Olga Pantushenkova for for Christian Dior HC FW 1997
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art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.
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Discoholic 🪩

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if i look back, i am lost
almost home
Not today Justin
The Stonewall Inn
Cosmic Funnies

bliss lane
YOU ARE THE REASON
$LAYYYTER
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wallacepolsom
let's talk about Bridgerton tea, my ask is open

#extradirty
Monterey Bay Aquarium

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@marteemcfly
Olga Pantushenkova for for Christian Dior HC FW 1997
Dior F/W 1997 Shalom Harlow
John Galliano Fall 2007 Ready to Wear Makeup by Pat McGrath and Hair by Julien d'Ys
Cleo in The Queen’s Gambit, “Adjournment” (1x06)
Me in room by myself in complete silence: so true bestie
Mia Goth as Harriet Smith from Autumn de Wilde’s Instagram
are they..... you know
My dearest Emma, for dearest you will always be, my dearest, most beloved Emma, tell me at once. I cannot make speeches. If I loved you less, then I might be able to talk about it more, but you know what I am. I have lectured you, and I’ve blamed you, and you have borne it as no other woman in England could have borne it. God knows I have been a very indifferent lover. But you understand me. You understand my feelings.
Emma. (2020) dir. Autumn de Wilde, cinematography by Christopher Blauvelt
Art + Chilling on a Green Sofa
“He is lounging on the olive green velvet sofa with two patterned pillows. Very focused in. (No eliminations.) Very French. Also a bit, alas, Sargent.”
— Joe Brainard, letter to Fairfield Porter, 1973
Ramon Casas, “Jove decadent. Després del ball” (1899) / Joe Brainard, “Whippoorwill” (1973) / John Singer Sargent, “Nonchaloir (Repose)” (1911) / Salman Toor, “East Village Apartment II” (2017) / Joe Brainard, “Untitled (Whippet on Green Couch)” (1973) / John Lavery, “The Green Sofa” (c. 1903)
The predominant pink of the rosewood paneling in this bathroom is brought out with rose-colored accents and the paler tones of drapes, carpet and ceiling. The blue-gray miniprint of walls and shade act as a quiet foil.
The Decorating Book, 1981
Vicky Krieps as Alma Elson in Phantom Thread (2017).
jo march really was like. i love the people around me and i cannot cope with them leaving and being mature and appealing enough to start new chapters in their lives while i'm still clinging into this idealised, carefree, comedy-like lifestyle i thought was gonna last forever. and i really thought platonic relationships could replace my repressed longing for a romantic one but now all my loved ones' first priorities became romance. meanwhile i cannot put myself out seeking a romantic relationship because that would automatically mean altering, belittleing, objectifying and compromising myself, my life would become a cliche with guaranteed unhappy ending because i feel like no one in this world could truly make me happy. and i do want to embrace my independent, single lifestyle but i guess i didnt calculate back then how lonely it's going to feel. it's like my only choice is between two types of unhappiness. jo march conveyed all this stuff and i'm not supposed to tear up just thinking about that goddamn movie???
Walter Kuhlman.
STAR WARS: THE EMPIRE STRIKES BACK (1980)
Some designs for I LOST MY BODY You must go see that amazing movie ! Jeremy Clapin has a unique vision Very proud to be part of this wonderfull team. A must-seen-film