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every single part of this tweet looks like it was thrown together by a chaotic neutral neuroscientist trying to trick me into thinking i’m having a stroke

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Musical fandoms were a mistake. This isn’t a joke post the only benefit to fandoms of musicals is the content that’s created as a gift to the original show but that’s overshadowed by swarms of aggressive fans who constantly attack the creators of their fandom, not to mention attack, harass, and stalk the actors and creative teams behind the shows and treat professional productions of shows like conventions.

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The majority of fandoms are 13-15 year olds watching shows meant for audiences of 16-17 year olds at the youngest, not being old enough to fully grasp the heavy subject matters and just reducing the show to it’s one off jokes and potential ships to make up for that, destroying the original story and then punishing the show creators and team for it. It’s 14 year olds commenting suggestive things on 20+ year old actor’s selfies and demanding these actors act out your ships in their personal lives, harassing them at stage doors and on social media. I get embarrassed anytime I see any of y’all doing anything on social media at this point you just gotta take a step back and look at yourselves and the way you’re acting towards these professionals trying to do their jobs.

#heres some Tea

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Spring Awakening Characters + Sexuality Headcanons: Moritz + asexual

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“I started in theater when I was 7-years-old, when no one thought that a young Deaf girl could perform on stage. This season, Deaf West Theater’s innovative production of Spring Awakening presented theater the way it was meant to be: open to all people through the beauty of American Sign Language.”

milkiore

that part in touch me where everyone is singing and it crescendos super fast like “where I go whErE i Go TOUCH MEEEEEEEEE” reblog if you agree

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Did you mean T H I S PART ??!

milkiore

THIS IS THE paRt

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fave quotes from stage managers:

‘could whoever is breathing heavily down the radio mics please stop, it’s terrifying the lighting tech’

‘could the sound tech please stop turning up the lights on the desk so she can take selfies’

‘my nose is bleeding but i will continue on because i am not weak’

‘when i said front of house music i did not mean barry manilow’

‘NOR DID I MEAN THAT RAP MUSICAL ABOUT OLD POLITICS’

‘could the sound tech please stop rapping about alexander hamilton on the radio mics’

‘why does that actor not have any shoes on’

‘LIGHTS GO…what lights? how the fuck am i meant to know, it’s not like im the one in charge…oh’

‘the director has asked for us to be smart casual tonight so bring your freshest looking black tshirt’

‘i think an actor just got literally punched in the face’

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mary: i want you to know how glad i am my brother has found happiness!

natasha:

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does this new john krasinski horror film have actual deaf actors in this ASL horror film because if not what would be the point of stanning this film?

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“First, I knew I needed a girl who was deaf for the role of the daughter, who is deaf in the movie. And for many reasons, I didn’t want a non-deaf actress pretending to be deaf. Most importunely though, because a deaf actress would help my knowledge and my understanding of the situations tenfold. I wanted someone who lives it and who could teach me about it on set. We found the most wonderful actress in Millicent. She is truly something special.”

- John Krasinski (x)

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waving through a window from the 1/14/17 performance of broadway today in seattle, performed by jeremy jordan, accompanied by the seattle symphony as conducted by steven reineke