Denmark’s A Prison @nobodyindenmark - Tumblr Blog

Nobodyinthegraveyard -> Nobodyindenmark

Here's a source for the analysis, but it probably is not the source.

Workers’ share of US economic output has fallen to its lowest level since the government began keeping records in 1947, according to data th

Some points of interest:

Corporate profits are soaring. After taxes, they now take 12.3 percent of national output, far above their postwar average of 7.3 percent.

Adjusted for inflation, hourly wages have risen 3 percent since the end of 2019, Ip noted. Corporate profits over the same period have risen 50 percent.

The Economic Policy Institute calculates that since 1979 the productivity of American workers has grown 90 percent while the pay of the typical worker has grown 33 percent. Had wages tracked output, the average worker would earn $16.40 more an hour today.

The profits are concentrated among the largest corporations. Earnings at the 500 biggest US firms rose 28 percent in the first quarter from a year earlier, the fastest pace since 2021, and their profit margins reached 14.8 percent. The seven technology giants known as the “Magnificent 7”—Apple, Microsoft, Nvidia, Alphabet, Amazon, Meta and Tesla—grew their profits 63 percent.

In the United States, the richest 1 percent of households hold 31.7 percent of all wealth. The bottom half hold barely 2.5 percent.

olivegardenarchive

hermes in hadestown is the exact opposite of an unreliable narrator. a tortured narrator. a little *too* reliable. incredibly aware of exactly what is happening at any given moment, vaguely spoiling it for you in the beginning, despairing every second of it. but ultimately motivated to continue to tell the story over and over and over with a smiling face for the sake of the audience, and for the sake of the characters themselves, singing it again to keep them alive. knowing how it will end, but singing it again so that the cycle may restart and eurydice may come back to life. enduring the misery of it all, over and over, holding the knowledge of what will come to pass but continuing anyway to see orpheus happy just one more time before it all goes down in flames again.

carmahnart

Hey y’all I have an announcement! My web app that I’ve been working on, Afro Index, is now live! It’s a visual reference library of Black hairstyles, for artist, animators, writers, and anyone who wants to learn more about them!

Check it out at afroindex.org! 💛✨

A reference library for Black hairstyles with accurate naming, structured filtering, and curated reference images.

#ref

eyfrey

“who got you smiling like that” weed bro, I’m high as fuck

#sigh. yeah

the-storming-sea

Actually yknow what. WTNV should be considered revolutionary and significant gay media that played an important role in the growth of gay representation in media especially in podcasts. When people talk about important gay media in the early 2000s I want wtnv to be one of the ones people talk about. No if ands or buts about it.

the-storming-sea

Actually I cant shut up about this. In 2012, people did not even think about putting gay representation in popular media. Gay representation wasn’t considered profitable yet. Gay marriage would not be legalized for another three years. The Legend of Korra, a show that fought to the death to have their main lead hold hands with another woman, just released their first episode earlier that spring. Steven Universe, a show well known for its gay representation, including having the first gay proposal + marriage on a kids cartoon tv show, would begin a year later in 2013, but wouldn’t show their gay representation hand until 2015 with the episode Jail Break. The Adventure Zone, a podcast currently well known for it LGBTQ+ representation, wouldn’t begin until 2014, and didn’t show their hand until 2015. In my young queer experience, representation was covert, secretive, only implied or dead.

and then in the summer of 2012, wtnv introduced itself to the world, proclaimed its main character gay in the first episode, and played it gay (pun intended) for years. Being gay wasn’t a trope, or a goof, it was normal. Cecil Gershwin Palmer was just a canon, gay character who fell in love and stayed in love and was happy. and that was that.

if we talk about revolutionary queer media, we talk about Welcome to Nightvale. No exceptions.

hushpupper-deactivated20240118

I think it’s really important Cecil Baldwin credit for this. I’m not saying Fink and Cranor and later Dylan Marron have nothing to do with it, because of course they do. But Cecil being gay was not something the writers intended. Because initially, Carlos was not intended to be a love interest for Cecil. He was just meant to be a character that showed up occasionally to be a tongue-in-cheek goof on scientist characters in shows like Fringe or the X-Files. But Cecil Baldwin made the decision to make his character utterly in love with Carlos, because he was gay, and wanted his character to be as well.

For those who don’t know Cecil Baldwin is HIV+, and he’s openly discussed his struggle with it. This is a large part of why his playing a man who is openly gay and sexually active is also really important. The importance I think of having LGBT people playing LGBT people really shines through with both Cecil and Dylan’s characters. They can be authentic, they can be a source of hope and representation. Behind the scenes, Night Vale is just as diverse as the show itself. Cecil Baldwin’s pretty incredible and it’s worth it to read what he’s had to say on WTNV if you have the time.

screampotato

Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).

When you're talking about the design of the boat, you say "it".

When the boat is still being built, your say "it".

When the boat is nearing completion, you can say "it" or "she".

When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".

When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.

If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").

If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")

If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").

If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.

If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.

I hope this has cleared things up so that you may not be in danger of misgendering floating objects.

glitched-out-mess

theramblingvoid

Hit "view post" and lost it

echo-loves-flowerboy

hylialeia

listen it's not that I think epic the musical is a perfect adaption of the odyssey but it was an impressive passion project that knew what it wanted to be and knew what people gravitated to in the original work and it put significant effort into conveying this through its unique medium and tone to the point that hundreds of other people felt compelled to put effort into their own artistic interpretations of that version of the story. and that's really cool! and yes I would be more critical if it was a 100 million dollar project made by a professional because what the fuck do you mean you're a world-famous director and you cut the my name is nobody scene are you goddamn serious

narcissa-black-supermacy

i thought the “this is the face that launched a thousand ships, although now it would maybe be five-hundred.” line was just an internet joke but apparently that's a line Menelaus actually says in Nolan's Odyssey??

Not only that the language itself sounds straight out of a marvel forcibly funny haha moment, but Menelaus? The Menelaus who all thoughout human history, from Homer, to Sappho, to Euripides, to Virgil, to Shakespeare, to Brooke, to Barth; from Classical vases to Medieval poetry to Reinessance art, has been known as the man whose sword fell from his hands at the sight of his wife after 10 years apart?

"What joy for me to hold my wife" Menelaus?

"He flung the sword away, and kissed her feet" Menelaus?

"I believe all. I understand nothing. I love you" Menelaus?

"I have no fault to find; my wife, he daughter of Zeus and Leda, is mine again, she whom her brothers on their snow-white steeds, whilst torches blazed, made my happy bride, but gods removed her from my home." Menelaus?

The Menelaus who was picked out of the suitors by Helen herself? The Menelaus who couldn't kill a begging Trojan so his brother had to do it for him? The Menelaus who rescued Odysseus and got out Patroclus' body? The Menelaus who volounteered to fight Paris one on one so everybody could go home? Who kept expressing his guilt about himself being the cause of war through every assembly he spoke at in the Iliad? Who after 10 years away at Troy, took his wife through a 7-year long journey at sea back home, where he reinstated her as the queen of Sparta? Who wept like a child in front of Telemachus recalling the war and his brother and all the friends he lost and the only consolation being his wife' gentle hand on his?

You want me to believe that man scarred Helen's face and called her only worth half the ships because of it?

I'm actually physically sick just thinking about it.

tiktoks-i-enjoyed

nextlevelsmp3

exhaustedcatgirl

Frankly, I think companies presenting basic health and consumer safety information as "boring," "uncool," and "not worth your care" should carry a hefty fine based on the revenue that company generates

boobachu

The lameo gay crap we're legally forced to tell you: You may die of diseentary

tevaselmundogiraalreves

boundlessdreamergirl

this is a supernatural horror anime and yet this 10 seconds clip is way more horrifying and spine chilling than the entire show. kaoru's a child for god's sake and yoshiki is a gay closeted teenager who's in love with his dead best friend who isn't really dead. accurate portrayal of how patriarchal hegemony bleeds through every social interaction. those words are way more violent than any physical altercation can ever be. as a queer person this scene for me is honestly is nightmare inducing. no matter how proud and accepting i am of my identity, sitting with homophobic bunch of idiots makes my palms grow sweaty, my heart rate spikes and ears start ringing. words can't describe how bad i feel for yoshiki and kaoru. poor babies.