Why we still call ourselves Thrash Metal
The simple answer to this question is that we unequivocally are a thrash band. While we do some things that are not really conventional for thrash such as brassy tenor melodic vocals, consonant natural minor melodies and modern style guitar solos, we still check off the main boxes to fall into the thrash genre. We are just exploring a side of the genre that we believe too few bands are exploring.
In the 80s, during thrash’s golden age, there was a lot of diversity, even among the titans of the genre. The Big Four sound nothing alike. Metallica is chunky and has simple melodies, Megadeth is complex and has a lot of influence from jazz, Anthrax is much closer to hardcore and Slayer is... well, they’re just fuckin’ Slayer. Its not limited to just that though, There were bands all over pushing in weird directions. Remember, Blind Guardian was more or less a thrash metal band for their first two albums and much of their third. Some thrash bands went in that direction, becoming power metal, bands like Watchtower and Anacrusis got really weird with it and other bands like Dark Angel and the teutonic bands went in a direction that became the catalyst for extreme metal.
When thrash had it’s renaissance, the genre did not have the same experimentation that it once did. Almost every band was either trying to imitate Municipal Waste or tried to fuse thrash with something else. Some of these bands are particularly great. Skeletonwitch and Warbringer implemented a lot of black metal into their sound to varying degrees and Vektor fused the Watchtower with sound with old school sci-fi sound tracks along with black metal to create something wild. All of the other bands just did what Municipal Waste did, played crossover thrash heavier and with better production than the old school crossover bands did. Power Trip was (is?) astonishingly good at this, as is Havok.
What all of these neo-thrash bands have in common is that they tried to be heavier than the first wave of thrash by playing harder or fusing thrash with extreme metal. It is almost sad because so many great bands come out with a thrash record but get no attention because they arent doing anything substantially different than Municipal Waste and Havok to warrant any attention. It is a vicious cycle because the underground thrash culture encourages this. At your little back yard shows, dive bars and other local shows, the audience doesn’t often care about the content of your song. They will say you’re awesome if your band is thrashy enough to mosh to and doesn’t slow down for your 30 minute set. Then when you try something new, the pit doesn’t open and your cred is flushed down the drain. Or even worse, you end up getting traction like Evile and then put out a second record that isn’t as thrashy as the first and your fanbase abandons you.
That leaves a whole untapped sonic space in thrash that hasn’t been touched with a fresh approach since Metallica and Megadeth. Perhaps its because everyone is afraid of copying these giants or afraid of falling into the pitfalls of the local thrash scene as mentioned above. But we are of the opinion that the melodic side of thrash has a lot to gain from these new influences available to us. You can still be heavy as hell and play melodic thrash. You can still get the pits fired up every song while exploring different sides of the genre. You just have to approach it from a different angle, and that is what we did.
We all know how Metallica approaches melody. We knew from the start that if we tried that approach, we would be doomed to fail. So we took from two different sources, Iron Maiden (mainly for vocals) and black metal. Iron Maiden is almost all melody which is great and old school thrash capitalized on that excellently by harvesting their twin guitar approach and sneaking in harmonized parts between heavy riffs. Testament is GREAT at this tactic. Few thrash bands, especially those with any major notoriety (except of course for Death Angel) tried to use the Bruce Dickinson vocal approach. We thought, if Killswitch Engage’s Howard Jones could do it in Metalcore, why cant we in thrash. With black metal, we used it only slightly differently than Warbringer and Skeletonwitch. We use black metal for melodic guitar passages, something Warbringer notably did on their fourth album but then abandoned. Skeletonwitch does it almost the same as we do but we counterbalance it by including classic melodic passages as well along with clean vocals to contrast with them. I suppose if there is a band to be “the most like Mindrazer” Skeletonwitch would be it save for the vocals.
Just because we wanted to be a more melodic band does not mean we didn’t want to be heavy as hell though. We draw heavily from European extreme metal (Dissection, At The Gates, Mayhem), neo-thrash (Warbringer, Skeletonwitch, Power Trip) and even modern metalcore to bring heaviness that otherwise would not have existed in a band like us, had we limited ourselves to the classics for influence.
So in essence, we are doing the same thing that the Warbringer branch of neo-thrash is doing but we are building upon that base that Warbringer established for us and going further back to the roots of the genre to create a sound that has never been heard before. To be blunt, we feel like there is a major vacuum for this type of sound. People like heavy music and people like songs to sing along to so it stands to reason that a band with a sound like ours will be in some level of demand. At the very least, it is the type of music we are aching to listen to.
Even if our band fizzles out of existence, I hope that more thrash bands begin taking risks and trying to explore a new side to the genre otherwise, thrash might decline again.