how do you want me to see you? as a person? would that be so much to ask?
Fai_Ryy
TVSTRANGERTHINGS
Peter Solarz
Mike Driver
KIROKAZE

❣ Chile in a Photography ❣
official daine visual archive
noise dept.
untitled
Xuebing Du
Sade Olutola
hello vonnie

tannertan36
Sweet Seals For You, Always
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
$LAYYYTER

#extradirty
One Nice Bug Per Day

Kaledo Art

seen from Russia
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@tonguetiedvisitor
how do you want me to see you? as a person? would that be so much to ask?
The Punk and the Cheerleader aka boy loves girl who is a boy
Jonathan ‘Hurricane Sully’ O’Sullivan and Carrie (soon to be Caro) Greensboro, the ocs that live in my head rent free. I drew this to maybe be a cover image for a compilation of all the mini comics I’ve made of these two over the past few years. We’ll see.
A Dynamic Duo
dumb autistic purple turtle
Art by Irene Jung
Vox Machina - Part 2 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.
please don't let go
vax'ildan
Vox Machina - Part 1 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.
Forgotten Guardian
quarterly reminder that if i reblog something ai-generated it is 110% and always an accident and for the love of god please tell me so i can delete it from my blog
Brandon Lee as Eric Draven THE CROW [1994]
What do you mean this isn’t the premise of the show
I haven't talked enough about Two Husbands, One Wife. Because really, what do you say about perfection? It feels like any words I offer cannot do it justice.
I pretty much hold my breath every episode and pray to the show gods that they don't ruin the absolutely beautiful thing they've created.
And so far...as of episode 7...they haven't.
Because every episode has built on the idea that it really takes all THREE of them to make this relationship work. The framing reinforces this with frequent triangle shots (and even triangle dialogue). There must be a connection between all points, and no point is more important than the other. Every person is essential.
Because while Takuzo may be the "responsible" one, he's rigid in his ways.
And while Mia is the realist who easily speaks her mind and expresses what she wants, it can make her very focused on herself.
They already tried it with just the two of them. It didn't work.
And Mia and Shinpei have already tried it with just the two of them too. It doesn't work.
Because they struggle with managing responsibility on their own.
They are willing to do the work, but they need someone to guide them with structure and remind them the laundry exists. I feel that.
And although Shinpei is a free spirit who really brings "joy" to everything he does...
With just Mia, he still feels a bit insecure and not quite good enough.
And with a younger boyfriend that has so many fans, Mia can sometimes feels insecure too.
As the men have developed and taken their relationship further.
Takuzo is able to affirm Shinpei and give him the words he needs to hear.
And Shinpei's earnest and sweet nature is able to break through Takuzo's walls to help him see that his rigidity can have consequences.
His infectious energy pushes Takuzo to go places he wouldn't otherwise and encourages him to try new things.
But both men recognize that they NEED Mia.
She holds them together.
Because she's the one who can express words and speak her mind easily.
Who will make the first move when things get difficult.
And push them to make the necessary decisions.
Because they're a throuple. And no (good) relationship exists without all three of them.
Bonus: There's food symbolism (even more than I mention here). Be still my beating heart.
Mia is gyoza.
Takuzo is curry.
And it's best when the chef (Shinpei) serves both.
I know you're here. I miss you, and shelly.
THE CROW 1994, dir. Alex Proyas