diligans te somnio

art/design, kpop, travel, etc.

[bluxsh]

hinauta_cafe

[likeafantasy]

♯ 14 DAYS OF LOVE .ᐟ ⌁ (13/14) ↠ how to lose a guy in 10 days (2003)

[sabrinagifs]

TEARS (2025) dir. Bardia Zeinali

[princessnamora]

Grace Kelly as Frances Stevens in To Catch a Thief (1955)

[walkinginthewnd]

SIMONE ASHLEY via Instagram

[themarchingbeetle]

[littlegirlinvisible]

MILEY CYRUS as HANNAH MONTANA For Variety (2026)

“I didn’t want to do this modern approach to Hannah,” Cyrus says a few days later at a homey, mostly empty café in Silver Lake. “I wanted to keep it preserved. But also, now Hannah wears Gucci,” she says, drawing out the word like “Gew-chee.” “She’s elevated. She’s gotta look a little less Galleria,” Cyrus adds, referencing the Glendale mall where she used to buy some of Hannah’s bedazzled tank tops and skinny jeans. But “Hannah Montana” was about much more than the fashion; it was a multimedia phenomenon that turned Cyrus into one of the most famous child stars in history.

[bienenkiste]

“In Fashion: Spring Designs”. Priscillia Ressem by Osma Harvilahti for T Magazine February 2021

[femaleidols]

FEMALEIDOLS’ MEMBER PICKS: @dazzlingkai ∟fav girl group releases : jan-june 2026

[petaltexturedskies]

Time flies—oh yes; that summer should be here again; and I still have the faculty of wonder at it. The world swinging round again and bringing its green and blue close to one's eyes.

Virginia Woolf, in diary entry dated 18 March 1928, from The Diary of Virginia Woolf, Vol. V: 1936-41

[hanguangjunn]

BIBI for RIETI

[thatssummer]

SOMI & DOYEON / 갑자기 (SUDDENLY) MV TEASER

[snowbairdd]

In solitude, I felt the liberty you spoke of. But I also felt your absence.

PORTRAIT OF A LADY ON FIRE (2019) dir. Céline Sciamma

[jakeperalta]

Zendaya as Tashi Duncan in CHALLENGERS (2024)

[jolenegifs]

ALEXA DEMIE for THE HOLLYWOOD REPORTER shot by Emman Montalvan, styled by Brynn Jones

[ryudaeng]

itzy • motto (2026, mv teaser)

[femaleidols]

FEMALEIDOLS’ MEMBER PICKS: @dazzlingkai ∟ fav girl group releases of 2025 (pt. 2) *