a long day in the mountains
I'd rather be in outer space šø
$LAYYYTER

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tannertan36

ē„ę„ / Permanent Vacation
art blog(derogatory)
almost home
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will byers stan first human second

Andulka

Discoholic šŖ©
noise dept.
Alisa U Zemlji Chuda

Origami Around

Product Placement
hello vonnie

pixel skylines

Kaledo Art
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Claire Keane

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@multiplefoxes
a long day in the mountains
"The legislature did not include a grace period."
Overnight it will become illegal for trans people in Kansas to drive their cars. They can be arrested and, if convicted, face upwards of 6 months in prison with a $1000 fine. While in prison, as this is Kansas, they will be jailed according to their gender at birth. If they try to flee the state without surrendering their license, they cannot get a new one in a different state until they surrender their old one because the licenses are part of a national registry. And this is part of the bathroom bounty bill, which allows people to sue anyone they think is in the wrong bathroom.
"Sweet A-Qiao, you match me now."
ā Ėļ½”šøā Ėļ½”
Satan has passed away, so you throw your resume in the gauntlet for the heck of it. To your shock and horror, you get the job.
Th-this... can't... be- I filled out the application in CRAYON. I put my name down as TOOTI MCFARTFACE. There is no way I-... Oh we-well I guess that makes sense... Am I allowed to decli-... Ah well fuck
child abuse is done by a monstrous group of outsiders. They are all moustache-twirlingly evil and love nothing more than causing suffering to the Innocent for its own sake. No one you know could be capable of such a monstrous act, so you don't have to worry about it.
You don't have to think about how society is structured in ways that give people power and authority over children in ways that can be abused, that's not the problem here. The problem is the Evil Monsters, who regardless of what you do will try their damnedest to Abuse Children. The only preventative measure worth taking is killing these people as violently as possible, and if you don't performatively make a show over how much you hate this totally real group of outsiders, you must be one of them, and you're almost certainly going to abuse children yourself.
This is a totally useful framing for this topic, if you disagree with any of this you're a monster and should be killed.
hey weird how minorities always happen to be the ones accused of being ontologically evil rapist sex pests. i'm sure it's nothing.
I can't find the post talking about it anymore, but actually wanting to live for the first time in forever is absolutely terrifying.
I'm gonna turn 30 this year and I spent half of my life thinking "I won't make it to 2 more years", so when I now look behind me, there is nothing, years and years of not looking forward to shit, no planning, no hoping. The void.
And I now I have to build something on sand fundations and waddle around until I can get something stable, and that shit is disabling.
But I am very grateful I don't want to kill myself for once.
Safety first! ą“¦ąµą“¦ą“æ ĖĶĢź³ĖĶĢ )ā§
Can you find their secret spot? š¤
Peak!
And not just the peak in the background.
do they have the number of trans women theyve banned in here too?
its gonna be +1 here in a bit.
Why was this marked as mature content?
Little Fox by lei min
future archaeologists will know you were (not) a boy
future archaeologists are not immune to getting stretched
So this comment section on a tiktok about insane things people ask at aquariums is a goldmine
i worked at a natural history-type store for a while and one time this mom came in with her sweet little boy and he was asking intelligent questions and she was giving zero-information answers and i was able to not pipe up in my shrill hectoring voice until she confidently informed him that "snakes dont have bones". she was standing next to a shoulder-high specimen of this:
I've a friend who worked at a zoo. She (or a coworker, I don't remember) was once asked:
"So this may be a stupid question, but lions are the male ones and tigers the females, right?"
My experience in retail confirms that there are people this stupid. Once had a customer tell me about how was going to find a mama bear and her cubs to give them a jar of honey. I can't entirely remember why he wanted to do that because my brain couldn't handle the anxiety of just thinking about approaching a bear.
No nuance, which do you feel safer around?
----trans women
----"terfs"
No nuance, which do you feel safer around?
trans women
"terfs"
TERFs are the only ones reblogging this so the votes are skewed lmao
Make TERFs lose, spread this poll š
Why the heck would anyone feel safer around the "show me your genitals to prove you're female" crowd?
šļø ~BEHOLD(ER)!~ My first sticker set of Rude DnD Villains!! š§š¦šš¦āØ
You can get them HERE~
No maidens?
Happy equinox š¦šš
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ā80s/early ā90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heās never worked in animation againāheās effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin āFeet Manā Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnāt actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinās skull that lodge in Samuel L. Jacksonās hairpiece). The resultant cuts were actually more permissive than heād expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iām not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and āworkingā for another few hours on a second, ātoned-downā version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnāt some extant physical rubrick of what is and isnāt acceptable, itās the idea that they can have absolute power over someone elseās creative work. Itās about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Iāve been a professional designer for 8 years and that last bit is so true. In addition to politics, a huge part of people meddling with creative work is just ego. They want to feel like they had a hand in the final product, even though they not only did not create it but are in fact incapable of creating something on that level. So they reach their hand into someone elseās work and command it to change, not in service of a mutual artistic goal, but simply because they have the power to do so and they like feeling that power.
Beyond personal ego, itās also a matter of structural incentives and identity.
Imagine this: your job is to be a ācensorā - whether thatās an actual agent of state censorship or a āstakeholderā or a producer or a middle manager. Doesnāt matter. Your job is to be someone who makes Appropriate Changes⢠to creative work as a part of the creative process.
Now letās say you work with artists who produce entirely inoffensive output that really doesnāt need any changes from you. Work which is entirely acceptable as it is, and which nobody would bat an eyelash at if it got published. Nobody would have a problem with it. Nobody would say āoh the censor failed to catch that one.ā
If you just give the go-ahead to everything that comes across your desk, you are, objectively speaking, being unproductive. The product you are supposed to produce, the service you are supposed to provide, the function of your labor, is to make Appropriate Changes⢠to things. If you are not making Appropriate Changesā¢, you are failing to do your job. You are being lazy, you are being ineffective, you are failing to do the work you were hired to do.
You donāt want to feel that way, and you donāt want to feel useless, soā¦
And this isnāt always even straight up malicious or egotistical, so much as it is a case of āwhen all you have is a hammer.ā Even if there are no Appropriate Changes to make, you are conscious that your job is to make Appropriate Changes, and the entire lens through which you view the creative work that comes across your desk is āI must find Appropriate Changes to make to this, or else I am useless!ā
Thatās why the distraction gambit works so well here - if you give people something they can make Appropriate Changes⢠to, then you satisfy their need to Do Their Job, and once THAT is out of the way, they wonāt apply that same level of needful, box-ticking scrutiny to the rest of it.
The nature of the job itself incentivizes interfering with work that doesnāt need changes - in fact it often requires you to do so, lest your numbers look bad on your next performance review.
Even the nicest, most collaborative and creative soul can become a meddling busy-body if you put them in a job where their metric of success is measured in how much they meddle and interfere with the work of other people.
Of course, itās also a kind of job which rewards people for being egotistical meddling busy-bodies by nature, and it is a job in which egotistical meddling busy-bodies have a natural advantage for flourishing, but itās important to understand that itās not JUST about individuals personally being egotistical assholes, thereās a structure which is shaping the behaviour as well.