Build-a-Bear Employee: please,,, I can’t fit any more stuffing into this pikachu
Me: You fool….. Make Him Fatter
Misplaced Lens Cap

Origami Around
Sade Olutola
TMBGareOK. The Official They Might Be Giants tumblr
No title available
occasionally subtle
EXPECTATIONS
Cosmic Funnies

titsay
h
No title available
Cosimo Galluzzi
hello vonnie

❣ Chile in a Photography ❣
official daine visual archive
Xuebing Du

oozey mess
The Stonewall Inn
Not today Justin
$LAYYYTER
seen from United States
seen from United States
seen from Nicaragua
seen from Bangladesh

seen from United States

seen from Bangladesh
seen from Portugal
seen from Ukraine
seen from United States
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seen from United States

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seen from France
seen from Türkiye
@lvl1magestuckinreality
Build-a-Bear Employee: please,,, I can’t fit any more stuffing into this pikachu
Me: You fool….. Make Him Fatter
Like. The quote “I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend” is such an integral quote/concept to LOTR that I just cannot for the life of me comprehend how people come away from LOTR inspired to write the grimdark i-love-war-and-suffering stories that populate fantasy
literally JRR TOLD us that if more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But did we listen? No of course not! More angsting about redeeming our rightful throne by slaughtering hundreds!!!
Hace unos dias vi una serie de gifs de Marie Kondo explicando que a la hora de ordenar nuestra ropa debemos elegir la que nos produce felicidad, y para no sentirnos mal por la ropa que queremos botar, agradecer el tiempo que estuvo esa prenda estuvo con nosotros y dejarla ir..
Esto me llamo la atención y luego en Netflix descubri que habia una serie de ella, donde va a casas de personas y las ayuda a organizar. Me gusto su método y quise compartir algunos de sus consejos con ustedes. Quien sabe. Siempre se aprende algo 😉
On this bitch of an Earth as it is in Heaven.
THE ANTLERED GENTLEMAN, ARIES
based off @normal-horoscopes post, here .
when ur a warlock and u defeat an enemy warlock
@warlock-enthusiast
women love it when you replace every board of a ship with a new board, raising philosophical questions about whether it remains the same ship
Blooming Princess Gown (Yumi Katsura Bridal)
I will never understand why men complain about paying sex workers. “I can get pussy for free” they say….then? Go? Do? It???? I am not stoping you! Go!
It’s like going to McDonald’s and saying “I can make burgers at home” nobody cares sir
him: you want my dick baby? ;)
me: mmm yeah ;)
him: yeah, you want it?
me: yeah
him: yeah baby?
me: yep…
him: yeahhhh??
me:
20 Basic Plots
1. QUEST - the plot involves the Protagonist’s search for a person, place or thing, tangible or intangible (but must be quantifiable, so think of this as a noun; i.e., immortality).
2. ADVENTURE - this plot involves the Protagonist going in search of their fortune, and since fortune is never found at home, the Protagonist goes to search for it somewhere over the rainbow.
3. PURSUIT - this plot literally involves hide-and-seek, one person chasing another.
4. RESCUE - this plot involves the Protagonist searching for someone or something, usually consisting of three main characters - the Protagonist, the Victim & the Antagonist.
5. ESCAPE - plot involves a Protagonist confined against their will who wants to escape (does not include some one trying to escape their personal demons).
6. REVENGE - retaliation by Protagonist or Antagonist against the other for real or imagined injury.
7. THE RIDDLE - plot involves the Protagonist’s search for clues to find the hidden meaning of something in question that is deliberately enigmatic or ambiguous.
8. RIVALRY - plot involves Protagonist competing for same object or goal as another person (their rival).
9. UNDERDOG - plot involves a Protagonist competing for an object or goal that is at a great disadvantage and is faced with overwhelming odds.
10. TEMPTATION - plot involves a Protagonist that for one reason or another is induced or persuaded to do something that is unwise, wrong or immoral.
11. METAMORPHOSIS - this plot involves the physical characteristics of the Protagonist actually changing from one form to another (reflecting their inner psychological identity).
12. TRANSFORMATION - plot involves the process of change in the Protagonist as they journey through a stage of life that moves them from one significant character state to another.
13. MATURATION - plot involves the Protagonist facing a problem that is part of growing up, and from dealing with it, emerging into a state of adulthood (going from innocence to experience).
14. LOVE - plot involves the Protagonist overcoming the obstacles to love that keeps them from consummating (engaging in) true love.
15. FORBIDDEN LOVE - plot involves Protagonist(s) overcoming obstacles created by social mores and taboos to consummate their relationship (and sometimes finding it at too high a price to live with).
16. SACRIFICE - plot involves the Protagonist taking action(s) that is motivated by a higher purpose (concept) such as love, honor, charity or for the sake of humanity.
17. DISCOVERY - plot that is the most character-centered of all, involves the Protagonist having to overcome an upheavel(s) in their life, and thereby discovering something important (and buried) within them a better understanding of life (i.e., better appreciation of their life, a clearer purpose in their life, etc.)
18. WRETCHED EXCESS - plot involves a Protagonist who, either by choice or by accident, pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences (generally deals with the psychological decline of the character).
19. ASCENSION - rags-to-riches plot deals with the rise (success) of Protagonist due to a dominating character trait that helps them to succeed.
20. DECISION - riches-to-rags plot deals with the fall (destruction) of Protagonist due to dominating character trait that eventually destroys their success.
by Pavel Simakov