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@theartofmadeline
will byers stan first human second

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oozey mess
Three Goblin Art
Sade Olutola
I'd rather be in outer space 🛸
Not today Justin
sheepfilms
PUT YOUR BEARD IN MY MOUTH

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Peter Solarz

shark vs the universe

Andulka
tumblr dot com
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@macaronimartian
Go for it. I don't even care any more.
dead serious WHAT did they put into claire de lune to make it do all that
his whole debussy
. . .I think OP was asking about BBC Sherlock (2010 - 2017)
I don’t think OP was doing that actually
The inability of a certain subset of blockheaded fans to notice Kris's gender is so. This is a game which places a nonbinary protagonist in a narrative that has them struggling explicitly with how much control they are allowed to have over their own life, whose best friends are a girl who is gleefully unfeminine and a boy who has no idea who he's supposed to be but sure seems to like being pretty, after the first few seconds of the game consisted of us trying to create our own form and then being told point blank "no one can choose who they in this world," where the above three children are all being railroaded into and struggling to escape their roles in a religiously per-ordained questline that we know ends very badly for them. If you think gender is not being employed here in a way that is specific, intentional, and thematically relevant then you are not serious
its interesting being a weird autistic tranny as a kid and letting yourself get accustomed to the idea that youre just some magically antisocial loser who is "introverted" and is happy being alone and then you grow up and realize that actually you love being social you love hugs you love going out and hate being alone you just hated all of the social opportunities available to you growing up so much you let yourself romanticize solitude as a slightly less miserable state than interacting with people
The thing about Jumanji and Zathura is that if that shit existed in real life there would be an entire subculture dedicated to seeking out and playing haunted fuck up your whole life board games. There'd be reddit threads about whether it was better for a first time player to start with Zathura or Jumanji. And tiktok confessionals about someone feeding their brother to a gator.
How's it feel now motherfucker
cuz it got wiped from the internet: transfems it's so cute to want to be cute. do what you think makes you cute, it's ok if you feel awkward that's cute too. you can be yourself, even if you don't think that's very cute, you will still be the worlds cutest girl. i love you
the central conceit of white boy "comedy rap" genres is that they're too racist to recognise that most classic rap is already pretty humorous in many ways, on account of wordplay being fundamental to the form,
and also steeped in pop culture from the very beginning, like the rap scene was already making music about comics and anime and video games you don't need to segregate a new genre for that
frisk is tma because even though they can play through the entire game showing nothing but kindness and love to others, they still get attacked on sight by random monsters. every encounter with a new monster is a de-escalation process to show they aren't a threat.
chara is tma because of their hatred with their humanity, and passive suicidality. they're so disgusted and bitter towards mankind that they are willing to kill themselves in order for monsterkind to take its revenge. no reason is given, but it's possible that humans were abusive towards them or treated them poorly in the past. and this has hurt them so much that even after running away, even after finding a new family who loves them, they still feel so much hatred for humanity and for themselves that they carry out their plan
kris is tma because of everything hinted at in their past. they're a human adopted into a monster family. for the longest time they didn't know they were human, and wore fake horns to try and look like their family. despite being clearly and explicitly referred to as "they/them" in the text over and over again, they're still treated as masculine and sometimes even called "he" by the fandom at large. this masculinization extends to the game as well, with the "deodorant for men" and "mancountry: (non men are welcome too)". also the entire narrative of the game is about the disconnect between kris the character, and the soul controlling them. about freedom, and breaking out of the rigid structure of reality.
Susie is tma because she's stereotyped as overly aggressive and masculine due to her appearance. people assume she's a bad person based on nothing but vibes, a highly racialized and transmisogynized act that mirrors what so many "troubled teens" experience. Susie acts bad not because she is bad, but because people have just assumed she's a bully so much that she gives in and simply acts how people expect her to. it isn't until she hangs out with kris and lancer and ralsei where she's given the tiniest bit of unconditional kindness and empathy, that she is finally able to grow into a kind hearted and hopeful character and break free of the stereotypes people impose on her.
Noelle is tma because the snowgrave / weird route is defined by abuse and control, a metaphor for an abusive relationship that trans women often go through, as we assume the only connections we deserve are the ones that hurts us. she hurts and kills people not because she has any intention to, but she's being forced by kris (who is actually being forced by the player). her narrative is defined by abuse and control by parental figures: queen who acts loving and caring but is really just trying to manipulate her and use her for her plan, and her mother who acts cold and distant and implied to be abusive when she sends her to the kitchen after the encounter in chapter 4. also her room is trans flag colored.
ralsei is tma because their entire identity is a tool that exists only as means to an end. their only purpose is to help lightners, who by the laws of the prophecy are intrinsically "above" them. they have incredibly low self worth, constantly belittle their own struggles, and imply that they aren't real. they even offer themselves to be literally used as a stepping stool for others. despite the friendships and connections they have with others, they still cant see themselves worthy of love, or deserving of any personality besides what the prophecy demands. lost girl plays during a hidden scene which shows how lonely and empty they truly feel, that they assume they're nothing more than an object created for a specific purpose. one of the light world objects that they probably are (besides the green crayon or asriels fur) is a doll (the ralsei plush doll). in the few moments of vulnerability and actually personality we see, they are shown to like bows, cooking, and express liking their (very feminine) face and outfit and want to try and become more "ralsei-like"
berdly is tma because i think it would be really funny if she took estrogen
superficial features which make a person objectively more attractive:
gender nonconformity
a profile in which the nose features prominently
striking and unusual voice
sexually repressed but in a way that I can work with
notable height (in either direction)
glasses
other unusual physical features (red hair, freckles, protruding ears, vitiligo, etc.)
visibly haunted
condemned by god to an eternity of suffering
plays an instrument
being sad and horny is a privilege
the secret is that steven universe and greg universe are both transfem
this pride month, remember: ralsei deltarune is transfem and kris deltarune is non-binary transfem. it's in the text
Limited Gooey Glorbus figure // NyahGremShop
"we have to accept the fact that the r word is coming back" NO WE DONTTTT NO WE DONT
anyone else feel like a car stuck in the mud with its tires spinning helplessly and its engine sputtering