The Bowery Presents
KIROKAZE

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macklin celebrini has autism
occasionally subtle
$LAYYYTER
One Nice Bug Per Day

ellievsbear
TVSTRANGERTHINGS
EXPECTATIONS
let's talk about Bridgerton tea, my ask is open

blake kathryn

Love Begins

titsay

Product Placement
Cosmic Funnies
trying on a metaphor
NASA

gracie abrams
seen from Bangladesh

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seen from Japan
seen from United States

seen from United States

seen from Ireland
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seen from United States
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@murmurillo
I collected my art tips on hands over the years. It ended up being 54 pages of notes I took and some guides I tried to create for myself. Maybe some of these can be useful to others as well. You can buy the pdf here or join my Patreon to get it for free.
And they were coworkers
A once-in-a-lifetime shot — the moon perfectly framed by a rainbow. Caught at just the right time. 🌈 🌕
here is a master list of great art tools that can make your workflow easier! 👇 (consistently updating)
begin again
listen listen this is still wip but ur girl is doing art calendar and april is MUST be done ok? mb i finish him later
Exactly.
sons of nyx
hades ii arcana (i-xxv) i-v || vi-x || xi-xv || xvi-xx || xxi-xxv
Here we are, y'all. This is the first gif I have made in 10 years! Wow, it feels good to flex that muscle after a loooong rest. Maybe it's a bit choppy, but eh it's fine with me as long as I get to watch my meow meow Thanatos tonguing his Zagreus, heh
absolute masterpiece. flawless perfection. I’ve been staring at this for 5 hours.
Oh, to be Thanatos. You are tied to the House you were born in, title already in your hands, godhood all ready to shape you, with the starry sky of your mother's eyes holding you close. You don't really like the noise of the busy souls that crowd the hall, it's not that you didn't enjoy being a child, but the announcement of the Gentle Death was too big that your little bones had to learn how to carry it for your mother, and for the House.
And then, he is born. He is tiny, so so tiny. And he is bright and he is fire and he burns. He laughs and it echoes all throughout the house, running around with you hand in hand, a complicit smile on your face when he touched things he shouldn't, or toed the rules clumsily, falling headfirst into them. He always got on his feet, brushed the pain off his knees and smiled and giggled for you.
He used to pluck leaves off his laurels and give them to you, hide in obvious places in such a way it had to be on purpose. He always wanted to find you, and to be found. He would stand at every corner of the House of Hades, awaiting the toll of your bells. He liked your hair, and your eyes, and your smile. You don't understand how every strand of his being can radiate warmth.
You are being pulled, always. By him, and by what you must do. Cries and dying breaths, and blood of thousands of men, praying for someone to take them to a good place. Praying for one second more. And then, two seconds, for one hour. You never really understood, life can only last so much. They have to let it go, traverse the waters, so other people can see the sun, the night.
They won't stop existing. Because after the crossing of the river there are other places they can go to. Places where higher forces tell them they belong to. Just like you. Everything born in this house is tied to it. To its walls and ceilings. No one ever goes so far. No one ever leaves forever.
Except her, of course. But it's not for you to presume, whether she left because she belonged too much, or if she didn't. Neither or both, it doesn't really matter right now.
You grow up, and so does he. He is always fluttering around, the House bends at his feet. He stares bored at his papers. Spars and he looks like he is soaring with a sword in his hand. He loves. So much. So much it hurts you. It's written across his face, lettering all around his body.
You however, choke with your own thoughts, too many to ever stop and contemplate, because when you think about him there is always a glowing tangle of things you want to say, but you can never. He looks, like he knows what you want to say, but you feel like you're pushing yourself from him, when you swallow the sentences to the pit of your stomach.
They will always come back though. Acidic and a bad aftertaste of loneliness and regret, you mull their bitter ends and chew them as you wander the upper land, far away so he cannot read you. Because he is an all consuming presence, and even far away, he is around you. The bending flowers at the river. When the clouds embrace the sun, you couldn't help but think of holding him like that, too. Covering him for a moment, draping him with your figure, a breath near his own.
But that's too much. Too much. You can't, you are not there, and the war unfolding just makes you longer for him more. For the House and your mother, and the cold, gold pillars.
And then he leaves. He fucking leaves. You have to pull Hypnos's teeth and stare at your mother until she raises a brow, still shielding him. How can he go? Why would he leave? He was born here, he was here all the time. Your world, the world you love is down here, why would he discard it so easily as well?
The House is in shambles, and the steps close to the river are never fully clean. Blurred footprints that leave a messy trail.
You find him. Because how could you not? Why would you not? You have to shake him awake, remind him that his life is down here, very deeply burrowed in this realm. That upstairs and above there's nothing for them, nothing for you or him. That a search for the silhouette of a mother gone is absurd. That dying and waking, and dying and waking will drive him inside. Making you insane as well. The river Lethe is a few steps ahead, and you feel like drinking all of it so you can forget how it feels having him cut his way out of your chest. Out of your heart.
You just don't get it. Maybe you never did. Maybe you should've told him all those things that you left up there, maybe that's why he is leaving. Or maybe, he was never supposed to be known by you. Maybe he was being lended to you, and now the world wants him back.
Or maybe he just doesn't get it. Swan diving directly to the pits of seething heat, and cooling swords. To the gritty of the plagues, just to be stopped by a spear. A spear all of you know.
And he finds her. And you still don't get it. You say things that freeze his face; and he retorts back with a crackle of a flame. You used to blend so well together. Now you can't even remember how to talk to him.
It comes slowly, in long, suffering waves. He is not leaving. Just searching. Maybe because you never had to, you never understood. Maybe it's not that people are made for places; but they carve their own shapes into them. Maybe he just had to figure out the knife or his shape. But he's not leaving, he would never leave you, he says.
He would always come back and hold his breath for the toll of your bells, so you can both learn how you can blend once again, how it would feel to hold Zagreus with no choked words. Or no scathing heart breaks, left uncompleted all across the Underworld, for no one to find them, or run into them.
You never really liked the sun. But if it means that Zagreus brings back its light everytime it returns, as if he stole it or took a piece of it, to bring alight everything else; then, you wouldn't mind its warmth for a while. Life and Death, one and the same.
Thanatos and Zagreus, forevermore.
I’m back! (to painting everything in a single layer)
How to plan a long-term creative project for serial publication:
1. Make a firm decision about how big a single update is going to be, and estimate your sustainable update frequency based on that. This estimate should be based solely on your own demonstrated performance; you may anticipate that future productivity will exceed past productivity, but never make long-range plans on the assumption that future productivity will exceed past productivity. That is called the Planning Fallacy, and it will eat you alive.
2. Estimate how often you’re likely to miss updates. As a rough guideline, if you’re physically and mentally healthy and have no major commitments that would interfere with your ability to work on the project, figure that you’ll miss about 10% of your updates for various reasons. If you have health issues or frequent Real Life commitments, make it 20%. If 20% sounds low to you, you weren’t being honest with yourself about your sustainable update frequency; return to step 1 and re-assess.
3. Figure that you’ve got about two years before you lose interest in the project, gain some new commitment that will preclude continuing to work on it, or your art style evolves enough to make creative continuity impractical. If there’s some upcoming major life change that you’re able to anticipate – like, say, graduating from school – use either two years or that event as your soft deadline, whichever is less.
4. Use the figures from steps 1-3 to estimate how many updates you’re likely to be able to squeeze into this project, and write your outline/script based on that. You don’t need to wrap up every tiny little loose thread by that point, but ideally it needs to reach a point where you could stop and be satisfied with whatever conclusion has been reached. If you get there and you’re still enthusiastic about continuing, fantastic – return to step 1 and re-assess.
So, as a simple example: if you’re planning a webcomic, you figure you can reasonably manage about 1 page a week, and you’ve got a lot going on that’s likely to get in your way, that’s (2 years * 52 weeks/year * 1 update/week * 80% success rate on updates) = around 83 pages to work with, or about the length of a four-issue miniseries. What kind of story can you tell in 80-odd pages?
(Hint: it’s not a story that involves fifty-page combat scenes!)
This is great advice.
When I was making Lunar Maladies (my 464 page webcomic–I will never make a comic that long ever again, it truly could have been a tight 250 if I’d know anything about editing at the time… but what can I say I started it when I was 19) I knew I could reliably take 3 pages from thumbnails to final art every week. So I only updated the comic with 1 page a week. I had over a year of buffer at one point. Because I had built in that security for myself. I know I’m a fallible human & I try to set up my workflow in such a way that I don’t feel bad/guilty/beat myself up about being a normal person with normal obligations that sometimes eclipse drawing comics.
Anyways, working within your limitations is great & allows you to create for longer without having a disastrous level of burnout.
Ker (keres, plural) goddess of violent death
it has come to my attention that when there is Thanatos, the god of gentle death, then there must be another personification of death but of the violent kind and i just found out that they're called the Keres. very shallow research later and i wanted Ker personified in hades game style fashion
took some liberties on how they've become a horde of battlefield body scavenging daughters of Nyx and Erebus, Night and Darkness, and made them all start from a single goddess (Ker) but violent deaths suddenly came at a surplus and so more help was needed hence the death-spirits known as Keres. These death-spirits are likened to the very first iteration of Ker so they're more savage with a single-minded focus and purpose. They did not inherit her capacity of speech nor for scavenging of little trinkets in battlefields.
oh how much i miss ker in hades. thank you op this is genius
Nerevar Portrait
matching Voryn portrait is here
Do not use or reupload without my permission, please.
Voryn Dagoth
matching Nerevar portrait is here
Do not use or reupload without my permission, please.