Thesis statement for all of USA history forever
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hello vonnie
Cosimo Galluzzi
DEAR READER

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TVSTRANGERTHINGS
RMH
Jules of Nature
Sade Olutola
almost home

JVL
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
trying on a metaphor

pixel skylines
Mike Driver
he wasn't even looking at me and he found me

izzy's playlists!
occasionally subtle
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@mistydirty
Thesis statement for all of USA history forever
its crazy how nobody has ever been as objectively beautiful as danny john-jules in red dwarf and nobody ever will be again
I'll forever be chasing this high
@iiep-wop
all you guys talkin about catboys this n catboys that better pay respects to the motherfuckinnn ✨🪩ORIGINAL🪩✨catboy
this diva STRUTTED so dan from dan and phil could post that slutty lil sweatshirt pic in cat ears❗️
prev has demonstrated that this post has reached EXACTLY the right people
I sing “I’m gonna eat you little fishiiieee” every time I open a can of tuna
Speaking of sing, he can belt out a tune and dance!
Stream Strictly LIVE on BBC iPlayer 💃🕺 https://bbc.in/2MyAdzwSubscribe and 🔔 to BBC Strictly ✨ https://bit.ly/2kzjjATSubscribe and 🔔 to BBC
Clint would absolutely wear hoochie daddy shorts. This is not up for debate
Why is no one freaking the fuck out about TAZ: Royale. Like this is 100% exactly my shit in every conceivable way. Dungeons and Dragons meets Squid Games meets Conclave. The main PCs are Disco Goth, Bug Fascist, and Grog Strongjaw If He Was A Wizard. Campy stupid wizard names up the wazoo. Y'all are SLEEPING
zoox from the etherzine!!
#holy crap look at this! #zoox looks amazing #i bet there's a crossbow on that strap #listening to TAZ Ethersea literally Right Now #cosplay #artist
You know I will actually
It does matter. It matters exactly like this.
Last month I was in the ER, the most vulnerable emotionally that I've ever been while putting myself in the hands of a stranger. That the intake doctor had a lanyard heavy with Pride pins mattered. It's such a tiny gesture, but the amount of safety I felt because of it, during an agonizing moment in my life, was huge.
Star Trek Voyager "The Cloud"
and i don’t think i’m wrong for saying it either.
baby dragons whose scales are much more shiny and iridescent in order to hide in their parents' hoards
absolutely excellent top-notch thought here, but now you've got me wondering what's trying to eat them
you misunderstand, this isn't 'I look like the ground so predators walk right past me' camouflage, this is 'I look like the savannah grass so I can pounce on unsuspecting prey' camouflage
they're hiding in the hoards to bite the hands of unsuspecting humans who sneak past mama
Perhaps the shininess also makes them more endearing to adult dragons, increasing the likelihood of adoption if something happens to mama.
maybe dragons collect hoards to camouflage their babies
that guy…. hawk guy?
(glancing around in mild bemusement)
Seriously, people. Where do you think we even got the word "sponsor" from?
In its original usage it meant a guarantor: someone who promised you that you were going to get something out of what they were doing.
Throwing a ludus / game or a series of games was expensive. Local (or national) Roman politicians put down good money to pay for the rental of the event space (you think the Colosseum was cheap to rent? Think again. The Imperials who built it liked to make their money back...), the wages (and overtime!) of the hundreds of venue support staff, the fees required by the fighting talent and the schools that owned them (or their own management, if they were free), and so forth.
Whoever was footing the bill for a given Game (or sequence of Games) was formally known by the title sponsor, and got to parade around the arena at the beginning of the game to remind people in the stands just who was fulfilling their civic duty by throwing this entertainment for them. The message was, "I'm doing something for you. Next election, don't forget to do something for me!"
And it was always political. Never lose sight of that. (Especially when a local political party promises to build you a nice new stadium if you elect them. The more some things change, the more they stay the same...)
(cc: @petermorwood) 😏
The individual gladiators and charioteers also had sponsorship, in the modern product-placement sense.
Ads were written on blank gable-ends often painted white for the purpose...
...and while the ones in that pic are political slogans, this one is an ad for the wines available at that shop...
...including prices ranging from two to four Asses.
The As was a Roman coin, so you lot at the back can stop giggling.
Other ads were outright endorsements (with appropriate payment, of course) and included stuff like "Felix the Thracian, five-time winner at the Saturnalia Games, says 'Tiburnian Olive Oil Keeps My Sword-Hand Swift!' "
Or "Diocles, Top Driver for the Green Team, uses Scaurus-brand garum at every meal!"
Ridley Scott was told about this during the making of "Gladiator", but ignored it as "unrealistic" - then went on to double the size of the Colosseum "for artistic reasons".
Considering how he's treated historical accuracy in later films, my response to his dismissal of graffiti and ads is this:
I made up Tiburnian olive oil, so it's (probably) fictional, but Scaurus-brand garum was real, and famous enough to appear by name in Pompeii mosaics.
Evidently the name carried weight, just like "Lea & Perrins Worcestershire Sauce".
There are other Worcester sauces, but L & P is THE Worcester sauce - or so they would like you to think - and used to be advertised as "not genuine without this signature".
Whether this was suggesting that all non- L & P Worcester sauces were in some way fake, or because there was a rash of Worcester-style sauces packaged to resemble L & P as closely as possible, I don't know,
However, as regards overly similar packaging (deceptive rather than outright deceitful, relying on accident or inattention more than fakery) take a look at this row of Ancient to Modern L & P...
...compared to another sauce called Henderson's Relish, and note that one label, AFAIK for US sale, refers to it as Worcestershire Sauce.
It's from a different county - Yorkshire not Worcestershire - and is made to a recipe so different it can be marketed as vegan, which real Worcester isn't because of anchovies, so it most emphatically isn't any kind of Worcester sauce at all.
And yet there's that bottle shape, also the label design and colour, so I wonder if, way back when, it was someone's deliberate choice.
The other sauce from Yorkshire is "Yorkshire Relish", made both in the usual thin style and also a thick version like HP Sauce (aka Brown Sauce or Steak Sauce).
Although the label isn't orange, both versions have easy-identification bottle shapes (long-neck cylindrical for thin, short-neck square for thick) characteristic for their contents.
It was apparently like that 2000 years ago, because archaeological finds...
...suggest that the one-handled, high-necked "footed" amphora shown on those mosaics was THE standard shape for garum-jars, thus an instantly recognisable form of product packaging.
Zoom in on each photo, and you'll see writing on the jars. Whether either or both read "Scauri" I can't tell, but if they're from Pompeii I'd make a small wager (maybe even, ahem, bet my As) that Aulus Umbricis Scaurus did indeed put his name - "not genuine without this signature" - on any jars which left his factory.
This one is ours. The shape isn't exact (too short) but pretty familiar...
...but though @dduane and I have racked our brains for what was originally in it (not garum!) we've come up blank. Currently it's full of lemon-infused olive oil, but if we ever buy some modern garum, we'll have somewhere obvious to put it. :->
*****
That short-lived but excellent series "Rome" got it just right. This ad for free wine and cakes is both commercial and political, so covers all bases - and ends with a hint that he gets to read that bloody Guild of Millers bloody slogan Every Bloody Time... :->
It cannot be overstated how much insight A. Umbricius Scaurus' obsession with branding has given us into Roman advertising.
In Pompeii, where he lived and had his factory, there are literally stones and small mosaics IN THE ROAD with his ads on them. The level of dedication the Condiment King of Pompeii put into his advertising, putting it into permanent and quasi-permanent forms, speaks to how much money and effort in Roman society went into advertising. Makes me wonder just how many wooden signs might have been about that were lost in the eruption.
clint barton & bobbi morse swap their 1970s costumes - by OTTO SCHMIDT
#oh no I think I'm on my Hawkeye shit again
clint barton loves teaching his skills to his friends
so i’m dipping into some of the old official marvel novels and clint’s entrances are killing me
first, on the first page of the very first marvel novel in 1967, we have an author who is very into “tall and lithe, rippling muscles” hawkeye, who immediately insults then is insulted by cap (which i will personally take as double-meaning for clint being like 20)
also:
and of course clint gets back to his insults by calling cap “dad”
…more than once.
thanks, dad:
then in this novel from 1979, clint is once again introduced insulting cap for being old (as he should be)
and we’re back to admiring “wickedly handsome” clint, who suspiciously looks a lot like cap (maybe he shouldn’t have called him dad?)
#i need more of this dynamic #The Noise #Ta-Daaa #those aren't spirit fingers Clint Barton #Young hot spangley Hawkeye and Jaw of morality Steve
Putting all tabletop players into a college level ethics class and forcing them to turn in a paper on moral philosophy before buying a new book
This is…. An interesting thing to say… on this post in particular….
I think a lot of people reblogging this from @probablybadrpgideas are interpreting this as “this would be such a funny wacky way to make the table soooo complicated” but I mean this as a complaint about the way that so many tabletop players seem to just. completely lack an understanding of ethics. what it actually means to behave ethically and treat others ethically. and i dont mean this as "why do people want to be mean and play as villains? :(" i mean "why are there so many tabletop players that sympathize with outright fascist factions to the point of wondering why theyre listed as 'Lawful Evil' in the book"
can you talk me through why this was a particularly bad or challenging thing for your party to have done
Goblins were in fact, for me, a turning point on this concept. I had a player who wanted to be a goblin, and I forgot about this fact up to the point that the party got a quest to kill goblins. As soon as I was announcing the quest I realized it would be a problem, though I didn't have anything else ready so I went with it. And it was! The players immediately questioned why the mayor was paying mercenaries to kill goblins, and then further questioned his justifications, at which point I realized it would be a better story if the goblins were a scapegoat and not an actual villain. This turned into a terse interrogation where the mayor threatened to put them in jail once their questions got pointed enough that he would have to either field accusations or lie; they then went CSI on the situation and drilled through his political cabinet to get answers. I had to improv pretty much all of it and I don't remember the actual ending (I know they sided with the goblins and the mayor was guilty), but this helped me realize that the Gary Gygax writing style of "certain races are just BAD and that's why they hang out in dungeons" was very short-sighted.
D&D writing, by and large, encourages a lack of questions. The surface runs deep. "Go into a cave and chop up goblins." Why are we doing this? "Goblins are bad." All goblins? "Yes."
I think the question of "why are there players comfortable siding with fascist factions and wondering why they're called 'lawful evil'" is pretty easily answered with... because D&D itself is inherently kind of fascist. And it's the most insidious kind of fascist, too- its villains are fascists, so how could you point fingers at the book?
Fire Giants are dwarf slavers. Drow are a megalomaniacal theocracy who hate men. Orcs are violent tribes of marauding killers. Illithids want to destroy all life and keep an entire civilization to scrub their floors. But these narratives still push the idea that "evil" is a racial trait. The players are not only justified in their campaign to destroy these cultures, they're encouraged to do it.
They let the cat out of the bag by making these playable races; because now, they're not cut-and-dry villanous societies. They're people. There are Drow accountants whose lives are about balancing taxes, not worshipping Lolth. There are Yuan-Ti who don't sacrifice babies on altars, and much prefer playing the lute or sewing blankets. Yet we're still expected to read "Chaotic Evil" under the Monster Manual entry for a bugbear and take it seriously.
Reblogging again to add a quick take: as a DM introducing ethics makes your game so much better.
I had an intro to my campaign that involved a mad scientist kidnapping someone and turning them into a wererat. I didn't think much of it and I spent way more time fleshing out the other NPCs, I just wanted to use that wererat as a boss fight.
Once the party encountered him though they immediately saw what I totally missed: the guy who became the wererat was absolutely the victim of this story. I did my best at thinking on my feet and made the wererat this defeated guy who only followed the mad scientist because he felt like his life was ruined. So they, through good rolls, convinced him to help them fight the mad scientist and it made for such a better story.
The moral I'm trying to convey is that you need to treat every NPC in your game as a world within themselves. And I mean EVERY NPC. Why are the wolves attacking people? Are they desperately hungry? Mind controlled? Territorial due to poachers? Why are the goblins working for the wizard? Extortion? Promise of riches? If the bandits see that everyone is in armor, why wouldn't they just let the party pass and wait for easier prey? If one of the bandits die, why wouldn't the rest of them run for the hills?
here’s a couple of articles on the history of racism + xenophobia in tolkien & how that influenced dnd
This is the first installment of a two-article series about the racist origins, nature, and ramifications of orcs, a malevolent humanoid spe
This is the complement to my previous article , “Orcs, Britons, and the Martial Race Myth, Part I: A Species Built for Racial Terror.” In t
anyone interested in the subject should definitely also check out the whole Three Black Halflings podcast, which talks about being black in nerdy spaces. a lot of times they’ll have on guests talking about their intersections and experiences in nerdy spaces. they have an episode with the author of the articles above.
they’ve also played a ttrpg based on african mythologies rather than mostly european ones like most mainstream fantasy.
highly recommend!!
Clint, texting Natasha: Hey I just walked into a gay bar and some guy yelled dibs lol
Bucky, texting Natasha: HELP IM REALLY DRUNK AND I FUCKED UP; SOME HOT GUY WALKED INTO THE BAR AND I YELLED DIBS
#i love them #oh god op ahhh