wibbily wobbly timey wimey

And those who were seen dancing were thought to be insane by those who could not hear the music

[toteredennicht]

Im Banne des blonden Satans (OT: La Môme vert-de-gris) | Frankreich 1953 | Regie: Bernard Borderie

Nicht nur Lemmy Caution ist Kettenraucher. Auch Carlotta de la Rue (Dominique Wilms) huldigt dem Glimmstengel.

[etretesyeux]

The Watchmaker of St. Paul (L'Horloger de Saint-Paul, 1974), directed by Bertrand Tavernier

[classicfilmsource]

Rope 1948 | Bringing Up Baby 1938, Indiscreet 1958, Holiday 1938

[orlaite]

HENRY V 1944 | dir. Laurence Olivier

[bongjoonhoe]

DAILYWORLDCINEMA’S 5TH ANNIVERSARY EVENT day 5: favourite costume design

Donkey Skin / Peau d'âne (1970) dir. Jacques Demy 🇫🇷 costume design by Gitt Magrini

[gael-garcia]

Homem com H aka Latin Blood – The Ballad of Ney Matogrosso (2025 🇧🇷), directed by Esmir Filho, starring Jesuíta Barbosa

[a-tohmic]

Details from La Lune’s Debut Runway Show

[orsopetomane]

[manderley]

JEANNE MOREAU in BAY OF ANGELS (1963)

[littlegirlinvisible]

HOMEM COM H / LATIN BLOOD — THE BALLAD OF NEY MATOGROSSO (2025) – dir. Esmir Filho Ney Matogrosso is a legendary Brazilian artist known for his bold blend of music, dance, and theatrical performance. Rising to fame in the 1970s, he challenged gender norms and censorship during Brazil’s military dictatorship through his androgynous image and provocative art. Closely linked to the Tropicália movement, his work became a symbol of resistance and freedom. Ney Matogrosso has always refused to be confined by labels, maintaining relationships throughout his life with both men and women. In the 1980s, he witnessed firsthand the devastating effects of the AIDS crisis, personally caring for friends and partners who succumbed to the disease, including fellow singer Cazuza and the Dr. Marco de Maria, who was his partner for thirteem years. Now (2025), at 83, he continues to perform, solidifying his legacy as an icon of queer culture, gender expression, and artistic freedom in Latin America.

HAPPY PRIDE! 🌈

[gael-garcia]

Homem com H aka Latin Blood – The Ballad of Ney Matogrosso (2025 🇧🇷) directed by Esmir Filho, starring Jesuíta Barbosa

[maggiecheungs]

“Yearning, by Mikio Naruse, is one of my favourite films, and I loved the way restraint became the main emotion throughout that film. The question became how to do it. I decided to go back to basics, to really play with the bare minimum in the screenplay. I didn’t want all these subtle emotions expressed through words, but at the same time I wanted to make sure the audience fully understood, and felt, how the characters were feeling.” —Park Chan-wook on the inspirations for Decision to Leave

Final scene of Decision to Leave (2022) // final scene of Yearning (1964)

[artfilmaesthetics]

100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ

43/100 — decision to leave | 2022

dir. park chan-wook ༄

[thinkingimages]

Marlene Dumas, Skulls, 2011-2015. Oil on canvas

[patrocles]

FEMME (2023) dir. Sam H. Freeman & Ng Choon Ping

[k-wame]

FEMME (2023) | dir(s). Sam H. Freeman, Ng Choon Ping

[emilycastlevania]

[mudwerks]

oh fuck