okay let's actually do this properly
Where do you write your fics/stories
Word
Google Docs
Scrivener
LibreOffice
Obsidian/Notion
ProtonDocs
Notes App
Directly into AO3
Ellipsus
Handwriting
Other (explain in tags?)

izzy's playlists!
I'd rather be in outer space đž
art blog(derogatory)

#extradirty
No title available

pixel skylines
NASA

Discoholic đȘ©
KIROKAZE
Keni
One Nice Bug Per Day
EXPECTATIONS
Fai_Ryy

bliss lane
Monterey Bay Aquarium
The Bowery Presents
Cosmic Funnies
RMH

shark vs the universe
"I'm Dorothy Gale from Kansas"

seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from Russia
seen from United States
seen from United States
seen from United States

seen from T1

seen from Singapore

seen from Croatia
seen from United States
seen from Spain

seen from United States
seen from Indonesia

seen from Malaysia

seen from United States
seen from Malaysia
seen from Algeria
seen from United States
@mythrilpencil
okay let's actually do this properly
Where do you write your fics/stories
Word
Google Docs
Scrivener
LibreOffice
Obsidian/Notion
ProtonDocs
Notes App
Directly into AO3
Ellipsus
Handwriting
Other (explain in tags?)
i hate it when people mistake "etymology" with "entomology." like, i know where they coming from but it still bugs me
What vocal range does your OC fall under?
Jay: mid-upper end of baritone, probably; too low to fully be tenor but can reach part of the tenor range if he tries
Aeza: alto (Sheâs got a very similar voice to me, an alto irl)
Coda: her speaking default is an auto-tuned childâs soprano, but she can sing in an EXTREMELY wide range due to being, on some level, a voice synthesizing programâshe can harmonize with the âfrequenciesâ of peopleâs souls, which results in her singing various gentle chords in ânormalâ ranges when using her healing songs and singing horridly clashing chords that can reach a bass/sub-harmonic range when using her harming ones. No one ever expects her to be able to generate sounds like that, but she can
Jet: has lost his voice over time, but he used to have a scratchy almost bass voice
Phaze: deeper alto than Aeza, almost into contralto range, and increasingly auto-tuned-sounding over time
Did a dramatic eye study thing with the Saffron crew
Tag the OC whom you regret creating.
First snippet of writing for a new WIP about my Neon Odyssey OCs, the Saffron crew!
Word count: 821
CW: guilt
Fandom: Neon Odyssey (D&D)
Hacked
âââ
Aezaâs blood ran cold as the decrypted message typed itself across the consoleâs hologram screen.Â
[The program. I know you have it. Bring it to the attached coordinates.
Or will you have yet anotherâs blood on your hands?
PHAZE]
Aeza could only stare at the tagline.
âWhoâŠâ Jay fussed with the console screen, urgently tabbing back and forth through menus as he echoed, ââThe program.â They know about Coda. Whoâhow did they find out?â
<Tracker bug?> Jet suggested with a twitch of his antenna.Â
Codaâs pale blue hardlight dimmed and gained a tint of a fearful, Somber lavender hue as she looked back and forth between Jay, Jet, and the console. âI can run a scan on the Saffronâs systemsââ
âNo!â Jay shoved a hand between Coda and the console. âKid, if thereâs a tracker bug, if you connect with the system you might get detected. We canât risk that.â
âBut if they already know about meââ
Jet gently pulled Coda away from the console and stepped around her, propping himself up on his tiptoes to reach buttons on the console. <I got it.>
Aezaâs breath quickened the longer she stared at the message on the screen, now surrounded by other windows as Jay and Jet pulled up status report upon status report of the Saffronâs computer network.
Phaze.
Her breath escaped her with a muttered, âNoâŠâ
She knew that name.
She knew that name.Â
Jay started to turn around and ask, âAez, why would the message have come toââ
But Aeza barely heard his voice as she pivoted and ran.Â
She all but flew down the stairs from the bridge, dashing through the lobby. Her hand caught the handrail to the main stairs, and her momentum spun her into the stairway.Â
A chorus of footsteps behind her rang dully on Aezaâs ears beneath the racing of her own heart and breath. At the base of the stairs she flung herself forward, dashing down the corridor to her quarters.
The automatic doors couldnât slide open fast enough. She shoved herself through them before they even parted fully.Â
There had to be something here.Â
Something had been bugged. Aeza threw her covers aside, her drawers open, and all but her most fragile belongings out across the floor. Her more fragile belongings she lifted and inspected more gently but no less frantically before setting them aside as well.
I must have missed something. What could she have bugged?
She threw herself at another set of drawers, holding nothing but a handful of spare pairs of socks and an old photograph she usually kept hidden.
Normally she pulled it out for comfort and nostalgia. Now she frantically turned it over and over. Searched it for anything amiss, anything she must have overlooked that could possibly be a tracker.
Nothing.Â
I need to look again.
The doors to her quarters slid open again as she dashed to her closet for another round of searching.Â
âAez! Whatâre you doing!?â Jay demanded, his pale eyes darting around the rapidly increasing mess of Aezaâs room before fixing on her.Â
Aeza ignored him, instead darting again to the desk.
But his firm hands stopped her, grabbing her on the shoulders and spinning her to face him. âAeza! Whatâs going on? Whatâs gotten into you?!â
âIââ Aeza pulled herself out of his grip and turned. Every nerve she had pled at her to search her room again, but she froze when she finally registered the mess. Everything she owned now lay across the cold floor, seeming to join with the industrial walls in mocking her failure. She could only run her hands through her hair and mutter, âItâs all my fault.â
âWhat?â
âItâs all my fault,â she repeated, voice soft even to her own ears. âIâshe found me. She must have. She found Coda because of me.â
Jay frowned and spun Aeza around with a firm but gentle hand to her shoulder again. âWhat are you talking about? âSheâ who?â
âPhaze!â Aeza insisted, meeting his eyes before glancing down and finally noticing Jet and Coda standing in the doorway behind him. Guilt shot a dart of frost through her heart as she met Codaâs eyes, still tinted lavender instead of innocent blue. She had to pry her eyes away, else she feel Coda scanning her soul and finding her guilt as she forced out, âIâŠI know who Phaze is. OrâŠI used to. I used to know her. But IâŠI thought she was dead. But now sheâsheâs found Coda. Because of me.â Her voice weakened as she groaned again, âItâs all my fault. Again.â
âAez, listen to me,â Jay said, stepping forward to put himself in her field of vision again while Jet waddled into the room and looked around. âI donât know what youâre on about, but weâll figure this out, ok? Doesnât matter whose fault it is; weâre not gonna let her get Coda.â
âââ
For this weekâs prompt courtesy of @flashfictionfridayofficial!
Tagging:Â @jacqueswriteblrlibrary
Fantasy setting where dragons love breathing fire in sandy areas to make glass sculptures and crystal architecture.
Dragons illuminating their dark lairs with reflective glass. Sunlit caves, moonlit tunnels, and gentle fire breath guiding sleepy dragons to bed.
Underused Ways to Show Two Characters Have History
Everyone writes: âWeâve known each other for years!"
But we can do better than thatâlet's make things actually interesting.
Here are some quick tips for writing two characters with history (without saying, "we've known each for years"):
âą They reach for the same object at the same time without looking
âą One of them uses a nickname no one else is allowed to use
âą They start arguing mid-conversation like the first half already happened
âą They move closer when the other looks uncomfortable
âą One of them says, âDonât start,â before the other has said anything
âą They know exactly which buttons to press (and press them immediately)
âą They unconsciously drift toward each other in crowded spaces
âą They anticipate each otherâs reactions before they happen
âą One quietly moves something (a drink, weapon, chair) because they know the other will reach for it
âą Someone might say something, and the other immediately responds with: âYouâre still doing that?â
âą They suppress laughter at the same time over something no one else noticed
âą One character still treats the other based on who they used to be
âą A certain place, smell, or song causes them to exchange a look
âą Their arguments sound rehearsed, like theyâve had them before
âą They touch each other casually without asking (fixing clothing, nudging, taking something from their hand)
âą They stand closer than strangers normally would
âą They borrow items from each other
âą They bring up something embarrassing from ten years ago
âą They sit in silence together and itâs either very comfortable or extremely tense
âą One of them automatically orders the otherâs drink
âą They interrupt each other and still somehow finish the same sentence
âą One starts a story and the other finishes it automatically
âą They argue about the details of shared memories
âą They mention people or events without explaining them
âą A simple phrase or nickname triggers an entire inside joke
âą They notice tiny things about each other no one else would catch
Real history sounds like unfinished conversations, old habits, and arguments that never really ended. When you show shared history (instead of telling) your characters seem that much more alive and believable.
On a similar note: Not all shared history is comfortable. Sometimes shared history means unresolved tension or an old rivalry:
âą They refer to something only as âthatâ or âbefore.â
âą Someone says âYou know why.â without explaining further
âą Standing slightly farther apart than expected
âą Fingers drumming or fidgeting when theyâre forced to talk
âą Avoiding eye contact for just a second too long.
âą A small disagreement suddenly becomes heated.
âą One character reacts sharply to something that shouldnât matter anymore.
âą A casual comment triggers silence or defensiveness.
âą One character starts explaining themselves but trails off
âą One character makes small, cutting remarks disguised as jokes
âą They still know each otherâs preferences or weaknesses
âą They speak in fragments when the past comes up
âą They fall into familiar conversations and then awkwardly break them
If you enjoy digging into character dynamics like this, my printable novel planner has detailed sections for relationships, character arcs, and story structure. Itâs perfect for organizing a fanfic or mapping out an entire novel!
‷ my printable novel planner
How does your OC handle their emotions? Do they express them freely, or bottle them up?
Aeza: does her best to control her âvolatileâ emotions, favoring her more gentle ones, but this definitely veers into bottling up and suppressing the negative ones; she particularly struggles with expressing anger, feeling on some level that she âshouldnâtâ ever let herself be angry or else risk going âout of controlâ, which often results in it turning inwards
Jay: definitely outwardly seems to be the type to express his emotions freely, being as boisterous as he is, but like Aeza he doesnât feel like he âshouldâ express some of themâmostly his self-doubt and melancholy, which he tries very hard to hide behind a brave face
Jet: is generally very even-keeled, but doesnât actually have as much of an issue expressing a full range of his emotions; when irritated he snarks, when actually angeredâwhich actually doesnât happen easilyâhe goes passive aggressive; if he really needs an outlet he tinkers with specific inventions; it does take a fair amount to bypass his general cynicism to actually surprise him and/or make him feel joy, but when he is touched he does express it, albeit subtlyâheâs got a majorly flat resting face
Coda: is still, on some level, learning what it feels like to actually have emotions
Phaze: considers any and all emotions disruptive interferences, but deep down runs on an undercurrent of boiling anger basically constantly nowadays, which explodes when things donât go her way
The skies I would have shared with you.
Dramatic confrontation between Aeza and Keia, rivals turned nemeses
Decided to give Aeza a full crew! From left to right:
Nitro, Benthos Boomdoctor Machinist (name subject to change). Crew engineer, mute ball of sass, old friends with Jay
Jayesh âJayâ, Zamani Eternal Juggernaut. Captain of the crew, very boisterous but surprisingly tactical
Aeza Sundream, Solari Godhand Disciple/Stargazer Oracle. Originally hired by Jay to run point on a bounty, ends up becoming something of a second-in-command and team mom
Coda, Isotron Souljammer Icon. Created as a program to somewhat hack the Harmony, gained sentience, and ends up being rescued/adopted by the crew
Individual portraits below the cut:
Update: officially settled on Jet for the Benthos, not Nitro. Normally I try to avoid giving characters names that start with the same letter, but nothing else fit him vibe-wise.
Of course, Jet is just his nickname. His real given name is probably along the lines of Erebus, but no one calls him that and probably only Jay knows it, if anyone knows it at all.
A pulsed message from the equatorial belt
Random Character Traits!!! Part 8
⥠Knows exactly what their damage is and has named it and introduced it to people
⥠Can narrate their own spiral in real time with impressive clinical accuracy
⥠Says 'this is a me problem' and then continues having the me problem at full volume
⥠Has identified their patterns, knows when they're in one, and watches it happen anyway
⥠Describes their own chaotic behavior with the tone of a nature documentary about someone else
⥠Says 'I know this is irrational' and then presents the irrational thing with full documentation
⥠Has done enough self-reflection to know they are going to do the exact thing they just analyzed
⥠Announces their own red flags upfront as a courtesy and an efficiency measure
⥠Has therapized themselves into understanding the behavior without being able to stop the behavior
⥠Provides running commentary on their own decision-making in a way that is both useful and unhelpful
⥠Knows which of their habits are coping mechanisms and uses them anyway with full awareness
⥠Can explain exactly why they do the thing they do and cannot stop doing the thing they do
⥠Says 'future me is going to hate this' and does it with eyes open and no hesitation
⥠Has made peace with their most chaotic trait by giving it a name and some light boundaries
⥠Diagnoses their own communication style mid-sentence and continues in the same style
⥠Knows when they are projecting, names the projection, and finishes projecting
⥠Has awareness of their avoidance patterns precise enough to predict their own behavior in advance
⥠Catches themselves catastrophizing, acknowledges it out loud, and catastrophizes more efficiently
⥠Can trace any of their current issues back to a specific formative moment and does so freely
⥠Says 'I have a type and this is it' while looking at the very type they said they were done with
⥠Knows the difference between their actual feelings and their performed feelings and shares both
⥠Has insight into their own behavior that would be impressive if it translated into change
⥠Is aware they overthink, thinks about how much they overthink, catches it, continues
⥠Can explain their attachment style, recognize it in action, and proceed at full speed anyway
⥠Knows their response to stress, predicts it accurately, and produces it on schedule
⥠Says 'I'm going to regret this' and does the thing with full and informed consent
⥠Has so much self-knowledge that it functions as entertainment for the people around them
⥠Understands their own contradictions well enough to explain them and not well enough to resolve them
Eye of the cosmos
Print available here
The antagonist for Aeza and her crew: Keia âPhazeâ Kilatoa, Volcar-turning-Terminox Virus Gridrunner/Cacophonous Cryptist