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@littletramp
A Woman (1915) dir. Charlie Chaplin
The Circus (1928) dir. Charlie Chaplin
Musso & Frank Grill has been a favorite haunt of Hollywood actors for over 100 years. The restaurant opened on September 27, 1919, and remains incredibly popular to this day.
When Musso & Frank opened its doors on iconic Hollywood Boulevard in 1919, it was at the center of a new universe: film entrepreneurs, new studios, rehearsal spaces, radio stations, and record labels all converged on the heart of Hollywood, so Musso's became a place for a quick bite between acting classes, radio appearances, or studio meetings and auditions.
Charlie Chaplin and friends Douglas Fairbanks, Mary Pickford, Paulette Goddard, Groucho Marx, Mack Sennett, Buster Keaton, and others also frequented Musso & Frank Grill. Charlie would ride his horse to Musso's for his favorite lunch â grilled lamb kidneys with bacon, prepared by Musso's first chef, Jean Rue, who headed the kitchen for over 50 years.
Apparently, Charlie Chaplin â as legend has it â challenged Douglas to a horse race on Hollywood Boulevard, and the winner had to pay the bill at Musso's. Charlie won and enjoyed a plate of roasted lamb kidneys.
The restaurant had a clubby atmosphere back then, far from the naive and flashy establishments in the city.
Below are a few photos of the restaurant from both the present and the past, including Charlie Chaplin's famous haunt, which is the most coveted spot by today's patrons, and I'm not surprised at all.
"The Pinch of Poverty" 1891
When I saw this painting by Thomas Benjamin Kennington* I immediately thought of "City Lights".
It is on a corner like this, with wrought iron gates and a wall to sit on, âthe trampâ first encounters the beautiful blind girl selling flowers.
Artist's work depicts much of the South London of Charlie Chaplinâs youth, Charlie threads through many of his films scenes reminiscent of his boyhood in South London.
*Thomas Benjamin Kennington (7 April 1856 â 10 December 1916) was an English genre, social realist and portrait painter. Some of his others paintings along this line, âHomelessâ (1890) & âOrphansâ (1885) (x).
Gloria Swanson as Norma Desmond as Charlie Chaplin in Sunset Boulevard (1950)
The Kid (1921)
Modern Times Charles Chaplin. 1936
Road 7592 Sierra Hwy, Santa Clarita, CA 91390, USA See in map
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Boss makes a dollar, I make a dime, I make memes on company time.
Whereâs the third and fourth horseman?
My time has come
One more, and they will be complete
Does this count?
FOUND THE FOURTH HORSEMAN
Daisy and Cookie The Cutting Sisters". Photographed by Alfred Cheney Johnston, c. 1920s.
The 78th edition of the Cannes Film Festival in France has begun, taking place at the Palais des Festivals from May 13 to May 24, 2025. This year, actress Juliette Binoche will be the head of the jury of the prestigious event.
This year's CANNES CLASSICS opened with a never-before-seen, 4K restored version of Charlie Chaplin's The Gold Rush. âAs we celebrate 130 years since the invention of the Lumière brothersâ cinematograph, Chaplinâs much-loved classic â blending adventure, romance and comedy â will mark its centenary with a special premiere on the Croisette!â - said Cannes festival director Thierry FrĂŠmaux. Following its Cannes premiere, the newly restored âThe Gold Rushâ will be released in cinemas worldwide simultaneously on 26 June. Organized by mk2, the global rollout will include more than 250 screenings spanning over 70 territories on the same day. To accompany the re-release, a new international poster has been unveiled, presenting a fresh design that aim to honour the timeless image of the Tramp. âWe have been working on Chaplinâs oeuvre for nearly thirty years, with the goal of giving back to each and every film all the beauty originally imagined by its author,â said Gian Luca Farinelli, director of La Cineteca di Bologna. âEach of Chaplinâs feature films has etched itself into the memory, cultural formation, and sentimental education of several generations of people. What more can Chaplin tell us? To answer this question, one must watch his films and realize that contemporary audiences laugh at the very same scenes people laughed at a hundred years ago.â âWe are delighted to see this centennial release made possible through our long-standing collaboration with mk2 Films, Cineteca di Bologna and LâImmagine Ritrovata, ensuring that audiences worldwide can rediscover the film with unparalleled clarity,â said Arnold Lozano, director of Roy Export. âAudiences will experience the filmâs rich detail, emotional depth, and its perfect blend of adventure, comedy and romance on the big screen like never before.â
First released in 1925, âThe Gold Rushâ â featuring Chaplinâs memorable âroll danceâ â was met with instant critical acclaim. In 1942, Chaplin re-released a âtalkieâ version, featuring sound effects, music and narration, which would receive two Academy Award nominations (the original out four years before the first Oscars). In 1992, the film was selected for preservation in the National Film Registry by the Library of Congress as being âculturally, historically, or aesthetically significant.â
Restored to 4K "The Gold Rush" will be shown at the Cannes Film Festival in May then released globally on June 26th which is the 100th Anniversary of it's premiere at the Grauman's Egyptian Theatre, Los Angeles.
Frank Viva's cover of the latest (April 21, 2025) issue of The New Yorker, with its homage to the legendary globe scene in Charlie Chaplin's The Great Dictator, is pretty awesome.
Chaplin: "If $25,000 dollars a year is communism then a lot of people in the United States will vote for it!" The entire room, knowing how much the american government hates communism:
Marlene Dietrich in Shanghai Express (1932). The butterfly lighting was used by Josef Von Sternberg to enhance Dietrich's features, and the shot became one of the most iconic in Hollywood history.
At Essanay with the beautiful Edna Purviance by his side, she brought out the playful, caring and romantic side of him which was very different from the Keystone tramp who was introduced in 1914 who was vulgar, crude and a bit of a skirt chaser. Edna remained his only leading lady for his next approx. 34 films 1915-1923.
With his first masterpiece called appropriately enough âThe Trampâ â his comedy and pathos started coming together, with more breathing room he was able to become more creative and experimented with bits in his films, some he never employed again - showing his fascination with nude statues in âHis New Job, âA Jitney Elopementâ and âWorkâ, car chase in âA Jitney Elopementâ, camera angles and effects in âHis New Jobâ, âWorkâ and âPoliceâ, a look at famous Karno sketch with âA Night in the Showâ and in âCarmenâ a Burlesque on a much seen play/film, he finally showed the critics, as the end of âCarmenâ reveals, that had he chosen he could very well have been a dramatic actor .