when your favorite band actually wants you to join but you pretend you didn't hear that because you're too stoned to move much less play your guitar.
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@mychemicalore
when your favorite band actually wants you to join but you pretend you didn't hear that because you're too stoned to move much less play your guitar.
Here’s some pics of the clerk and the clipboard from the video on instagram
Last bit of gerard I’m posting. I’m proud of him and I hope to see him again.
(house of blues, san diego 10/24/15)
in case anyone wants some HD pictures of the dagger, the swordmaker himself identified it in a reddit comment here
stage pics from Joanna and Nancy respectively
“[Ray] would stay up til like 6 am, just working on this arrangement, over and over, and he wrote this whole string arrangement.” - Gerard Way, about #singitforjapan
New old photos by Jake Reinhart shared by bulletsmcrdaily:
The NJ Practice space shots were all made in November 2002. My band had just signed to Eyeball records that month. We drove from Pittsburgh out to Kearny NJ to hangout with Alex Saavedra and Mark Debiak and whoever else from the Eyeball family was in town.
We had just played with MCR a few weeks earlier. The show was at this DIY spot called “Planet of the Apes”. It was a three car garage behind a Chinese restaurant. It was MCR’s first show in Pittsburgh. Technically Planet of the Apes was located in Natrona Heights which is a suburb of Pittsburgh, on the edge of Allegheny County. MCR drove out in a car and only had room for the band and their guitars. So, they had to borrow all of the rest of the equipment. Since we were on Eyeball records, we lent them our amps, and drums. Mikey Way used my entire bass rig for that show (bass + amp + pedals).
On the way to the Eyeball house in November 2002, my band’s van started having transmission problems. That meant once we got to the eyeball house we couldn’t really drive any where. Gerard came over to spend the afternoon, he invited me and the guitarists (I played bass) in my band to come hangout at the MCR practice space. Frankie pulled up and we piled into his car. I remember we were blasting Black Flag while Gerard and Frankie chain smoked cigarettes on the way to their space.
When we rolled up Otter, Ray and Mikey were already there. Their practice space was a typical punk practice space in an old industrial building. I posted up along the wall and made a few shots with a Kodak fun saver camera l had been carrying around. In the room you can see what look like windows. Those are the props from “Vampires Will Never Hurt You” video. That video was shot in their practice space.
can we lose our mind about the heavy room in the paramour a little more frequently. as a collective.
My Chemical Romance definitely bled to make The Black Parade. They set aside one room in The Paramour Mansion and it became dubbed The Heavy Room. Inside it, they tore each other to shreds. They made a rule that they would be absolutely honest with each other in there, sometimes brutally so. They would have no-holds-barred conversations about the record, their playing, their personal lives and their relationships with each other. It was an utterly draining form of bloodletting but they felt this honesty was vital. "Mentally, we were beating each other up," said Ray. "We were getting to the root of some really deep problems. We would spend hours and hours in that room, having long conversations while the little demons we all carried inside of us came out. As close as we all are, we all have things within us that we hold to ourselves. No matter how much time we spend with each other, we all have our little demons inside the closet. Sometimes you have to let those things go. That's just one of the things that was going on in The Heavy Room." "There were times when it got so hard making this record," said Gerard. "It was nothing personal between band members but we felt like we were all going through something hard and that became daunting, so we'd say to each other, 'Well, we're going to have to have another talk in The Heavy Room.' It was a room that drained our souls out. It drained everything out of you. It took all your energy because we just talked and talked in there. We talked about everything." Rob Cavallo — who Gerard would come to describe as "our therapist, big brother, dad and uncle all rolled into one" — and the band's lawyer and friend Stacy Fass were the only people outside of the band who were allowed in. Cavallo would oversee their conversations, half a concerned onlooker, half understanding the necessity of the procedure. He thinks that the band's blunt honesty in The Heavy Room helped them avoid making compromises because they were more concerned about the work than protecting egos. "All of them together are the nicest bunch of guys," he says, "but sometimes being nice isn't necessarily the thing that helps you. Sometimes you need to dare to be really honest and to confront those feelings so that everyone knows and momentum isn't lost. So we would go into the Heavy Room to do that. "Whether it was Gerard breaking up with his girlfriend, or guys having certain feelings about what other guys were playing, or the direction of the record, we would go into The Heavy Room and talk it out. It was a safe place for people to say the truth without wanting to kill each other." While some of the truths were hard to hear, the airing of them served to focus minds. The conversations in the room were not pleasant, nor were they easy. But there was something about the absolute honesty there that brought them closer.
Chapter 11: Welcome to the Black Parade, from Not the Life It Seems: The True Lives of My Chemical Romance by Tom Bryant, 2014
danger days stained glass.. my beautiful daughter who i birthed. so magical in the sunshine.
and also some progress if anyone missed it ^-^
MCR ERAS: the attic demos/like phantoms forever x | x
New old MCR at the Ways Grandparents' dinner table from 2003, original polaroid from Justin Borucki, my scan.
merch from mychemicalromance.com 2011
just doin the fuckin most all the time
The Black Parade
MCR live @ Hellfest 2003
pov: it's 2009 and ur watching music videos on the family computer
Hello????