Liubov's drawings @liubovdrawings - Tumblr Blog

gorryb

Ralsei if he couldn't control his anger

omorifapclub

Cactiflower pls(when requests are open of course) c: *blinks cutely*

Kel are you sure you really want that one...? Ok man... Give it your best shot...!

liubovdrawings

OH.MY.GOD. CACHIFLOWERR AND OMORI BY MY OLD FAV DR AU MAKER????

deltapocalypse

To be clear the reason why this comic has been on hiatus is not lack of interest or forgetting, it’s because we want to plan out the story and… Like… it’s fun to make up B AUs with your own theories but I don’t want to end up fully contradicted or have to retcon because of canon, yknow? So uhhh see us again when the story is actually clear :’)

liubovdrawings

WHAAA, So THIS AU IS NOT DEAD (I LOVE IT)

sourlookinpaper

Hehe cornball oming through ◡̈

INK IS NOT MY CHARACTER!!!

Can you believe I can't keep constant for a sec in my life? I mean- posting-wise

But like, c'mooon it's also bc I, uh, have exaaaams

So I don't draw finished pieces

So I don't post any pieces

So my account goes dead for two whole months...

Great 👍🏽

(a table I'm working on for the last exam of this session)

My beloved sweeties 💗 (Besh and kjm are my OCs :>)

#digital art #vent #artists on tumblr #artist life #student life #I wanted to be a freelancer before I realized it's more or less impossible #ngl if I have whole free days I would put myself to work on animations and digital art every day #but this ain't the case #ok bye #oc drawing #drawing

BABIESSS

behindnightmaresanddreams

splodey-goat

scp-threats-is-back

usernameichoseonawhim

I love how tumblr users play with Jorge I mean jpegs not Jorge who the fuck is Jorge

Spiders jpg

Woah dude

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malicious-screaming-sentinel

evilfuckignskeleton

kianamaiart

Hi! I admire your work a lot, but I've been curious about a thing:

Pilots like the ones from Glitch didn't seem to need more than an episode before they attempted to sell it commercially for a greenlight.

Does IDWTBMG really need 3+ episodes to make it viable? I thought your focus for now would be the lawyering and trying to stablish deals with potential studios, so you wouldn't need to spend more money to work on something they could be paying you for already.

But I am not familiar at all with the industry, so I'm curious why is producing more episodes out of your pocket your current push instead of getting the burocracy out of the way.

I don't know how long people think it takes to pitch a show and get it greenlit but it's not a short process nor is it easy. It's not as simple as taking a pitch to a studio and asking if they want it and if they do then production starts.

GLITCH produces their own pilots and when they make it, they know it's a concept they already want to take on, it's just a matter of budget. When you pitch your own concept elsewhere, it's months if not years shopping around, looking for the right studio, it's months of negotiations if they like your idea, it's several more years of development and making sure creator and studio creatively align and then actually making the show which also takes years.

My representation and I have been been in nonstop talks with studios and production companies since the pilot came out last year. While I have received offers, this isn't something you just rush into. Even if you get greenlit for development that doesn't mean you're greenlit for series. The industry is incredibly unstable right now and I'm not trying to end up in a situation where a studio owns my idea, decides they want to drop production and then I'm left legally unable to take the show further. It's also important to go somewhere that I feel will give me the resources I need as well as somewhere that will allow me to creatively do what I want without changing too much. This is much harder to do than people think.

This stuff takes forever and I don't want to go radio silent in that time in case it leads to nothing. I figure it's best to do what I can and understand that if I can show a consistent level of work with a consistent fanbase on my own, it gives me more leverage in negotiations and a higher likelihood of series greenlight.

liubovdrawings

Honestly I think that it's only fair to be very careful when on the table is a project that carries memories, creativity, effort and one's soul in it.

I, personally, am very jealous of my little works, as such I would never want them to be modified against my perspective. I'd rather a collaboration in which the "two" of us, hypothetical company and me, resonate with ideas, despite the little changes the stories could go through.