My idea for one portion of the gallery:
Everybody's picture is printed out (possibly their icon from their ABTW Tumblr) and then writes whatever identifiers they feel are important to themselves (either relating to this project or just in general). I was toying with the idea of using hashtags to show how we utilized social media to connect with other people (although that might feel a bit hokey and annoying, so it's not really an integral part of my idea).
"When scholars theorize reflexivity, they are making a case for how the social slots into which researchers can be placed shed light on the kinds of presuppositions and biases they bring with them to the ethnographic moment. In this context, one’s social identities are grocery-listed as a technique for exposing one’s ideological cards. If one is writing or filming about race, class, gender, and/or sexuality, it becomes imperative that one reveal one’s own particular inhabiting of such categories, especially since such habitation can determine what one will and will not see. However, that is just the beginning (not the end) of the reflexive impulse, of what’s important about such self-revelatory maneuvers, of why reflexivity has theoretical and heuristic purchase." (John Jackson, "An Ethnographic Filmflam: Giving Gifts, Doing Research, and Videotaping the Native Subject/Object"). This does present the problem of do these buzzwords pigeonhole the researchers too much (i.e. too much of a grocery-list)? I tried to fix this concern by adding as much and especially things that don't directly correlate to the research, but it might still seem like a list that doesn't provide any context.
The idea of process pieces that Kelly presented today. Who we are is our "process"
This relates back to Jean Rouch's recognition of the process and reflexivity.
Kelly's list of "ingredients" for her video "The Culinary Ethnographer" ("Ingredients: Pasta shells, Culinary school, Onion, Towson University, Tomato sauce, Anthropology, Butter, Blogger, Olive Oil, South Africa, Salt, Parents, Pepper, Squarespace, Egg")
The way the JACQUES Initiative and Star Track talk about certain identifiers as "risk factors" not social categories. (In my mind I'm calling this idea #whatareyourriskfactors? but I don't think that really fits with the deindustrialization or gentrification aspects of the project)
In today's talk, Kelly said something about how she wanted to show not just the people, but their environments as well, which is why she photographed the entire kitchen through a time-lapse. This reminded me of a mental or personal environment that surround us constantly no matter in what physical environment we are.
Obviously, the way Kelly wrote on her projects. Again, I think this reminds the viewer of the constant presence of the creator (in a Rouch-esqe way)
Kelly also included a slide of David Hockney which we could also try to emulate if we took the picture of the entire group and gave it a similar collage/puzzle effect