of the Fire: each chapter takes place in the same chunk of London over something like 1000 years
if we can count comics, Moore's Promethea too, one of the volumes is a trip around the Tree of Life, i think the whole narrative can be mapped on the Tarot Majors too
Mark Danielewski's Only Revolutions is a book length prose poem that you read from the ends in to the center. i haven't gotten through it but respect the ambitious structure
i feel like Hal Duncan's Vellum & Ink had something interesting structurally between them but i don't think i finished them, specifically bc i waited too long to start Ink after Vellum & got completely lost
Honorable mention/not sure if it counts but the language was interesting enough that I'm tempted to include it: The Tide Will Erase All by Justin Hellstrom is an Improbability Drive-style apocalypse told by a ten(?) year old but might also be a radio/satellite announcement of their story after the fact? needs a revisit
OH SHIT Koji Suzuki's Ring Cycle. Ring is a horror novel that happens on an entirely different level of operation than what we find out about it on Spiral & Loop
Jeff Vandermee's Dead Astronauts, i actually don't know how to describe what he did with it but it's nuts
The Dictionary of the Khazars is a novel that's a lexicon
this is turning up a whole bunch of things I hadn't heard of which is EXACTLY what i wanted god bless you all:
So Stories of Your Life and Others has been on my wishlist for ages as has Pale Fire; Voice of the Fire is on my bookshelf waiting for me and I think I read Promethea or parts thereof when it first came out; I read Catch-22 recently and will rave about it at the drop of a hat, read Cloud Atlas… a couple of years ago I think? After having it on my shelf for a million billion years & dug the matryoska structure muchly, but yeah! Otherwise I hadn't heard of most of these?!?! excellent work everyone well done
Got a few I haven't seen in the notes:
Blake Butler's There Is No Year is decidedly nonlinear, bordering on nonsensical, with upsetting vibes and such perfect pacing that I couldn't put it down
Matt Bell plays in this territory a lot; pretty much anything by him is going to be fighting you back a little but my introduction was the short story "The Cartographer's Girl"
John Elizabeth Stintzi takes a pretty oblique approach to structure in Vanishing Monuments and, I understand, in My Volcano. (Disclaimer: they are also a friend of mine, but I make the recommendation in earnest)
The Library at Mount Char by Scott Hawkins is like if Warren Ellis tried to write House of Leaves, and I mean that as a compliment
I'm sure you're aware of Our Share of Night by Mariana Enriquez, but it is, in fact, all that and a bag of chips, especially in its structure
Monica Ojeda does some fun things with structure, especially in Nefando but definitely also in Jawbone, though I'll note that Nefando especially deals in some very dark territory
Steven Millhauser's short stories are pretty distinctly nonlinear and often outright weird in a very fun way -- I love his collection The Barnum Museum, notably the source of the short story that inspired the movie The Illusionist
I feel like Ayse Papatya Bucak's The Trojan War Museum fits here, but I also just feel like that collection is underrated, so cum grano salis
I think the movie is better-known, but Laszlo Krasznahorkai's Satantango is formally and topically very weird in a way that I found delightful
I also enthusiastically cosign the recommendations of Coup de Grace and Pale Fire. For what it's worth, Pale Fire is also one of the funniest books I've ever read.
I am not aware of Our Share of Night! Also, "bordering on nonsensical, with upsetting vibes" is like catnip. Thank you.
253 by Geoff Ryman (originally published on the web with hyperlinks, later published as a paper book) now at : https://www.253novel.com/
The Bridge by Iain Banks
and
Marabou Stork Nightmares by Irvine Welsh
(both have the dude in a coma)
See Under: Love by David Grossman. It's in four parts, two of them are straightforward lit fic, one is salmon point-of-view, if I recall correctly, one is a story told in dictionary definitions.
And short stories:
Stet by Sarah Gailey (the story emerges from the footnotes)
Wikihistory by Desmond Warzel (a story in forum posts)
I'm frankly shocked nobody's mentioned David Mitchell's "Cloud Atlas," which is an interconnected set of six stories in different times and with different narrators that are all split in half and work towards the center, like this:
1-2-3-4-5-6-5-4-3-2-1
The stories leave off, sometimes mid-sentence, and resume later in the book, while working forward in time from the first story that's an Age of Sail story until the 6th one, the only one not interrupted, is in the far post-apocalyptic future. Then each story is resolved in reverse chronological order.
What amazes me about this book (it's one of my favorites) is that Mitchell somehow makes each of these stories entirely distinct and unique. I don't know how he managed to write in six such distinct voices to the point that you'd think six writers had collaborated on this work.
Ann Leckie's Ancillary Justice definitely plays with "when" the narrative is taking place from POV to POV, not to mention playing with the POV itself. The later books become a fair bit more conventional (but no less entertaining for the change) in that regard. I think her later The Raven Tower does some of that as well but it's been a bit so don't hold me to that one. (I remember being amazed by what it pulls off, mind you, so it's another big recommendation.) But definitely, Ancillary Justice.
Interior Chinatown by Charles Yu is written as if it's a screenplay for a fictional police serial, but the main character is a background character who doesn't get named until he manages to break out of the scene descriptions and into the actual dialogue of the script. a huge chunk of the story takes place in those scene descriptions, and there's a bit of magical realism to how much the cop show is treated as 'real' vs a fictional within the story
(Yu's previous novel How to Live Safely in a Science Fictional Universe doesn't experiment with form as much, but similarly plays with the fiction-within-fiction being treated as 'real' while also being recognized as fictional, and is about a time machine repairman who accidentally kills his future self at the beginning of the novel)
haha hey bro cant help but notice that there are multiple supply caches and autosaves leading up to me entering your chamber for that quick chat you wanted. just a quick chat though right haha. just a quick chat right