when you look into your compatriot’s eyes and divinity stares back. or something.
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@narcissa-black-supermacy
when you look into your compatriot’s eyes and divinity stares back. or something.
been Thinking about atreus and thyestes a lot lately…the Bastard Brothers
Achilles wishing he and Patroclus could conquer Troy together sounds like a love story
But Diomedes told Agamemnon that he and Sthenelus would stay even when everyone leaves sounds like a hostage situation.
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"CYPRIA 11: ACHILLES RAIDS THE TROAD"
For nine brutal years Achilles and his Myrmidons ravage the surrounding towns of the Troad, beginning with the sacrilegious killing of the Trojan prince Troilus at the sanctuary of Apollo, sealing the god's undying hatred. Achilles raids Mount Ida, captures the prince Lycaon by night and sells him into slavery, sacks city after city including Hypoplacian Thebes where he kills Andromache's father and seven brothers, takes the priest's daughter Chryseis as a gift for Agamemnon, and burns Lyrnessus, killing the family of the noblewoman Briseis before claiming her as his own concubine.
To view the art piece larger- Journey now over to Lockettopia.com
The Trojan War Cycle brings together The Iliad, The Odyssey, and surviving poem fragments of the Epic Cycle: The Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony, to reconstruct the full myth in sweeping, chronological order. Kickstarter Link in bio/linktree
Kickstarter Link: https://www.kickstarter.com/projects/tylermileslockett/the-trojan-war-cyle
that was actually the precise reason I was looking up papers on the subject, so thank you, author, for answering my number one question
holy shit that analysis of him wanting to "ensure the legitimacy of his own sons by forcing thyestes to eat his" is INSANE and so on point wow
where is this from??
i do wonder how this is not a more widespread take, i'm so sure the legitimacy of the kids was questioned by Atreus once he found out. imagine the toll of it on everyone involved. and like. theres no genetic test either.
the paper is here! highly recommend checking it out, it's free to read and a great analysis of seneca's thyestes!
that was actually the precise reason I was looking up papers on the subject, so thank you, author, for answering my number one question
holy shit that analysis of him wanting to "ensure the legitimacy of his own sons by forcing thyestes to eat his" is INSANE and so on point wow
where is this from??
i do wonder how this is not a more widespread take, i'm so sure the legitimacy of the kids was questioned by Atreus once he found out. imagine the toll of it on everyone involved. and like. theres no genetic test either.
ahhh i just wanted to say thank you for the super sweet tags you left on my comic post 😭❤️ after being away from this fandom for a few years I was a little nervous about still getting the characterization right both visually and verbally so your tags made me soso happy to read! tysm, you made my day ❤️❤️❤️
you're very welcome and it's absolutely my pleasure, we're so blessed to have you return to this fandom and grace us with this art ❤️❤️❤️ i'm obsessed with your comics and honestly wish i could express it in a better way than just ranting in the tags
i also wrote a whole essay in the tags about your comment about the sotry of iphigenia not existing yet during the making of the iliad and how , while we have no conrete proof, many evidences point to the opposite, including actual things said in the iliad itself, but tumblr decided to delete it so oh well
i actually think there's a huge advantage to you posting stuff after being away from the fandom for a while, because (without pointing fingers) i feel like there are certain trends (that i hate) that are hard to avoid for artists and writers in fandom when you're stuck in it for a long time. like certain headcanons that are not necessarily good or accurate that seem to be developed and just accepted into popular fanon over time cause they gain lots of notes and sell well. so when youre an old artist coming back to a fadnom you can be more authentic and creative in your characterizations.
like especially what i said about odysseus and achilles. there's a very specific way they're both portrayed in fandom nowadays, mostly under influence of latter books and media that came out (like the epic musical and a song of achilles) and its almost impossible to avoid, but its not accurate at all. i hate all that fanart where odysseus is so charming and tall and buff and him and penelope are the epitome of beauty. like. no. i wanna see that ugly ratty cunningness in his look. the expressions on your odysseus kinda remind me of rick from rick and morty ahahaha. and in general it has the exact right balance of being cartoon-like comical (which i actually think is important because the iliad, at least in my eyes, is a HILARIOUS book) but also very serious and true to source.
rewatched iphigenia (1977) yet again the other day and I always think whenever I finish it, how did this event not basically permanently destroy all of the main relationships at play here sdgdsg wanted to sketch a few one-off scenes based on my thoughts about that
me: truly a well crafted tragedy is such a bittersweet pleasure to take in and serves a purpose, not just as a sad story but as a reminder that even that which ends badly might not have happened in vain or for nothing. The love, the grief, the actions still meant something simply for having taken place and for us partaking in it.
me when said tragedy is about to actually unfold, sweating: ok but consider this. i dont want this to happen
as much as I enjoy recreationally hating on Agamemnon I gotta say. If the gods made me sacrifice my daughter over a war I’m not coming back empty handed. I’m taking everything that isn’t nailed down. I’m taking a hammer and ripping out the nails to get what was nailed down. My child died for this I refuse to allow that to be in vain in any possible way, we going full scorched earth boys.
@ilektraheart heheh
yap: physical violence is something she definitely can’t wield so she learns to think of it as inferior or beneath her. sometimes she baits her mother or aegistheus into hitting her (which they immediately regret) so she can gloat over how her hatred (verbalized, self-justified) is much more righteous than theirs. because she believes herself to be the winner of the confrontation, tears annoy her to no end and the frustration just invites her into a whole meltdown.
some designs to get out of the way
thank you ao3 for always delivering what i need alongside insights into strange and beautiful lands of which i have no knowledge
the "biblically accurate angel" trend is such a perfect encapsulation of a pet peeve i have which is everybody wants to criticize the bible but nobody wants to read the bible. like when people were drawing crazy amalgamations of eyes and wheels talking to mary and saying "be not afraid" and everybody was like omfggg OF COURSE she was scared. like no actually the angel looked like a guy can you read 3 lines of text... they were saying be not afraid because it's scary when a random man suddenly shows up in your house and starts talking to you
Anne Carson (2009)
Arthur S. Way (1898)
George Theodoridis (2010)
Ian C. Johnston (2010)
E.P. Coleridge (1910)
Theodore Alois Buckley (1892)
John Peck, Frank Nisetich (1995)
R. Potter (1906)
M. L. West (1987)
William Arrowsmith (1958)
Philip Vellacott (1972)
Michael Wodhull (1782)
Kenneth McLeish (1997)
David Kovacs (2002)
Andrew Wilson (1993)
Euripides - Original (408 BCE)
recent epidemic of adaptations that take lots of liberties with the source material and also, separately, are bad. but then if you say "this is bad" you get hit with "you're just being a source material purist and you don't understand the vision"...like. well actually I think it rules when people do new and different things with classic works. I just think these particular new and different things suck ass.