is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
"I'm Dorothy Gale from Kansas"
DEAR READER
Claire Keane

Kiana Khansmith
dirt enthusiast
he wasn't even looking at me and he found me
tumblr dot com
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Alisa U Zemlji Chuda
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!
h
noise dept.

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occasionally subtle
Show & Tell
sheepfilms
Mike Driver
almost home

seen from Germany

seen from Canada

seen from Saudi Arabia

seen from Canada
seen from United Kingdom
seen from France

seen from Germany
seen from Maldives
seen from Ecuador

seen from France

seen from Singapore

seen from Türkiye
seen from Singapore

seen from Singapore

seen from Singapore
seen from Malaysia
seen from Canada

seen from Germany
seen from United States

seen from United Kingdom
@narnia-memes
is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
god in hell, before chatgpt people used to have some class. when we needed info we’d ask narnia blogs
the thing is—well. there are too many things, susan thinks. far too many, in fact.
there is their mother's watery eyes, her nervous wringing of hands until her knuckles are rubbed raw; all because lucy had looked at their newly returned father and asked him his name with a bright smile.
there is their father's tight smile, the way his jaw shifts over and over again while he darts his eyes around for anything that might remind him of how things used to be; all because edmund walked right past him to hug peter first.
there is the persistent itch on her fingertips, a distant pain that keeps sending needles through her skin; like her memory clings onto phantom callouses that she will never gain in this grey prison.
there is lucy's tangled hair and her mother's scissors resting on the living room cabinet, neither in sight as she kneels on the floor and picks up the pieces of porcelain that broke between lucy's temper and her mother's desperation.
there is the drawer of knives that edmund make sure to lock every night while peter's back is turned to pour their parents tea, and the tightening of their mother's grip on the table cloth when she catches him.
there are the dreams; the nightmares full of blood, of a valley full of bodies, of crumbling stone and her siblings sobbing; all followed by the knowing yet confused look in their father's eyes whenever one of them screams themselves awake.
there is their mother, twisting susan's hair into curls that susan's hands forgot how to form while susan hides her tears from the woman who looks too much like susan's reflection ought to; the way susan's nails dig into her palm every time their mother marvels at the young woman she is turning into as though susan has not done this all before and is itching to tear her own skin apart to reveal the adult beneath.
there is lucy and edmund, heads shoved together and lips pressed into thin lines while they recover from their father's new haircut; there is the way that she sees peter like he ought to be out of the corner of her eye and brief elation quickly turns sour in her throat when their father stands in the door instead. there is their father's poorly hidden hurt every time they look at him and apologise halfway through a sentence meant for their brother.
there is the fact that susan can no longer bear the taste of certain fruits, all stale compared to what she wishes she could place in lucy's open palm; the fact that everything feels like ash on her tongue and she has to leave family meals once a day to scrape it all off her tongue. the fact that the only tea she still can bear is the one served from her brother's shaking hands and with her sister's soft humming mixed into the sugar.
there is the way susan can never get warm, no matter how long she curls up in the wandering path of england's wrong sun; the way lucy gets restless the longer she remains locked away from her sea, or how edmund refuses to stop climbing the trees and falling asleep in them. there is the way peter shrinks in on himself, carrying a sky not made for his frame.
there are just so many things. susan hopes her mother doesn't find the lists she keeps of it all; of the slip-ups, of the coping mechanisms, of the belts full of teeth marks and the shattered mirrors, of the nighttime pleas—susan keeps it all.
it's the only thing there is left to do.
is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
happy pride month to this post specifically
Speaking of gay Narnia ships, okay what are your thoughts on Coldblood (Jadis the White Witch x Lady of the Green Kirtle)? I guess I'm not surprised that I've only seen one or two other people shipping this, since they never interact on the page or even appear in the same book, but my personal headcanon to fill in the blanks of the Green Lady's backstory is that she's Jadis's avenging widow.
okay no keep talking. you have my attention. evil yuri....save me evil yuri....
THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE 2005 | dir. Andrew Adamson
C. S. Lewis is long gone & his implied Islamophobic and racist views were of his time, but Narnia has always been about defending the oppressed, truth & freedom.
So here's Aslan (who lived 33 years as a Palestinian man) & Queen Aravis (a woc who wanted freedom) in a vinery of watermelons🍉🇵🇸
never has there been a series with more underutilized background lore than the Chronicles of Narnia. book one establishes that there exists a world-between-the-worlds, an infinite glade that can be accessed only via ancient Atlantean magic, fractaling in all directions with infinite crystal-clear pools of water representing the various dimensions of the multiverse—dimensions which contain realms of gods and technology, and magic of various types, and different magical systems for each dimension, and dead worlds, and worlds that have not yet sprung to life, and a million other wonders. book two has a talking beaver
the implication here seems to be that Meowth from Pokémon is going to Christian Hell
Dear Diary,
Today I cried for Susan Pevensie’s loss today.
you have invited strangers into your home, helen pevensie, mother of four.
without the blurred sight of joy and relief, it has become impossible to ignore. all the love inside you cannot keep you from seeing the truth. your children are strangers to you. the country has seen them grow taller, your youngest daughter’s hair much longer than you would have it all years past. their hands have more strength in them, their voices ring with an odd lilt and their eyes—it has become hard to look at them straight on, hasn’t it? your children have changed, helen, and as much as you knew they would grow a little in the time away from you, your children have become strangers.
your youngest sings songs you do not know in a language that makes your chest twist in odd ways. you watch her dance in floating steps, bare feet barely touching the dewy grass. when you try and make her wear her sister’s old shoes—growing out of her own faster than you think she ought to—, she looks at you as though you are the child instead of her. her fingers brush leaves with tenderness, and you swear your daughter’s gentle hum makes the drooping plant stand taller than before. you follow her eager leaps to her siblings, her enthusiasm the only thing you still recognise from before the country. yet, she laughs strangely, no longer the giggling girl she used to be but free in a way you have never seen. her smile can drop so fast now, her now-old eyes can turn distant and glassy, and her tears, now rarer, are always silent. it scares you to wonder what robbed her of the heaving sobs a child ought to make use of in the face of upset.
your other daughter—older than your youngest yet still at an age that she cannot be anything but a child—smiles with all the knowledge in the world sitting in the corner of her mouth. her voice is even, without all traces of the desperate importance her peers carry still, that she used to fill her siblings’ ears with at all hours of the day. she folds her hands in her lap with patience and soothes the ache of war in your mind before you even realise she has started speaking. you watch her curl her hair with careful, steady fingers and a straight back, her words a melody as she tells your eldest which move to make without so much a glance at the board off to her right. she reads still, and what a relief you find this sliver of normalcy, even if she’s started taking notes in a shorthand you couldn’t even think to decipher. even if you feel her slipping away, now more like one of the young, confident women in town than a child desperately wishing for a mother’s approval.
your younger son reads plenty as well these days, and it fills you with pride. he is quiet now, sitting still when you find him bent over a book in the armchair of his father. he looks at you with eyes too knowing for a petulant child on the cusp of puberty, and no longer beats his fists against the furniture when one of his siblings dares approach him. he has settled, you realise one evening when you walk into the living room and find him writing in a looping script you don’t recognise, so different from the scratched signature he carved into the doors of your pantry barely a year ago. he speaks sense to your youngest and eldest, respects their contributions without jest. you watch your two middle children pass a book back and forth, each a pen in hand and sheets of paper bridging the gap between them, his face opening up with a smile rather than a scowl. it freezes you mid-step to find such simple joy in him. remember when you sent them away, helen, and how long it had been since he allowed you to see a smile then?
your eldest doesn’t sleep anymore. none of your children care much for bedtimes these days, but at least sleep still finds them. it’s not restful, you know it from the startled yelps that fill the house each night, but they sleep. your eldest makes sure of it. you have not slept through a night since the war began, so it’s easy to discover the way he wanders the halls like a ghost, silent and persistent in a duty he carries with pride. each door is opened, your children soothed before you can even think to make your own way to their beds. his voice sounds deeper than it used to, deeper still than you think possible for a child his age and size. then again, you are never sure if the notches on his door frame are an accurate way to measure whatever it is that makes you feel like your eldest has grown beyond your reach. you watch him open doors, soothe your children, spend his nights in the kitchen, his hands wrapped around a cup of tea with a weariness not even the war should bring to him, not after all the effort you put into keeping him safe.
your children mostly talk to each other now, in a whispered privacy you cannot hope to be a part of. their arms no longer fit around your waist. your daughters are wilder—even your older one, as she carries herself like royalty, has grown teeth too sharp for polite society— and they no longer lean into your hands. your sons are broad-shouldered even before their shirts start being too small again, filling up space you never thought was up for taking. your eldest doesn’t sleep, your middle children take notes when politicians speak on the wireless and shake their heads as though they know better, and your youngest sings for hours in your garden.
who are your children now, helen pevensie, and who pried their childhood out of your shaking hands?
#the lion the witch and the wardrobe is a horror story (via @linkswings)
the lion the witch and the wardrobe + letterboxd reviews
Lucy: I discovered a new country.
Lucy: I was the first pebble in an avalanche of revolution.
Lucy: I stood my ground against my older siblings and insisted we stay and help my friends who my presence had endangered.
Lucy: I consistently and always believed in this land and stood for it and fought for it, even when people told me it was nonsense.
Lucy: I was ready to throw down and Santa could tell and gave me a dagger.
Lucy: But sure, make my big brother the high king purely based on the fact he fell out of my mother a few years earlier than me and had a dangly bit. It's FINE.
15 years apart
so happy that I found a Narnia community here. I thought that nobody cared about the books or the movies anymore
nah there are plenty of people who still love this stuff. I’m glad this made you happy!
The group name lmao
all the king’s horses / all the king’s men / couldn’t put me / together again