i forgot to say it but i found out that i'm chronically ill
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@marsuchiwa
i forgot to say it but i found out that i'm chronically ill
sade sati it's bad as people say.. i'm going through the worst time of my life rn
i'm 26 now and this will last until i'm 30 bruh LET ME LIVE
sade sati it's bad as people say.. i'm going through the worst time of my life rn
death is such a weird thing
For my Ketuvians: people may steal your creations, or mime your authenticity, but they’ll never be able to steal your ability to create, or the source that you draw from. Mimicry comes with an expiration date, but Ketu is timeless.
𓊨 Magha Nakshatra: Unpolished Regality 𓊨
1. Jackson Rathbone - Magha ☽
2. Richard Hell - Magha ↑
3. Julian Casablancas - Magha ☉
4. Shawn Andrews - Magha ☽
Magha men tend to have a lean or slightly gaunt facial structure, often with a longer face shape and deep-set or shadowed eyes as if they’ve overslept, even when they haven’t. Their gaze can appear detached, as though they’re thinking inward rather than performing outward. Their hair is often messy or slightly grown out, reflecting Ketu’s detached energy. Much of their appearance can feel accidental or even subtly “neglected.” They often carry a liminal, in-between masculinity not overtly hyper-masculine, but more androgynous. I’ve noticed this quality in other Ketu nakshatras as well.
☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊
1. Magha ☉ ☽ Joe Strummer
2. Magha ☉ King Krule
3. Magha ☽ David Lynch
Magha men also have an affinity for wearing suits, and this can be connected to their deity. Magha’s deity is the Pitris, the ancestors. Historically, suits have been associated with social power, old money, funeral rites, ceremonial occasions, and traditional forms of authority authority that comes from the past, with identity rooted in ancestry. The suit can represent a subconscious awareness of legacy, and Magha is fundamentally about ancestral dignity. For these natives, even wearing suits while performing or working casually can be an expression of that energy, even if the setting doesn’t necessarily require such formal dress.
Magha ☉ King Krule ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱Magha ☉ Layne Staley
David Lynch (Magha ☽) often directed while dressed in formal wear, especially suits. Nick Cave (Magha ☽) is also known for consistently wearing suits whether performing or simply going about everyday life.
Here’s what Nick Cave once said:“We must pride ourselves in what we are, and not be overly influenced by the opinions of others … to remain true to one’s self.”
On a Reddit thread, someone picked up on this connection with suits: “That’s why I want to wear suits again. It’s showing respect to yourself and the thing you’re doing.”
Another user responded:“I remember all my family wearing suits not only at work, but even when going out for leisure. I think my dad felt naked when not in one. Though I do feel that my grandparents wearing suits on the beach was pushing it a bit too far.”
Finn Wolfhard (Magha ☽) has taken inspiration from other Magha natives, such as Paul Weller (Magha ☽), in both his personal style and his stage performances.
☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊
Another expression of Magha Nakshatra is its interest for gothic aesthetics. Magha is ruled by Ketu, the South Node, which represents past lives, detachment, loss of ego, and the dissolution of worldly glamour. Combined with its deity, the Pitris (the ancestors), this can manifest as a fascination with death, vintage or old-world styling, and even a romanticization of decay.
1. Beatrice Dalle - Magha ↑
2. Wynter Gordon - Magha ☉
3. Helena Bonham Carter - Magha ☽
Tim Burton, a Magha ☉, is well known for his gothic aesthetic. As a teenager, he would spend time at Valhalla Memorial Park Cemetery, treating it almost like a sanctuary a place for solitude and private reflection.
☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊ ♱ ☠︎︎ ⋆₊
everytime you hear the "first person to.." is always a purva bhadrapada
I was watching PlayStation ads from the ’90s through the 2010s, and it hit me with this wave of nostalgia that made me feel both sad and hopeful. Sad because we’ve lost that kind of creativity in advertising and media it really feels like a lost art. Creative commercials used to mean something. I can think back to certain ads and instantly be pulled into a childhood: sitting on my Tinker Bell comforter, watching Cartoon Network on my purple Tinker Bell TV (I loved Tinker Bell), doll parts scattered across the floor, glitter nail polish from those play makeup sets smeared across my dresser and my nails. half read Junie B. Jones book somewhere, empty Cartoon-themed juice boxes everywhere. My room smelled like apple tarts and glue.
Thinking about it now honestly makes me depressed, because Gen Alpha will never experience anything like that. They’re too busy being exposed to things that aren’t meant to last or have meaning. Some of them can’t even read because they’ve never picked up a book just endless brain rot from dumb YouTube and TikTok videos repeating the same stupid imagery over and over. Kids nowadays look up to streamers: people filming themselves wasting money, doing irresponsible shit, and saying uneducated things that kids then mirror.
I guess the reason I still feel hopeful is because there are other people like me who long for a life before ChatGPT and a social-media-centered existence people who want more from the world than the same brain-dead slop. There is still great art being made, but it feels like it’s drowning in AI noise. When I think back, 2003 and 2013 feel drastically different, yet both still carried a sense of excitement and possibility. One was only two years post–9/11 and the other during the Obama era in America, so it was a sensitive social moment but despite that, we were innovative. We were progressing, at least in some way. I don’t know. It’s bittersweet.
going back to my roots
LET'S GO
Many girlies in the astrology community have an internalised misogyny problem. Why is it that so many "best placements for women" are centred around attracting men, knowing how to dress, and being pretty?
"This placement is bad because women with this have a hard time being comfortable in their feminine energy and accepting help from men" What does it even mean? Do these people even hear themselves? I could list 100 reasons why it's such an ugly thought, but I truly do not have the energy.
I see the difference in how placements manifest in men and women but that's because of social conditioning and has nothing to do with masculine and feminine energy; the basis of this whole energy thing is rooted in misogyny. Please do not talk like those alpha male podcast bros, you're better than them....or atleast that's what I'd like to believe.
Revati represents the paradox of totality throughs dissolution. It is simultaneously everything and nothing, because it no longer requires a fixed identity to exist. Instead of being defined by form, Revati holds all forms in potential. Revati being situated in Pisces, the final sign of the zodiac (as well as the final nakshatra), which Pisces corresponds to the twelfth house (operating from this environment). An environment where individual identity, structures, and separation (dualities) dissolve back into the undifferentiated whole (the soup of collective consciousness). Mercury (neutral, mutable, adaptability, versatility) being assigned as its lord, Pushan (shepherd to the cattle, lord of the roads, protector of travelers, and psychopomp guiding souls between realms) its corresponding deity, and one of its symbols being a fish swimming in an ocean, reveals how Revati can traverse this non-dualistic realm. Through Pushan’s light, Revati can comfortably navigate the twelfth house without fear of being lost (as a house of Vayu, loss itself). It does not lose identity, it transcends it (through awareness and that awareness comes from knowing as well). Revati contains many identities at once, able to assume any form precisely because it is no longer bound to one. This is the state where all are one and the one is simultaneously many. Truly a chameleon by nature. Difficult to place a finger on who they truly are, which is apart of their appeal. This is one of the many scenes that solidified Hideaki Anno being a Revati moon for me (despite his time of birth not being available). Hideaki Anno is the (genius) creator of the Evangelion series.
P.S. I’m not a professional or doctor so please do not see me as one. He does play with the Gandanta point of Revati-Ashwini. The scene where Shinji and Rei are floating above the ocean of LCL, it really taps into that stage, prior to incarnation (even the environment is heavily twelfth house influenced because that ocean consist of humanity without distinguishable form). There is also a scene in the film, Valerian and the City of a Thousand Planets, where Rihanna (Ascendant, Moon and Venus is in Revati but also has Ashwini as her Ascendant Lord) is shapeshifting into various forms, which captures that chameleon quality of Revati. However this scene from Evangelion really hits it on the nose, exploring it more on a philosophical level.
healing my chart and breaking the cycle by never marrying, dating and being celibate until i die
ashwini
i could write a long post about ashwini and the shining but i'm too lazy for it
PATRICIA ARQUETTE as Renee Madison LOST HIGHWAY dir. David Lynch, 1997
bharani moons and their whips..