Woodblock prints of Hiroshi Yoshida
Noah Kahan
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Not today Justin
Keni

tannertan36
One Nice Bug Per Day
Claire Keane
Mike Driver

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macklin celebrini has autism

bliss lane
Jules of Nature
taylor price
he wasn't even looking at me and he found me
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todays bird
hello vonnie

#extradirty

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🩵 avery cochrane 🩵

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@nebulaofstories
Woodblock prints of Hiroshi Yoshida
writing isn’t hard. i just have to extract 80,000 words from my brain using sheer psychic force
I feel the changes A crack in the matrix Break through the lies like an axe through the screen You can't stop desire We are the fire
The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.
Irish Cobs
by Aliriza CAKIR
STAR TREK: DEEP SPACE NINE - S6E16 Change of Heart
Not to sound mushy, but stories about two lonely characters from vastly different worlds finding solace with each other always appeal to me
You know what makes it even better? If one of them is sort of evil.
or hear me out… both…
tragic when a thing gets hate for being 'woke trash' and you look into it and its not even that woke. like cmon man i was promised monacle popping gay commie propaganda. this is just a video game with a woman in it.
SENSE & SENSIBILITY | 2026
He Who Comes With the Dawn (S03E08) THE WHEEL OF TIME (2021—2025)
“She had a bracelet on one taper arm, which would fall down over her round wrist. Mr Thornton watched the re-placing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening - the fall. He could almost have exclaimed - 'There it goes, again!”
— Chapter X Wrought Iron and Gold
just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!
(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)
And that's before you get into American painted murals:
Embrace the decorative arts, folks!
THE MUSKETEERS (2014 - 2016) 104 - The Good Soldier Teach me how to shoot. Shoot? Sword-fighting as well. I've always liked the look of that.
We agreed we all change. Better or worse, we change together.
"Comet Donati", colour lithograph by Philippe Benoist, from Amédée Guillemin's Le Ciel (1877).