This is back on my dash! And listen, I love to see Amir Khusrau getting appreciation, but this translation ignores a lot. The original rhymes! And scans! And does playful things with register! And conveys a tone of affectionate banter between the two speakers, not least because it has them both addressing each other as sakhi (translated above as “girl”) in the last two lines. I think taking some liberties with line order is worth it to preserve more of the rest—and I think there’s a better translation of sakhi. And so:
He only visits once a year,
I splurge big on him when he’s here,
His kisses make my tastebuds tango.
Who, bitch, your man?
Nah, bitch, a mango.
“I love the way the player’s body moves in Bloodborne: You can fly in any direction like that, like a nervous little bird. If you want to be close, you are instantly close, and if you want to be away, you are instantly away. What a gift. Of course everything is violent and wants to touch you, but if you are perfect, you will not be touched. There is a little secret here which perhaps you can notice: When the ugly monster’s limbs reach out to touch the small human’s body, there is about a tenth of a second—maybe less— where her body is invincible. It doesn’t even matter if she’s geometrically in harm’s way or not. She is safe because she timed it right, was perfect. See, even in this very hard game, there is something wonderful and fair: The game doesn’t care about the way bodies actually intersect. If your timing was correct, it agrees: “You were not touched.” Many games hide that tiny moment of invincibility within quick movement, and it feels so kind just knowing, no mater how bad you are, that if you could fit every moment of pain in that one tenth of a second you could be invincible for the rest of your life. Sometimes I wish I had this power in real life. If I had it would mean never having to say ‘no’ in so many words, nor the confrontation that sometimes comes with saying no. But that perfect, flawless dodge is not sustainable—you have to be devastated so many times to get the timing so flawless. And here’s my bad secret: when I killed this one monster, I didn’t do it by dodging flawlessly, but by mashing some awful weapon in her side while her limbs were flailing and she could not hit me back. Unfair and problematic of me, I know. So often, games’ expressive qualities are limited to the violent motion of virtual bodies, yet they can be extremely articulate within that vocabulary. As much as I want to be an untouchable angel of forgiveness and grace with a bottomless well of compassion for all living things, I keep messing up that dodge and I think it’s making me a bitch.”
— Aevee Bee, “I love my untouchable virtual body” (via goodbyemisery)
drew over something i wrote for a class and liked :] sorry the cars are lowkey ugly, its because I fucking hate cars and cant be bothered to learn what they look like beyond ominous hunks of metal
edit: transcript of the poem by itself under the cut
6 Tips for Crossing the Road
Look both ways
The road is for cars.
Make sure to look for them before crossing. Even when you have the right of way, cars have a lot of safety features and you have none.
Use designated crosswalks
The road is for cars.
So is the crosswalk but, under brief and temporary conditions, you can use it too! Never jaywalk, never walk in the road, just hope there is a clear and functional sidewalk.
Cross at the light
The road is for cars.
There are rules and signs for them, but that can only go so far. Walk quickly and hold your breath and hope that the light doesn't turn. Make eye contact with drivers as their cars teem with potential energy, rumbling with disdain at the inconvenience of your crossing. Try to ignore the cloud of exhaust that you are in and they are above.
Leash your pets
The road is for cars.
Obviously.
To you, it may be natural to sacrifice so much space to them but to your dog, it is not. His instinct is to explore freely. You must curb it. Modern US car models have such high hoods that the average child, let alone dog, is obscured. Even on the sidewalk, hold the leash tight because the sidewalk (if you are so blessed) is next to the street and the threat still looms.
Look out for road kill
The road is for cars.
And no one was there to leash the deer.
Or the raccoon.
Or the cat.
Did you know that the most reliable sample method for wildlife in an area is looking at the roadkill?
Remember these tips
The road is for cars.
Cars are everywhere. In the city. In the suburbs. In the country. In the woods (the US Forest Service manages more roads than the entire Ministry of Transit in China.) Cars are everywhere because there are roads to bring them there, which is great if you are a car and want to get from place to place fast without worrying about the in-between.
In other words, I’m a ‘kitsune miko that lives in a mountain shrine’, and my existence is determined wholly by people believing in this form that I take. I don’t have any individuality or part which is really ‘myself’. Like a myth or a legend, my story and things that happen in my life are all shaped and dreamt up by other people, none of which I actually live through of my own accord. Almost like I’m just a higher level imaginary friend of sorts, existing only in the minds of people who believe… the consciousness that I have right now is not of myself. No, the ‘awareness’ I have is almost like that of a third person observer, living out the figments of imagination of what people believe that ‘a kitsune miko would do in a given situation’, of countless, untold numbers of people… You could say that everything that I even think about, everything that I feel, ‘everything that I could possibly feel was a thought of someone else, and if no one ever thought of it, I could never think of it’, an existence void of self-agency… and even that void of self-agency is something thought up by some ‘author’, somewhere… Please don’t misunderstand, I’m not actually venting my frustrations or in despair about it all. After all, even this feeling I’m feeling right now is what people believe that I would feel given this situation I find myself in. that’s ‘faith’. That’s what gods (particularly those of Japan) are made of. For example, imagine that there was a doujin, or an anime or manga in which a wholly commercial depiction of a ‘kitsune girl’ existed. Imagine that people, in their own individual imaginations, thought of possible situations that this character would or could experience, continuing where the original media left off or left out. I’m that imaginary existence given flesh. The truly scary thing about this all is that when someone forgets or stops caring about my existence, my being loses what they had of me. And when everyone forgets, that will be a true and final death… I don’t want to die. It’s scary. Being forgotten is terrifying. But given my existence to begin with, could you even say that I have ‘lived’ at all? I’m but flesh given of the wavering, transient delusions or fantasies of a ‘kitsune girl’, and I don’t exactly exist ‘in time’, per se. I do not have an existence set in stone, there’s nothing concrete about who I am. I’ve said this before, but I’m simply an illusion, and what I am changes. My character, my appearance, and even the way I am cognizant, the way I think. They’ve always been changing, disappearing, appearing as time passes. What is now vanishes, and what comes also vanishes, and vanishes… and it keeps happening. Is that truly 'living’? Is it really even 'existing’? the me of yesterday is not the me of today, and the me of tomorrow will be different yet again. In order to conceptualize who I even am, because everyone thinks of me in a different way, I do not even have a fixed, baseline 'form’. It’s insane, isn’t it? I think I was always insane to begin with… No; it’s just that I never looked insane to begin with. Because everyone believes that I’m not, believes that I am what I am, and I simply perform my part, like an actor acting… no, being made to act, a puppet. But inside, it’s all broken, there’s nothing but madness underneath. I’m unable to deny this fact. Did I not say before, that even my own existence as observer of myself in the third person is not of my own volition? But you, there, you’re imagining it right now, aren’t you? That it is? How could I possibly stay sane, with an existence like this-
Gil Scott-Heron, a singer, poet, and author, created numerous spoken-word works addressing social, political, and economic issues in the United States. In his 1970 poem “Whitey on the Moon,” he highlights racial and economic inequalities by contrasting the 1969 moon landing with the harsh realities faced by African Americans in cities such as New York, Detroit, and Los Angeles.
The first ship that arrived was pretty matter of fact about its fate. The pilot introduced himself as Eric, then told us he was part of the first sublight resupply attempt in modern history. He then gave me and the ground control team his bad news.
“So,” he said. “Without real time telemetry, we weren’t even sure which half of your orbit you’d be in. That’s half a solar system’s worth of wiggle room. Decelerating enough to survive contact with your low orbit would take me two weeks, which, you know, it looks like we don’t have. That means that in order to get the second ship in before you lose orbital control to the Kresh, I’m gonna have to make a sacrificial flyby. Ten to the negative four torr is good enough for a lot of things, but at point-seven c it’s gonna be like sandblasting a soup cracker. Good news is that all the expensive toys are in the next ship, so this really ain’t costing you more than a ship and a pilot.”
“You knew,” I said. If they put the expensive toys in the second ship, they knew that the first was likely a sacrifice. No one smart enough to handle orbital physics would miss that.
“I did,” he replied. “But someone had to go first.”
That was, of course, a lie. No one had to go first. No else had had, at least. When our connection to the FTL network was lost, we’d understood that as the end of our reinforcements. Doing resupplies via sublight was just too risky. It was a testament to Earth that it had accepted the risk and continued anyway.
“Is there anything we can do for you?” I asked. This man had come here to die for us. I wasn’t sure how much I could give, but what I had was his.
“I do have a few requests,” he said. “First up, I need as much high-orbital data as you got. The whole lot.”
I began directing tightbeam resources to him immediately. It was an easy resource to exchange - it wasn’t like there was anyone else out to talk to anymore. When we lost FTL, we found ourselves very, very alone.
“Second,” he said. “Right, I know I’m gonna sound like a princess right now, but I have been stuck in this stupid tin-can for almost two-years now, and I seriously overestimated how much I like synth music. If you have anything that’s analog - I don’t care what kind of string or drum or brass you play, but I’d kill to hear something without a beep in it.”
I jumped my own queue in the tightbeam, and added a short playlist that I ripped from the local web. Human Music, it was labeled. 3 Terabytes. I prayed there was something on it that he’d like.
“And third,” he said. “Third. The uh, next pilot is pretty mad at me. Turns out this will just be one of those things left unfinished. That’s all death really is, I guess - a lot of unfinished things. Let him know that he was right: He is a better pilot than me. But tell him that wouldn’t have made a difference here. Bad luck beats skill, and this luck was shit.”
I promised, and he went silent after that. We could see what data he was analyzing, and the short answer was all of it - everything from atmospheric density to troop positions and his own ship’s blueprints. He knew he had one shot at this, and that if the price wasn’t paid here, it would be paid by whoever came next.
--- --- --- --- ---
Ground control didn’t get a verbal warning that he’d entered atmosphere. Just a ping. A little here-I-am, whispered in the dark.
After that, we could keep track with visuals alone.
He hit the outskirts of the exoatmosphere in his first pass, burning bright enough to be seen with the naked eye. He caught the sparse particles like a kite, trying to shed enough speed to hit actual low orbit. Automatic telemetry updates gave us the grim news for the ship: Thermals were holding up decently, but the ablative was wearing out fast.
The entire descent brought us more than two hour’s reprieve. The Kresh hadn’t expected to see a resupply, but they knew what one meant: Get it now, get it fast, or deal with a stream of new troops. They could buy themselves ten days' time by shooting this one ship down now.
That was an eternity during a siege.
The first loop lowered the speed by about a twentieth of light. The pilot responded by pulling the ship in tighter, trying to preserve more ablative plating by trading off with thermal. Seven fighters were close enough to fire off heat seekers. I don’t think the Kresh had ever anticipated shooting down a craft coming in that hot - the missile's decoy avoidance countermeasure actually made it steer around the thing, chasing down loose pieces of shrapnel. Cooled fragments, still hotter than an engine should be at full blast. The simple mistakes bought it enough time to enter pre-orbit, and the fighters had to stop their pursuit. They weren’t willing to die to stop the ship.
Our man, on the other hand, was already committed to that course.
A third loop followed a fourth. Ablative coating went from 65% integrity, to 30%, to 5%. Telemetry scans were exceptionally detailed - the pilot was making the flyby count. The last message we got from him was simple:
Are you EMP shielded? he asked, not even bothering to encrypt the text stream. He didn’t have time to process more than that.
Yes, we replied. We knew what he was thinking, but it was still a shock to see it. The fusion torch that was driving his ship flared hot, burning through the nozzle and feeding directly into the craft’s deuterium supply. The reaction went super critical, and the resulting neutron pulse set off everything in the ship with a z-count higher than iron. Three continuous seconds of EM interference screamed through the comms as the hulk burned brighter than the sun.
The explosion itself wasn’t powerful enough to reach the Kresh ships still in high orbit, but it made enough broadband radiation to blind both sides LADAR. The man must have been a hell of a pilot - half the shrapnel went down and burned up as it entered the standard atmosphere, sacrificed to move the other half past lagrange. Standard evasion would’ve made the pieces easy to dodge, but with LADAR down, all the Kresh could do was sit still and cower as the wrath of a dead man riddled them full of holes. Our best ace had managed to shoot down seven ships before this before getting shot down himself. The wreckage of the freighter took down six.
--- --- --- --- ---
The second ship came in stealth. One second, we were holding attrition in high orbit, the next, something the size of a small station came ripping through the atmosphere.
It did the same trick as the former - swapping between ablative and thermal loads, coming down at a speed that the Kresh fighters didn’t even try to match. Armies could be built in years, but skills like this took decades.
Telemetry connection was established almost as an afterthought. The way the ship casually ate through ablative armoring made my eyes water, but the pilot himself seemed pretty non-plussed.
“You’re down to fifteen percent coverage. You need-
“What I need,” he said, “is to see the previous ship’s telemetry as soon as I land. And I don't need your help landing it.”
He cut off my chance to reply by flicking the channel off. We watched, and we wrang our hands, but sure enough he came in six minutes later with 4% of the ablative left.
I met him on the landing pad. Under normal circumstances, we’d have needed twenty-four hours for the craft to cool enough to even approach, but we’d had cryo ready just in case. Three tankers of nitrogen, and the loading area, at least, was cool enough to touch. Safety would have to take a backseat to speed here - we needed the supplies fast.
But those both would take a backseat to a promised conversation with the second pilot. He was out of the craft as soon as the air was cool enough to avoid scalding his lungs, picking through the workers to try and find who had the telemetry data.
I found him first. The drive went into his hands, but I needed to keep my promise with Eric before letting go.
“You’re better than the first pilot,” I said, and I wasn’t lying. If the previous flier had been a saint, this one was a god. “But you wouldn’t have been able to manage the landing either. There just wasn’t time.”
“Let me see,” he said, tugging on the drive. “Just let me see. I have to know I couldn’t do it either. I have to know that someone had to die.”
I let go of the drive and he stalked back into his ship. I didn’t follow. I figured I’d pushed things far enough.
--- --- --- --- ---
The second pilot left the ship six hours later. He looked bleary in a way that put me at ease. I’d been up the last six hours directing supplies from the ship. Everything from ground-to-orbit rails to AGI targeting systems was inside - to call it gamechanging would be an understatement. It was good work, but I was tired, and I didn’t want to have to pretend otherwise. Seeing the other man with bags under his eyes meant we could just be frank with each other.
“I couldn’t have managed it,” he said, half-ashamed, half-relieved.
“It just wasn’t possible,” I agreed.
We sat there a moment longer. I didn’t mind the break. This was time well spent.
“Did it hurt?” he asked finally.
“Ablative failed before heating,” I said, which was the technical way of saying no. “He overloaded the reactor before the ship actually broke up and did some kind of slingshot maneuver - hit the main body of the Kresh fleet with half a space station’s worth of shrapnel.”
“Good,” he said.
I knew the signs. The tremor in his cheek, the way his jaw clenched - it wasn’t professional, but I hugged him anyway. Let him have the dignity of choosing to weep instead of having it wrenched out of him.
It was a gift we’d all been given at some point in this war. At least now, there was the hope it could be over soon.
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