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Lint Roller? I Barely Know Her
2025 on Tumblr: Trends That Defined the Year

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@my-unintended-consequences
Thank you for seeing museums in me where I saw empty hallways.
inkskinned.tumblr.com (via kvtes)
Rick Bragg, All Over but the Shoutin’
A morphine vial complete with syringe from the Victorian era.
The boxer is resting in the Getty Museum’s galleries through November 1.
He’s older, he’s muscular, he’s exhausted. This less than idealized figure is typical of the Hellenistic style of sculpture that celebrated the portrait as a way to portray emotion.
So what do you think, did he win or lose?
Seated Boxer, “The Terme Boxer,” 300–200 B.C., bronze and copper. Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome. Su concessione del Ministero dei beni e delle attività culturali e del turismo—Soprintendenza Speciale per il Colosseo, il Museo Nazionale Romano e l’area archeologica di Roma. Photo © Vanni Archive / Art Resource, NY
Reclining Buddha at Gal Vihara, Polonnaruwa, Sri Lanka.
Polonnaruwa was the second capital of Sri Lanka following the destruction of Anuradhapura in 993. Within Polonnaruwa is one of the largest sculptures in Southeast Asia: the reclining Buddha, which measures 14 metres long.
It is thought by some to be the finest achievement of Sinhalese monumental sculpture. K M de Silva in A History of Sri Lanka writes the following on the sculpture: "The consummate skill with which the peace of the enlightenment has been depicted, in an extraordinarily successful blend of serenity and strength, has seldom been equalled by any other Buddha image in Sri Lanka.“
Photo taken by Jerzy Strzelecki.
A Mixtec funerary mask from Grave No. 7, Monte Alban, Mexico.
Courtesy of & currently located at the Regional Museum of Oaxaca, Mexico. Photos taken by Anagoria via the Wiki Commons.
Emperor Hadrian’s young lover: Antinous.
Who exactly was this guy, how did he mysteriously die, and why do we find hundreds of portraits of him throughout the Roman Empire?
We don’t actually know a lot about Antinous as a person himself. We do know that he was a Greek from western Asia Minor, but it remains unclear as to whether he was even a slave, or free. Roman emperor Hadrian probably meet Antinous when he toured the region in 123 AD -if this is the case, then their relationship probably lasted for several years.
With a lack of historical information to record, I now move to the death of Antinous. His death essentially remains a mystery to us, and has become shrouded in imaginative myth, but we do have a few historical leads. During the year 130, Hadrian and his entourage spent a considerable about of time in Egypt, and at one point, traveled up the Nile to Hermpolis. The Egyptians celebrated the traditional festival of the Nile on the 22nd of October, and then, a few days later, they commemorated the death (by drowning in the river), and subsequent rebirth of the Egyptian god Osiris. This is possibly the day that Antinous died.
It is mostly agreed upon that Antinous drowned. However, the nature of this drowning remains ambiguous. Roman historian Cassius Dio (155-235 AD) reports the following on the matter:
“[Antinous] had been a favourite of the emperor and had died in Egypt, either by falling into the Nile, as Hadrian writes, or, as the truth is, by being offered in sacrifice. For Hadrian, as I have stated, was always very curious and employed divinations and incantations of all kinds.” (Book LXIX, translation via uchicago)
Dio here curiously suggests that Hadrian, under some strange superstitious belief, either forced, or persuaded, Antinous to cut his life short, in order to prolong his own. We will probably never know exactly what happened to Antinous, except for the fact that it left Hadrian in all-consuming grief.
After his death, Hadrian deified Antinous, elevating him to a god, constructed multiple temples and shrines to him, and founded the centre of the new cult, the city of Antinouspolis, next to the Nile, near where he had died. Throughout the Empire at this time, we see huge numbers of portraits of Antinous, and at least 10 marble images of him have been found at Hadrian’s Villa in Tivoli. Often in these images Antinous will be given attributes of one of the Olympian deities, in the example at the top of this post, for example, he is shown in a syncretic Dionysus-Osiris pose. This colossal statue is titled the Braschi Antinous, and is thought to be from the villa of Hadrian at Praeneste. This sculpture dates to the years immediately after the death of Antinous. On his head we can see a crown of ivy berries and leaves. Although the diadem on top of his head has been restored to (what appears to be) a pine cone of sorts, it would originally have displayed either a lotus flower or a cobra (uraeus).
Shown sculpture courtesy of & can be viewed at the Vatican Museums: Museo Pio-Clementino, inv. 256. Photos taken by Jastrow via the Wiki Commons. When writing up this post, James Morwood’s publication Hadrian (Bloomsbury 2013) was of use.
Driftwood Art by Jeffro Uitto
Jeffro Uitto creates unique art from driftwood. His creations include large scale sculptures and furniture pieces as well. His workshop is in Tokeland, Washington.
See what unique art has drifted onto our Facebook Page. Posted by Lisa.
I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.
Helena Bonham Carter (via theflowerfox)
“My art is not abstract, it lives and breathes” ~ Mark Rothko
Olivier de Sagazan