"The Blue Vervain flower essence is for the Type A personality. It fosters balance and an ability to relax and enjoy life. A superb remedy for stress-induced headache, neck and shoulder ache as well as eye strain caused by stress. This essence helps those who tend to overdo it find ‘the middle way’". [Link]
so when i posted the fancy event ushiten last week, there were multiple people immediately trying to get them into the met gala. since it is the season and all, I decided to doodle red carpet looks for a few haikyuu characters!! :3
(feel free to ask about the concepts, request detail shots on any of the looks, or suggest other characters!)
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
steve harrington x reader fanfiction | fratboy!steve | platonic!stobin (i promise) | mentions of cheating (but it's not real cheating) | mean!steve, playboy!steve | sort of friends to enemies to fwb to lovers | slowish burn | angst | hurt ... eventual comfort
warnings: yearning steve harrington. steves pov. mostly done in the form of letters. will they wont they......... happy ending. (I CAVED. THEY BEGGED ME OKAY THEY WERE NOT GONNA DO IT BUT...) SMUT. NOTHING CRAZY soft sex. a little spit i couldn't help it.
words: 12k
summary: When you find out your college roommate/friend robin buckley's boyfriend, steve harrington— who you thought beat all stereotypical frat boy odds— is cheating on her, you find it hard to understand why she still wants to be with him. But there is more than meets the eye. You aren't sure if you want to be roped into it.
a/n: oh.... so? this is the last chapter? this is the end of the arc besides the epi luigi.... hot shot and steve are...? wow. i have no words. this fic was probably the most taxing thing i've ever written. but so many of you guys encouraged me to keep going. it's you, the readers who kept me to continue even if you guys are insane.
masterlist | Rules/Playlist
Chapter 18
3 June, 1988
Dear Hot Shot,
I just got back from dropping off Robin at the bus station for Boston. You know I’m a tough guy. I can handle not being invited. Ha…
I was thinking about the first time Robin introduced us. Spring of 87’. I wasn’t having a good night. But I remember her shouting, “She came?” Before I knew it you were in front of us and I could only stupidly think…Pretty.
That night I was supposed to meet up with a girl, and I can’t even remember who. All I remember is you.
You were dancing with Buck. You were both so drunk, stumbling into each other and laughing. But Buck must have been worse off because he threw up all over your shoes. I was only a pledge at the time, but I remember all the guys around me tensing up, getting ready for you to lay into him. Apparently this was a common thing with Buck—he'd get too drunk and puke on people, and they'd lose it on him.
So it was a surprise to all of us when you didn't even yell at him. You only took off your shoes and gave him some water. Told him to sit down and breathe. I got stuck cleaning up the mess because that's what pledges do, and I heard you jump up and pull Robin to the floor when "Hot Stuff" came on.
As you were dancing with Robin, both of you screaming the lyrics, I thought: who the hell is she rooming with? You were only wearing your socks and dancing, and now that I think about our conversation at the lake, you really don't know how to dance. You were all arms and no rhythm, and somehow that made it better.
So then I decided you were pretty and weird.
I like that you're weird, apparently, because I was pathetically asking Robin about you nonstop after that night. Where were you from? What were you studying? Did you have a boyfriend? (You didn't, thank god.) Were you always that nice to people who threw up on your shoes?
I like that you're kind too. And god, you're so selfless. I beat myself up every day about how I took advantage of that. How I let you think you weren't good enough when really I was the one who wasn't good enough for you.
If you haven't noticed by now... I miss you.
I’m going to try my hardest not to call and check in every hour this weekend. I hope you enjoy the cookies I sent with Robin. My mom made them. I helped, so they might be extra sweet. Max says I’m too corny… I guess maybe I’m the weird one.
I told my mom about you, and she said, “The pretty one, right?”
Maybe one day I can be lucky enough to be weird with you. Where we can badly dance in our socks together.
Sincerely,
Your handsome weird friend
.-.-.-.
6 June, 1988
Dear Hot Shot,
I don’t have much to say. Again, not a whole lot going on besides Family Video. Today, however, I tried to teach Max how to drive. Maybe the next time I see you I can tell you how this punk once drove my car when she was thirteen. I should have known better.
At least I survived.
Mrs. Henderson’s petunias not so much.
How was Boston? Robin won’t tell me a whole lot. I'm trying not to be jealous that you're hanging out with everyone except me, but I'm doing a terrible job of it.
Sincerely,
Steve
P.S. Max found this mixtape I had made for you months ago, made fun of me, and then convinced me to send it to you or she would. Never thought I’d be blackmailed by a seventeen-year-old who doesn’t know how to drive.
.-.-.-.
8 June, 1988
Dear Hot Shot,
Robin told me you’ve been reading my letters.
I feel... I don't know what to feel. A part of me wishes they got lost in the mail and you never saw them, that I could take back everything I've said because it's too much, too honest, too pathetic. Then there's the other part of me—the bigger part—imagining you reading them. I wonder if it's the same way you read your books.
I think it's cute how your eyes move across the pages when you're reading, completely engrossed in whatever story you're in. How your nose scrunches when you're focused on whatever's happening in the plot. Sometimes your lips move, reading whatever out loud to yourself without realizing you're doing it.
Not that I'm staring at your lips.
OK, I look at your lips an appropriate amount of time. Can you blame me? I mean, they killed me constantly. Every time you'd bite your bottom lip when you were thinking, or smile that smile that made your whole face light up, or—
Yeah, I'm not going to finish that thought.
I always had a hard time studying when I was around you and you were like that, lost in whatever you were reading. Because then I wanted to know what was going on in your book too, wanted to understand what had you so captivated. And because I wanted to kiss you. Still do, if I'm being honest. Which I guess I am, since that's kind of the whole point of these letters.
Sincerely,
Steve
.-.-.-.
9 June, 1988
Dear Hot Shot,
You know when things changed for me? The moment I knew I really didn’t want anyone else?
Valentines Day.
I couldn't stop thinking about you that day. From the moment I woke up to the moment I fell asleep and even after, in my dreams.
You were so sick, and I remember thinking... can she get any prettier? Which is insane because you had a runny nose and messy hair and you kept sniffling. But you were wrapped up in a blanket, curled against me on your bed, and I'd never seen anything more beautiful in my life.
I don't know what did it for me specifically. Your runny nose or your messy hair or the way you kept apologizing for being gross when you weren't gross at all. I do know that when you laid your head on my chest and fell asleep, I felt my stomach tie into knots. The good kind. The kind that made me think: oh no, this is it, I'm done for.
Nothing was the same for me after that moment. Every time I hooked up with someone after that, I felt guilty. Like I was cheating on you even though we weren't together. Like I was looking for you in other people and obviously never finding you because you're you and they weren't.
Maybe it had never been the same. Maybe from that first night when you danced in your socks, I was already gone. Maybe I was always meant to meet you.
God, I hope so.
Sincerely,
Steve
.-.-.-.
12 June, 1988
Dear Hot Shot,
Did Eddie tell you Polly dumped him? He's been OK, I think. Or he says he's OK, which probably means he's not OK but doesn't want to talk about it.
Last night we went to Hawkins' finest establishment—The Hideout. It's this dive bar that smells like stale beer and cigarettes, but Eddie and his band play there a lot. Except since his breakup, he's been kind of in a rut. He says he has "inspiration constipation." I call it sulking.
Then I thought… is this how Eddie and Jonathan thought about me all those months? When I was moping around about you? They both can smell my "bullshit" a mile away... ha. Guess I wasn't as subtle as I thought I was being.
Besides Eddie being a downer, I had a good night. It would have been better if you'd been there. Nancy came too, and even though her and Robin are still careful in public, I feel happy they can look at each other freely now. No more hiding. No more pretending.
The news of the "break-up" here in Hawkins was gossip for weeks. Apparently the whole town had an opinion about it. My mom's friends kept calling to check on me, asking if I was OK, if I needed anything. It's fizzled out by now, though. People found other things to talk about.
Kind of humiliating how much of a big deal we made it out to be. All that stress and lying, when we could have just been honest from the start.
The Hideout has billiard tables. If you ever decide to grace us… me… with a visit to Hawkins, maybe I can take you to play. Can you hear the desperation in my handwriting? That I kind of really want to see you?
I’m not sure how I can be more patient when the others… even Dustin? Have heard from you.
But I’m trying. I really am.
I guess I’m sulking too.
Sincerely,
A desperate man
.-.-.-.
15 June, 1988
Dear Steve,
Thank you for the letters. As for billiards. Do you remember what happened the last time we played? I don’t think you’re ready for round two.
And thank you for the cookies. That was sweet of you and they were delicious.
-Your friend
P.S. I am glad to hear about your glasses.
.-.-.-.
20 June, 1988
Dear Hot Shot,
Is it true you're coming to Hawkins for Independence Day? Robin mentioned it, but I wanted to make sure before I got my hopes up.
I can't deny that I cannot wait to see you, but I want to make sure you're OK with me being around. If you're not, I will literally chain myself to my bed until you leave town. Lock myself in my room. Avoid all public spaces. Whatever you need.
For my sake, not yours. I don't think I could handle seeing you and not being able to talk to you.
I'll be OK though. I promise.
I don’t really like fireworks, if I’m being honest. They’re too loud. When I was a kid I used to cry everytime they went off. Eventually my parents just started leaving me home with a babysitter on the Fourth of July so they didn't have to deal with it.
Remember that story Max told you about me accidentally popping a Hopper in the ass with a firework? It’s because I jumped at the noise.
Anyway, I'm also trying to act cool about the fact that you wrote back and that I haven't totally read your letter over and over again... or memorized your handwriting... or folded it up and put it in my wallet so I can take it out whenever I'm missing you most.
To paint the picture… it's a lot. I take it out a lot.
Robin caught me reading it at work yesterday and made fun of me for another twenty minutes. I'm never going to hear the end of this.
Sincerely,
Steve
.-.-.-.
24 June, 1988
Dear Steve,
Yes, I'm coming to Hawkins for Independence Day. It didn't take much for Robin to convince me. She says there's a huge carnival with rides and games and apparently the best funnel cake in Indiana? It sounds like a lot of fun.
I’d hate for you to miss something fun.
I can’t wait to properly catch up!
-Your friend
.-.-.-.
Steve has never been this nervous since he kissed you in the tent back in March.
Back then, he kept thinking over and over about how long it had been since he had really kissed someone—not counting that makeout session at the Mardi Gras party, which barely counts anyway. Sure, he'd kissed you then, but after confessing he only wanted you, after everything that's happened since, it had felt like his first kiss all over again. Like he was thirteen and terrified and has no idea what he's doing.
Now, his stomach is tied in knots, twisting and clenching every time he so much as glances in your direction.
You're sitting across the pool at his parents' house, and he can't stop staring.
Everyone is here to swim—the kids are running around screaming, cannonballing into the deep end and playing chicken in the shallow end. Max and Lucas are floating on inner tubes, holding hands when they think no one's looking. Dustin keeps trying to dunk Mike, who's protesting loudly. Jane is sitting on the pool steps with Will, both of them talking quietly and watching the chaos. Jonathan and Nancy even came in for the weekend, lying on lounge chairs and looking more relaxed than Steve's seen them in months.
Everyone is here, but to Steve, he's forgotten they exist.
He feels like a schoolboy with a crush. Like Tommy H. in eighth grade when he got obsessed with Carol, following her around like a puppy and blushing every time she talked to him. Steve had made fun of him for it then. Karma's a bitch.
You're trying to be polite, making an effort to talk to him. But every time you do, he stumbles over his words like an idiot, then walks away to grab another beer from the cooler just to have an excuse to escape. He's on his third beer and it's only two in the afternoon.
It's the day before the Independence Day carnival, and all Steve can think about is how much he loves you.
He was terrified you'd come to Hawkins and tell him you'd gotten over it. That the distance helped you realize you don't actually want him, that you're better off without him, that being friends is all you can manage. But the moment you walked in the door with Robin yesterday—his heart already racing because Dustin had warned him over the walkie-talkie that you'd been spotted at Benny's Burgers with Robin and Nancy—he met your eyes, and he could see it.
The flash of softness. The way your lips upturned at the sight of him. The slight hitch in your breath that he caught even from across the room.
He felt himself blush, felt his hands start to sweat like he was back in high school asking someone to prom.
But then there was another flash—recollection, memory, pain. Letting him know there's still hurt there, still wounds that haven't fully healed.
You look like nothing but sunshine right now. Feet dangling in the pool, sitting next to Max on the pool deck, talking about something that keeps making both of you laugh. Steve can't help but look at the tattoo on your hip—"Hot Shot" in slightly crooked letters, visible when your swimsuit shifts. And god, why is it the sexiest thing in the world to know that his nickname is permanently marked on your skin? His girl. Even if you're not his girl yet. Even if you might never be his girl again.
He can't help but notice how your thighs press against the pool deck, how the flesh of your ass mushes slightly on the concrete, how your shoulders are changing color from the sun despite the sunscreen you applied. He hopes his sunglasses hide the way his eyes are glued to your every move, the way he's cataloging each smile and laugh and gesture like he's studying for a test.
He wants to make you laugh again, wants your hand to fall carelessly on his shoulder like it used to. Wants to see your eyes twinkle the way they do when you're really happy—like the stars themselves, bright enough that there's no need for the sun or moon or artificial light. Like you contain all the illumination the world needs right there in your irises.
He's been a little lonely since he came home for summer, if he's being honest with himself.
His dad has begrudgingly talked to him—short, clipped conversations about Steve's GPA and his major and whether teaching is "really what you want to do with your life, son." The disappointment hangs heavy in every word his father speaks, and Steve's stopped trying to defend his choices. There's no point. Not to mention the whole lying about his long-term relationship with Robin.
He doesn't go over to Robin's house as often anymore. Her parents are accepting and understanding, they really are, they've been great about everything, but it's still a fresh wound for everyone. The revelation, the lies, the year-plus of deception. Robin doesn't come over to Steve's as often either, only showing up when everyone else is there too, when it's a group thing and not just the two of them.
It's weird. In a sense, it does feel like a real breakup. Without all the awkwardness and tension that comes with romantic breakups, but with the same sense of loss, of figuring out who they are beyond the roles they played. Trying to remember how to be just friends when they've been "dating" for so long.
It's been ages since Steve's been actually single. Technically single and not sleeping with anyone. He can admit there have been a few girls from high school who stuck around Hawkins—girls who come into Family Video and flirt with him, twirling their hair and asking for movie recommendations in voices that suggest they're not really interested in movies at all.
But he doesn't know how to reciprocate anymore. Doesn't know how to flirt back when he's not interested, doesn't know how to let them down easy without being an asshole about it.
Least to say, Keith says Steve's the worst at customer service now and makes Robin handle most of the customers. Which is probably fair.
Back at college, it was easy to fall into the confidence that comes with flirting fueled by lust. By knowing you're going to hook up with someone and that's all it is—bodies and pleasure and nothing deeper. But when he discovered the part of him that loves someone, really loves them, it rewired every bit of his brain. There's something more dangerous about approaching a girl—approaching you—with the heavy feeling of aching and longing to be something more. It rattles him, makes him nervous and awkward in ways he hasn't been since middle school.
Steve tries not to be jealous when Eddie pulls you into the pool, both of you splashing and laughing, Eddie picking you up and threatening to dunk you under. Steve knows Eddie wouldn't do anything— Eddie knows how Steve feels. Eddie's a good friend even when Steve hadn’t been for the past few years.
But Steve can't help the tightness in his chest. The same tightness he felt when you kissed Eddie as a dare in the basement of the Pike house, even though he had no right to feel jealous then either. It was just another moment to catalog— Steve Harrington being a dingus and not seeing the truth of his feelings.
Steve gets up from his pool chair, his thighs slick with sweat, the hair there clinging to his skin. He walks inside to cool down from the summer heat, lifting his sunglasses up to rest on top of his overgrown, messy hair that badly needs a cut.
He knows he's sulking. He knows it would be unfair to pout in front of you, to make you think he wants to rush you into forgiving him before you're ready. But he can't stop thinking that maybe there's hope. That maybe the way you looked at him yesterday when you first walked in means something.
He goes to his mom's tea room—a small sitting area off the kitchen with floral wallpaper and too many decorative plates—and sits on the piano bench, pulling the blind aside slightly to see the view of the backyard through the window.
He notices you're not out there anymore. And he's annoyed with himself that he's relieved to see Eddie is still in the pool, now terrorizing the kids by threatening to throw Dustin's hat into the deep end.
"Thought you told Nancy you were getting another drink?"
Your soft voice filters in from the doorway, and Steve's heart nearly stops.
He twists around awkwardly on the bench, already smiling before he can stop himself. He's not sure what to do with his hands—they move around uselessly before he finally settles them between his legs, gripping the edge of the bench, looking up at you.
You're wearing denim shorts now, cut-offs that are frayed at the hem, and an oversized t-shirt over your swimsuit. Your hair is damp, curling slightly at the ends from the pool water. He can smell the sun on your skin, that particular scent of sunblock mixed with chlorine and something underneath that's purely you. The smell gets stronger as you walk into the room, looking around at all the different collections his mom has accumulated—teacups on shelves, decorative plates on the walls, a shelf of crystal figurines that Steve's been terrified of breaking since childhood.
You smile at him again, and his stomach flips. You point at the spinet piano against the wall. "That's cool. Does your mom play?"
Steve looks over his shoulder at the ivory keys, yellowed slightly with age. He smirks, quirking an eyebrow. "Why do you assume my mom?"
You laugh—that beautiful laugh that makes his chest expand, that makes him feel like he could float right off this piano bench. You tilt your head, crossing your arms. "Your dad doesn't really strike me as someone who could tell what a musical note is if it hit him in the face." You pause, probably thinking about that disastrous dinner. "And I only met your mom once, but... I feel like even though she likes nice things, she wants to enjoy them. Not just own them."
Steve smiles, genuinely pleased that you saw that in his mom. "She used to play. Not much anymore. It's probably out of tune by now." He pauses, choosing his words more carefully. "Robin and her would do duets when we started..." He trails off. Being friends, he finally settles on. Not dating. Not in a relationship. Because it wasn't real, and he doesn't want to treat it as such now.
He thinks for a moment, then adds, "But I took lessons when I was seven. For about six months. Never practiced, though, so it was okay because then my dad said it was a useless talent for a boy to have anyway."
Your eyebrows furrow, and Steve wants nothing more than to reach out and smooth the crease with his thumb. He clasps his hands tighter between his legs to stop himself.
"Do you remember any songs?" you ask.
He cracks a smile, falling back into the safety of humor. "You kidding? In high school I'd bring chicks over and play them a few chords of 'Chopsticks' and they'd think I was Mozart."
You throw your head back laughing, corners of your eyes crinkling, and Steve thinks he's won at life just being able to hear it. Probably the prettiest sound in the world, better than any music the best piano player could make.
Then you say, walking closer, "Okay. Show me."
Steve's mouth falls open. He rubs the back of his neck, closing one eye nervously. "I was kidding. I don't actually remember anything."
You giggle, that softer laugh, more intimate, and walk over to the bench. He watches your eyes fall on his bare chest, then down to his stomach. The way he's sitting, the soft skin spills over the top of his swim trunks slightly, creating a small roll.
In most cases, he'd feel self-conscious. Most girls he's been with, he's always turned off the lights or kept his shirt on or made sure there was minimal interaction with his body. Billy used to call him soft, would poke at his stomach in the locker room, and even though Steve knows Billy was an asshole, the words stuck.
But with you, he wants to be seen. Wants you to look at all of him—the parts he's proud of and the parts he's not. He watches how your pupils dilate slightly, how your breathing changes when you look at how his stomach flexes as he adjusts his position. You notice. And he always wants you to notice him, wants your eyes on him like this.
You look shy now, a flush creeping up your neck as you walk to the other side of the bench and slide in, facing the piano. Steve follows suit quickly, turning to face the keys.
He's patient, or trying to be, but he still scoots a little closer, making his thigh touch yours. If you move away, he won't try again. Won't push.
He feels you tense for a moment, but you don't make an effort to move. That has to mean something, right?
"Okay," you say softly, and he can hear the slight tremor in your voice. "Put your two fingers here."
Steve looks at you instead of the piano, taking in the slope of your nose, the curve of your cheek, the way your eyelashes cast shadows. Then he does as you said, placing his pointer and middle finger on the keys you indicated.
He hears you take a deep breath in, and then you grab his wrist.
His brain stops working at the touch. It's been so long since your soft hands have met his skin—not since that night on the swings, and even then it was brief, careful. He remembers when you slapped his cheek in Miami, then a few weeks later put your hand on the same cheek in comfort at the bonfire, telling him you love him. It still burns, both memories. The sting and the tenderness.
You start pressing his fingers down on the keys, creating a simple melody he vaguely recognizes. Maybe "Twinkle Twinkle Little Star" or something equally basic. But he starts laughing because he keeps slipping his fingers on purpose so the note comes out wrong, and you have to start over.
"Steve," you say, trying to sound annoyed, but you're laughing too. "You're doing that on purpose."
"Am not," he lies, grinning.
"Are too."
"Prove it."
You laugh again and grab his wrist tighter, repositioning his fingers with exaggerated care. He's finding every excuse to be held by you, to have your skin on his, even if it'll be gone in a moment. Even if this is all he gets.
He really is a dingus.
When the song is over—played correctly this time because you wouldn't let him sabotage it again—you let out a happy sigh. Slowly, carefully, you take your hands away from his wrist. You scoot over slightly, just an inch or two, so his bare thigh is no longer pressed against yours.
The loss of contact feels like a physical blow.
You're looking at the keys, not at him, and Steve makes no effort to hide that he's staring right at you. Drinking in your profile, memorizing the way the afternoon light comes through the window and illuminates your face.
He could do what he really wants to do. Could ask if you've forgiven him yet, if you're ready to give him another chance. Could reach out and tilt your chin up with his finger, lean in and kiss your lips the way he's been dreaming about for months. He’s trying not to be selfish.
But instead, he forces himself to look straight ahead at the piano keys too. Swallows hard. "We should, uh... head back out, you know? Before they wonder where we went."
There's a flicker of disappointment in your eyes—he sees it, brief but real—but there's mutual agreement in the way you say, "Yeah. We should."
So you both stand up, and Steve steps to the side, offering an awkward half-hearted smile. He extends his arm in an exaggerated gentlemanly gesture, motioning for you to go through the door first.
As you walk past him, he gets a full breath of your shampoo—something floral and sweet—and the smell of chlorine and sunscreen that clings to your skin. His other hand hovers over your lower back, not quite touching but miming the gesture he wants to make, the way he used to when he wanted an excuse to touch you. But he can't. Not yet. Maybe not ever.
So he waits for you to walk completely out of the room, nearly back toward the sliding glass door that leads to the backyard, before he follows several feet behind.
Dingus, he thinks to himself, shaking his head.
Max looks up when you both emerge outside, her eyebrows raised knowingly. Eddie glances over from the pool, treading water, and gives Steve a look that clearly says smooth move, lover boy.
Steve ignores them both and goes back to his lounge chair, grabbing his fourth beer of the day, and trying very hard not to watch you sit back down next to Max.
He fails miserably.
.-.-.-.
6 July, 1988
Dear Hot Shot,
You left today. I'm sorry I couldn't say goodbye to you properly.
Stupid Keith scheduled me for a double shift and wouldn't let me leave early even though I told him it was important. He said, and I quote, "Your personal life is not my problem, Harrington." So that was fun.
I hope you enjoyed your stay. It felt like it had gone by too fast.
I know I didn't come hang out with everyone yesterday at the lake. I wanted to. I really did. But I guess I'm still figuring things out too. Figuring out how to be around you without wanting to pull you aside and kiss you senseless. Figuring out how to be patient when all I want is to be with you.
Can you blame me after the carnival? I mean, if you saw what I saw, you’d be in the same pathetic boat that I’m sailing right now.
I’m sorry I got all grumpy towards the end of the night, but I didn’t have the guts to ask to ride at least one ride with you, and then the closer we got to the time for fireworks, I was feeling anxious. I was even about to leave but then I looked up at the Ferris Wheel, and saw your smile.
I can always see your smile from a mile away, and it never fails to make my heart race and calm me down in equal measure. You looked like you were having so much fun up there with Max, both of you laughing, your hair whipping in the wind. Even though I wanted to be part of that fun, wanted to be the one sitting next to you in that cart, I felt my entire mood lift just watching you.
At that moment, my heart burst like the fireworks in the sky.
Hot Shot, I just want you to be happy. Even if it isn't with me. Even if you decide us being friends is all we can be after everything, I'd be okay watching you rise above me, smiling like that. I'd be okay knowing I at least got to see it, got to know you, got to love you even if you don't love me back the same way anymore.
Seeing you laugh with Max… I wish I hadn’t been so nervous. I wish I had asked you to ride the Ferris Wheel with me.
I hope next time I see you, I can see that smile again, up close, like it’s meant only for me. Your smile where it reaches all the way into your eyes and I don’t see the glimpse of how I’ve hurt you.
Can summer go by any faster?
Sincerely,
Steve
.-.-.-.
11 July, 1988
Dear Hot Shot,
I think my dad is really coming around about me being a teacher. He's still upset about the whole lying-to-him-for-two-years thing—brings it up at least once a week, usually over dinner when my mom tells him to drop it. But he's been asking more questions about what my new life timeline will look like. What schools I might want to teach at. What age group I'm thinking.
He even helped me get some volunteer hours at the Boys and Girls Club for summer baseball. Which is huge for him. He’s actually making phone calls on my behalf instead of just criticizing my choices.
You'd get a kick out of these kids, Hot Shot. They're hilarious. They call me "Coach Steve," and they take it very seriously. One girl, Via, brought me a dandelion from the outfield yesterday and made me wear it tucked behind my ear for the rest of the game. All the other kids thought it was hilarious. I looked like an idiot, but it made her so happy I couldn't take it off.
I can’t believe you were right that I’m good at this sort of thing. I’m glad you were right.
It led me to think about what my mom said about girls. “Make sure you know if your girl likes flowers or chocolates. It makes a difference.”
So, are you a flower or chocolate type of girl?
I’d round up the moon for you, Hot Shot.
Anything you want. I’ll give it to you.
Sincerely,
Steve
.-.-.-.
18 July, 1988
Dear Hot Shot,
I received my class schedule for this upcoming semester today. Looks like I've got Intro to Kinesiology on Tuesdays and Thursdays, Educational Psychology on Mondays and Wednesdays, and some other classes I'm already dreading.
I know I haven't written in a week. I’m sorry about that. Work's been crazy and I've been helping my mom with some stuff around the house. But I wanted to remind you to buy your textbooks if you haven't already.
Sincerely,
Steve
.-.-.-.
27 July, 1988
Dear Steve,
I finally got around to reading your last few letters. I've been working a lot. Extra shifts to save up money for textbooks, which I have now ordered. Thank you for the reminder.
I have been thinking a lot since my visit to Hawkins. Mostly thinking about you. About us.
I must admit something, the day I left Hawkins, I went to Family Video to come see you. I never liked goodbyes, but I really wanted to say bye to you. I never went inside, but like the weirdo I am, I sat in my car across the street and watched you through the window. You were helping some woman find a movie, and then you were at the counter ringing someone up, and then you were restocking shelves.
I thought you looked handsome in that green vest.
I also thought how badly I wished you had asked me to go on the Ferris Wheel with you. I had asked Max instead because I knew you hated the fireworks and I didn’t want you to be miserable.
When my mom saw me reading the letters, she asked what I was smiling so big about. She said she had never seen me like that before. So, I told her sort of the truth.
I told her the boy I like has been writing to me all summer. I also told her you like me too.
She got very excited and started asking a million questions. What's his name? What's he studying? When can she meet him? I answered what I could, and then she insisted on making you a care package.
So there might be no going back now, Steve. My mom knows about you. She's sent you Boppers and Sour Patch Kids and probably some other stuff I don't know about because she sealed the box before I could see everything.
-Yours truly
P.S. I listened to the mixtape, finally. Careless Whisper? Really, Steve?
P.P.S. Chocolate. Definitely chocolate.
.-.-.-.
31 July, 1988
Dear Hot Shot,
I first and foremost need to clarify something, sweetheart. I do not like you.
I love you.
Yes, there is a difference. So the moment you read this, you tell your mom I love you. Better yet, call me, and let me talk to her, and tell her that I love her daughter. I know you asked Robin for my phone number a few days ago.
If you don't want me to call and talk to your mom, maybe I can drive to your house and stand outside your window and yell it loud enough for her to hear. Or for you to hear. Or for the whole neighborhood to hear. I don't care who knows anymore.
You invented love for me, Hot Shot. Before you, I thought I knew what it was. I thought I loved people. But it was nothing compared to this. If I could, I'd write this entire page with nothing but "I love you" over and over until the words lost meaning and then kept going until they gained new meaning.
Better yet….
I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you.
I’ll learn it in all the languages of the world so you know I don’t get tired of saying it.
Love,
Steve
.-.-.-.
It's the middle of a September evening, and campus is slowly buzzing back to life after summer break.
It's been two weeks since school started, but three weeks of Steve getting the Pike house back in order, organizing rush week, managing a new pack of pledges who don't know the difference between a keg and a trash can.
But finally, finally, the rest of his evening is free. And the moment he has the chance, he gets in his car and drives the short distance to Hall 11.
He slips through the open door, catching it just as some girls are leaving, laughing about something and not paying attention to him. Even though it's past curfew, past nine on a weeknight, technically against dorm rules, he sees Tessa at the RA desk.
During his fake relationship with Robin, Steve became acquainted with all the RAs. They all thought he was the perfect boyfriend, always bringing Robin food and flowers and showing up for study sessions. Tessa always looked the other way when he snuck in after hours, probably thinking it was romantic.
She waves at him now, phone pressed to her ear, mid-conversation with someone. She mouths go ahead and turns her attention back to her call.
Steve rushes up the stairs, taking them two at a time, and nearly skips down the hallway to the door he's been waiting to get to for what feels like forever. He's whistling, actually whistling like an idiot, because he's been waiting all day for this moment.
After his last letter, a few days later when he got home from work, his mom told him a girl had left a message for him. She'd had this knowing smile on her face, the one she gets when she thinks she's figured something out. "Sounds like the cookies worked," his mom had said, handing him a piece of paper with a phone number written in her neat handwriting.
Steve had rushed to his room, not even bothering to get out of his work clothes. He was still wearing the stupid green Family Video vest and his polo shirt and jeans that smelled like plastic and VHS tape dust. He picked up his phone with shaking hands and dialed the number.
When he heard your soft, familiar voice say "Hello?" his tongue went completely dry.
He panicked and hung up.
What the fuck was he going to say? He hadn't had a proper conversation with you in weeks beyond the letters. And the last thing you'd heard from him was his undying love written out thirty times on a piece of notebook paper. He'd exhaled heavily, stared at the phone like it had personally wronged him, then dialed again.
"Hello... again?" you'd said, and he could hear the smile in your voice, the amusement.
"H-hey." He'd cleared his throat, trying to sound normal and not like he'd just hung up on you like a creep. "Hey, Hot Shot."
And suddenly he'd heard your grin widen over the line, heard you adjusting, hopefully laying in bed, hopefully thinking about him the way he was thinking about you. "Are you home?" you'd asked. "I mean, wait... I guess you're home since you're calling me. I meant are you home from work?"
Steve had chuckled, looking down at his green vest, at the name tag pinned crooked to his chest. He'd kicked off his shoes somewhere in his room, not caring where they landed. He adjusted himself on his bed, sitting up against the headboard. "Yeah. What about you?"
"I worked earlier today." He could hear you wrapping the phone cord around your finger, that nervous habit you have. "Got off around three."
"Cool," Steve had said, then immediately cringed at himself. "Cool, yeah. Did you have a good day?"
He'd taken a deep breath, settling in, and said, "I want to hear all about it. Everything."
And you'd smiled—he could hear it in your voice when you said, "Everything?"
"Everything."
So you did. You told him about your shift at work, about a rude customer who yelled at you over nothing, about your coworker who covered for you when you took an extra-long lunch break. You told him about the book you were reading, about calling Max earlier that day, about how you'd burned dinner and had to eat cereal instead.
You talked for two hours about everything under the sun, and Steve listened to every word like you were reciting scripture.
He heard you yawn around midnight, heard the shift of your body against sheets. He could imagine you curling up with the phone still pressed to your ear, eyes fighting to stay open. "Are you sleepy?" Steve looked at his clock and winced. "Shit, it's almost midnight. Didn't you say you have to wake up early?"
You hummed sleepily. "Yeah. I should probably sleep."
"Yeah, okay." Steve bit his bottom lip, cringing at his awkwardness. This used to be so easy, talking to girls, flirting, knowing what to say. "So... goodnight. Yeah."
"Steve?" you'd mumbled, voice thick with exhaustion.
"Mhm?"
"Call me tomorrow?"
And he did. He called you every single day after that.
Some nights it would be the two of you talking about your days—the mundane details that somehow felt important when you were sharing them. Sometimes you'd tell each other stories from childhood, from high school, from the year you'd spent navigating this complicated thing between you. Some nights you'd both tune in to watch ALF at the same time, phones pressed to your ears, listening to each other laugh at whatever you found funny. Sometimes Steve would bite back his own laughter because he liked the sound of yours better.
Some nights Steve would keep you talking until you finally gave out, your words getting slower and slower until soft snores came through the line. He could never bring himself to hang up. He'd lay the phone down on his pillow and close his eyes and imagine you were lying next to him, breathing in sync, sharing the same space.
There was one night— a week before Steve would leave to go campus early for rush week— when you were both sleepy and Steve had been the one to say he needed to go to bed or Keith would kill him if he was late again. By kill, he meant make him do something humiliating like clean the staff bathroom floors with a toothbrush.
"Steve, wait," you'd said, and something in your voice made him pause.
"Mhm?"
He'd heard you laugh softly to yourself, a gentle exhale. And then you'd said, so gently it made his heart stop: "I love you, Steve."
And he knew then that you'd forgiven him. He knew then that you were his, and he'd always been yours, even when you weren't ready to admit it.
He'd smiled so wide his face hurt. "Hot Shot, I love you. Always." He'd grinned, gripping the phone tighter. "How about I come see you this weekend? Let me take you on a date. A real one."
"Okay," you'd said, and he could hear your smile matching his.
And now he stands outside your dorm, knocking on the oak door with barely contained excitement.
Robin opens it, toothbrush in her mouth, toothpaste foaming at the corner of her lips. "What?" she mumbles around the toothbrush, looking annoyed at the interruption.
Steve leans against the doorframe, crossing his arms so his henley rides up slightly, exposing a strip of stomach. He smirks. "I'm here to see my girlfriend."
Robin rolls her eyes so hard he's surprised they don't fall out of her head, but she kicks the door open wider to reveal the room.
You're on your bed with a book in your hand, and when you see Steve standing there, you smile. Wide and genuine and so beautiful it knocks the breath from his lungs. You're still in your regular clothes, jeans and a t-shirt, almost like you've been waiting for him.
He knows you've been waiting for him.
Your eyes land on his glasses immediately, then fall to his midriff, to the exposed skin where his shirt has ridden up, and Steve catches it. So he lifts his arm higher, resting it against the doorframe, giving you a better view. Let you look your fill.
You jump off the bed immediately, going to grab your shoes from under your desk. But Steve's inside the room before you can put them on, making you sit down in your desk chair. He kneels in front of you and slips them on your feet himself—first the left, then the right—tying the laces carefully with steady hands.
"You never did that for me," Robin says, but she's smiling as she climbs into her own bed.
Steve gives Robin a look of pure attitude, eyebrows raised. "Yeah, because you don't—" He looks up at you, his girlfriend, and god, he's never going to get tired of that word. Girlfriend. You're his girlfriend, and he's your boyfriend. Steve Harrington is an actual boyfriend in an actual relationship that's real. So real he has the hickey on his bicep from last night's makeout to prove it.
You're looking down at him with amusement, but your eyes are narrowed and one eyebrow is raised in warning. Steve has never been studious or all that smart, but he knows not to finish that sentence.
It doesn't matter anyway because Robin throws a pillow at him. "Will you take your girlfriend and leave already?" She's smiling, though, settling into her bed. "Some of us have eight a.m. classes tomorrow."
You have your fingers tangled in Steve's hair already, and his hands find your waist naturally, like they belong there. He's still kneeling in front of you, looking up like you're something sacred. "Don't worry, I'll bring her back at a reasonable hour."
"Mhm, like last night and the night before? Right." Robin pulls her blanket up, getting comfortable. "I'll believe it when I see it."
Steve chuckles, pressing his glasses up his nose, leans up and makes a soft peck against your lips. It’s brief, chaste, a promise of more later, before standing and walking over to Robin's bed.
Robin looks up at him, cautious, her expression turning warning. "Steve, don't you dare—"
He grins from ear to ear, then leans down and grabs her, planting a wet kiss on top of her short hair. "C'mon, Rob. You know I still love you."
"Yeah, yeah, whatever, dingus." She waves him off, but her smile is fond, genuine. "Go be gross and in love somewhere that isn't my room."
Steve notices how the freckles on her face seem to glow, sun-kissed from summer. Her eyes are a little brighter blue lately, less weighed down. All things he knows because she's in love. And it's not with him.
At one point in his life, Steve thought Robin's love was enough. That he could handle being known only in a platonic sense, that it made no difference whether someone loved him romantically or as a friend. Robin could see him and know things about him, and he wouldn't be lonely. That was enough.
He never thought he'd be so happy to discover how wrong he was.
He feels your arm loop through his, casual and comfortable. You lean against him, your head falling naturally to rest on his shoulder. "Come on," you say, pulling at him gently. "Let's go."
"Night, Rob," Steve says.
As you pull him toward the door, he reaches over and flicks off the overhead light. The lamp on Robin's nightstand stays on. It’s the one he'd gifted her one Christmas, green-shaded and casting soft shadows against the wall. The girl who was there for him when his life literally burned to the ground. The one who carries a different piece of his heart, a piece that will always belong to her no matter what.
She smiles at him knowingly, and he understands. She loves him too. Even though things are different now, even though they're not pretending anymore, even though she has Nancy and he has you—she will always love him.
"Goodnight, dingus," she says softly.
You and Steve don't get in his car. There's no need for that anymore. No need to hide behind trees or meet in secret or make out in the backseat where no one can see. Not that you don't still do that sometimes, because you definitely do, but nights like tonight, Steve thinks, why waste a chance to show off his girl?
His girl.
Your arm drops slowly from around his, hand running down his forearm—soft touch, deliberate—until finally your fingers lace with his. Palm to palm, fingers intertwined, exactly where they belong.
And like every time you hold hands, you giggle. You look up at him, smiling that goddamn smile that makes his knees weak and his heart race and his entire world feel right. You don't say anything, but you don't need to. He knows what the smile means.
They continue walking in comfortable silence, passing other students on the sidewalk. Some wave at both of you—people from classes, from parties, from Pike events. A few girls from your classes call out "cute couple!" and you wave back, not embarrassed or shy about it.
It was hard not to announce you as his girlfriend the second he got back on campus. He'd wanted to shout it from the Pike house roof, wanted to tell every single person he passed. But he'd needed to make sure people understood the real story first— or a version of it—that he and Robin weren't happy together, that their families wanted the relationship more than they did, that sometimes people pretend because it's easier than being honest.
Most people shrugged and didn't care. Some were supportive, understanding. But sometimes you still get one or two judgmental looks, whispered comments about Steve moving on too fast or you being the reason for the breakup.
Steve tries not to let it bother him.
With his free hand, Steve runs his fingers through his hair and looks down at you. You're already looking up at him, and when your eyes meet, a grin breaks out across his face. He can't help it. He leans down and kisses your cheek, right there in the middle of the sidewalk with people around, then continues walking like it's the most natural thing in the world.
Because it is.
This is his life now. Holding your hand, kissing you whenever he wants, being allowed to love you out loud.
And he's never been happier.
There's no surprise that even though Steve's car is parked all the way back at your dorm, you've managed to walk to the Pike house instead.
Subconscious or not, neither of you made an effort to turn around and head back so he could get you to the dorm at a reasonable hour like he'd promised Robin. Your feet just carried you here, following the familiar path Steve's walked a thousand times, and he didn't stop you. Didn't suggest going somewhere else.
You've only been dating a little less than a month, but it feels longer. Maybe it's because you did everything backward—had sex before dating, said "I love you" before being together, knew each other's bodies before you really knew each other's hearts. He's not sure. But he's okay with not trying to figure it out, because all that matters is that when you walk into the Pike house now, you can walk hand in hand.
His brothers are scattered throughout the common room—some getting ready for bed in their pajama pants and t-shirts, some having late-night snacks like cereal eaten straight from the box, standing at the kitchen counter. They all wave when they see you both come in.
"Hey, Harrington!"
"What's up, man?"
"Hey, Hot Shot!"
Steve rubs his thumb across your knuckles, admiring the way you light up and ask his brothers about their day. Unlike Robin—who was always polite but never truly invested in Pike life—you genuinely want to know his brothers. You ask Buck about his Econ exam, congratulate AJ on making the intramural basketball team, laugh at George’s terrible joke about their philosophy professor.
You're still not afraid to make a face at Steve whenever they say or do something stupid. Once you whacked Buck upside the head for a sexist comment about a girl from Delta Zeta. But his brothers love you for it. They respect that you don't take their shit, that you can give it back as good as you get it.
Eddie is out with god knows who, but Steve's pretty sure it might be Polly again. They've been on-and-off since the breakup.
There's no stopping Steve from leading you upstairs, gently breaking you away from your conversation mid-sentence. "Sorry, guys, stealing her now," he says, pulling you toward the stairs.
That's one thing he's learned about you—you love to be chatty, even if it's about nothing important. You could talk for hours about the weather, about a weird dream you had, about the pattern on someone's shirt. He loves that about you.
You go inside his room and he closes the door behind you, the click of the lock loud in the quiet space.
Before you were together—back when this was still secret and forbidden and temporary—it was always rushed. Clothes removed frantically, lips on skin desperately, because it was meant to only last a few hours. To get Steve's fix and your fix and then part ways, pretending nothing happened.
But now he can't get enough of you. Wants to take his time, memorize every detail, make it last.
To be fair, the first time he slept with you he couldn't get enough either. He'd replayed that night over and over in his head for weeks—the sounds you made, the way you looked underneath him, the feeling of being inside you. In his dresser, tucked all the way behind his socks, he still has your panties from that first night. He's kept them like a talisman.
And he'd admittedly brought them out on occasion.
Like when he tried to sleep with Polly for the first time after you. He was lousy—barely present, only half harde, had to pretend he even finished. He'd faked enthusiasm while getting her off with his fingers, and afterward Polly had patted his head sympathetically and said, "Not everyone is perfect all the time, Steve. It's okay."
But his mind had immediately settled on you. The dip of your lower back, the swell of your ass and breasts, the curve of your hip. The way your plush lips say his name when he's inside you, the way your nails dig into his skin hard enough that he imagines part of his DNA living under your fingernails permanently.
When Polly left, he'd taken your panties out of their hiding place, holding them with one hand while pumping his cock with the other. So fast, eyes squeezed shut, imagining it was your soft hands instead of his own rough ones. He'd come so hard—thick white ropes shooting against his stomach, sticking to his happy trail—and he'd imagined you licking it off him, cleaning him up with your tongue.
He'd panted your name into the empty room, still gripping your panties.
Fuck, he'd really been such an idiot back then, huh?
Steve watches as you let go of his hand and immediately go to his record player. He'd finally gotten around to showing you his full collection last week, spreading albums across his floor and letting you flip through them all. Now you know exactly where everything is.
He takes off his shoes, neatly placing them by the door. Yours go right next to them. They’re side by side, like they belong there.
You're already putting a record on It’s his Queen "A Day at the Races" album. It's not even his favorite Queen album, but you love it. You always place the needle exactly where "Good Old-Fashioned Lover Boy" starts, have the position memorized by now.
When he'd driven to see you for your first official date a few weeks ago, when he'd had to leave that night and drive back to Hawkins, you'd kissed him on the cheek and handed him a mixtape you'd made. "For the drive," you'd said shyly. This song was the first one on it. He'd listened to the entire tape three times on repeat during the drive home, grinning like an idiot the whole way.
You're humming along now, turning around to face him, but he's already close. His hands finding your hips like they're magnetized. "I have something for you."
Your eyes brighten immediately, and you reach up, adjusting his glasses that have slipped slightly down his nose. Your fingers are gentle, careful, and you smile at him before saying,"Oh yeah?"
He nods, melting when you run your fingers through his hair, nails scratching lightly against his scalp. He clears his throat, reaching behind you to grab something from his desk. He picks up a small black box. It’s nothing fancy, just a simple jewelry box he got from the store in town.
He knew if he'd wrapped it, he would've been bouncing on his feet watching you peel the paper off. He's already doing that now anyway, shifting his weight nervously as you carefully take the lid off.
Your eyes look at the contents, squinting slightly, then look up at him. He crosses his arms, thumb pressed against his bottom lip, downturned eyes staring at you hopefully.
Inside is a sterling silver chain with a charm. ΠΚΑ—Pike's Greek letters in delicate sterling silver, dainty and shimmering in the lamplight.
He clears his throat. "Yeah, so... it's kind of a thing. That a member's girlfriend wears the letters." The words tumble out faster. "It's like a whole tradition, and it means I'm serious about us. I guess it'd make you like an unofficial sweetheart even though you're not in a sorority, and you can totally not wear it if you don't want to, or—"
You giggle, smiling wide, reaching up to kiss him gently on the lips. "Steve. Shut up." You pull back just enough to look at him. "Will you put it on for me?"
Steve blushes, smiling dopily, nodding too enthusiastically. He takes the necklace out of the box with careful fingers, and you turn around, lifting your hair up and exposing the nape of your neck.
Steve's breath hitches at the sight—the delicate skin there, the small birthmark he's never noticed before, the soft baby hairs that curl slightly. He carefully drapes the chain around the front of your neck and clasps it at the back, his thumb brushing over the clasp to make sure it's secure. His fingers trail down—over your shoulder blades, down to you ribs, dangerous close to the sides of your breasts.
He steps closer, pressing his body against yours, and kisses the clasp. His lips find skin, warm and soft, and he can't stop himself from kissing lower.
You tilt your head to give him better access, and he takes over holding your hair to the side, kissing down your neck with increasing intent.
His breath catches when he sees your fingers come up to brush the letters resting against your collarbone. You're his. Really, truly his.
You've made out plenty since you've been back together. Done a lot of heavy petting, put your lips in all kinds of places, brought each other to the edge with hands and mouths. But Steve had suggested waiting to have sex again. He wanted to show you that this part meant something different to him now. Wanted to prove that it wasn't the sex that made him fall in love with you. It was simply you.
And he never thought you'd be struggling more than him with this agreement.
Like now when he feels you arch backward, pressing your ass against him deliberately, but then you quickly realize what that does to him and start to put distance between you again.
This time, Steve grabs your hips firmly, fingers digging into flesh, and pulls you back against him. He sighs at how you feel—perfect, right, his.
"Steve?" you whisper, voice breathy. "Are you sure?"
Steve hums against your neck, kissing the skin softly, reverently. "I love you," is all he says.
He can hear your smile. He can feel it in the way your body relaxes against him. It makes him smile too, teeth grazing your skin.
You turn to face him, fingers hooking into the waistband of his jeans, pulling him toward the bed. You're the one to kiss him this time, and he closes his eyes as your mouths slot together in a slow, agonizing kiss.
You always kiss pretty. Soft and thorough, like kissing him is something you want to savor.
And there you go again. Your hands immediately on his stomach under his henley, palms warm against his skin, wasting no time. You squeeze the plush skin, massaging, it sends chills up his spine and his blood moves southward.
He wastes no time either, slipping his own hand under your shirt, the other squeezing your ass, then trailing up your back to feel bare skin. Up to your breasts, squeezing and massaging through your bra. Down to your belly, caressing.
You walk him backward until his legs hit the edge of the bed, and he sits down heavily. You're standing between his spread legs, and you drop to your knees without hesitation.
"Hot Shot," he breathes, watching as you work open his belt, the clink of metal loud in the quiet room.
You unbutton his jeans, unzip them, and he lifts his hips so you can pull them down along with his boxers. His cock springs free, already hard, and you lean forward immediately.
But instead of taking him in your mouth, you press your face into the soft flesh of his lower stomach. You kiss his happy trail—that line of dark hair leading down from his navel—then lick it. Suck at it. Your tongue traces patterns against his skin, and Steve's head falls back, eyes closing.
"Fuck," he whispers.
You look up at him through your lashes, still pressing kisses to his stomach, and the sight nearly kills him. Your eyes are dark with want, lips wet and swollen, and you're worshipping the part of him he's always been most self-conscious about.
He leans down, kissing you.
"You're so beautiful," he murmurs against your lips. "Every part of you."
You bat your eyes, “Show me?”
When he calls you meek, he doesn’t mean for it to sound like you’re below him, or weak even. There’s just no other word to describe the gentleness of your voice, how shy you get. And your shyness only belongs to him. No one else sees you like this, but him. It nearly makes him come undone right there, thinking about it.
Steve's heart clenches. He reaches down and cups your face, thumb brushing your cheekbone. "Come here."
You stand, and he pulls you into another kiss, deeper this time, more urgent. His hands find the hem of your shirt and pull it over your head. Your bra follows. Then your jeans and underwear until you're standing naked in front of him.
He takes a moment to look at you. All of you. The curve of your hips, the softness of your thighs, your breasts, the tattoo on your hip that belongs to him, the necklace resting against your collarbone that marks you as his.
"Come here," he murmurs, pulling you closer until you're standing between his spread legs again.
His hands slide up your thighs, rough palms against soft skin, until his fingers reach your center. You're already wet—have been since he first touched you—and when his fingers brush against you, you gasp and grip his shoulders for balance.
"Steve," you breathe.
He circles your clit slowly, watching your face as pleasure flickers across your features. Then he slides one finger inside you, groaning at how warm and tight you are. "Christ, baby."
You whimper, hips rolling into his hand, seeking more. He adds a second finger, stretching you carefully, remembering how it's been months since you've done this.
He crooks his fingers, finding that spot inside you that makes your knees buckle, and you cry out softly. Your hands tighten on his shoulders, nails digging in.
"God, you're so wet," he says, voice rough. He can feel you clenching around his fingers, can feel how ready you are for him. "So beautiful."
He pumps his fingers slowly, trying to be patient, trying to take his time preparing you properly. But it's been so long—too long—and the feel of you, the sounds you're making, the way you're looking at him with half-lidded eyes...
"I can't wait," Steve says suddenly, withdrawing his fingers. He looks up at you, desperate and needy. "I'm sorry, I know I should—but I can't. I need you now."
You nod immediately, breathlessly. "Yes. Please, Steve. I need you too."
Relief floods through him. "Yeah?"
"Yes," you say firmly, pushing him back on the bed. "Now."
And he's never loved you more than in this moment—understanding what he needs, wanting it as much as he does.
"Lie down," he says softly, his voice rough with want.
You do, crawling onto his bed and sprawling out underneath him, hair fanning across his pillow. Steve kicks off his jeans the rest of the way and pulls his henley over his head, then climbs over you. His glasses slip down his nose slightly, and you reach up with a smile, pushing them back into place with gentle fingers.
He kisses down your body—your neck, your collarbone where the necklace rests, between your breasts. When he gets to your stomach, he presses soft, quick kisses all over. Little pecks that make you giggle and squirm beneath him.
"Steve," you laugh, trying to push his head away. "That tickles."
"Good," he says, grinning against your skin. He kisses your hip bone, then lower, but you pull him back up to you.
"I need you," you whisper. "Now. Please."
Steve nods, sitting back on his heels between your spread legs. You prop yourself up on your elbows to watch him, and the sight of you like that—sprawled out on his bed, chest heaving, necklace glinting in the lamplight, eyes dark with want—makes his cock throb.
He wraps his hand around himself, pumping slowly, and your eyes track the movement. Your tongue darts out to wet your lips, and he groans at the sight.
"You're so beautiful," you whisper, eyes still fixed on his hand moving over his length.
Steve throws his head back, eyes rolling behind his glasses, whimpering. He pumps himself a few more times, thumb swiping over the head where precum is already beading. Then he leans forward, positioning himself over you, he spreads your legs wider and spits directly onto your pussy, a string of saliva dripping wet from his tongue, glistening as it falls.
You gasp at the sensation. It’s warm and wet and filthy in the best way. He uses his fingers to spread it around, mixing with your own wetness, making sure you're slick and ready for him.
"Fuck. Baby," you breathe, head falling back.
He lines himself up, the head of his cock pressing against your entrance, and pauses for just a moment. Your eyes meet his, and there's understanding there—this is different, more intimate, nothing between you.
"I love you," he says, looking into your eyes.
"I love you too," you breathe.
He pushes in slowly—so slowly, watching your face as he fills you inch by inch. Your mouth falls open, back arching slightly, neck elongating as your head presses back into the pillow. You let out a high-pitched moan that goes straight to his cock.
"God," Steve groans when he's fully seated inside you. He stays still for a moment, letting you adjust, savoring the feeling of being this close to you. "Baby you feel perfect."
He starts to move. It’s slow, deep rolls of his hips that make you gasp beneath him. This isn't fucking. This isn't even having sex, not really.
This is lovemaking, and he knows you or Robin would probably make fun of him for calling it that, for being so sappy and romantic. But that's what it is to him. He's not trying to get off or make himself feel good. He's worshipping you, showing you with his body what his words can't fully express.
He buries his face in your neck, pressing kisses there, breathing you in. "I love you," he whispers against your skin. "I love you so much."
"Steve," you moan, hands clutching at his back. "I love you."
He keeps whispering it. Over and over like a prayer, like if he says it enough times you'll feel exactly how much he means it. "I love you. I love you. I love you."
The room fills with sounds—skin against skin, the creak of his bed frame, your breathy moans, his low groans, the wet slide of him moving inside you. How his hips slap against your ass.The music still plays from his record player, Freddie Mercury's voice a soundtrack to this moment.
After a while, Steve sits up, pulling you with him. You end up in his lap, straddling him, and he guides you up and down on his cock with his hands on your hips. One hand braces on the bed next to him for leverage so he can thrust up into you, meeting your movements.
Your arms are around his neck, holding him close, and you're clutched together so tightly there's no space between your bodies. Sweat makes your skin stick together, and Steve can feel your heart beating against his chest—fast and hard, matching his own rhythm. Your pants and moans mixing together in harmony.
You're looking at him, mouth parted, breathing heavily. Your hand comes up to cup his cheek, tender and gentle even as pleasure builds between you.
"I love you, Steve," you say clearly, deliberately, holding his gaze.
Steve falters, his rhythm stuttering.He kisses you fiercely, possessively, his glasses bumping against your face. He starts moving more intensely—faster, harder, deeper.
"Say it again," he demands against your lips.
"I love you," you gasp.
He uses his large hand to cup your chin, tilting your face so you have to look at him. You can see yourself reflected in his lenses. "I love you," he says back, and it comes out rough, wrecked. "I love you so fucking much."
The intensity makes you lean back slightly, back arching, and Steve groans at the sight. Your breasts bounce with each thrust, nipples hard and begging for his mouth. Your eyes are half-lidded, pupils blown wide, lips swollen from kissing. You look completely gone, lost in pleasure, and he knows he looks the same. It’s desperate and needy and so in love it hurts.
He leans forward and kisses the charm of your necklace where it rests against your skin, then your collarbone, sucking a mark there that will bloom purple by morning.
You wrap your arms around his neck, pulling him close again, burying his face between your breasts. He can feel the way you pant and whine into his hair, can feel your body starting to tighten around him. He can hear himself whimpering your name against your sweaty skin.
"Baby, I'm—I'm close," you gasp.
"Me too, baby. Me too."
He reaches between you, fingers finding your clit and rubbing in tight circles. That's all it takes—you cry out his name, clenching around him, and the feeling of you coming sends him over the edge too.
He comes with a groan muffled against your chest, hips stuttering as he empties himself inside you. You ride it out together, holding each other through the aftershocks, foreheads pressed together and noses nudging.
When you can both breathe again, you press soft pecks to his lips. Once, twice, three times. Sweet and unhurried.
Steve smiles, tucking your hair back behind your ear with gentle fingers. "I'm happy," he says genuinely, searching your face. "Are you happy, Hot Shot?"
"Yes, Steve. I'm more than happy."
And he believes you. He sees it in your eyes, in the way you're looking at him like he hung the moon and stars. He grabs your hand and places it over his heart, wanting you to feel what he’s thinking without saying it.
He loves you.
You kiss his lips again, soft and lingering. When you pull back, your irises are glimmering, searching into his own. He sees stars twinkling in them—actual constellations reflected in the depths of your eyes. He kisses your nose, then your forehead.
And like the sun itself rising, splitting across your face, you smile. Wide and genuine and so full of love it makes his chest ache.
It doesn't matter anymore how it all led up to here—all the lies and hurt and confusion and heartbreak. None of it matters because you're here now, in his arms, wearing his letters, saying you love him.
Finally.
Finally, Steve Harrington gets to keep something good.
Uncle Roger says that if he had been a Roman Catholic he would have become a monk, but, as he was a Presbyterian, all he could do was to turn into a crank.”
I don't know much about Christianity but literature seems to imply that Catholics have all the fun
That gag is immortal, but also, fun fact, you can visit monasteries. Not obviously the cloister where the monks/nuns live, but the Church and around; many monasteries also have a hospitality wing where you can stay, attended by the monks, and enjoy the silence, hear them sing the hours and such. And also purchase their monastery made goodies, like sweets, pastries, chocolates, beers, crafts, etc. 10/10 recommend.
We laugh at how The Art of War is basically just, "An army can't fight if the soldiers aren't eating," but I'm reading this document about conservation of ancient yew trees and it legitimately says, "You should never fill the center of a hollow yew with concrete," so I think that probably making blatantly obvious statements is just the bane of being a specialist in anything
Ah yeah, that's actually not so bizarre when you know the reasons behind it. Still extremely wrong but understandable at least.
So yew trees are weird. They are extremely long lived with basically no known upper limit to their age. They do this by simply being extremely good at not dying like other trees do.
When a normal tree gets to an old age what usually happens is a fungus gets into their heartwood and takes hold. Their internal, dead wood rots away and they hollow out, lose structural support and collapse. Depending on the species this process can take decades or a good few centuries or so.
While yew trees do hollow out in this way they simply keep going afterwards. A ring shaped yew tree with most of its trunk missing is actually just middle aged and the most ancient yews get even weirder than that.
Wikipedia has this image of a Scottish yew where the start of this hollowing process can be seen. To be clear - for most tree species this would already have been fatal.
The thing is seeing a very old yew in this condition looks wrong to a tree surgeon, it's like the tree is constantly on the verge of death. So, if it's a well loved tree you try and do what you can to stop it from falling apart entirely.
A hundred years ago people tried all sorts of things like chaining up branches and also, yes, plugging the hollowed trunk with concrete. We know better nowadays.
Funnily enough there are even yews that survived this treatment and are still alive today.
This is a picture of the Tisbury yew in 1998 from the Ancient Yew Group, barely a minute ago from the tree's perspective.
Yews are fascinating plants with roots in European culture as ancient as the trees themselves. A few individual specimen trees are even estimated to be around five thousand years old - literally prehistoric in age.
Oh also they do weird things with sex as well sometimes. One of the oldest UK trees, the Fortingall yew appears to partially be turning from male to female on one side. It'll be interesting to see what becomes of it in the next few centuries of its life.
Sorry if this is all stuff you already know, I couldn't resist a chance to infodump about one of my favourite species.
I'll be part of an art exhibition in Luneta Art Fair this coming Saturday-Sunday Feb 7-8!! The venue will be in the Noli Mi Tangere garden :] drop by to support me n my classmates if you can :D The theme and exhibit name is Sonder
Big thank you to @salidummay for help with references and details for the second painting!