“nobody else should get to succeed where we failed so very badly to be a family” faulkner you literally sacrificed your brother to a water god you found in the woods
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Not today Justin
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@morgansgoingmad
“nobody else should get to succeed where we failed so very badly to be a family” faulkner you literally sacrificed your brother to a water god you found in the woods
i love how carpenter’s apathy towards her faith is gradually brought into focus simultaneously with faulkner’s sheer zealotry. they’re such perfect opposites of each other.
there’s something quite nice in how episode four began with carpenter recounting how much she hates other people and ends with her relief as faulkner comes back.
and like granted she’s still carpenter so she manages to get pissed off at him for fucking it up but still
god i love how carpenter is presented with such resolute certainty in her (what seems roughly written as) aroace identity, contrasted against her younger self who hadn’t yet learned what she wanted but still knew it wasn’t This.
copaganda god is crazy work, but seems pretty inline with the general world building
the silt verses feels vaguely like the world of the magnus archives viewed from the perspective on someone who worships one of the powers. like if there was an audiodrama dedicated to the cult of the lightless flame.
imax (especially the 1.43 aspect ratio) is such a funny concept to me, cause they literally said what if we made cinema a fundamentally different experience—one widely regarded as superior—created our best art such that it was intended to be viewed in the this new format, and then made it so that if you wanted to experience it you had to be willing to drive a minimum of three hours one-way within a limited span of several weeks or else you would literally never be able to experience it ever. they literally turned the movies into a live ephemeral performance
just started listening to the silt verses and im not sure what im getting myself into. like clearly the trawler man is Bad, and Carpenter and Faulkner are doing Bad Stuff as its disciples… but it also doesn’t feel like its setting them up to renounce their faith… hmmmmmm
just finished Harvey in Hell and like… what a crazy audiodrama. manages to create an incredible dreamlike atmospheric feel that perfectly matches the main character drifting through this otherworldly landscape of burning lakes and christmas casinos shrouded in perpetual twilight. a very magical realism vibe that isn’t super common in audiodramas.
and that ending too… What Was It All For indeed…
house on a mountain peak only accessible via cable car is so aura
it’s so lonely/vast coded
house on a mountain peak only accessible via cable car is so aura
Forst has some fucking insane cinematography wtf I wasn’t expecting that
nothing much to say about Re: Dracula since it seemed like such a natural extension of Bram Stoker’s prose but after finishing it… like yeah i get why we’re still vibing with this story 130 years later
crying sobbing throwing up
how mina harker was ready to move with that revolver at the end of dracula
holy haunt the narrative
it’s always a grizzled, jaded man and the woman who’s his secretary lowkey carrying all the shit he gets done. need someone to flip that dynamic