Devil May Cry, N.
Our King Mundus grants you your freedom.

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@morikopen
Devil May Cry, N.
Our King Mundus grants you your freedom.
I painted very round birbs
Devil May Cry, 2025.
Ah, sweet kid. Bit of a troubled past, though.
Devil May Cry, N.
Game over!
souvenir pop beginning souvenir pop ending
Bojan, a study of silliness pt.2 (pt.1)
Bojan, a study of silliness pt.1
Nobody:
Joker Out since February 25th:
(Käärijäâs version x)
Joker Outâs third studio album, 'Souvenir Pop', is out now!
We here at JokerOutSubs have, of course, translated all the new songs: Muzika za decu, Ako toga viĹĄe neÄe biti, Mesto duhov and Sonce, as well as transcribing the new English song, Lips.
Check them out below the cut, as well as our Lyrics Translate page for more lyric translations! Full âSouvenir popâ masterpost with further translations coming soon!
really got the feeling that Ako Toga ViĹĄe NeÄe Biti is about death...
the song about lost love and the main hero hopes they will come back, and 9 days is like one of the grieving periods (for Orthodox Church at least) like they say: the soul stays 3 days in the house 9 days in the yard 40 days on Earth. so it's either the person is dead or the relationship itself
in this essay i will...
so you happened to miss the live Q&A with Nace and Bojan on the Joker Out official discord server yesterday? worry not, i got you covered
Souvenir Pop Discord Listening Party - Q&A with Bojan and Nace â¨
Initial first reading of Stephanie:
Bojan: Hey, I really felt we had a great connection last night. We should do it again sometime!
Stephanie:
(But seriously I love the song, please don't come for me đ )
ok so my pet theory about souvenir pop is that bluza & stephanie are both about bojan's relationship with the same character, just at different points in their relationship-- the first song in a moment of passion, and the second in retrospect, with a much more cynical tone. (essay below..)
both songs tell the story of a whirlwind romance, bojan and 'stephanie' becoming instantly taken with each other in a "lightning strike." obvious narritive similarities aside, bojan's past impulsivity and hopeless romanticism shine through in stephanie, as he reminisces that he knew "right from the start." within literally the first 3 lines of bluza, bojan proclaims his devotion to stephanie as his "muse," declaring dramatically "i think i've fallen in love with you." the depth of his emotion ("a stroke or a racing heart") is similarly elaborated on back in stephanie-- it is entirely possible that both occasions of bojan falling head over heels for someone at a gathering in a short amount of time are, in fact, the SAME event.
HERE IS WHERE THE SPECULATION COMES IN. bluza ends, "if the sun rises, i'll be alone," the exact reason for his abandonment left ambiguous. this question is answered in stephanie, as time finally passes-- "the morning came." despite bojan's relentless desperation to stay with stephanie, he is given a reality check, the blunt statement contrasting his emotive laments of the night before. ("the morning" could also be interpreted as the morning after stephanie's friend threw up.. but that's not fun :(.) on that day, she texts him "a photo of a plane"-- a perfect explanation for her absence and bojan's despair in bluza!!!
i believe what bojan so feared in bluza (the growing distance between) dooms their relationship. when they were in the throes of romance, stephanie and bojan "passed kilometers between (them) in a single heartbeat." these metaphorical kilometers materialise into existance by the time of stephanie (song), the titular character now living "about a thousand miles away." there's a sense of irony in that distance, which before had seemed no obstacle (even, in a way, proof of their love) is now a fundamental, bitter fact about stephanie and bojan, their relationship having withered away at least in part due to it.
stephanie ends as bojan repeatedly laments, "love ain't built for people like me." like him, how? one questions. what about him does he believe is so incompatible with the ideas of "love" and "happiness"? while there are hints in stephanie itself, in my opinion, his percieved problem can largely be deciphered in bluza-- "living in yesterday." in both songs, bojan demonstrates a stubborn refusal to look towards the future, to adapt to problems-- and, by proxy, a stubborn refusal to move on from stephanie (or move on in general). in stephanie (song), he copes by drinking away his sorrows. in bluza, while sober, we are offered a more in depth insight into bojan's thought process-- with stephanie, he lived in denial. he pleads desperately, "don't turn the lights on yet," for "just one more moment," completely refusing to engage with the future and what it hold for him and stephanie's relationship. in bluza, bojan deals with changes by simply ignoring what happens after, stephanie's mere departure seeming like a psychological breakup to him. this defeatist attitude after she leaves (more making shit up now) leads to the tragic collapse of their relationship, eventually culminating in stephanie (song), as he keeps "downing drinks to drown tomorrow, and live in yesterday."
ultimately, bluza and stephanie are used to explore the the cycle of bojan's unhealthy coping mechanisms and inability to adapt to change through two different perspectives, then and now. his persisting love for stephanie between the songs acts a through line as we begin to understand his behaviour and thoughts in relation to her.
stephanieâs friend: (sick and throwing up, needs to go home)
bojan:
Matthew getting some love in season 4 :)
his job is just betray
the beloved | the betrayer
-@ghostsmp3