My second mass attack! Back to ya girl's comfort zone of bust portraits 😂
Ok I've got the energy to run through and tag anyone with a Tumblr!
@smashdraws
@ yylvena
@ nilla_fers
@chenria
@ binx.art
@ skellebun
@ashyth-art
@ legathy
Aqua Utopia|海の底で記憶を紡ぐ

@theartofmadeline
almost home

ellievsbear
icyghini twinkie
cherry valley forever
I'd rather be in outer space 🛸

pixel skylines

bliss lane
RMH
Misplaced Lens Cap
Keni
Fai_Ryy
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Cosimo Galluzzi

#extradirty
sheepfilms

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KIROKAZE
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@modtea
My second mass attack! Back to ya girl's comfort zone of bust portraits 😂
Ok I've got the energy to run through and tag anyone with a Tumblr!
@smashdraws
@ yylvena
@ nilla_fers
@chenria
@ binx.art
@ skellebun
@ashyth-art
@ legathy
Life Story
A revenge for Mori_ on Art Fight of their character Mamizu!
the cici's pizza mr pibb hits different
could you make up some more words please :)
wawa gobbler
belly laughing while sloshing my chalice around in my many ringed hand
for a moment, when i'm dancing i am free
Guess who spent 20 minutes putting in contacts after misplacing their glasses last night?
Jeff the Kisser 💋
Tender Man 🫂
BEN Clowned 🤡
Smile Dog 😁
Married Alive 💍
never seen anyone fucking kill a man on reddit
feeding her stuffie must live on....
samus’s dating woes
The Estate's Secret The Earth's Champion
Swan-swine are amazing. Toph, gremlin or doll, is GOAT
S4 #281 - 251 Mori Nagayoshi
mini gipsy danger
Harada Sanosuke
1x:
Commission info
$25: Sketch
$45: Lines
$60: Flat color
$80: Cel Shading
$100: Soft Shading
need work desperately
"Noooo that's my drink, not an ice pack..."
"Wahahaha, now that hits the spot!"
Discounted Chibi Commissions! 🎇
+ Big news! : I'm moving to a new studio next month, so all commission earnings this month will be going towards moving fees & costs! :)
limited slots available, reblogs appreciated!
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vgen.co/JenJenRose
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#commissionsopen #commissions
This isn't very hard when you know some of the most genius strategies in human history were incredibly stupid, circumstantial events that led to victory by sheer luck of that strategy working.
Case in point: Tsun Zu's rival defended a city with 10 men against Tsun's army of hundreds by disarming his own soldiers, dressing them in plain clothes, INVITING Tsun's army to come in, and it only worked because Tsun knew the guy was an ambush master and thought "if we attack the city he's inviting us into, we will die." and left without even trying ON THE BASIS OF HIS RIVAL'S REPUTATION AND NOTHING MORE
Another example: Tsun Zu, on being told his soliders were out of arrows during a battle against a city across a river from them, had his men craft scarecrows, put them on a boat, send it out on a line, leave it there for half an hour, then pull it back in and used the arrows the enemy had fired at the boat to restock their own ammunition. It only worked because it was foggy and the enemy couldn't tell the difference between the scarecrows and actual soldiers.
Stupid things like that work INCREDIBLY WELL if the circumstances favor them, so you really don't need to come up with some multi-layered, Shikamaru-esque strategy. You just need to come up with a strategy you like for the characters involved, then write the circumstances (weather, environment, individuals involved) to favor it enough that it works.
i agree with the gist of the above, but i wanted to give more writing advice because you do not WANT your genius strategist to sound like their strategies only work by accident (unless you are writing an "accidental genius"). you want your strategist to be looking at the circumstances and going "under these conditions, we can do this..." and then have them be right (or mostly right). it is not usually narratively rewarding for events to happen by "sheer luck" (unless you are purposefully writing something where luck/magic/divine intervention is at play, but i don't think that's what we're talking about here)
i do think it's easiest to pick a cool outcome and work backwards, but remember that your CHARACTERS are not working backwards. they are working with what you give them. say you want to do the scarecrows on a boat strategy. if the fog only appears that morning as an act of god, your strategist will look like they just got lucky. they will not seem smart and the narrative payoff will be less. instead, write so that they are using fog that's fucking everything up anyway. make sure you mention every piece of the strategy prior to your character putting it all together: the fog, the presence of the materials you need for the scarecrows, the river. mention it's foggy and moist and damp, that it gets especially bad at whatever hour. make your soldiers miserable and cold and soggy over it. trick your reader into thinking this is a problem everyone has to work around. maybe mention the moist air has made all the hay they have for horses rot and now they can't use it and they're worried about supplies and everyone is upset.
and then have your strategist go: ACTUALLY, we can use this fog. we can use this rotting hay. we can flip this whole thing to work for us. and now your winning strategy doesn't seem like a huge ass pull AND you have the narrative pay off of all the pieces you've laid out clicking into place.