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Jun 2

Scatter My Heart (||)

Pairing: Mob Boss!Bucky x Reader

Summary: As it turns out, you can’t outrun a monster in his own home. You can, however, learn to question whether he was ever a monster at all.

Word Count: 17.7k

Warnings: real big emotions and confrontations; secrecy in a relationship; lots of panic/anxiety/fear/insecurities; weapons (guns, knife); minor injury (cut); references to criminal activity and violence; Bucky is possessive and protective and in love; emotional manipulation (perceived/debated)

Author’s Note: Here we are my lovelies, the second part to His Name Was Never Just Bucky. Honestly, I’m so relieved it’s finally done and I can return to other projects. This took me so incredibly long, but it’s rewarding to have it completed and I’m so proud I didn’t end up abandoning it like so many other things before. I truly hope you enjoy where I took the story ♡

Masterlist | part one

This was probably the worst decision you have ever made.

But, hell, now you officially jumped without a parachute, the ledge is gone, the air is passing by quickly, and your only hope is that you’ll somehow learn how to fly on the way down and you’ll be able to land on your feet.

The hallway outside has lost its symmetry, as you have lost your sanity, and now nothing seems to make sense anymore. Everything seems longer and crueler, your panic stretching the hallways into a long, suffocating throat. Each of your hectic footsteps makes you feel too exposed in this big mansion, they seem to echo your exact coordinates throughout the floors. Every hallway hears you, the walls themselves are turning their heads.

You take the first turn on instinct, then another, and another, trying to remember the route, trying to retrace the thread that brought you here, but your terror and all that bottled-up panic smashes sequence, steals direction, leaves you with nothing but speed because you know that if you stop, you’re done.

Your feel your heart everywhere. In your throat, in your ears, behind your eyes, beating against your teeth.

You blow past a side table where a cluster of pale lilies sits, blooming so aggressively, looking so wrong and even ugly in the corner of your eye, you have to take another turn.

You’re no longer thinking, you’re just running.

Your chest is a hollow chamber and all you hear is your own pants when you pass a maid who startles and calls something you don’t catch. You pass a window tall as a church promise and for one insane second consider throwing yourself through it.

Somewhere behind you, from the office, you hear a loud crash. His voice follows. His voice. It sounds so much more blood-curdling now.

He’s calling your name. Loud and baffled and then sharper. He doesn’t sound angry yet, but definitely alarmed in a way that makes every warning bell inside you turn rabid. Because there is something uniquely petrifying about hearing alarm in the voice of a man like him. It means you have disrupted the script. It means he does not understand. It means he is coming.

You run harder, every nerve in your body overflowing with adrenaline.

But, as expected, the house doesn’t simply spit you out. Corridors feed into corridors, archways into alcoves, burnished halls into rooms you have never seen, and every choice you make seems to slide you deeper into the belly of the place instead of toward freedom.

With a ragged and desperate breath, you shove through one swinging door expecting another passage, and stumble instead into a kitchen vast enough to feed a wedding. There is all this gleaming steel and those butcher-block islands and hanging copper, bright under the lights in a way that feels grotesque after the dim severity of the office.

It is wrong, all wrong, too open and yet somehow still a trap, because there is no front hall here, no visible exit, only counters and cabinets and startled staff, and you realize with a sick plunge of your stomach, that you have run yourself into a dead end dressed as luxury.

This is bad, this is so bad.

You stop abruptly, spinning around helplessly. The breath tears in and out of you like it is trying to escape without the rest of your body. The halls behind you are full of pounding footsteps, and you know it’s just one single set, but you also know it’s him.

He’s advancing and you can’t keep escaping.

A woman near the far counter goes still with a mixing bowl in her hands. Another man freezes by the sink with his hands in water. No one speaks. No one moves. The whole room seems to hold itself in suspension around your panic, everyone watching without watching, and then from somewhere behind you in the corridor comes Bucky’s voice sounds again, practically yelling your name—no confusion left now, only alertness, apprehension; and it punches you in the gut. It rings through you, through the kitchen, through the bright metal and tile and silence, and you know it has all been for nothing.

But before there is anything you can do, before the ground can open a portal for you to fall through, Bucky appears in the kitchen doorway, looking like an avalanche with a name. A big name. A dangerous name. A name that will be the end of you.

He doesn’t look raging in the obvious way, but he’s lost a bit of control. And for the man that he is, you don’t know how to survive it. And this intensity with which he came thundering after you is so extremely frightening because it looks expensive on him, tailored to fit, like one of his suits, like one of his watches, like all the impeccable and dangerous things he wears so naturally you once mistook them for elegance instead of that blaring warning sign they actually are.

Why just have you been so stupid, my god.

He’s totally got you wrapped around his finger—and dick, as embarrassing and daunting as it is—or you would have maybe been able to open your eyes for a second, you idiot.

But now they are open, wide, wide open, and you see him. You see him as the man he is. But maybe it’s a little too late now.

He stops the moment he sees you pressed half-backward against the dark island, sees the way your hands have come up slightly as if your body has decided on defense without consulting you, sees the wet shine gathering in your eyes, the terror you are no longer managing to powder over, and something happens to his face that is so brief and so devastating, but all you can do is stare at him so you see that clean strike of realization.

He doesn’t look confused anymore, and it makes him even more menacing.

He knows. He knows that you know. And he probably knows what he’s going to do to you now but you don’t know if you want to know that.

The air seems to cinch around you, seems to wrap itself around your throat, and squeezes. You can’t breathe. You don’t try to.

Bucky—James, your mind insists now with a sick recoil, James Buchanan Barnes, James Buchanan Barnes, biggest crime boss in the city—does not look away from you when he tilts his face to the staff. That, more than anything, makes your blood run strange. His attention stays fixed on you with a steadiness so absolute it feels like a physical thing, a hand at the back of your neck, while his voice turns toward everyone else in the room and comes out low and unquestionable. “Everyone out.”

His command is dropped into the kitchen and nobody argues. The immediate obedience of his people makes you visibly shudder.

A woman near the stove sets down a towel with trembling fingers. The man by the sink lowers his eyes and moves. Another staff member glances at you once with a quick look that seems almost guilty, almost pitying, and you feel the pulse of it pounding all around you, everywhere inside you.

Nobody looks at you too long, nobody does anything besides leaving the fucking room. They won’t meet your fear and they won’t step between it and the source. Nobody here belongs to themselves enough to choose you over him. But it’s clear that they don’t. They’re his people for a reason. Nobody here will be on your side, whatever happens.

A door swings. The kitchen empties in a matter of seconds, everyone slipping out with the furtive speed of people evacuating a room where something dangerous has just unsheathed itself. They leave with the scene in their eyes. They leave you with him. And the silence after the last one goes is so sudden it roars.

You take another step back and only feel the unhelpfully solid press of marble against your spine. There is nowhere else to go unless you want to climb onto the counter like a cornered animal, and for one hysterical beat of a second, the idea does not even seem ridiculous.

You keep your eyes on him because looking away feels somehow more chilling, but your gaze is frantic within that line of sight, darting to the side entrance, to the swinging service door, to the corridor beyond him, to windows that suddenly seem decorative rather than useful, to every possible seam in the room where escape might be hiding in miniature.

There is none. The whole kitchen gleams at you with pitiless order that’s just full of steel and stone and copper, knives in their block and pots all around.

He notices you looking, but you can’t care; all you have to care about is the distance between you and him, the distance between you and anything that might become escape if panic suddenly grew wings.

Could you run past him? Maybe, if he were anyone else. Maybe, if this were some ordinary man with ordinary reflexes and an ordinary body and an ordinary life.

But he is none of those things. You’re in this damn situation because he’s none of those things.

He fills the doorway without even trying. He stands there in the collectedness of his dark clothes and encroaching presence, looking at you as if he can hear your thoughts tripping over each other and your fear has turned you transparent.

His shadow has finally caught up to his skin and you now realize how dark it is.

Even if you got around him, where would you go? The front hall might as well be on another continent. Every corridor in this house has already left you stranded. There is no map in your mind now, only panic. No way out.

The knowledge gathers in your chest until it hurts. Behind your eyes, heat stings. Your throat tightens around a lump and only something choked leaves your lips.

And Bucky sees all of it. You keep trying to shrink back from him because his very outline has now become a threat, and it doesn’t make your situation better, but he already knows, so you don’t have to pretend anymore.

And his face alters. It’s as if the floor has given way under him. As if he had stepped expecting hard tiles and found air.

He does not advance. That should help. It does not. He stays where he is, one hand dropping slowly from the doorframe to his side, as if he understands that any sudden movement from him might send you straight through the nearest pane of glass.

There is a fervor to him now that feels different from the one you knew in bed, at dinner, in the soft-lit luxury of his attention. It has made you feel protected, loved, worshipped.

But there is no feeling of that anymore, none of that, because now it’s stripped of adornment, revealed as what it perhaps always was beneath all that heat and gentleness. It’s focus. Pure and frightening focus.

His eyes are on you in that unwavering, devastating way of his, but the expression in them is nothing easy. There is something dark in there, something grim and braced, something that knows a door has just slammed shut and is already calculating what can still be salvaged from the wreckage.

His mouth is set. His jaw is hard enough to cast shadows. He looks, absurdly, heartbreakingly, like a man who has been struck and is refusing to touch the bruise. But he stands, and he’s still so tall, much taller than you thought he could become, and he is not the man you thought you knew.

He stands there with his hands visible, shoulders squared but not aggressive, and the intensity in him is bridled.

His stare does not feel like a threat in the crude sense, but it’s so full of attention, too much attention, because total attention from a man like him is its own species of fear.

“Sweetheart.”

His voice has changed. It is calm but only in pretense. It is soft, technically, but not the way it was before. Before, his softness had warmth in it, a hand held out in the dark.

But this is lower. Straighter. It has gone cool around the edges. It’s not vicious or unkind in any sense, but your body clocks it instantly. It’s almost formal in its restraint, as though he’s speaking across the lip of something that’s close to breaking and he’s trying not to widen the crack.

And that nickname makes you want to let the tears fall. Whatever he tries to achieve by calling you that, it doesn’t work. It’s just torture how familiar he tries to make it sound.

His gaze falls in fast snaps over your face, your posture, your trembling hands. “This looks bad,” he concedes roughly. His throat works once before he continues. “I know it does. But it isn’t what you think it is.”

The words land in you and do nothing. They just sink. Sit there.

He studies your face, sees he has not reached you at all. “What did you see, baby? What has you—” He breaks off with a crack, shakes his head slowly, and lets out a shuddering breath, eyes still on you. “Tell me what you saw.”

What answer could you possibly give him?

That you are looking at his mouth and thinking of all the times it softened around your name, and your own mind keeps turning traitor and overlaying that tenderness with headlines, with whispers, with ravening rumor?

That the same voice which once coaxed and soothed now sounds capable of making rooms empty and men obey and whole situations forgotten? That the current version of his voice is a masterclass in control and it terrifies you to no end?

That his hands are hanging open at his sides, looking so damn human and ordinary, as though they’ve never done anything wrong?

Which is a lie, you now know, a lie that runs deep and leaves you scarred, because all you can think is that these bare hands are the same hands you’ve had under your chin, lifting your face to his, tucking hair behind your ear, buttoning you up against the cold, and you’ve had them gripping you tight in the dark, moving inside you until you couldn't breathe, wrecking you in the best way possible.

These hands were your favorite things.

But looking at them now, you picture what they are doing when you aren’t around. Doing the dirty work, the ugly work, the unspeakable work, hidden back in the blacked-out corners of a life he kept under lock and key.

Your throat feels too dry to talk and you stay quiet, letting the stillness in the room ripen, letting your lack of words and the fear in your eyes speak for themselves.

A hard, hollow tension knots his face, makes his jaw grind, and look as solid as a piece of rock. His hands ball into fists and when your eyes snap to them immediately, your body already flinching, he flexes them, but it seems forced. There is an almost brute rigidity to his throat, a silent scream of dread choked down only barely.

“What do you know?” he grits out through clenched teeth.

The question is gentle in shape and brutal in substance. It makes your stomach turn. Because it sounds like a test. It sounds like inventory. It sounds like the kind of thing a ruthless man would ask before deciding what to do with the damage.

You let your fingers grip the edge of the counter. You can’t answer him. All you can do is try to breathe. All you can do is stare at the exit behind him, and his body standing between it.

He draws in a slow breath, lets it out. “Look at me, Y/n. Please.”

You didn’t know some part of you would still obey, but you notice too late. Maybe it’s better this way. Your eyes lift fully to his.

And you can actually see the way he has lost his grip. It’s right there in his eyes. If you were to describe it you’d say it looks distraught. As if he’s lost, his entire biography that’s been neatly written on paper now ripped away and he can’t find the next line.

Judging by the way you act and look at him, he knows you know something, he just doesn't know what, and the mystery is eating him alive. Just for one disorienting second he doesn’t look that much like this untouchable figure from all those disturbing rumors, but rather like a simple man who knows that if he tries to force his way out of this, he’s just confirming your worst fears about him.

“My name,” he starts with a little hesitance. The gravelly low timbre of his voice makes you shudder, “is James Buchanan Barnes.”

Something in your face gives you away.

You feel it the moment it happens. Some tiny involuntary flinch. Some helpless widening.

Because something crosses his expression, his throat bobs hard enough to show that everything inside him is suddenly in pieces.

He sees that the name is not new to you. He sees that you are already standing several steps ahead of where he hoped this conversation was.

He goes very still.

“You knew that already,” he acknowledges, and it almost hurts how he tries to sound calm about it all.

Your mouth is dry. Your whole body feels like a struck match. You let out a pitiful small breath.

He takes one careful step forward, and it’s not really a step, not even truly an advance, but you recoil so sharply, you ram your whole body against the wall of marble behind you. Your back stings, but your eyes sting more.

His face changes with your reaction, something like pain flashing through the severe framework of him before he reins it back in.

“How?” he asks, and he’s no longer trying for calm. He ducks his head, pleading eyes on you, and he speaks with a wounded quiet. “Sweetheart, how did you find out?”

Your throat works around the answer. “Your tags.” It comes out so faint it is almost nothing, just a shaking breath that accidentally caught a few letters on the way out.

For a second he shuts his eyes. For just one cut of time.

His head tips back the slightest amount, and he deflates. A breath of air leaves him in a hitching, rattling shudder, like he’s finally run out of things to hold onto.

He looks back at you and seems briefly at a loss. James Buchanan Barnes, man of closed doors and fixed outcomes, with no ready sentence in his hands.

It is strange and unnerving and it makes you talk more, bracing for him to yell and threaten and turn cold.

“And,” you whisper, voice wobbling and blundering around in your mouth, “there was a gun.“

You want to explain, want to urge that you didn’t mean to find it, didn’t mean to come across anything at all. You want him to know you would like to dump your eyes in a container of white paint so your vision is a blank canvas and you can color it with other pictures, but it’s too late, and your words already seem to break across him, differently.

He does not move at first. He almost flinches, but catches it halfway, as if his body forgot for a moment to be disciplined.

His eyes stay on you, and all that’s in there are things you’ve never seen in him before. Or in anyone, really. It is a stricken grief, resulting from the way every new piece of your fear is arriving inside him one by one and finding purchase.

He looks at you like he can see the exact route your mind took from one discovery to the next, and hates every mile of it.

“Baby, I—” he croaks, having to pause. Instead, he starts toward you again, even slower this time, palms open a little, perhaps meaning only to soothe, perhaps meaning only to be nearer, but simply more trepidation triggers in you before thought can intervene. “Please listen to me—”

Your gaze snags on the knife block.

The sleek black handles. The bright clean suggestion of defense. It’s without thought that you run to grab one.

It is graceless and frantic and you don’t brandish it like someone brave in a film. You don’t know how to do this well enough for that and you don’t have the nerve to think about it.

Your hand shakes around the handle almost immediately, and you pull it close to your chest, because fighting this vile man would be ludicrous considering who he is and who you are, knife or not, but you use it to protect yourself with the mere fact of holding something sharp. Hopeful that this thing will keep your horror from spilling out of your body altogether.

The blade catches the light and makes it meaner. You hate that you have done this. You hate more that you had to.

Bucky stops dead.

The whole room seems to stop with him.

His eyes go first to the knife, then back to your face, and what crosses his expression then is so nakedly agonizing it is difficult to bear.

Because he sees that you are not trying to threaten him, unlike how someone in danger might.

You are not foolish enough to think a kitchen knife turns you into his equal. You are holding it because your body needs one small fiction to survive on—the fiction that you are not entirely empty-handed in a room with a man who could ruin you if he chose to. The fiction that you still belong, in some tiny harrowed way, to yourself.

“Hey,” he says, and his voice cracks clean through the middle of the word.

You have never heard that happen to him before. Never heard his composure split like badly fired glass.

His stare stays locked on yours, but now there is no distance in it, no coolness, no stranger’s cadence. Just a visceral, human ache. “Hey,” he says again, softer, but it sounds so incredibly heavy. It’s the way you’d talk to someone who’s just woken up from a nightmare and doesn't know where they are yet. “I’m— I’m not going to hurt you.”

Your grip tightens. The knife trembles visibly. “Don’t come closer.”

He stops breathing for half a beat and nods slowly.

“Okay.” The word is a single rasp. “I won’t.” He swallows. You see the muscle move hard in his throat. “I won’t come any closer.”

You cannot stop shaking, no matter how hard you try, because a man with his power shouldn’t see you be so obviously afraid, but there is nothing you can do.

“Please believe me, sweetheart, when I say that I never intended to hurt you,” he swears, and there is no command in him now, none of that cold-sounding authority from a moment ago when he emptied the room with few syllables.

This is worse, in its own way. This undone version of him, this man trying to hold himself very still because the sight of you recoiling has clearly perturbed something structural inside him. “I have a thousand sins on my head, and it’s no use to claim otherwise now,” he speaks with a vulnerability in his tone that washes past you. “I’ve done a lot of things I can’t take back, but hurting you was never on the table. Okay? It was never even a possibility. You were supposed to be the only thing I didn’t ruin,” he ends with a lacerated wince.

You stare at him and have no idea how you can understand anything at all.

The knife handle bites into your palm. Your chest rises and falls too fast. The kitchen is suddenly too loud with all that humming of the refrigerator, the lights, the distant bloodstream of the mansion; and in the center of it all he stands facing you with that wrecked look in his eyes, as if your fear is not merely inconvenient to him but unbearable, and he’d rather be struck than watched this way by you.

And in a world that wasn't currently collapsing, maybe you’d actually care, maybe you’d actually notice how he would take a bullet to the chest just to stop you from flinching, but all you can think is that you are standing in the house of James Buchanan Barnes, with a knife against your own ribs as much as against him, and the man looking at you like heartbreak has found him at last is still the same man the city says should never be underestimated.

It’s so silent all of a sudden that the kitchen seems to be held in a trance. It feels as if there is a vacuum pressing against the walls and now the molecules of the room are terrified to touch the mess of what’s happening.

The last bit of help you could have possibly still leaned on due to your desperation has vanished, echoes of footsteps now pull back into the depths of this mansion.

The overheads feel hostile, throwing down a flat glare that skims over the stainless steel and floorboards with an inert eye.

And centered in that manufactured peace is him.

James Buchanan Barnes.

The name has already erupted once inside your chest, but it keeps echoing, reverberating through your bones in smaller aftershocks. It feels strange to attach it to the man standing in front of you, when his hands have mapped every part of you—right to the most intimate ones—you’ve come to recognize his voice even in half-sleep and his laugh once wound through the cage of your ribs, vibrating against the bone until you couldn't tell its rhythm from your own heartbeat.

It feels like a wronged ownership. It feels like a glitch, an error in the logic of the world, but who are you to find a way out of it. Surrounded by him, in a mansion that is now suddenly as big as the world itself.

But you see it now. And god, it’s so painfully clear. So agonizingly obvious.

You were delusional, you know that. It’s what hurts so terribly bad. You know exactly how this looks to anyone else. After all, this all started with you dating a guy for over a month and not even knowing his actual, legal name. But when you’re used to being nobody, a little bit of hyper-focused attention feels like a drug. He looked at you as if you were the only person in the room, and you would get this tight, anxious knot in your throat, thinking don’t ruin this. Asking for a last name or a background check felt like a quick way to feel high-maintenance, and you didn’t want to give him a reason to feel uncomfortable and walk away.

It was a habit born of pure insecurity, being so grateful for the crumbs of love that you don’t dare ask who’s baking the bread. He must have picked up on that on day one. He must have realized right away that as long as he kept making you feel special, you’d keep your mouth shut and let him stay hidden.

He used your loneliness, your blind spots. You were so desperately hoping to be seen, that you fell for the most obvious trap. And it’s your own fault, really. But it still makes you feel completely hollow, like someone scooped the air right out of your lungs with a cold spoon.

Now you have to live with the shame of that mistake.

Your jaw aches from clenching it, trying to swallow down the urge to throw up right there on the kitchen floor.

His presence alone seems to pull at the corners of the ceiling, dragging it down to squash you like a grape. He anchors the room to his foundation, consumes it with all he has, and tracks you with a pinpoint focus that has you shivering and sweating, because his gaze is treating the harsh thudding of your pulse as more vital than the massive, blood-stained kingdom currently cooling its heels on the other side of the door.

The roar in your ears turns outwards, seemingly engulfing the whole room with your panicked pulse. Your vision narrows down until the room stops spinning, and for the first time, you actually feel the air in the kitchen

And in the quiet, your awareness gives you the alarm that there is still something jarringly chilling resting just above your heart. It takes you a moment to realize it’s something physical. There is a weight there that now suddenly feels so deeply misplaced.

Your hand moves on its own, your fingers lifting toward your throat to find the source of that cold, sinister pressure.

The tips of your fingers brush pearls.

And for a moment, you stay frozen there, grazing the smooth curve of one luminous bead where the necklace drapes across your throat.

It once made you smile, had your shoulders drop in ease when you made contact with this present of Bucky. But it no longer feels like a present at all, it feels like a bribe, a hook, a trap because its ultimate purpose surely wasn’t meant as a gift but rather to restrict your freedom and keep you bound to him.

This necklace, these shiny pearls, they aren’t about you. Honestly, you don’t think anything is about you. It never was. It’s just a reflection of what he wants you to be, confining you in his version of your identity.

He manipulated you and stole you and wanted to make you believe you’re the luckiest damn girl in the world.

And you had been. But now you’re just the stupidest.

And you keep on being, because your mind just continues jumping back to the evening he gave it to you, how it felt so soft and intimate, something chosen carefully and fastened around your neck with that glint of pride that lived in Bucky’s eyes. And you want to cry and break down at the way he stood there in front of you so awkwardly with the luxurious velvet box in his hand like it was something far more serious than jewelry. The way his voice had gone rough when he said he saw them and thought of you.

And now, sitting against your collarbone all cold, these are no longer gems, but tiny hooks sinking deeper into your skin, reminding you with every little sting, that you walked into this prison willingly.

You let James Buchanan Barnes clasp it around your neck. The man whose name crawls across newspapers like a stain. The man whose stories carry blood and conspiracies and savagery in their wake.

Somehow you manage to close your fingers around the strand despite of their shakiness.

Across the kitchen, Bucky’s gaze drops to your hand the moment it moves.

The necklace feels impossibly smooth beneath your touch, each pearl round and shining like a row of innocent little moons.

A gift.

From a man you didn’t know.

Or maybe a man you knew too well, just not in the way the world did.

Your throat feels hot suddenly and you know it's the cursed pearls burning holes there, pressing into your pulse with every overwhelmed beat of your heart.

You cannot stand it.

Your fingers curl harder.

Bucky's gaze snaps up to your face, then quickly back to your hands, and then he goes still. But still in the way of an animal that sensed the crack of a branch in the forest. Every line of him tightens in subtle increments, his shoulders locking, his breathing halting so abruptly you see the pause ruffle through his chest.

He knows what your heart doesn’t yet.

His attention sharpens and his eyes grow wide. It almost seems like he’s about to move toward you.

“Hey—” he starts softly, though the word is unfinished, frail, fearing the direction your thoughts are taking.

But your brain is no longer interested in choosing to make decisions carefully.

The necklace feels oppressive, every inch of it tied to a truth you did not have when he first placed it there, and so you can’t think or react any differently.

Your hand jerks in one swift motion just as Bucky releases a desperate choking sound.

The strand snaps free from your neck with a sharp little noise, like a thread breaking under too much strain, and now the pearls explode outward from your hand and scatter across the kitchen floor like a sudden spill of tiny white stars. They strike the tile with a bright, haphazard clatter that echoes far too loudly in the empty room.

tik—tik—tik—tik—

Some bounce high, ricocheting against cabinet legs. Others roll wildly across the floor, spinning in spasmodic circles before coming to a stop beneath stainless steel counters and chair legs.

The sound fills the kitchen in poignant, crystalline bursts.

A rain of little impacts.

A beautiful mess.

For a second you don’t even breathe.

You just stare at them—those small, perfect pearls—rolling farther and farther away from each other, punctuating the heartbreak in the air.

Across from you, Bucky doesn’t move. Something is breaking across his face. His breath leaves him in a soft, stunned exhale, and all he can do is stare with his eyes unguarded. It startles you.

He takes a step back. Not a deliberate one. More like his body forgot the floor was there. His boot slides half a pace behind him as though the sound of those pearls hitting the tile physically pushed him away from you.

His mouth parts.

For a moment he looks like he cannot quite process what he just witnessed.

His eyes—those confident, storm-colored eyes that usually hold such controlled intensity—have widened in a way you have never seen before. It doesn’t seem to look like anger, or anything like it.

It looks like hurt. Pure, unhidden hurt.

His gaze falls to the floor, tracking the scattered pearls skittering across the kitchen tiles, watching them roll away from where you stand with that look in his eyes that says he never wished to see them destroyed.

Then his eyes return to you. Slowly. And the expression there is devastating.

Because it is not rage.

It is not even disappointment.

It is heartbreak so unexpected and unfiltered it seems to hollow his chest from the inside.

His jaw tightens as if he tries to speak, but no words come immediately. The muscles along his throat move with a hard swallow, his chest rising and falling once in a slow, unsteady breath.

You realize then that he is looking at your bare throat.

The place where the necklace used to rest, and he stares at the place with sullen eyes.

Then his eyes lift again, meeting yours, and they are still wide, still aching.

For the first time since you’ve known him, Bucky Barnes looks like a man who has just watched something precious fall apart in his hands and realized too late that he cannot gather the pieces fast enough to put it back together.

And in the bright, echoing kitchen, the last pearl finishes rolling.

Tick.

Then silence returns, and your dread turns harrowing and now Bucky doesn’t seem to know where to put his hands, which is such a small, irrational thing to notice in the middle of your terror and yet your mind notices it anyway, because this is a man who has always seemed like a structure that was built out of conviction, who has been a straight line for you to follow in your world of scribbles, a man who enters every room as though the room had the good sense to expect him, and now he stands before you with your fear pointed at him in the shape of a kitchen knife and looks, inarguably, like he has been shoved off-script and dropped into the crack that formed in his foundation and now he is walled in by the very bricks he laid.

His eyes stay on your face, then the knife, then your face again, careful, heartbroken, alert in that frighteningly intense way of his, and you feel yourself shiver as he is tracking every tremor in your fingers, every drag of your breath, every microscopic shift in your balance in case you bolt again or collapse or cut yourself by accident on the trembling edge of your own panic.

“What you think you know about me,” he starts, and his voice is lower now, roughened at the seams, “what you’ve heard… what people say, it isn’t the whole truth. It isn’t even most of it.”

You barely hear the words. They hit the air and fall uselessly to the floor. Because what else would a man like him say, standing in a cathedral-sized kitchen in a house full of people who obey him before he finishes speaking, after you found the gun and the tags and the name that can turn a city’s rumor mill rabid by itself?

No matter what he says, no matter that he looks so unbelievably shattered—the shape of him is wrong now. That is what your body keeps insisting on. Wrong in the doorway, wrong under these lights, wrong with that caution and that gentleness still trying to live in his face as if it is genuine. You cannot make him fit into one meaning anymore. He is split down the middle in your mind—tender and terrible, gentle and catastrophic—and the fracture is making noise inside you.

He takes a breath, slow, as if he is trying not to startle you even with the sound of his lungs working. “I know how this looks.”

A cough breaks in your throat, or maybe it's a huff or a wet laugh, or whatever, but it hurts coming up and out of your throat. Your hand shakes so badly the knife glints in nervous little flashes. “You used me.”

The sentence leaves you wheezy and small and much too true-feeling inside your own head. But they are out, and you take a whimpering breath, and two tears fall. They don’t arrive elegantly, and they sure as hell don’t spill subtly. They feel hot and you feel humiliated and betrayed, so deeply betrayed, and you hate that they are coming in front of him, giving him the satisfaction because your body is not able to choose a fight, to give you steel and armor and an exit and a miracle. All it can provide you with is dread and tears, and a terribly shaking kitchen knife in your unpractical hands. Your whole body has become an argument against calm and there is nothing you can do.

His face changes so sharply it is almost like watching a flame twist drastically in wind.

“No,” he gets out quickly, and his voice trips over itself. It is denial stripped to the bone. Pure and cruel because he’s genuinely the greatest actor on earth. “No,” he chokes out again, softer and somehow more desperate. “No, no, I— It's not— I never—” He swallows, the line of his throat moving hard. He looks like he is about to walk barefoot through broken glass without letting you see the blood. “You matter to me. You— God, shit, that doesn’t even come close to—”

“Stop,” you whimper while a fresh tear slips down. You shake your head because the words feel obscene now, feel almost insulting in their tenderness, like someone laying roses on a crime scene.

“I’m not pretending.”

“Stop.”

His jaw flexes. He looks toward the ceiling for half a second, and it seems like he is trying to gather language before it deserts him entirely, and when his gaze comes back to you there is something naked in it, something grim and pleading and painfully real. He seems to grope for something that keeps him standing.

“I wanted to tell you,” he despairs, voice scratchy. “I was going to.”

You stare at him through your blurred vision. Every instinct in you rejects the sentence on impact. It sounds nonsensical. The knife quivers against your chest with each breath you are somehow able to take, but they are shuddering.

“When?” you choke out. “After what? After I was stupid enough? After I—”

“No.” He takes a step before remembering himself and stopping immediately, hands opening at his sides. “No. When it was safe.”

The word safe almost makes you laugh, except there is nothing funny left in you.

He hears how deranged it sounds in this room, and grief moves across his face in one dark, swift shadow. “Listen to me,” he presses, and his voice cracks, stripped of that expensive control he wears so well. “I know this life is ugly from the outside. I know what my name sounds like to people. I know what kind of stories get told. I knew if I handed you all of it too soon, all at once, you’d run before you ever had the chance to know what was real.”

Your tears keep coming and you don’t have it in you to wipe them away. You fear your heart won’t ever be able to unclench again after this day. If you even make it out of here. “So you thought you’d just let me” —fall in love first— “into your life the way you did?”

He closes his eyes, and you know the sentence hit exactly where it meant to. When he looks at you again there is nothing smooth or seamless about him, and you have never seen him this way. Because you have never really known him. He is no longer buttoned-up and bulletproof. He honestly looks about ready to be hit in the heart one final, fatal time. “I thought I would give you time,” he supplicates quietly, voice husky. “I thought I would let you know me before the rest of it ruined everything.” The breath that follows his words sounds full of sorrow and a deeply seated regret. “Which it seems like it has.”

Yes, it has. Yes, he ruined it. But would you have felt any other way if you found out another way? In another setting, maybe while you were tangled in the sheets together, or while he was holding your hands? You don’t know because it didn’t happen that way and you found out the way you did and now the world is upside down and all wrong-angled, and your mind is spinning in a room with no corners, completely unanchored by a lie you never saw coming, or maybe you have, because a guy like him couldn’t ever want a girl like you, and perhaps first and foremost you’re just mad at yourself.

Your throat has gone tight with crying, with fear, with the dizzying effort of keeping your body upright when your whole nervous system is trying to flee in eight directions at once. He sees you struggling and looks halfway to moving again, then stops himself so hard the restraint shows all over him.

“I’m a patient man,” he keeps going, and you just want to run past him, out of this hell. You don’t hear how there is no pride in his voice, no menace, just a worn sort of honesty, as if this is the one truth he can still offer without it breaking on impact. “I would have waited. As long as I needed to. I was waiting for the right moment, for when you felt safe with me, for when I knew you wouldn’t hear my name and only hear every lie this city tells itself at night.” His voice lowers further. “For when you loved me enough to at least stay in the room while I explained.”

You blink at him as if he has said something in a language your body no longer speaks.

And then, because this nightmare apparently still has room to worsen, he says, very softly, “Because I love you.”

All you can do is stare at this stranger, and it feels like you are looking at him through a broken window.

It is not the first time he has said it, not at all, and you had loved how he had no shame in telling you, how he pressed those very words into your skin night after night, even this early into your relationship.

Gosh, you had cherished it, fallen deeper for him because of it, and now you know it's all been part of his manipulation. So what else should it be now. But at the same time—why should he still be saying it? How can he still say that? How can he say that now, after all of this, after you know who he is, after the room has filled with the bomb of revelation? What kind of man says I love you while being the very thing you are trying to escape from?

You don’t understand him. You have no clue about who this man is and it is making your hands sweat around the handle. You don’t understand how his eyes can look this shattered, how his voice can sound this human, how his face can hold this much pain and still belong to James Buchanan Barnes.

The knife is still trembling against your chest. Your arm aches from holding it so tightly. The tears keep slipping down no matter how furiously you blink. He stands there with grief in his eyes and power in every line of his body, and both things are true at once, and both things are hurting worse because no single version of him will stay still long enough to be hated cleanly.

“I was going to ease you into it,” he explains achingly, as if confession has broken loose now and cannot be coaxed back in. “Slowly. Over time. I was going to tell you what I could, when I could, and let you decide what to do with it piece by piece. I was never going to throw you into the deep end and watch you drown in it.” His throat works. “Y/n, I’m so fucking sorry you had to find out like this.”

But you are not really listening anymore. Or rather, you hear every word and none of them settle. They clatter against your panic and bounce off immediately only to land in a repressed corner of your mind.

Because maybe he means them. Maybe that is the tragedy of it. Maybe he means every single inconceivable word. But meaning them does not open the door. Meaning them does not make this house less of a trap or his name less of a threat or your pulse any less palpitating in your throat. Meaning them does not undo the gun, the tags, the scathingly smooth way everyone in this place disappears when he tells them to. Meaning them does not turn James Buchanan Barnes back into only Bucky, back into the man whose shirt you wanted to pull on because it smelled like him.

All you need now is a way out.

You don’t want justice, or answers, or even the damn truth. You just want a way out of this. You want to get the hell away from him and everything that smells and looks like him. And the room starts reorganizing itself around that instinct. The service door behind him. The hallway to the left. The distance to the far counter. Whether he is standing on the balls of his feet or flat. Whether the island might slow him for a second. Whether dropping the knife would help or harm you. Whether there is any point at all in planning when this is his house, his kingdom, his maze, and you are just a girl crying in the center of it with shaking hands and nowhere good to go.

He sees your eyes move and something in his face folds inward with understanding, with woe, with the excruciating knowledge that while he is pouring his heart out in rough little pieces, all you are doing is looking for exits. He looks completely emptied out, as if his ribs had been pried open and the only soft part of him had been torn away.

“Baby—” And now he just sounds pleading. But he doesn’t get the chance to keep on going with his drama.

The kitchen ignites with noise before you even understand what you are hearing. There was just you with your messy breathing and Bucky standing a few feet away with that awfully gutted look on his face and then the door slams open so hard the plaster cracks and the sound ricochets against your nervous system.

A crowd of men comes flooding through the opening, like a breach in a dam, so fast and threatening and all of them primed for dirtier work than anyone should ever have to do. The floor shudders under their hard slam of boots. Nobody hesitates and nobody asks questions. They all just move on some sick instinct, weapons out and raised in the space of a single heartbeat.

And now all of them are pointed at you.

The sound that hitches in your throat is not at all dignified or brave. You wish you could stare at the end of your life with at least a small sense of bravery, but it doesn’t seem like it. Every weapon these uniformed men hold is fixed on your ribs, your throat, your eyes, and the paring knife you are gripping feels pathetic. It is a useless piece of household metal against a wall of black iron, against men who don’t care that you are small and fearful.

Even so, your knuckles go numb around the handle from how hard you are gripping it. Your fingers lock up, your skin flashing from freezing cold to scorching hot while your heart thrashes against your ribs.

You think, irrationally, that this is how it happens then. There is no big speech, no lightning strike from the sky. It is just going to happen here on the linoleum, next to a bowl of apples on the counter, and a row of clean water glasses that are catching the light of the kitchen while strangers decide to put bullets in you.

Bucky pivots.

It happens so quickly it feels supernatural, like a weather change, like the room altering under the weight of him. He steps in front of you without quite blocking you, but enough that every single man in that doorway seems to remember all at once who exactly they have just disobeyed.

His expression does not merely harden; it shears. Whatever softness had remained in his face a moment ago is gone so completely it is frightening, scraped away until all that remains is authority in its most lethal form.

You feel fused to the counter behind you. You wish you would be.

He fixes his stare on his men and his eyes become glacial, pale and freezing, incandescent with a fury that somehow feels far more menacing than an outburst. He speaks, and the volume is so low that the room has to go completely breathless to catch it.

“Guns down.”

The response isn’t fast enough. No one moves quickly enough. One of the guards hesitates—just a fraction, just long enough to die for it in any other circumstance—and Bucky’s gaze lands on him so heavily, it’s as if he is deciding where to leave the body.

“I said,” he repeats, and his voice comes out with a rough friction, stripped of any emotion except the promise to do harm, “if any one of you ever points a weapon at my girl again, I’ll put you in the ground myself and make sure nobody bothers digging you back up. Do you understand me?”

His words are deadly. It doesn’t even sound like he’s acting at all, he just sounds absolutely lethal. He talks as though he has already buried people before and wouldn’t think twice about doing it again.

Around you, the momentum of the raid falters. The guards look genuinely unnerved, expressions switching so quickly between shame, panic, and obedience in ugly little flashes. Guns lower and now point toward the floorboards. A muted apology gets muttered into the silence and some of them take a step back. But it is too late, far too late, because the last thread inside you has already snapped, and your body no longer cares about reason.

You run.

There is no time for anything else; you simply hurl yourself at the nearest gap in the room, toward the delusive hope of open space, of slipping between bodies, of somehow becoming smoke, becoming speed, becoming anything but this cornered and shaking thing inside your own skin.

You aim for the narrow corridor between Bucky and the island counter, convinced by sheer panic that if you can just get past him this once, just this once, the house might cleft and let you go. Your shoulder twists, your breath catches, your feet slip against tile and then catch again, and the world blurs into motion and noise and the blood-bright animal need to escape.

But Bucky is faster.

His arms hook around your waist in one brutal, seamless movement, and it yanks you backward before you’ve even made it past his shoulder. Suddenly you are no longer running, your feet lose the air, leaving you floating for half a heartbeat, before you are driven hard into the breadth and heat of his chest.

The cry you let out this time actually tears your throat. You thrash on instinct, your body fighting him with the full deranged force of your mind freaking out, and somewhere in that struggle your hand jerks.

The knife you have been using as a means of senseless protection, hits resistance. It slides cleanly, sinking into skin and it makes you gasp sharply, your lungs suddenly jamming. It’s not your skin.

The blade has opened a shallow red line across his forearm.

And that’s gotta be it. You’re now totally and completely fucked.

The knife drops from your hand and clatters to the floor.

For one aghast second you stare at the bead of red welling against his skin, bright as a neon sign, and horror crashes through you so adamantly it almost eclipses your fear.

But Bucky does not let go. He does not even flinch properly or draw back his arms. His wounded arm stiffens only enough to keep you from pitching forward, his other hand coming up to cradle the back of your head, not pinning now so much as containing, as if he is trying to physically keep something from breaking apart right there in his grip.

He seemingly is completely blind to his own bleeding skin, as if the knife you were holding was never a danger to his life and only a threat to yours. Even with his blood on the floorboards, his only instinct is to pull you deeper into his chest.

“Hey, hey, hey,” he calls, and the transformation in his voice makes your head spin, because the man who just threatened death into a roomful of armed soldiers is gone again, folded away, leaving only this hoarse, pleading tenderness that feels almost more agonizing. His mouth is at your temple, right at your hairline, his breath gasping against your skin. “Baby, baby, stop. Please—please, don’t do this, you’re gonna hurt yourself.”

You fight him anyway because your body refuses to do anything else. Your hands shove uselessly at his chest, your shoulders wrench, your whole body convulses with the effort of getting free. But he is built like a locked gate, and every single push only burns through the last of your energy. Tears pour hot and shamefully down your face. Your lungs burn. The room swims at the edges. Somewhere nearby, boots shuffle, and Bucky snarls over your head without releasing you.

“Out.”

It is one word, but every person in the kitchen obeys it instantly. You hear the kitchen staff backing away, hear the door open and shut, feel the room empty until there is no one left but you and him and the sound of your own sobbing.

Bucky’s hold eases just a fraction, softening the pressure so you can actually draw in air even if inhaling right now feels like swallowing water. He presses his cheek against your hair for one heavy second, and when he speaks again his voice is breaking in places you have never heard it break before.

“Listen to me,” he murmurs, each word roughened by strain, by remorse, by something that sounds so heartbreakingly sincere you almost hate him for it. “Hear me out, sweetheart, please. I got you. I got you. Nobody’s gonna touch you, nobody’s gonna lay a hand on you. I won’t! I would never. You hear me? You’re safe.”

Safe.

The word is a total deformity. It is so grotesque in this moment you could probably laugh, except it comes out as a broken cry instead.

You feel the way his body tenses around the sound, how it seems to travel straight through him with his heart as the target. He bows his head, his lips brushing your temple by accident or desperation, you cannot tell which.

“I’m sorry,” he says, and now there is nothing controlled left in him, no command, no careful poise, only a man fraying in real time. “Jesus Christ, I’m so sorry. I wanted you to know, doll, I did, just—not like this. Fuck, not like this. You mean everything to me. You gotta believe that. You are everything.”

You shake your head against his chest, small and uncoordinated, feeling spent. You do not know whether you are denying him, begging him, or simply coming apart. His shirt is damp beneath your face now, whether from your tears or the sweat chilled over your skin or the blood from his arm, whatever it is, it feels symbolic somehow—one more blurred line in a night made of them.

“I wasn’t gonna let anybody hurt you,” he whispers, and even that seems to drag through his throat, hitting the walls of it. “Nobody would ever be able to hurt you. Especially me, my love, especially me! I swear to God.” His forehead grinds into yours until you can taste the heat of his skin. “I’m still the same guy who kissed you this morning. I don't care if I’m a monster to the rest of the world, but not to you, sweetheart, please not to you. I would never—god, I would cut my own hands off before I ever used them to hurt you. You have to believe me, darling, please!”

But your body no longer knows the language of swearing, or soothing, or reason. Your muscles don’t translate his pleading into safety. Your body only knows that he is stronger than you, and that the arms holding you are the same arms that can dismantle a life without raising his pulse. The palm mapped so carefully across the curve of your head is the exact same hand that commands a firing squad, directs the local precincts, and seals fates with a slight tilt of his chin.

Every touch from him now delivers a repulsive duality—a rescue that feels like an arrest, a stroke that resembles a chokehold, an overwhelming affection that wears the exact outline of a cell.

You can feel how easy this is for him, how negligible his effort is in keeping you contained even while he tries his best to appear harmless. That insulting fact finally starves out the last bit of resistance left in your veins. Your nervous system runs out of fuel, leaving your body to go completely toothless against his chest, without actually surrendering or any returning trust. Your body is simply done.

Your fingers drop their useless leverage against his chest, your joints go limp and your knees refuse to carry your weight anymore.

You sag in his hold all at once. The sobs keep coming, but weaker now, thinning out, scraping instead of breaking. Bucky feels the change immediately. His grip loosens just enough to become support instead of restraint, his palm rubbing between your shoulder blades in one of those soothing motions you used to love so much and it makes your chest ache with a fresh wave of grief.

“That’s it,” he coos, though his voice sounds completely mangled by the words. “That’s it, honey. I know. I know.”

You don’t know what he means by that. You’re not sure he does either. Perhaps he simply recognizes that your stamina has bottomed out, that even the sharpest panic has its boundaries, and that the rush of survival instincts always burns hot and fast, leaving behind this full-body collapse.

He holds your dead weight upright anyway. He keeps murmuring into your hair but it doesn’t glue your broken pieces back together or erase the reality of what he is, what this fortress hides, and what you stumbled into. His sliced arm stays locked around your waist. You can feel the sticky warmth of his blood soaking through your clothes. It is startlingly human, and it should probably make him look less like a monster, the simple fact that he can bleed. But it makes every detail about your situation so real and dreadful.

When your body finally ceases its rebellion entirely, it isn't an act of submission. It is pure depletion.

And Bucky, keeping you pinned against the wall of his chest, seems to grasp that exhaustion better than anyone else could. His lungs expand and contract in uneven hitching motions. He drops his chin heavily onto the crown of your head. He closes you in not like a conqueror taking a prize but like a man trying, too late, to keep a catastrophe from widening under his hands.

Beyond the kitchen threshold, the entire estate drops into a dead, listening sort of silence, as if the plaster and timber have cocked an ear to the room.

He keeps holding you as if you are something he has no right to touch anymore and still cannot seem to make himself release, and it’s crazy that even like this, even with your body rigid from all the things you have learned too quickly and too late, he is still somehow heartbreakingly careful, his hand spread wide and warm between your shoulder blades, his hold immovable but never bruising, his mouth close to your temple as though he cannot bear to put distance between you if distance means losing you for good.

It is all just so utterly confusing because this is not entirely what you had expected would happen.

“The way you looked at me,” he continues, and his voice comes out rough as gravel dragged through water, ruined by restraint, by panic, by the sheer effort of trying not to frighten you further with the depth of what is in him. He does not sound like the man in the hallway, not like the man who commands rooms into silence with a glance, not like the man whose name can make other people blanch and step backward and say yes, sir, with their pulse all up in their throats. He sounds flayed open. He sounds like the sight of your fear has gone into him like shrapnel and lodged somewhere vital. “The way you looked at me in there—” He stops, breathes in shallowly, like he has run straight into a blade and is trying not to lean on it harder. “Christ. I’ve taken bullets that didn’t hit like that. To have you look at me like I’m something you need to survive.”

Your face is turned into his chest, your tears soaking through the expensive dark fabric of his shirt, and still your whole body is listening against your will, because his voice is all around you now, low and urgent and splintering in places that make something cold move through you.

His hand slides back up the back of your head, not forcing, only cradling, his fingers threading carefully into your hair as though the gesture itself aches. When he speaks again, there is something almost disbelieving in him, some stunned grief that does not seem feigned, cannot possibly be feigned for this long without becoming madness.

“If I could do it over, I would do every goddamn thing different,” he breathes brokenhearted. “Every part of it. I would tell you sooner. I’d tell you cleaner. Shit, I should’ve just told you. I should’ve given it to you straight before it got this messy and before you had to figure it out by yourself and piece me together out of all the worst parts with nobody there to shield you. I would have died before I let it happen like this. I swear.” He swallows hard enough that you feel it where your cheek presses near his sternum.

The kitchen is too bright and everything is stinging so harshly with those clean counters, the severe gleam of copper pans above the island, the neat little arrangement of knives in their block where one slot is now empty, the overhead lights turning everything brutally visible.

There is nowhere for your agony to hide. It shivers right out in the open, lives in the tightness of your lungs and the salt on your mouth, and the fact that every soft word from him only makes the unreality of this more baffling. Because he sounds sincere. He sounds devastated. He sounds like a man speaking over the body of something precious he helped kill.

He says all of this like he’s offering you his throat, while all around you the evidence of his power still glints and twinkles from every glazed surface, every distant footstep, every forced silence in a house built to keep his secrets and carry out his will.

He is talking with all the gentleness he has. He is nearly breaking with it. And still, inside you, fear sits and it pants and it is unconvinced, because love does not make a cage less locked simply because the hands closing it are shaking.

You make a small sound then—not a word, not even close, just some thin and wrecked little fracture of breath—and he tightens around you reflexively, then instantly checks himself, as if terrified you will read force into even that involuntary movement.

His next words come faster, crowding each other, not panicked exactly but pressed by urgency, by the sense that you are slipping through his hands even while he is still physically holding you.

“I know what I am.” He breaks off again, and this time you feel the tremor that runs through him. “I know what kind of man I’ve been, what people say about me, what they’re right about. I know exactly what it looks like from where you’re standing.” His voice goes raw. “But, darling, I never meant for you to be afraid of me. This was never supposed to happen.”

The words enter you but you just don’t know where to store them. There is something so naked in the way he says them that your mind keeps tripping over it, keeps trying and failing to fit it beside the other truth—the guns, the guards, the coldness in his authority, the name that belongs in whispers, the empire standing tall all around you in all its obedience. Or maybe it’s just loyalty. Respect? What even is it?

It’s hard to acknowledge that he still sounds like himself. James or Bucky, the man who kissed sleep into your skin and tucked blankets around your legs and pressed absent-minded kisses to your shoulder while reading beside you in bed still exists inside this other, larger, more terrible man. He has not vanished cleanly enough to make your fear simple. You give a small whimper.

“I was selfish,” he rasps, and now the confession lands without defense. “That’s the truth. I was selfish as hell. Because I wanted you anyway. I wanted you even knowing I should’ve stayed away from you. I know I should’ve left you out of all this. A girl like you deserves something clean and safe, and I’m neither of those things. I knew that. Fuck, I knew that. And it’s been killing me. I let myself have you and it’s been so fucking selfish.”

His breath hitches around the last word, and the grief in it is so unexpectedly torturous it almost makes you nauseous. His forehead lowers for a second against your hair, and he scarily looks so weary, suddenly too full of feeling to carry it elegantly.

“Because you are...” He exhales a broken laugh with no amusement in it whatsoever. “Christ, sweetheart, you are the best thing that’s ever happened to me. You couldn’t ever imagine what you walking into my life did to it.”

Your eyes squeeze shut and fresh tears slip out anyway. Somewhere inside you, some tired and furious part wants to scream at him for speaking like this now, for laying tenderness over terror as if one can cancel the other out, as if love—even if it is love, even if it is real and not just another instrument in his alluring hands—can unmake what you know. But before you can push any of that into sound, he keeps going, quieter, the words drawn so close to your skin they seem less spoken than confessed into it.

“If you want to go,” he states, and there is a pause before it, the kind that tells you the sentence is costing him blood, “I’ll let you go.”

Your breath snags. You don’t trust it nor believe it instantly, but even imagining the words coming out of him feels like a tectonic event, a mountain bowing. He does not release you yet, but his body changes with the promise, some iron set inside him going rigid with the effort of saying it and meaning it.

“I will,” he says, with more force now, as if he knows you don’t believe him and cannot bear that either. “If that’s what you want, I will. I’m not gonna keep you somewhere you don’t wanna be. I’m not gonna turn into that for you. But, baby—” and here his voice gives way altogether, drops into something so human and stripped down it hardly seems to belong to the same man who froze a room full of armed guards with one look, “—I am begging you not to make that choice before you hear me. I am begging you. Stay this one night, give me one chance to explain it all to you, to answer every possible question you could have. One chance to do this right, even if I already did it all wrong.”

Begging. The word would sound absurd from almost any other man. From him, it sounds cataclysmic. His hand shakes at the back of your head before steadying, his chest rises too sharply under your cheek, and he continues speaking as if silence might kill him.

“I love you too much to let this be the end of it if there’s anything I can do to stop it,” he croaks. “Too much to let you walk out of here thinking none of it was real. It was real. Every second of it was real. Me wanting you, loving you, worrying about you, making room for you in my life in ways I never made room for anybody—none of that was a lie. The only lie was thinking I could hold both worlds apart long enough to protect you from what I am. That was the lie. That was my arrogance. My mistake.”

The mansion remains hushed in that eerie, cathedral-like way that comes after a disturbance, as if everyone occupying this huge mansion is pretending not to hear the aftershocks.

But here in the kitchen, everything feels narrowed to his voice and your breathing and the blood drying on his forearm and the fact that he is speaking to you like a man on his knees, even if he is still standing, even if his arms are still around you, even if his kind of desperation does not know how to unclench fully.

There is a daunting sincerity in him now, not because it is soft but because it is not. Because it is fierce. Because even his tenderness carries the shape of obsession, of decision, of something chosen with his whole irreversible heart.

What can you possible answer here. What can you possibly think.

“I’ll do whatever I have to do.” He sounds so full of conviction. Technically, the words are quiet, but there is a hard core somewhere in his tone, and it glows fiercely. “I’ll do whatever it takes to make you feel safe again. To prove this to you. To earn back one inch of your trust. I don’t care how long it takes, I don’t care what you ask for, I don’t care what I have to lay down at your feet. I’ll do it. I will.” He takes a beat and the next words are so low you almost miss them. “I know I don’t deserve another chance and you have all the best reasons to run, but I’m asking for it anyway, Y/n.“

At that, finally, he leans back just enough to look at you. It’s not much, but the hand at the back of your head can guide your face up with painful gentleness, giving you every opening to pull away if you need to, though you are too wrung out now to do much except tremble.

His eyes find yours and stay there, and the sight of his face nearly brings you to your knees all over again. There is no coldness in him. No cruelty. No mockery. Only a kind of bereft intensity, a ravaged devotion, and beneath it the severe understanding that he is seeing himself reflected in your fear and cannot survive the image.

The whole fact of how broken he sounds starts to mess with your head. It cracks the armor of your panic, if only just a little bit. You’re trying to hate him. Because, honestly, you want to. You want the fear to be this insurmountable wall between you, but his voice keeps crumbling pieces of it.

The worst part is that you can’t just flick a switch and stop loving the guy you were tangled up with this morning. You fell for him so fast, so completely, because his version of happy felt like the safest place on earth. But with all those shocking revelations, that same love feels like a trapdoor that just dropped you into a cellar, and you are so angry at your own heart for still wanting him to hold you.

Underneath the exhaustion, there is a nauseating doubt starting to rot everything you remember about the last few weeks, and you really don’t need your mind going that far, but it does. You start wondering if you ever actually loved him, or if you were just hooked on the way he looked at you.

He treated you like you were the only important thing in the world, and you just hung off that affection, soaking up the protective way he took care of you. Even though he’s standing here right now, bleeding and hollowed out, swearing that every single touch was real, how can you ever be sure? Every memory you have is suddenly poisoned by the thought that it was just a beautifully built illusion, and the whole thing makes you feel completely seasick.

It’s just too much to handle all at once. Your brain is trying to hold two completely different men in the same space—the gentle guy who tucked the blankets around your feet in the dark, and the boss who froze a kitchen full of killers with one word. They are both real. They are both right here in front of you, and the fact that he isn't a cartoon villain makes it a hundred times worse.

If he were just a monster, you could run. But he’s a monster who tells you he loves you with this gut-wrenching, unyielding honesty, and looking at his ruined face, all your willpower just turns to mush.

“I should have asked more questions,” you whisper, and still, your voice breaks, the words tumbling out of you like loose gravel. You aren’t trying to be eloquent anymore, you are just trying to get the noise out of your head before it chokes you. “From the start, I— When you wouldn’t tell me things. I— I don't know, I was scared, I guess.”

Your fingers tighten into the expensive wool of his lapels just to keep your knees from giving out. Letting this mob boss know about your fears is probably a bad idea. But your life consists of you making bad decisions and so your mouth keeps opening. “I think I just liked the way you were to me too much to risk messing it up.”

The words drag themselves out of you like they do not want to be born, like each one has to force its way through the knot in your throat and the salt on your tongue and the simple, mind-numbing fact that nothing in you knows where to place anything anymore—not him, not yourself, not the last weeks, not the hands that held you so tenderly and the empire those same hands command with a flick of the wrist.

Bucky’s gaze is piercing as he looks down at you, listening with his breath visibly held.

“But I— I still don’t understand. I think.“ Your voice comes thin at first, scraped nearly transparent by crying, but it sharpens on pain the way a blade sharpens on a whetstone. “I just— I saw this gun, and—,” you blur out, the memory making your heart do that awful stutter against your ribs again while Bucky nearly flinches. His eyes go wide, pupils shrinking until they look like two dark pinpricks. “It was an accident. I swear it was an accident. I was just— you told me to grab a shirt of yours but I couldn’t reach up your wardrobe and so I was just going to go grab the shirt you've been wearing, but your jacket was there and then it just fell out. And I— I completely lost my mind because I realized I didn’t actually know anything about you, and I’ve been so stupid, and I’m really not good at this. I'm not good at talking things out or figuring out the right things to say. It’s just— this is so much to take in.”

Bucky´s chest hitches, a rough, dry stutter or air that sounds like he just took a fist to the solar plexus. His face looks almost unrecognizable with the pain plastered on it. You feel his hands tremble against you and he slowly takes them away, putting himself at a small distance to perhaps give you some space. His palms stay open, as do his eyes. He looks entirely unhinged by the clumsiness of his own life seeping into yours.

How could anyone understand how a man can kiss your forehead like a saint and still have blood and fear braided into his name. It’s so hard to understand how someone can look at you the way he is looking at you now—like you are both miracle and mortal wound—and still have lied, still have omitted, still have arranged the world around you so skillfully that you walked through it unknowing, barefoot and bright-hearted, straight into the center of his hidden life.

You do not understand what parts were real and what parts were merely curated, and worst of all, there is a terrible little splinter of you that already suspects the answer is not clean enough to save you. That some unbearable amount of it was real.

Your mouth trembles and you know that he can see it.

“You lied to me,” you sob, and although you mean for it to, it doesn’t sound like a weapon you’re throwing at him. It just sounds sad. “You made it so easy. I didn’t even think about it. I just— I just woke up every day and trusted the way you looked at me. And the whole time, I didn’t even know you.”

You look down at his chest so you can stop having to meet those devastatingly sunken eyes. “You let me fall in love with you not knowing who you were.” Your sentence has a shape now, the grief in you finally managing to find a spine. But you still can’t make your words sound all that accusing. Because you got yourself into this situation. You’re supposed to be furious at yourself first.

You haven’t used the word love before. You just dropped it, being the first time it cleared your teeth and the timing of it feels completely disastrous.

And Bucky suddenly undergoes a drastic freeze, as if his nervous system has been struck by lightning. He seems to tip back just a tiny bit but stays in your orbit. He stares down at you, his mouth parted, his chest stalling on an intake of air that he forgets to let back out.

The fact that you love him—and that you are saying it right now, while covered with dread and shivering nearly against his chest—seems to completely break his brain.

There is a dark heat flooding his face, his jaw tight enough to snap a tooth. He looks agonizingly vulnerable like this, the dangerous mob boss utterly gutted by four letters. His fingers twitch where they are now hovering near your neck, desperately wanting to bury themselves in your hair and pull you back into his skin, but he forces his hands down to his sides, his knuckles trembling against his tailored trousers.

“You…,” he starts, eyes burning with a starved intensity that makes the air in the kitchen feel boiling hot. He swallows loudly, taking a moment, staring out into some space behind you, and switching focus back to you. “Don’t call yourself stupid,” he goes on, voice dropping into a rasp that shakes with the failure of his own arrogance. “None of what you told me and none of what you felt makes you stupid.”

His face leans closer to yours and somehow you only shrink back a tiny bit, not really at all. You can feel the wavering rhythm of his breath against your lips. He looks thoroughly undone by his own greed, stuck in the realization that he won the only thing he ever wanted, right at the exact moment he stopped being the man who holds you in the dark and turned into the reason you’re afraid of the dark.

“The love was real,” he sounds so convinced. His face is breaking, but his voice is not. He knows what he is saying. “Every single second of it was real. I am the one who ruined it. But what I feel, and what we have, that isn’t a lie. I swear to you on my life, it was never a lie.” His eyes close briefly, and it looks like he is losing his footing somewhere internal. “I know how it feels from where you’re standing. But I wasn’t playing some game with you. I wasn’t trying to—” He drags a hand over his face, and for an instant he looks older than you have ever seen him, not in years but in burden, in wear. “I wanted more time. That was my sin in it. I wanted time. I wanted to tell you in a way that didn’t make you look at me like this.”

Like this.

The phrase feels unkind. Because yes—there it is again, the damn nucleus of the whole thing. The way your eyes have changed on him. The way he has noticed every flicker of fear in you as if each one were a cut and he keeps taking your terror not as an insult to his pride but as an injury to something much more private and much more vulnerable. And that, more than any fake excuse could have, is so hard to process.

Because men who only know cruelty do not usually grieve like this over being feared by the woman they supposedly love. Men who are only monstrous do not usually look half-unmade by it.

You don’t want that thought, you honestly don’t, but it does arrive.

Because he has not hurt you. He hasn’t done a single thing to hurt you, and that makes him so much more complicated at the exact moment you most need him to stay simple.

He has had a thousand opportunities by now to become the thing you are bracing against. In the hallway. In the office. In the kitchen. When you ran. When you fought. When you took the knife. When you cut him. At every turn, there has been room for rage, for punishment, for the kind of retaliatory violence your frightened mind keeps expecting from a man like him, and instead he has done nothing but hold himself on a brutal leash, speak softly, plead, bleed, look at you as if your fear is the one thing in this world he has no defenses against.

And it makes you weaker.

Because fear is easier when it is clean. Outrage is easier when there are no counterweights. But now your thoughts begin to buckle under the strain of contradiction, and you feel yourself growing tired in some deeper way, not merely from running or crying or panic, but from the effort of sustaining one total version of him against the evidence of another.

The story you are trying to tell yourself—that he is simply bad, simply dangerous, simply false—keeps snagging on the memory of his hands shaking when he begged, on the way he threw his men out for aiming guns at you, on the heartache in his face now, open and unarmored and miserable with not knowing how to reach you.

None of it erases anything, how could it this fast, but still it matters, and still some fatal hope flares.

Your lungs are burning. You become dimly aware that your body is leaning, not exactly by choice, but because exhaustion is making choices for you now. The kitchen feels too bright and too far away at the same time. Your fingers feel chilled, your knees unreliable, your heart still overworked from all that horror. Even your anger is beginning to lose its clean edges, dissolving into something wetter and more helpless.

“I don’t know what to do,” you admit, and there is no strength in it at all.

The sentence is barely more than breath, but it changes him instantly, makes his misery seem softer, as if your confusion pains him almost as much as your fear did. His gaze searches your face carefully, greedily, looking for any sign that you have not vanished completely from him.

“You don’t have to know right now,” he comforts, and this time his voice is gentler still, worn down to the most tender parts of his body. “You don’t have to decide anything this second. I know I dropped all of this on you in the worst possible way. I know you’re overwhelmed.”

Overwhelmed. The word is so pitifully insufficient you want to cry some more, but the sound catches and turns to another shivery exhale instead.

Overwhelmed is a rainstorm. A bad day. A missed train. This is seismic. This is having the floor beneath your life cleave open and discovering it was built over a fault line all along.

Still, you know what he means.

Because beneath all the fear, and the betrayal and the urgent need to flee, there is now also this leaden, disorienting fatigue, this collapse of certainty.

You cannot keep all your alarms ringing at once forever. The body is not made for it. At some point even terror begins to sag under its own weight, and in that sagging comes the most dangerous thing of all. Maybe not trust or forgiveness yet, but confusion. A human confusion. The realization that if he truly meant to destroy you, perhaps he would have done it already. That if cruelty were the point, he has passed up too many easy chances. That whatever else he is—and God, he is still intimidating, still hidden, still a man with too much power and too many locked rooms in his life—his feelings for you do not look counterfeit. They look catastrophic. They look real enough to have ruined him too.

He had every opportunity to end this argument with force, not even making his hands dirty in a physical sense. But he didn’t, and that roughened sincerity that seems so deeply wounded keeps gnawing at all the things you thought you found out about this man, the stereotype you made him out to be. It makes a guilty stone drop into your belly and land with damaging intentions.

And you do not know what to do with all this honesty and realness, when real arrives dressed as the very thing you were trying to escape.

But you have to acknowledge that your lack of strength is not the only reason why you have stopped fighting him, stopped trying to get away.

Bucky seems to read some fragment of this in your face, because he does not press harder. He does not crowd you with arguments. He simply stays where he is, close enough for warmth, far enough now that his care has space to breathe. His injured arm hangs at his side, blood drying in a dark seam along his skin, ignored. His other hand lifts as if to touch your cheek, then stops halfway and falls again when he sees the flicker in your eyes. That tiny restraint breaks something in you all over again.

“I know I lied by not telling you,” he says quietly. “I know that. I’m not asking you to call it something prettier. I’m just telling you it wasn’t because you meant nothing. It was because you meant too goddamn much, and I was trying to find a way to bring you closer without making you run.”

The honesty of it is so ugly, so naked, so free of self-congratulation that it feels like he just threw a wet sandbag right at your chest, knocking every scrap of air straight out of your lungs. It’s not an excuse, not quite. More like the shape of the selfishness itself, held out in his own hands for you to look at. He wanted you. He kept you. He delayed the truth because he was afraid the truth would cost him the one bright thing he had allowed himself to love. There is no innocence in that. But there is something crushingly human.

Your eyes burn again and your grip on your own certainty loosens another inch.

You hate that, too, because, damnit, it would be easier to stand here shaking and loathing him if he would just become less tender and less heartbreakingly earnest in his regret. But he stays persistently, ruinously genuine, and all at once you feel not only afraid, not only betrayed, but emptied out by the effort of trying to hold every contradiction at once. He is a bad man. He may also love you. He lied. He is also hurting. He hid things from you. He is also standing here looking like your fear is flaying him alive. None of these truths cancels the others. They just crowd together until your thoughts feel waterlogged, too swollen to separate.

So all that is left is the simplest truth again.

You really are overwhelmed.

You are so overwhelmed that language itself seems too heavy to lift.

Your breathing has started to slowly settle in increments, like a storm reluctantly retreating from a coastline it battered too long. It feels like there are bruises left behind in your lungs, but it no longer aches with each inhale.

Your fear has ebbed enough to make you think again, to make you see again, to make you look at him not as the single monstrous shape your panic tried to build, but as the complicated, human contradiction standing in front of you now.

His shoulders are still too tight, drawn up, and perhaps trying to seem smaller. He keeps his hands visible and loose at his sides to perhaps avoid startling you. The cut along his forearm has darkened into a narrow seam of red, drying in flaking lines against his skin and remaining completely ignored by the man attached to it.

His focus hasn’t left your face. And in that focus, there is not an ounce of triumph. Rather, the opposite. There is only pain. Such a grave torment that lives in the corners of his mouth, the prominent crease between his brows, in the cautious way he keeps tracking your movements as though you still might shove him away and try bolting for the door again.

You swallow and feel the ballast of everything press back down on your chest.

“I—” you start, timidly, using every last scrap of your bravery. You don’t meet his eyes, staring at the floor beside him. “I’ve seen them.” Your voice sounds strange to your own ears, small but a little bit more poised now, like glass that hasn’t shattered but still remembers the impact. “I've seen the news, and the headlines. All the stories about you.”

The words suspend themselves in the space between you.

Bucky takes a moment to answer. His gaze drifts downward, just briefly, as if the floor might offer him something easier to look at than the defenselessness sitting in your eyes. The vulnerable questions there. When he exhales it is long and tired, and it sounds like all the versions of himself he has spent years outrunning are catching up to him anyway.

“Yeah,” he mutters out breathily. But a little flat. There is no denial in it or some sort of excuse. He drags a hand across the back of his neck, his jaw flexing slightly before he speaks again. “I figured you probably had.” He takes a shivering breath, his whole chest lifting. “They’re not all lies.”

You hold your breath, but don’t step back, don’t let fear take its seat at the forefront of your mind again.

He lifts his eyes back to yours then, and the seriousness in them deepens, intensifying into something resolute.

“I’m not gonna stand here and tell you I’m a good man,” he says. The words come slowly, and his eyes are searching yours while he talks. He is placing them carefully like he’s building something honest out of wreckage. “I’m not.”

Your heart stumbles in your chest, but you still keep your feet grounded and meet his eyes.

“I’ve done things I’m not proud of. Things most people wouldn’t forgive if they knew the full story.” His voice lowers slightly. His eyes are full of sorrow. Despite the things he’s saying he unexpectedly doesn’t look threatening at all and it makes something startle abruptly in your chest. “And yeah, I’ll probably keep doing some of those things.” He doesn’t force anything into his tone that maybe should be there. He´s not saying those things with pride or arrogance or even threat. He has just accepted the callous contours that make his life the way it is. “But not for the reasons people think.”

His eyes soften then, slightly. And it makes you realize that they’ve actually been soft all along.

“I do what I do because there are people in this world who deserve protection. People who don’t have the power to protect themselves.” His gaze holds yours a little more firmly now. “And sometimes the only way to keep those people safe is to be the guy willing to do the ugly work.”

Your throat tightens.

“I’d do just about anything to protect you, Y/n. Even if it’s me you want protection from.”

The kitchen feels very still.

You don’t know what to say to that. You’re not even sure there is something to say. The statement isn’t a justification so much as a window, and looking through it leaves you with more thoughts to sort through and you’ve already gone through so many. But you hear him. You really do.

And he seems to notice that you’re listening now—maybe not agreeing, not forgiving, but truly listening, hearing him out—and some small measure of relief loosens the tension in his shoulders.

He doesn’t move a single muscle, standing before you like a brick wall, his legs pinned wide on the kitchen tiles, his frame perfectly still except for the anxious heave of his chest. His arms are hanging at his side, and shit, your gaze just has to focus on that bloody trail on his forearm. Because right, you’ve cut James Buchanan Barnes through his expensive suit enough to make him bleed. The redness runs from his wrist to his knuckles and you see some dots on the floor. The fabric of his suit is soaking it up, turning a dark wet black around the tear.

He still doesn’t glance down at it. He’s still so entirely anchored to your face, his broad shoulders squared as if he’s trying to shield you from the very room he owns. The survival instinct that had you clawing at the air drops away and now there is a sudden freezing emptiness in your head. And in that blank space, something takes place.

You look at the knife on the linoleum, then at the wet red tracking down his arm, and your stomach completely plummets through the ground. The panic you felt earlier didn’t protect you, it turned you clumsy and ignorant.

“Oh, no,” you choke out, gaze fixed on his arm, your words hacking up from your chest miserably. “Bucky, I— Your arm, I— I didn’t mean— This is my fault, I swear I didn’t mean to—”

“Hey,” he cuts in, his voice lowering into a rough, immediate hush that clips the words right out of your mouth. “Hey, no, sweetheart. No.” He steps back into your space and his huge palms come up, traveling slowly until they map themselves carefully across your jawline.

His fingers are trembling and the pressure is incredibly light. His skin is warm, smelling of that same familiar soap from upstairs, and his thumbs softly brush the wet tear tracks off your cheekbones, forcing you to look straight into his eyes. He doesn’t even spare a glance at his forearm.

“You don’t ever apologize to me for that,” he whispers hoarsely, his chest hitching against yours as he tries to get his breathing normal. There is so much regret in his voice, it is too much for your heart to handle. “You were scared out of your mind and I did that to you. That?” He tilts his arm toward you, indicating that he is talking about the cut. “That is nothing, sweetheart. Nothing.” The corner of his mouth lifts faintly, but the expression is gentler and definitely much more somber than humorous. “I’ve taken hits that should’ve put me in the ground, and none of them touched me.”

You shake your head in his palms. “But, I—”

“Doll,” he shushes, his arms keeping your chin locked, but not firm at all. His gaze is drilling into yours and it feels like he’s bleeding more from the inside and not the outside. “That little scratch hurts a hell of a lot less than watching you run from me.”

Your hands slowly stop trying to find leverage against his chest. The heat of his palms against your jaw feels like a grounding force, something so familiar but also completely new. It’s not entirely unpleasant in its newness.

You look up into his eyes, seeing the complete lack of the monster he just unleashed on his guards, and you can’t help but feel a little unmoored.

“I don’t know what I’m supposed to do now,” you admit breathily, your voice cracking as your forehead drops forward to rest against his tie.

Bucky lets out a long, ragged exhale, his chin resting against the top of your head as his arms wrap around your shoulders, pulling you into a hold that feels firm but unforced.

“You don’t have to figure it out right now, darling,” he eases, his words spoken with a splintered scrape into your hair. “You don’t have to decide anything today, or tomorrow, or next week. Take all the time you need. Turn it over in your head. Think about everything you saw, everything I am. And whatever you choose to do—if you want to pack your bags, and disappear, if you never want to see my face again—I will let you go. I will make sure you are safe, and I will support whatever choice you make. I swear it.”

He pulls back just an inch, his thumbs gently guiding your face up again so he can look straight into your eyes. There is something desperately begging in his stare, but he keeps his posture completely still, refusing to pressure you.

“But please.“ His knuckles tremble slightly against your cheek. “Just stay the night. Don't run out now while this is all still so new. Stay until morning. As soon as the sun’s up, the car is yours,” he promises sorrowfully, his thumbs catching the last of the dampness on your cheek. “If you want to leave, you leave. You can walk out of here and never look back, and I won’t follow you. I won’t look for you. If that’s what it takes to make you feel safe, I’ll let you go.”

He stops, his jaw clamping tight for a second, a sharp, jumbled hitch in his ribs breaking his breathing.

“But god, I hope you don't,” he shoves the words past the tightness in his throat, his eyes wide and burning into yours so achingly. “I will spend every single day of my life doing whatever it takes to fix this. I’ll earn back an inch of your trust at a time. I’ll show you the rest of me—the real parts—if you just give me the chance to try. I want you to love me again. I want that more than anything.”

He hitches his weight just a fraction closer, his large hands still framing your jaw with agonizingly slow caution.

“But just stay this single night,” he pleads with a strain in his voice, his forehead dropping down to rest lightly against yours. “Just stay until morning. Let me get you out of this kitchen, and you can just sleep. That’s all. Just tonight.”

You stare at the dark red crusting on his wool cuff, then look into that heavy, broken-down look in his eyes. Trying to picture next week or even tomorrow feels like watching a knotted ball of wire and not finding out where to start untying it.

But right now, your muscles are just running on empty, completely flattened and powerless from feeling all that panic. You let out one long shudder of air, asking your awareness for any reasons why you should still try to get the hell away from this guy, and come up with nothing yet. It’s all too fresh to truly give this some thought and right now all you want to do is curl up in those silky sheets and sleep it all off.

You give him a small nod. “Okay. Okay, Bucky, I’ll stay the night.”

Bucky’s shoulders drop with a massive, rattling relief. He doesn't say anything else, he just tucks your head back under his chin, his big arms closing around you to carry your weight out of the quiet kitchen, leaving the knife and the blood behind on the floorboards.

You don’t know what comes when the sun is up. You don’t know what loving a man like him means. You don’t know if the life he lives can ever exist beside the life you thought you wanted.

You don’t know if trust can grow again from the cracked ground beneath your feet, and considering your decision making skills, you shouldn’t let your heart handle things anymore.

But, frighteningly and also not all that much surprisingly after all, when you imagine leaving now—truly leaving, turning your back on him and walking out of this mansion forever—the image doesn’t bring relief.

It brings something bleak.

Because for all the discoveries of tonight and all that fear, all that shock, and the trust that has been abruptly broken, there is a bullheaded part of you that understands something you can’t yet put into words for him to hear.

You could run from this house.

You could run from his name.

But you are not sure you could run from him.

“The truth is rarely pure and never simple”

- Oscar Wilde

A/n: Looking at the word count now, I honestly probably could’ve turned this into a mini series but because this whole thing is essentially one long scene, splitting it up even more just didn’t feel right to me. So I guess I just have to admit that this became an unexpectedly long two-parter lmao.

As always, I would absolutely love to hear your thoughts on this continuation, if it gave you hope, or even if you expected something different to happen. I always enjoy hearing your interpretations and feelings after reading ♡

I also wanted to gently address something else. I’ve received a few critical comments regarding certain reactions, choices, and dynamics in the story, and I truly hope this second part helped answer some questions or at least offered a little more perspective. If it didn’t, that’s completely okay too.

What I want you to know, I genuinely do appreciate helpful criticism, especially when it comes to my writing itself, because I’m always trying to improve and become better at what I do. Constructive feedback that gives me something to work with is always welcome and appreciated. But if something in the story simply wasn’t for you, or you personally disliked a choice I made, then sometimes it’s okay to just move on from it instead of tearing it apart. And if you do choose to criticize something, I just ask that you do it kindly. We’re still a community here, and there’s no reason to be harsh or blunt. Talk to me like a human being.

I put a lot of time, emotion, and effort into these stories, not to be told this makes no sense or this is weird without any real conversation behind it. Sometimes I don’t think through every single detail deeply because at the end of the day, this is still fiction born from messy little ideas in my head, written for comfort, entertainment, and emotion—not perfection!

Still, thank you to everyone who continues to boost me and my work and helped me stay motivated to finish this part ♡

And if you enjoyed my work, please consider supporting me at my ko-fi ♡

cactusjuzereads

this is so beautifully written and brought so much depth with Bucky like I’m speechless😭 honestly one of the best two part series I’ve ever read

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