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er (1994)
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KIROKAZE

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PUT YOUR BEARD IN MY MOUTH
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i don't do bad sauce passes

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@luceat-eis
âïžïž ao3 masterlist âœ
stranger things
Fire and Rain (multi-chapter, WIP)âtumblr | ao3 The Deal (one-shot)âtumblr | ao3
er (1994)
Steamroller (one-shot)âtumblr | ao3
I got a label maker for my small business and am using it for very serious business purposes
Marta Cors | instagram | prints | more prints
The Knight of the Flowers (1894)
â by Georges Rochegrosse
my moon and stars đ«
i think the worst thing about the whole âanti-wokeâ culture is how itâs not only dumbing down people (folks are literally forgetting pronouns are an actual word class, an inseperable part of grammar and everyday speech) but also praising meanness and insensibility above all. it has managed to make malice and unkindness synonymous with factfulness and reason as if intelligence didnât stem from emotions. as if feelings werenât the very core of human beings. as if knowledge wasnât achieved through passion, sympathy, and open-mindedness. as if the whole crux of this entire anti-wokeness movement wasnât rooted in pure unadulterated emotion of hatred and hostility.
Please make a post about the story of the RMS Carpathia, because it's something that's almost beyond belief and more people should know about it.
Carpathia received Titanicâs distress signal at 12:20am, April 15th, 1912. She was 58 miles away, a distance that absolutely could not be covered in less than four hours.
(Californianâs exact position at the time isâŠcontroversial. She was close enough to have helped. By all accounts she was close enough to see Titanicâs distress rockets. Itâs uncertain to this day why her crew did not respond, or how many might not have been lost if she had been there. This is not the place for what-ifs. This is about what was done.)
Carpathiaâs Captain Rostron had, yes, rolled out of bed instantly when woken by his radio operator, ordered his ship to Titanicâs aid and confirmed the signal before he was fully dressed. The man had never in his life responded to an emergency call. His goal tonight was to make sure nobody who heard that fact would ever believe it.
All of Carpathiaâs lifeboats were swung out ready for deployment. Oil was set up to be poured off the side of the ship in case the sea turned choppy; oil would coat and calm the water near Carpathia if that happened, making it safer for lifeboats to draw up alongside her. He ordered lights to be rigged along the side of the ship so survivors could see it better, and had nets and ladders rigged along her sides ready to be dropped when they arrived, in order to let as many survivors as possible climb aboard at once.
I donât know if his making provisions for there still being survivors in the water was optimism or not. I think he knew they were never going to get there in time for that. I think he did it anyway because, god, you have to hope.
Carpathia had three dining rooms, which were immediately converted into triage and first aid stations. Each had a doctor assigned to it. Hot soup, coffee, and tea were prepared in bulk in each dining room, and blankets and warm clothes were collected to be ready to hand out. By this time, many of the passengers were awakeâprepping a ship for disaster relief isnât quietâand all of them stepped up to help, many donating their own clothes and blankets.
And then he did something I tend to refer to as diverting all power from life support.
Hereâs the thing about steamships: They run on steam. Shocking, I know; but that steam powers everything on the ship, and right now, Carpathia needed power. So Rostron turned off hot water and central heating, which bled valuable steam power, to everywhere but the dining roomsâwhich, of course, were being used to make hot drinks and receive survivors. He woke up all the engineers, all the stokers and firemen, diverted all that steam back into the engines, and asked his ship to go as fast as she possibly could. And when sheâd done that, he asked her to go faster.
I need you to understand that you simply canât push a ship very far past its top speed. Pushing that much sheer tonnage through the water becomes harder with each extra knot past the speed it was designed for. Pushing a ship past its rated speed is not only recklessâitâs difficult to maneuverâbut it puts an incredible amount of strain on the engines. Ships are not designed to exceed their top speed by even one knot. They canât do it. It canât be done.
Carpathiaâs absolute do-or-die, the-engines-canât-take-this-forever top speed was fourteen knots. Dodging icebergs, in the dark and the cold, surrounded by mist, she sustained a speed of almost seventeen and a half.
No one would have asked this of them. It wasnât expected. They were almost sixty miles away, with icebergs in their path. They had a responsibility to respond; they did not have a responsibility to do the impossible and do it well. No one would have faulted them for taking more time to confirm the severity of the issue. No one would have blamed them for a slow and cautious approach. No one but themselves.
They damn near broke the laws of physics, galloping north headlong into the dark in the desperate hope that if they could shave an hour, half an hour, five minutes off their arrival time, maybe for one more person those five minutes would make the difference. I say: three people had died by the time they were lifted from the lifeboats. For all we know, in another hour it might have been more. I say they made all the difference in the world.
This ship and her crew received a message from a location they could not hope to reach in under four hours. Just barely over three hours later, they arrived at Titanicâs last known coordinates. Half an hour after that, at 4am, they would finally find the first of the lifeboats. it would take until 8:30 in the morning for the last survivor to be brought onboard. Passengers from Carpathia universally gave up their berths, staterooms, and clothing to the survivors, assisting the crew at every turn and sitting with the sobbing rescuees to offer whatever comfort they could.
In total, 705 people of Titanicâs original 2208 were brought onto Carpathia alive. No other ship would find survivors.
At 12:20am April 15th, 1912, there was a miracle on the North Atlantic. And it happened because a group of humans, some of them strangers, many of them only passengers on a small and unimpressive steam liner, looked at each other and decided: I cannot live with myself if I do anything less.
I think the least we can do is remember them for it.
I canât begin to describe how happy and flattered and a little teary I am that this just broke 100k.
I may be the actual only human being on Tumblr with a post this popular that I not only donât regret making, but am actually HAPPY whenever I notice a surge in its circulation.Â
I never intended this to gain any traction at all (youâll notice thereâs no sources or anythingâthis was a personal ramble, prompted in good humor by a friend after I jokingly said that I wished someone would give me an excuse to cry about Carpathia on Tumblr so I could get it out of my system.) I literally expected to get, like, maybe 20 likes and a reblog, from friends, indulging me in my nonsense.
It justâŠ.means a lot to me that itâs touched so many people. I see a lot of tags to the effect of âHOW DARE YOU HURT ME LIKE THIS AND MAKE ME CRY ABOUT A BOATâ that are often really funny, but overwhelmingly the tags on this post are from people saving it for a rainy day, or remarking in a sort of quiet awe that they never even really thought about her role in the storyâand God knows I never did, I learned it by complete accident much as most of the people whoâve found this post.Â
And so many of you guys are taking strength and reassurance from the reminder not only that people are capable of amazing things together, but simply that kindness matters and that a simple, tiny act of compassion is never wasted. Iâm just really glad to have been able to do that for some folks.
If I can just add one personal note. I need to emphasize something I only touched on in the original post.
I need to emphasize that Carpathia failed.
A lot of the tags and comments have a tinge ofâŠdespair, or guilt, or wistfulness about things like this happening so rarely. Or inadequacy, or just being overwhelmed or unhappy about not being in a position to step up in a comparable way. And I want to gently bring up the fact that this is still the sinking of the Titanic.Â
They did not get there in time. They did not save the ship. It can be argued that they may not even have saved a single life; we have no way of knowing. This was still a horrific maritime disaster mired in arrogance and incompetence and a lack of care.
If the response to this story shows anything, it shows this:Â It matters that they tried.Â
Even though they got there too late, even though the ship still sank. It matters that they tried. The difference between making the best reasonable speed after confirming the seriousness of the situation, and the miracle they pulled offâit matters. It makes all the difference. Even if it made no difference at all. Not one of you read this and concluded that I was stupid for caring so much when the Titanic still sank and all those people still died.
You donât have to fix the world. Youâll likely be cold and sick and miserable and testy and scared, and unprepared, and in over your head, and entirely too small to be of any real use. It feels stupid, passing out blankets and coffee in the middle of an ice field knowing what just happened. Itâs hard to feel anything but useless when all you can do is tap a wireless transmitter and promise help that you know will come too late.
It matters that they fought for those people. It matters that they cared, and it matters that they tried. It matters that they didnât stop. If it didnât matter, you wouldnât have read this far.
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May you never again get attached to anyone who isn't for you. May you find a love who makes you laugh, never lets the flirting phase end, and gives you unquestionable loyalty. You deserve a love that calms your heart and mind. And a love that never hurts you.
Sunset, near Le Croisic, by Ferdinand du Puigaudeau (1864-1930) (source)
They are currently bombing Rafah while the Superbowl is on. They are bombing 1.5million people in tents. Keep your eyes on Gaza
There are already 52 casualties mostly women and children
109 people have been killed in the past hour
estimated death toll number now is about 140
itâs looking like the iof have officially breached rafah. every palestinian i follow, most of whom have now been displaced to rafah, are posting that thereâs non-stop bombing and sounds of clashes between the resistance and the israeli army (x, x, x). the rnn telegram is also reporting that armed clashes are taking place in northwest of the city and israeli bombing is concentrated around al-kuwaiti hospital (x, x). many martyrs already (x, x, x). in palestine, the time is currently just past 2am on 12th february 2024.
You know that thing where you see a gorgeous view (left) and try to take a picture of it, but your phone camera is a joyless fucking nihilist who refuses to see the beauty in anything and only sees this (right)
As a more thorough demonstration, today the road looked like this:
(blatant paint-over of my own photo, because I needed you to see what I saw)
And my phone camera made it look like this:
prev tags WHAAAAT
ok im gonna explain it anyway bc of this sO HERE IS MY QUICK BREAKDOWN
[please note my breakdown IS android specific bc that's what i have, however i know that the settings should be SIMILAR for an iphone. i just couldn't tell you the exacts]
GO TO THE "MORE" SETTING (should be visible as soon as you open your camera)
GO TO "PRO"
PLAY WITH THE ISO, THE SPEED (shutter speed) AND THE WB (temperature)
a HIGH ISO will help brighten your photo, a LOW ISO will help dim it.
a FAST shutter speed will DARKEN your photo, a SLOW shutter speed will make it LIGHT. this will also have an effect on how your photo takes!!! the slower your shutter speed, the steadier you need to hold your phone or it WILL become blurry, but it allows more ambient light and is thus recommended for taking photos of, say, stars. a fast shutter speed is how you take photos of objects in motion, but it lets almost no ambient light in (this is where you would want to up your ISO!)
the WB/temperature will shift your photo from being more warm toned to more cool toned.
here are some examples i took of the same sky. each photo has a different ISO, Speed, and WB:
and here is a much more subtle example where I was messing only with the ISO and shutter speed:
finally, here is one compared to a photo I took at the same moment with just my phones normal camera:
(you can REALLY see the sun rays peering out over the clouds in the photo on the right, which is what i was trying to photograph!)
As you can see, the difference are HUGE even when they're subtle!!!
your regular phone camera SUCKS but it DOES come equipped with the right settings to take gorgeous photos. you just have up know what to look for!!!!!
[sidebar: NONE OF THESE PHOTOS ARE EDITED BTW!!! this is exactly how the phone took them!!!]
Every time Jack called Sydney⊠âsweetheartâ.
requested by @iris-in-the-rain
a little alias meta up in here
Instead of being unpacked and put back together, the show sort ofâŠunravels Sark. And honestly, I think itâs a sensible way to go with the character. Our interactions with him from the time we meet him are us watching him grow up. And there are two ways to go with that: he can either become a total psychopath, in which case he becomes less compelling as a character; or he can be shown to have a heart of some kind, no matter how deluded it is (which can and does de-fang him a little bit).Â
Right now (in season two) itâs believable that he acts the way he does because heâs so young and impressionable. Any child who has been trained as young as he has (because lbr, you donât get that good at combat/shooting/general nefariousness overnight) is easily indoctrinated and taught to follow. And for the moment (or maybe forever, I sort of forget), heâs loyal to Irina. He claims heâs okay with shifting allegiances but heâs learned from the best. He looks like he operates out of self-interest but I honestly think itâs deeper than that, and itâs out of some kind of weird, fucked up loyalty that only a child with manipulative parental figures and a pretty expansive skill set can have.Â
I think the easiest way to look at his character and still remain interested is to see him as a child (which, honestly, 20ish-year old men are. Theyâre still growing and maturing and learning). They didnât have to cast Sark as being that young. The suave/debonair aspect could have been easily supplied by a much older actor (and then weâd get a different weird dynamic with him and Irina and him and Sydney). The compelling qualities of Sarkâs character come from him being such a child. His relationships and actions are defined by his age, which is why by the end of the show his character has unraveled the way it has (because by then heâs nearing 30). For the first three seasons, though, heâs a boy and he acts like one.Â
The view of him being a child really makes his relationships with Irina and Sydney pretty awesome. Because he is Irinaâs surrogate son (and you could experiment a ton with gender theory here, because Irinaâs always been about molding her children into her form) he and Sydney are far more similar that either of them want to admit. I honestly think that Sark is sort of the answer to the âwhat if?â scenario of Irina raising Sydney, just as we would have gotten a much different Sark if he were raised by Jack.Â
Moreover, the way Sydney treats Sark says a lot about her self-identity and the way she sees herself. Sheâs not frightened of him, or wary of him - she's dismissive of him. She knows how he works and how dangerous he is - she knew that from the start. Especially since she starts to be the most dismissive of him after she finds out that he works for her mother. Yes, you could attribute that to the fact that heâs a little shit and everyoneâs sort of dismissive of him, but Sydneyâs attitude is particularly notable. Either she sees herself as being equally ineffectual (which Sark isnât, really) and/or sheâs jealous of his relationship with her mother and refuses to admit it (and why should she? Her mother is a cruel person and Sydney has no reason to feel anything for her other than hate - of course, since sheâs Sydney, she desperately wants to love her mother).Â
idek if I can tackle the obvious sexual overtones of their relationship. Itâs not simply stemming from hatesex, though theyâve made it obvious that theyâre more or less attracted to each other (his constant ogling of her, her admission that heâs âcuteâ); I honestly think Sydney would be turned on by that power dynamic. When it comes to him, sheâs always in charge; sheâs always her field-agent persona (which is honestly an inherent part of her that she canât just take off, like she thinks she can). Theyâre extremely physical with each other (constantly fighting each other in hand-to-hand combat) and are rarely cautious around each other. She touches Sark out in the field more often than she touches Vaughn, at first (of course, theyâre completely different kinds of touch). I donât really know where to go with that, but their relationship is this weird level of comfort that Sydney rarely has with anyone else (of course, that comfort is, âI know exactly the game youâre playing, Iâd play it myself if I were you.â)
Moreover, we can see the parallels between them by how Vaughn interacts with them. My friend totally ships Sark/Vaughn and I honestly think that comes from Vaughnâs relationship with Sydney. I think Vaughn has more insight into Sark and Sydneyâs relationship than they do, but at the same time is totally confused by his own relationship with the two of them (especially in season three - god, thatâs a fucked up threesome, inherently tangled in each other).
So we have a number of people who reflect Sydney and Sarkâs relationship: themselves, of course; Irina; and Vaughn (not even getting into Sloane and Lauren).Â
I wish I could be more articulate because Iâm suddenly giving myself all these feels but basically the tl;dr/thesis of all this is that Sark and Sydney see themselves as the same person and are treated as such by those around them.Â
This fucking show is a piece of art. I canât even.Â
like. remember when jack bristow put explosives in a building his daughter was about to walk into so he could frame his ex-wife for trying to blow up their daughter and thereby convince his daughter not to trust her mother. and then his ex-wife gets sentenced to death because of this framing and heâs just like âwell i was protecting my daughterâ but then it turns out he was also protecting himself bc he didnât want his daughter to find out that when she was a child he programmed her to be a spy and he knows that her mother would tell her but then she finds out he framed her mother and programmed her anyway and blows up at him and only after that confrontation does he turn himself in and face trial and take the opportunity to tell the court that he loves his daughter, something he has never told her???? like ok go off emotionally dysfunctional king