
ellievsbear

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
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TVSTRANGERTHINGS

★
YOU ARE THE REASON

titsay
d e v o n

Andulka
will byers stan first human second

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cherry valley forever
KIROKAZE
Mike Driver
trying on a metaphor

Kaledo Art

❣ Chile in a Photography ❣
Game of Thrones Daily
Misplaced Lens Cap

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@missallfleurs
Happy Valentine’s Day
PERSONALLY I like that the strawhats are preoccupied with their dreams ambitions and sailing the seas w their friends and don’t think romance is narratively necessary, but it’s legitimately so funny how oda was like “the old generation of pirates? biggest fucking sluts you’ve ever seen”
Worth a Thousand Words Part I: How Oda Develops Characters
When it comes to telling a story, there are certain advantages that books have over comics or movies. By their very nature books are able to convey more information per page than a comic, and more direct insight into a character than a movie. A picture is more ambiguous than a description, which is how you can have a well-developed and compelling book character like Katniss Evergreen look like a block of wood in her movie counterpart.
Comics in particular gets the short end of the stick, as they tend to have less visual information than a movie and less written information than a book. Shonen manga in particular aren’t often known for their deep characterization. Even critically acclaimed monoliths tend towards simplistic, and therefore relatable, tropes that have come to define the genre. Anyone who has read Bakuman knows that series in Shonen Jump are written specifically so that they can get popular and run forever. The industry itself cripples any story that doesn’t fit into a specific formula.
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Chapter 218 is Amazing and Here’s Why (Continued)
So I had intended to finish my analysis of chapter 218 of One Piece in one post, but things were starting to run a little long and I split it in two. Here’s Part 1 for those who are interested. For the rest of you, let’s jump in where we left off
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Worth A Thousand Words II: Writing a Successful Heel-Face Turn
In my previous post I discussed a little about how Oda uses motion to convey character. Today I want to take a look a little at how using these techniques helps really sell the transition from enemy to ally, specifically in the case of Nico Robin, and how he was less successful regarding Viola during the Dressrosa arc.
First things first, let’s meet Robin.
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loving dressrosa so far
A bunch of beautiful one piece ladies 😌💕
Keychains in my sh0p!!
it is dancing
i've been thinking about little Zoro in a kimono by @amazingeurus past few days and finally drew him today at my work
soulmates
Pre-time skip absolute sweetheart.
Boa in this style because I was inspired
Trying to get into slander what do you guys think
I've been trying to place why a lot of fem!Sanji art just doesn't rly capture her essence to me and I think it's that it's too...restrictive, if not almost fetishized. It reduces her to stereotypes and traditional feminine presentation, and usually not only sexualizes her but depicts her as submissive or "slutty," as though her femininity is directly tied to a borderline degrading sexual role. It's pro-trans in theory, but in practice it's still just regular sexist. Sanji as a woman is portrayed with the same strict (read: harmful) patriarchal gender performance she imposed on herself as a man, when that strictness was what needed to be unpacked for her to accept being a woman in the first place.
Personally I think Sanji as a woman would look and dress pretty similarly to how she already did, just more relaxed and fun and free, in the direction she already started going after joining the strawhats. Like, Sanji's outfits in canon already look like what a disaster bisexual of any gender would wear. But now instead of only timidly inching into less masc territory, she could allow herself to add dresses and skirts, and try out makeup and more jewelry and such. And when she does dress more masc or neutral she would have the assurance of understanding that she can still be a woman even when she's not performing femininity. I don't think she would necessarily shave her body hair, or even facial hair (she didn't in kamabakka kingdom!), though I do think she'd grow her regular hair out (I mean, it's canon in Oda's drawings even as a man). I think there's definitely a big range of how she might do her gender presentation, but most importantly, I think she would look free and happy, not just hot.
The thing about transfem!Sanji is that although I think she'd definitely look like her mother and be able to dress feminine, that's just one side of her that doesn't represent her gender expression as a whole at all.
On one side, long hair and dresses would look astonishing on her and I do believe she'd be more than comfortable with those. Pretty. Not because she thinks she has to be like that but because she likes it. Long hair makes her look like her mother, in her honor, and I mean, she did try dresses during timeskip and loved it (Oda when I catch you for making her reject that part of herself....). But she's smart, and logical, and would only wear those when comfortable. Her fighting style doesn't give her the chance to wear whatever she wants. Just occassionally. Personally, the best way of mixing both things would be wearing flowy overalls/pants that look like dresses or pants under her skirts. Gotta think smarter.
But even so, a traditional way of embracing femininity goes against everything her arc stands for. And I say this being a huge, huge fan of fem!Sanji wearing more traditional dresses. Don't blame me, I like pretty girls wearing flowy, blue, beach dresses. She's like a mermaid to me... But she can do that while also keeping her body hair because hell yeah, she likes it still. She wears suits also, because that's her brand and they are very gender non-conforming.
It varies depending on the interpretation, too, and all of them are valid, but I personally don't think she'd ask Iva to change her physically. I think both ways work. Maybe she chooses how her body looks in juxtaposition to Germa modifying her body. Maybe she just has the biggest dysphoria and chooses an easy, really cool path. Or maybe, she just accepts her body as it is and loves it. (But, y'know, thematically I think it suits her to keep the body she has) (I also believe her to be Genderfluid but that's something for another day).
The sexualization of transfem!Sanji is honestly a complicated discussion. Because although I do think she could dress and be slutty (because I mean, look at her), most of that sexualization with canon Sanji comes from his inherent femininity and non-conforming masculinity that makes people assume he's submissive, aka: Feminine. And I'm not saying she wouldn't like to dress that way, and all headcanons are soooo valid. But I personally believe the way Nami, for example, shows off her body isn't the same as Sanji's. My baby is a romantic princess, she's definitely not wearing a femme fatale outfit.
Not to mention my "Sanji is sooo Sabrina Carpenter coded" theory again, but she is sooo Sabrina Carpenter coded. I imagine she'd find sensuality and eroticism in traditional and fancy clothes. She could be cute in the same way Sabrina is during "Short n Sweet", or a bit more sexy in a "Man's Best Friend" type of vibe.
All of this, still breaking most of the norms that have been forced upon her. Still honoring her mother. Still being herself, just happier. She'd be the same. She'd still kick the shit out of enemies and fight with Zoro all the time and have her agony and horrors take over her in the form of constant stress. She'd be soft because she has always been soft, without losing her cool "Mr.Prince" persona. Anyone can be a man but it takes a real woman to be a gentleman. Grrrr women in suits and beating the shit out of people and still smiling widely and brightly when staring at their loved ones.
i’ve been thinking a lot recently about the whole ‘feminization of sanji’ debate—specifically when people try to blow off legitimate criticisms of how sanji tends to be treated when being feminized by saying things like ‘you just hate that he’s one of the girls’ or ‘i don’t care, he is a woman to me’ and it’s like. okay, fine. sanji’s a woman to you. nothing wrong with that tbh. but if he’s a woman to you, let’s treat him like a woman for a second. let’s treat him like we would nami or robin or vivi or any other female character you want, one piece or not, and ask ourselves a couple of questions.
if sanji is a woman to you, does that mean you’re okay with his strength and fighting abilities constantly being downplayed in favor of amping up his more domestic character traits? because if the answer is yes, then logically you shouldn’t be mad when robin gets reduced down to a mother figure for chopper and her penchant for snapping people’s spines totally ignored. if sanji is a woman to you, does that mean you’re okay with his character traits being stripped away so he can be turned into a sex object for the audience (usually via zosan content)? because if so, then you can’t really get mad when gooners do the same thing to nami and treat her like basically nothing more than a pair of walking tits. if sanji is a woman to you, are you okay with him being reduced down to a damsel in distress for his love interest to save, even though he can very clearly take care of himself? then you’d probably be fine with people doing the same thing to vivi, right? just letting her sit around waiting for someone to come save her even though she canonically fought tooth and nail for her people and was willing to die for the sake of alabasta? why would you get mad at someone for mischaracterizing any of these women in these ways, when you’re apparently totally fine with it happening to sanji?
because the issue with the feminization of sanji isn’t so much the feminization part, it’s how you treat him as a character after he’s been feminized. the defense i see most often for this tendency to hyper feminize sanji is that it’s “subversive” to treat him like a woman simply because he’s a man, but the truth is that if you feminize a man and then proceed to treat that man in the same awful way that female characters get treated by media and the non-shipping focused parts of fandom at large, you have done nothing subversive or interesting with him. it’s not subversive to feminize a man if all you’re going to do with that feminization is try and force him into the same cis-heteronormative box that society tries to force all women into, fictional or not. it’s not subversive to say ‘he’s a woman to me’ and then proceed to strip him of all recognizable character traits so that all he becomes is a blank slate with a twinky waistline. and it’s definitely not subversive to try and shut down criticisms of those tendencies because “well he’s a man, so it’s fine. it doesn’t count.” because it does. it’s ultimately not all that different from what powerscalers and dude bros and gooner fans do to characters like nami and robin and vivi—stripping away everything that defines their characters so that you can do whatever you want with the hollowed out shell.
so if you want to feminize sanji, you totally can. you wanna put him in heels and a dress and makeup that slays, that’s awesome. you wanna play up his caring and nurturing side vs his hotheaded side, go right ahead. you wanna make him a fixed bottom, more power to you. hell you can do all those things at once and it doesn’t have to mess with the core of who sanji is as a character. but if you’re going to do those things at the expense of sanji himself—of ignoring all the other things that make him sanji—then i think you should also have to reckon with the fact that the doll you are playing with isn’t sanji anymore. and you’re lying to yourself if you say that it is.
the problem is not that “he’s a woman to you”. the problem is that he’s a woman to you, and you’re treating that woman like shit.
This is fantastically said OP thank you for saying this
trying new way of coloring