ye my bewbs r kinda nice lol đ”âđ«đđ”âđ«

oozey mess
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tannertan36

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@moodypanipuri
ye my bewbs r kinda nice lol đ”âđ«đđ”âđ«
sukunas shy gf this nice gf tht HOW BOUT A MEAN GF?? HOW BOUT SUM1 WHO MATCHES HIS FREAK SOMEONE JUST AS INSANE AS HE IS???? we have enough bimbos and shy gf fics already more mean gf plsss
How about I write one? đ§
when observation ends
Gojo Satoru notices it the way you notice a missing sound.
Not immediately.
Not consciously.
Itâs like realizing the cicadas have stopped mid-summerâ no warning, no drama, just a wrongness settling into the air.
Sukunaâs attention used to feel heavy. Intentional. Like a blade hovering close enough to feel warm. Even when Sukuna said nothing, Gojo could feel himself being considered. Measured. Placed into a system of meaning that did not require his consent.
Nowâ
Nothing.
No pressure. No interest. No pull.
The space between them feels⊠neutral.
That should be impossible.
They arenât fighting. They rarely are, these days. Gojo lounges where he stands, hands in his pockets, posture careless in the way only the invincible can afford. He talks because silence has always bent toward him eventually.
âSo,â he says lightly, tilting his head. âThis is new. Did I finally bore you?â
Sukuna doesnât look at him.
Thatâs the mistake.
Not refusal.
Not disdain.
Just absence.
Gojoâs smile holds. Barely.
âWow,â he continues, chuckling. âYouâre really committing to the bit, huh? Should I be offended?"
Sukuna turns his head thenâ slowly, like a thought returning out of politeness rather than need.
He looks at Gojo the way one looks at a familiar structure already mapped. No curiosity left to extract.
âYou were interesting,â Sukuna says.
The past tense lands too cleanly.
Gojo laughs on instinct. The sound echoes wrong in the space between them. âYikes. Thatâs harsh. I didnât know this was a performance review.â
Sukuna watches him laugh.
Watches the way Gojo makes himself smaller than his power. More human. Easier to stand near. The way the world relaxes around him because he has taught it how to.
âDo you know why gods fail?â Sukuna asks calmly.
Gojo blinks. âOof. Starting heavy.â
âThey listen,â Sukuna continues. âThey adapt. They let worship edit them.â
He looks away again.
âYou let them teach you where not to strike.â
Something cold slides through Gojoâs chest.
ââŠThatâs called protecting people,â he says, softer now.
âYes,â Sukuna replies. âAnd that is why they will forgive you when it costs them.â
Silence.
The kind that doesnât ask to be filled.
Gojo shifts his weight. For the first time, the ground doesnât answer back with reassurance. His power hums, unacknowledged. Unreflected.
âYouâve been watching me,â Gojo says, carefully casual. âHavenât you?â
Sukuna doesnât deny it.
âI was.â
Again.
Past tense.
Gojoâs smile fadesâ not fully, but enough to feel like grief. âAnd?â he asks. âWhat was the conclusion?â
Sukuna studies him one last time. Not cruelly. Almost gently.
âYou are strong,â he says. âYou are loved. You are forgiven in advance.â
A pause.
âThat is the flaw.â
Gojo swallows.
âYou say that like I chose it.â
Sukuna turns away, already done. âYou accepted it.â
The moment stretchesâ thin, unbearable.
Gojo stands there, surrounded by a world that has always bent around him, and realizes something with a slow, sinking clarity:
Being adored has taught him how to be careful.
Not how to be exact.
Sukuna leaves without ceremony. No threat. No final look. Just disinterestâ complete and irrevocable.
And Gojo Satoru, strongest sorcerer alive, understands something he never had to before.
Power can be challenged.
Power can be hated.
But being concludedâ
That is something you donât recover from.
Somewhere behind him, the world keeps trusting heâll be enough.
Somewhere ahead, Sukuna has already stopped watching.
ââ
Chapter 1
đŹ 0  đ 1  â€ïž 22 · Post by @moodypanipuri · An Experiment Permitted to Continue Sukuna does not hate Gojo Satoru. Hatred requires emoti
An Experiment Permitted to Continue
Sukuna does not hate Gojo Satoru.
Hatred requires emotional excess.
This is something cleaner.
He watches him the way a scholar watches an anomaly that should not be stableâ curious not because it is powerful, but because it has been allowed.
Gojo moves through the world like it has already forgiven him.
People laugh around him. Rely on him. Build futures that assume he will still be standing there, smiling, invincible, when things go wrong. They speak his name like insurance. Like faith with good branding.
Sukuna finds this⊠instructive.
Power alone has never been rare.
What is rare is power buffered by affection.
Gojo is surrounded by it.
Students. Colleagues. Admiration masquerading as trust. He is praised for his strength and loved for the way he pretends it doesnât weigh on him. When he failsâ and he does fail, subtly, oftenâ people soften the impact for him. Explain it away. Frame it as inevitability instead of consequence.
A god raised with applause.
Sukuna tilts his head, watching.
Interesting.
Gojo jokes. He deflects. He insists on being human even as the world insists on worship. He makes himself palatable. Approachable. He bleeds on purpose, just enough to reassure everyone that he is still on their side.
This is where the hypothesis begins to crack.
Gojo believes love makes him stronger.
Sukuna has seen this theory before.
It always collapses under pressure.
Love does not sharpen powerâ it redirects it. Dilutes it. Teaches restraint where precision is required. Gojoâs mercy is not weakness; Sukuna knows better than that. Mercy is simply⊠expensive.
And Gojo keeps charging it to the future.
He protects others instinctively. Moves first. Takes damage he doesnât need to take. Carries consequences that are not his alone. The world rewards him for this with gratitude, with loyalty, with praise.
It does not teach him the cost.
Sukuna watches him fight and notes the pattern.
Every time Gojo hesitates, it is not from fear.
It is from calculationâ who else might be hurt.
A god who asks permission from the room before he acts.
A hypothesis permitted to continue because it is comforting.
Sukuna remembers another god once.
One made of wood and gold and quiet failure.
A god that watched a child kneel and did nothing.
Gojo is different, of course. Kinder. Brighter. Actively involved.
And yet.
When things go wrongâ truly wrongâ the world does not blame him. It grieves him in advance. Prepares excuses. Softens the narrative.
This, Sukuna thinks, is the flaw.
Power that is loved is never allowed to become honest.
Gojo does not notice Sukuna watching him sometimes. Or perhaps he does and refuses to acknowledge it. He smiles. He provokes. He treats Sukuna like a challenge instead of a conclusion.
âDonât look at me like that,â Gojo says once, half-laughing. âYouâll hurt my feelings.â
Sukuna almost laughs.
Feelings.
Thatâs the problem, isnât it?
Gojo believes he can be everything at onceâ weapon and shield, god and man, savior and participant. He believes love will forgive the contradiction.
Sukuna knows better.
Love doesnât fail loudly.
It fails later.
When Gojo finally fallsâ and he will, because all hypotheses are tested eventuallyâ the world will mourn him like a tragedy instead of examining the structure that required him to carry so much alone.
They will say he did his best.
They will say it was inevitable.
They will never say he was wrong.
Sukuna watches him go, laughter echoing behind him, surrounded by people who trust him too much to question the design.
A god raised on affection.
An experiment the world refuses to terminate.
Sukuna turns away, conclusion already written.
Not a failure of strength.
A failure of premise.
ââ
Chapter 2
đŹ 1  đ 0  â€ïž 23 · when observation ends Gojo Satoru notices it the way you notice a missing sound. Not immediately. Not consciously.
Leaving Became Expensive
He never tells you to stay.
You think youâd notice if he did. You think it would sound like a threat, or a command, or at least something loud enough to hate. But Sukuna has never been loud about the things that matter.
You mention leaving once. Casually. Like itâs a thought that hasnât finished forming yet.
He doesnât look at you.
Doesnât react.
Doesnât care enough to pretend he does.
And that should have been the end of it.
At first, nothing changes.
Thatâs the trick of it.
The road is still there. The door still opens. The world still exists in theory. You tell yourself this is proof that youâre free, that youâre imagining things, that youâre being dramatic.
But then something small goes wrong.
The place you planned to go to isnât safe anymore.
The person you thought would help doesnât answer.
The supplies cost more than you remember.
Not impossible.
Just harder.
You donât blame him. Thereâs nothing to blame.
Sukuna never reaches out. Never interferes. Never says a word.
He simply⊠stops maintaining the idea of a world that wants you.
And you donât realize how much of your freedom depended on that until itâs gone.
__
You could still leave.
You know that.
The thought doesnât vanishâit just changes shape. It starts to feel heavier. Riskier. Like something youâd have to prepare for in ways that exhaust you before you even move.
Leaving becomes a project.
Staying becomes a habit.
And Sukuna watches you make that choice without ever asking for it.
One day, you catch yourself thinking, Iâll go later.
Not because youâre afraid.
Not because youâre trapped.
Because right now is easier.
That thought scares you more than anything else ever has.
â
You realize, slowly, painfully, that he hasnât locked you in.
Heâs just made the outside too expensive.
Every path away from him existsâbut it costs something. Safety. Certainty. Pieces of yourself youâre no longer willing to trade.
And staying?
Staying costs nothing.
You ask him once, quietly, why he lets you do whatever you want.
He looks at you then. Just briefly.
âIf you wanted to leave,â he says, âyou wouldâve.â
No anger.
No possessiveness.
No softness.
Just truth, laid bare and sharp enough to cut.
â
Thatâs when it hits you.
He never said stay because he didnât need to.
You stayed because the world without him stopped making sense.
Because leaving would hurt more than remaining.
Because somewhere along the way, he became the only place that didnât demand proof you deserved to exist.
â
You hate yourself a little for that.
You hate him a little too.
But you donât leave.
And the most unbearable part is knowingâdeep downâthat if you ever did, he wouldnât stop you.
He would just let the world be expensive again.
And maybe thatâs the worst kind of keeping.
Stop Saying Sorry for Existing
You say it without thinking.
A soft sorry.
It slips out like a habit you didnât know you still had, a small thing tucked inside the way you breathe, like an instinct to apologize for existing.
He stops you.
âStop.â
Flat. Final.
No anger. No drama. No flair. Just⊠the weight of something unshakable. Something true.
You freeze. Your throat goes dry. Your hands curl. Your heartbeat loud in your ears.
âYou never do it again,â he adds.
No reasoning. No explanation. No lectures. Just⊠that.
And you donât.
Not because you are afraid.
Not because he is kind.
Not because it is safe.
Because the truth of existing under him is now clearer than any warning or any mercy.
You exist. Full. Whole. Not small. Not apologetic.
Not asking permission.
Later, you test it.
A quiet sorry, muttered like a habit.
A soft laugh.
A nervous, whispered word meant to fill the silence.
It does not land.
The word dies in your mouth.
And the flat stop comes back, not scolding, not heavy, but a fact you cannot argue with.
Not punishment.
Not mercy.
Just⊠certainty.
It is worse than rage.
Rage can be survived.
Certainty cannot.
He does not comfort you.
He does not cradle your fears or tell you it is okay.
He removes the thing that diminishes you.
The thing that makes you shrink inside yourself.
And somehow, that is tenderness.
Wrong tenderness. Accidental warmth.
It is Sukuna.
You notice the small things afterward.
How he doesnât push you away when you lean closer than you should.
How he doesnât speak over you when you talk.
How he doesnât react when you take up spaceâ when you exist in ways no one else could survive.
Everything about him teaches you to exist fully.
Without apology.
Without diminishment.
Without question.
It is irony of that was not lost to you.
You are allowed to exist, but only if you stop apologizing for it.
Everything you ever did to make yourself smaller, quieter, less noticeable, is gone.
He has erased it without ever touching you.
And it hurts.
Hurts more than fear.
Hurts more than violence.
Hurts more than mercy could ever.
Sometimes, late at night, you catch yourself thinking:
*Why does this hurt so much?*
It is not love.
It is not care.
It is not warmth.
It is⊠him.
Sukuna.
Finality disguised as kindness.
The quietest, most human thing he could offer: the right to exist.
girl get off that c.ai and embrace the 'x reader'
PREACH THAT SHIT- đđđŁïž
the temple still stands
modern cities are loud in ways the past never was.
sukuna notices this firstâ
the electricity, the constant motion,
the way humans now drown silence on purpose.
it amuses him.
and yet.
there are moments when the noise falters.
when the air stills wrong.
when something old exhales beneath concrete and glass.
he feels it one afternoon without warning.
a scentâ
dust, incense long burned out, wood that remembers prayer.
his steps slow.
not because he hesitates.
because memory is precise.
the temple is smaller than he remembers.
or perhaps the world has simply grown louder around it.
it crouches between modern buildings like a relic embarrassed to still exist,
roof sagging, paint peeling, bell rusted into silence.
no chants.
no children sweeping the steps.
no monks whispering salvation they never practiced.
just emptiness.
sukuna stands at the gate for a long moment.
humans pass him without noticingâ
heads down, lives compressed into screens,
unaware they are brushing past something older than their fear.
the door creaks when he pushes it open.
the sound lands wrong in his chest.
inside, the air is stale.
tatami mats warped with age.
walls cracked where prayers once echoed.
he walks through it slowly.
not reverent.
accurate.
this is where he learned how to kneel
before he learned how to stand.
where he memorized chants he never believed in.
where compassion was recited
and rationed.
his fingers brush the wood of a pillar.
for a moment â just oneâ
he remembers being small enough that the floor felt endless.
remembers the cold in winter.
the way doors closed softly but firmly.
the sound of monks lowering their voices when he entered.
âendure,â they had said.
he snorts quietly at the memory.
endurance had never been the lesson.
observation was.
he steps into what used to be the prayer hall.
the statue is still there.
cracked.
neglected.
eyes dulled by time.
a god who failed its audience and was forgiven for it anyway.
sukuna tilts his head.
âthey stopped coming,â he says to no one.
his voice echoes faintly, swallowed by dust.
he remembers kneeling here onceâ
hands folded wrong, posture corrected sharply.
remembers the monk who whispered,
âbehave, and you may be forgiven.â
forgiven.
the word tastes the same now as it did thenâ
empty.
he walks closer to the altar.
for a split second, something dangerous flickers behind his eyes.
not rage.
recognition.
this place did not make him cruel.
it made him precise.
it taught him the difference between words meant to comfort
and words meant to control.
between mercy offered
and mercy performed.
a sound interrupts him.
footsteps.
an old man stands near the entranceâ caretaker, perhapsâ
eyes widening slowly as he takes sukuna in.
âthis place is closed,â the man says, voice trembling with politeness.
sukuna looks at him.
really looks.
the man stiffens, instincts screaming before his mind catches up.
âit was never open,â sukuna replies calmly.
the old man swallows. âare you⊠here to pray?â
for a moment, sukuna almost laughs.
instead, he says,
âi already did.â
the man doesnât understand.
humans rarely do.
sukuna turns away from the altar.
as he leaves, his gaze lingers once more on the hall.
on the silence.
on the god that watched a child kneel
and did nothing.
outside, the city surges back into existenceâ
cars, voices, life rushing forward without reflection.
sukuna steps into it effortlessly.
he does not burn the temple.
does not curse it.
does not look back.
there is no satisfaction in destroying something
that was already hollow.
somewhere deep inside him,
a conclusion tightens into certaintyâ
humans did not fail him.
they taught him exactly what they were.
and he has never stopped believing them.
before he was called sukuna
they never agreed on what he was.
some said curse.
some said punishment.
some said omen sent to test the faithful.
no one said boy.
he was left at the temple steps before sunrise,
when the bell had not yet rung
and the gods were still deciding whether to listen.
wrapped in cloth that smelled like incense and fear,
his crying was strangeâ steady, tireless,
as if he already understood
that noise was the only proof of existence.
the monks noticed his body in pieces.
too many arms.
a face that refused singularity.
eyes that did not avert themselves.
someone made a sign warding evil.
someone else whispered a prayer.
they took him in anyway.
not to save him.
to contain him.
temples were good at holding things
the world did not want to look at.
they fed him rice and discipline.
clothed him in rules.
taught him how to kneel long before they taught him how to speak kindly.
his name was never spoken the same way twice.
it changed depending on who was afraid that day.
he learned silence early.
learned how quiet frightened people become
when they believe compassion should be loud.
prayers filled the halls every morning.
chants promising mercy, balance, forgiveness.
at night, the doors to his room were barred.
âit is for your own good,â they said.
he believed themâ
for a while.
he watched how the monks touched other children
without thinking.
how hands lingered, reassuring.
how voices softened.
when they touched him,
it was quick.
necessary.
always with eyes averted.
once, during purification rites,
a monk pressed his forehead to the floor beside him and whispered,
âendure this quietly. suffering cleanses.â
the boy tilted his head.
âwhat am i being cleansed of?â he asked.
the monk froze.
that was the first time sukuna learned
that questions were more dangerous than disobedience.
he stopped asking after that.
not because he was afraidâ
but because he began to listen.
he listened to the difference
between words spoken to gods
and words spoken to monsters.
he noticed how mercy was endlessly discussed
and carefully rationed.
how compassion was a virtue
until it required proximity.
years passed.
the boy grew into something the temple could no longer pretend was small.
his strength frightened them.
his calm unsettled them more.
he never begged.
never cried after punishments.
never prayed with urgency.
when told the gods were watching,
he looked around once
and said nothing.
once, a senior monk snapped,
âwhy do you never ask for forgiveness?â
the boy considered this.
âfor what?â he replied.
silence followed.
thick.
accusing.
that was the day he stopped participating in prayer entirely.
not out of rebellion.
out of conclusion.
by the time the temple realized
they had raised something that understood ritual
without believing in redemption,
it was already too late.
he had learned restraint without kindness.
discipline without empathy.
hierarchy without reverence.
he had memorized their chants
and found them inefficient.
when he finally left the temple,
there was no dramatic escape.
no lightning.
no divine sign.
just a door left open a moment too long.
the monks later said
they felt something lift from the grounds that day.
as if a pressure had been released.
years later, when people knelt before him
and begged with the same words he once recited by heart,
he always looked faintly amused.
not cruel.
recognizing.
as if hearing a childhood song
played poorly.
mercy, he learned,
was not something humanity lacked.
it was something it rationed carefully
to those who looked deserving.
he did not misunderstand humans.
he understood them perfectly.
that was why he stopped pretending.
that was why, when prayers reached him trembling and desperate,
he never answered them.
he had already heard them all beforeâ
in a place that promised salvation daily
and delivered none.
when the pretending ends
sukuna finds humans most interesting right before death.
not when theyâre afraid.
fear is loud.
fear is theatrical.
fear turns people into performers desperate for an audience.
heâs seen it too many times to care.
what interests him is what comes after fear collapses under its own weight.
the moment a person realizes there will be no interruption.
no divine misunderstanding.
no last-minute correction.
just an ending.
youâve watched it happen.
the breath steadies.
the shoulders loosen.
the faceâ so tense moments agoâ settles into something almost unfamiliar.
honest.
some people speak.
not to beg. not to bargain.
but to confess things no one ever asked them for.
âi wasnât as kind as i pretended to be.â
âi stayed because it was easier.â
âi loved them, but not enough.â
they say these things calmly.
as if truth, once it no longer needs to save them, finally becomes light enough to carry.
sukuna listens.
he always listens at this part.
âyouâre different now,â someone mutters once, eyes unfocused but clear.
sukuna tilts his head.
âno,â he replies.
âyou are.â
you donât ask him why he waits.
you already know.
this is the only moment humans stop narrating themselves.
stop shaping their lives into something forgivable.
stop pretending their intentions mattered more than their choices.
right before death, people become unbearably precise.
thereâs no performance left.
no audience worth impressing.
just truth, stripped of its excuses.
another body falls.
another silence settles.
you stand beside him, heart heavy with something you canât name.
âdoes it matter?â you ask eventually.
âwhat they say at the end?â
sukuna considers this.
âno,â he answers.
âbut itâs real.â
and somehow, thatâs worse.
you think about how long people practice being someone else.
how many years are spent curating versions of themselves that will be accepted, forgiven, remembered kindly.
only to abandon it all in the final moments.
standing next to him, the realization arrives slowly, cruellyâ
that sukuna isnât waiting for fear to peak.
heâs waiting for pretense to die first.
because when thereâs nothing left to gain,
nothing left to protect,
humans finally speak without strategy.
they stop pretending.
and in that brief, devastating honestyâ
they become interesting.
you wonder, then, what you would sound like.
what truth would rise to the surface
if you knew no one would interrupt you.
and the thought that tightens your chest isnât that sukuna would kill you.
itâs that he would stand there, quiet and attentive,
and let you finish.
because in your final moments,
you wouldnât be afraid.
youâd be real.
i agree with this but i wonder if the person saying this realizes that this will lead their kids to ask why their own parents are allowing their classmates to starve when they themselves have a fridge full of food. a good question for both the kids and the parents. but questionable if the parents actually want to have to answer that.
Lowkey made me stare at the wall for a while-
sukuna never lies to you
sukuna never lies to you.
not because he values honestyâ
but because lies require effort,
and effort implies care.
you realize this slowly,
the way people realize something terrible about someone they trustâ
not all at once,
but in pieces that refuse to fit back together.
he answers questions plainly.
without tone. without flourish.
as if truth is not something to be softened,
only delivered.
âwill you kill them?â you ask once.
âYes.â
no warning.
no justification.
you nod, because there is nothing else to do with an answer like that.
most people lie to be kind.
others lie to be cruel.
sukuna does neither.
standing near him teaches you that deception is a tool for the uncertainâ
for those who need to manage how they are perceived.
sukuna has never needed that.
later, much later, you ask the question youâve been rehearsing in your head.
âwhat about me?â
he doesnât answer immediately.
for the first time, you see him consider youâ
not as a witness,
not as something convenient,
but as a variable.
âIf you stay,â he says finally,
âyou will suffer.â
it isnât a threat.
it isnât a promise.
itâs logistics.
you swallow. âand if i leave?â
he shrugs.
âThen youâll suffer elsewhere.â
you laughâ sharp and surprisedâ
because something about the honesty disarms you.
anyone else would have said Iâll protect you.
anyone else would have lied just enough to keep you close.
sukuna doesnât reach for you.
doesnât reassure you.
he lets the silence do the work.
he never tells you youâre safe.
when danger approaches, he doesnât pull you behind him like a hero.
he tells you exactly how fast to move.
exactly where to stand.
âthree steps left,â he says once.
âif you hesitate, you die.â
you donât hesitate.
later, when your hands wonât stop shaking,
you realize something that makes your chest ache in a way you canât nameâ
he didnât save you.
he informed you.
there is a difference.
you ask him once, quietly,
âdo you ever feel bad about it?â
âFor what?â
âfor not lying.â
he studies you, expression unreadable.
âpeople forgive lies,â he says.
âuntil they realize what they cost them.â
a pause.
âtruth,â he continues,
âonly hurts once.â
you understand then why being near him feels worseâ and saferâ
than standing beside people who swear they mean well.
heroes lie to give hope time to breathe.
sukuna tells the truth and lets hope bleed out on its own.
and the most devastating partâ
he never pretends your presence changes the ending.
he lets you stay anyway.
because whatever happens to you,
you will never be betrayed by his words.
Iâm in this photo and I donât like it đđ
đđ
Really needed to hear thatâ
Those Who Donât Beg
sukuna had heard every kind of prayer.
he had listened to promises made in panicâ
oaths sworn to gods who had already turned away.
names of lovers spoken like spells.
mothers. fathers. children.
none of it impressed him.
begging, he found, was repetitive.
desperation made people predictable.
it bored him.
you learned this standing behind him,
watching another life reach its inevitable end.
the man on his knees was bleeding badly.
his hands trembled as they pressed into the dirt,
mouth opening and closing like the right words might still save him.
âplease,â he whispered.
then louderâ âplease.â
sukuna smiled.
not because it was cruelâ
but because it was expected.
âis that all?â he asked lightly.
the man broke.
words spilled out in a rushâ bargains, apologies, faith rediscovered too late.
you felt your stomach turn as his voice cracked under the weight of it.
sukuna laughed.
short. sharp. amused.
it ended quickly after that.
later, there was another.
you noticed the difference immediately.
this one didnât plead.
blood darkened his clothes, soaked into the ground beneath him,
but his mouth remained closed.
his breathing was steady. deliberate.
his eyes flicked up to sukuna onceâ
not defiant. not hopeful.
aware.
you felt it thenâ
the subtle shift in the air.
sukuna tilted his head.
âyouâre quiet,â he observed.
the man said nothing.
sukuna crouched in front of him, studying his face with something close to interest.
âyou know youâre going to die,â he said.
a nod.
no tears.
no prayers.
just acceptance.
sukuna stood.
when it was over, there was no laughter.
only silence.
you exhaled slowly, heart pounding.
âyou didnât mock him,â you said after, voice careful.
sukuna glanced at you.
âwhy would i?â
you hesitated. âhe didnât beg.â
something unreadable crossed his expressionâ not warmth, not kindness.
recognition.
âexactly,â he replied.
laterâ much later â you asked the question that had been burning in your chest.
âdoes it make a difference?â you said. âstaying silent.â
he considered this.
âno,â sukuna answered honestly.
âthey die anyway.â
then, after a pauseâ
âbut pride,â he continued,
âis the only currency i acknowledge.â
you thought of all the prayers youâd heard go unanswered.
all the voices that had cracked under fear.
and the one man who hadnât spoken at all.
standing beside sukuna, you finally understoodâ
beg and heâll laugh.
stay silent and heâll listen.
neither will save you.
but one will be remembered.
Love the way you write Sukuna , the silent yet commanding aura he executes in your drabbles is so đđ©
wait this is actually so sweet?? đđđœ thank you.
also this being the first message iâve gotten after starting this account and after not writing for like a year is kinda insane?? guess sukuna dragged me out of retirement lol
glad the silent menace came through, thanks for reading đŁïžđ