Forest of the Dwarfs in White Flowers by 春風

Product Placement
Peter Solarz
cherry valley forever

#extradirty

@theartofmadeline
Cosimo Galluzzi
we're not kids anymore.
Lint Roller? I Barely Know Her
todays bird

pixel skylines

Janaina Medeiros
Claire Keane
Game of Thrones Daily
One Nice Bug Per Day
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
dirt enthusiast
No title available
Monterey Bay Aquarium
Mike Driver
seen from Netherlands

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seen from France
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seen from United States

seen from United States
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seen from Germany
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@loonavelvet
Forest of the Dwarfs in White Flowers by 春風
no, i don’t have a “dream job.” i want to spend my days reading and writing and lazing in the afternoon sun. i want to bake bread and brownies and apple crumble. i want to grow my own vegetables and plant a rainbow of flowers. i want to be with nature. i want to be at peace.
Border embellishments from Little Red Riding Hood, Trina Schart Hyman.
there’s something very beautiful about being able to try again tomorrow
I have been trying tomorrow for the past 3 years
and you still have tomorrow to try again
Ireland, West Coast, County Kerry, 1988 by Harry Gruyaert
“Rose’s Look” by Emile Corsi, 1878
Hot take: I don't care if someone "contributes to society" or not. They are a person and still deserve human rights, food, and shelter.
Eustache Le Sueur, Bacchus and Ariadne (1640) — detail
Caspar David Friedrich, A Walk at Dusk (detail). German, 1774 - 1840 (about 1830 - 1835). Oil on canvas.
fuuuuck i just realized that the future idealized version of myself cant exist without current me being the catalyst for change and doing hard things. has anybody heard about this
okay. enough jokes. i'd like to take shelter in the warmth of your gaze now
Axonometric Realism | Beate Gütschow | Socks Studio
Beate Gütschow is a German contemporary artist who works primarily through photography. In her work, she analyses the complex and ever-changing relationships between perception, representation and reality.
For her series HC, Hortus Conclusus, she delved into the subject of “Enclosed gardens,” a recurring iconographic motif in Renaissance and Medieval paintings which would depict an idyllic scene contained in the space of a fenced or walled green space inaccessible to an exterior public.
John Cimon Warburg autochromes of cows on Saltburn Sands, 1915.
Morphological differences between thorns, spines, and prickles
Gzhel Porcelain Borzoi
love letter from 1913 that opens up to form an art gallery