Wanna kiss
duh
AnasAbdin

roma★
taylor price
will byers stan first human second
I'd rather be in outer space 🛸

pixel skylines
dirt enthusiast

No title available
Lint Roller? I Barely Know Her

Andulka

Love Begins
d e v o n
wallacepolsom
Misplaced Lens Cap

Janaina Medeiros

#extradirty

★

titsay
2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Malaysia

seen from India

seen from United States
seen from Russia

seen from Malaysia
seen from Pakistan
@mothbruises
Wanna kiss
duh
Neil Hilborn, “For Henry, Who Has Just Died”, The Future
[image descriptions: text that reads:
“For Henry, Who Has Just Gone
Henry was my pet rat, and he died last night in my hands. He was three years old, which is way longer than
an albino rat is supposed to live. To be honest, he wasn’t a very smart animal, but he was so sweet that now I wonder
if intelligence has anything to do with leading a good life. He had been sick for a few months, and every twelve hours
I had to apply antiseptic and lotion to both his back feet. By the end they didn’t really work anymore,
so he would just drag his feet behind him in a way so cute and sad that I started calling him my little sea lion. When he died it was, somehow,
a surprise: you would think that when your rat is older than older than dirt and has been sick for months you’d be sort of prepared: after I had laid out the towel
and mixed the solution, I picked him up and noticed his breathing was s slow. I lay down with him
on the towel, the towel where we’d spent the last few months, where I think we finally, really, completely loved each other,
not like humans do: humans always want something from you and he and I would rather just be together than apart,
and I pulled him toward me, and he chittered in that way that always meant he was wind coming in after a rain, his head fell forward, and there was so much less
light in the room. The lamp was so far away, like the light of a house to which there is no road. I know, he was just a rat. So many
just like him, all white, red eyes, die every day and only one or two people in white coats are even there to see it.
He was all in white, he was always there to see me. When I would wake from a nightmare, so many nightmares, I would turn on the light
and there he was, holding on, a constant companion to a prisoner, the prison being the apartment, the world being inside his cage. Once I was crying
in bed because of who knows why, and he sat beside my face and licked my tears away. I had a rat once, named Henry. Named Buddy. Named Mr. Big
Mouse. Named proof that something could need me and still love me. Named please can I have some of your apple? Or I know
you’re sad but I’m hungry. Don’t go; if you go I won’t survive: a child reaches for her father; a couple, buried in ash, dies holding each other;
a man and a woman in an office, crying slightly, sign sheets of paper; sparrows fall out of the sky together. Some day I’m going to have a child. She’s going to have
eyes like mine and such small hands. Just like she’ll need me alive then, she needs me alive now; I can’t say goodbye before I’ve had a chance
to say hello. I don’t stare off bridges anymore. I don’t count out little blue exit signs and even today, with Henry buried under a tree, a tree somewhere so far away
it feels like someone else buried him using my body, today I came home and only wanted to sleep for twenty minutes instead of always. Something needed
me once, and I know something will need me again. One day I’m going to have a daughter. She’s going to sleep through the night
sometimes. She is a light on a rock at the edge of a lonely see. You see that light out there? That’s where I’m headed. That’s home.”
/end id]
Väinö Blomstedt, The Archer, 1898
My favourite of Rodin’s works were the hand fragments. There were so many, some broken off and discarded from larger works like the Gates of Hell, others as studies for poses and casts. Hands are my favourite of all the body’s shapes, with their endless, endless holding
A Metamorfose dos Pássaros (2020), dir. Catarina Vasconcelos
YOU CAN LEAN ON MY ARM AS YOU BREAK MY HEART
i don’t smoke, mitski | @ mybloodiedvalentine | advantages of being evergreen, oliver baez bendorf | Angelica Alzona – intimacy | horsepower, joy priest | the carnivorous lamb, agustín gómez-arcos, tr. william rodarmor | @ sverbin | i don’t smoke, mitski | the last days of judas iscariot, stephen adly guirgis | yves olade | edvard munch | i don’t smoke, mitski | giovanni’s room, james baldwin | saint augustine, philippe de champaigne | i don’t smoke, mitski | andrea serio | when rome falls; bloodsport, 2017, yves olade | heart in hand, carved and painted, american, collection of lester breininger | guilty, georges bataille
The Love Cook
by Ron Padgett
Let me cook you some dinner. Sit down and take off your shoes and socks and in fact the rest of your clothes, have a daiquiri, turn on some music and dance around the house, inside and out, it’s night and the neighbors are sleeping, those dolts, and the stars are shining bright, and I’ve got the burners lit for you, you hungry thing.
Alekos Fassianos
loving like an animal
1. "It was always you: your unutterable name, this growl in my throat." - erika meitner, copia
2. "I need your teeth in me, slow and vicious, to tell me my armor is just skin, bones, only bones." - jamaal may, the big book of exit strategies
3. "i know no love without teeth & have the scars to remember" - josé olivarez, i wake in a field of wolves with the moon
4. "and always, there is hunger / I will admit that I do not know if I should hold you or eat you." - derold ernest sligh, occupation
5. "after we have caught love we start eating it to the bone." - marge piercy, a key to common lethal fungi
6. "I beg you, eat me up. Want me down to the marrow." - hélène cixous, the love of the wolf
7. "I have sharp teeth inside my mouth, / inside my dark red lips, / And lacquer slickly hides the claws / In my red fingertips. / So I conceal my armoury. / Yours is all on view. / You think you are possessing me - / But I've got my teeth in you." - angela carter, unicorn
8. “I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it – to be fed so much love I couldn’t take any more. Just once.” - haruki murakami, norwegian wood
9. "But I am not yet sure how to sever the love from the lover without occasioning some degree of carnage." - maggie nelson, bluets
10. "I can give you my loneliness, my darkness, the hunger of my heart;" - jorge luis borges, in a deserted streetcorner
11. júlia sardà portabella
Maurice, E.M. Forster
[ID: All that came out of the chaos were the two feelings of beauty and tenderness]
Fragment of an ancient Greek Attic white ground kylix showing a Thracian woman with tattooed arms. Pistoxenos Painter, 470-460 BC.
The Bacchae
Directed by François Rochaix A.R.T. Season. November 21, 1997 to January 24, 1998 With Michael Edo Keane as Dionysos
Photos by Richard Feldman
Mood: Dramatic kiss scenes from vintage movies.
yeah every sentence from this whole love-letter actually 🥺❣️
left to be forgotten