SATURN: THE ACT OF CONCEALMENT
⠀ * . . · * ⋆ ·⠀⠀* . ⠀ ⋆ · . ✵ * ⠀ ˚ . ⠀⠀. ✷⠀⠀ ˚ . ˚ . · *· .⠀⋆ · ⠀ ⠀ ˚ .⠀⠀. ⠀ ˚ . . ✦ .⠀⋆ ·⠀⠀⠀ * . ⠀⠀ · ⠀⠀ * ⠀ ˚ . ⠀⠀. ⠀ . . ⠀⠀ * ⠀ ⠀ ˚ . ⠀⠀. ⠀⠀⠀⠀⠀ ˚ . . · * ⋆ ·⠀⠀⠀ * . ⠀⠀ * . · ⠀⠀ ☆⠀. ⠀ ˚ . ⠀⠀⋆ ·⠀⠀⠀ * . · ⠀⠀ * ⠀ ˚ . ⠀⠀. ⠀⠀ ⠀⠀ ˚ . . ⠀⠀ * ⠀⠀ ˚ . ⠀⠀. ⠀⠀☆⠀ ˚ . · ⋆ · * ⠀ · ⠀⠀ * ⠀ ˚ . ⠀⠀. ☆⠀ ˚ . . ⠀ * ⠀ ˚ . ⠀. ˚ . . · * ⋆ ·⠀⠀* . ⠀⠀ * ⠀⠀ *⠀. ⠀ ˚ . ✷⋆ ·* . 🪐 · ✷⠀⠀ * ⠀ ˚⠀.⠀ ˚ .
Good morning, afternoon and evening! I’m Magnolia :) Today’s topic is on Saturn! And since it’s Saturday, the day ruled by Saturn, it’s the perfect time for release. I’ll save the rest of my ramble for the end. That’s all for now. Enjoy!
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┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊
┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊⋆ ·⠀
┊ ┊ ┊ ┊ ┊ ┊ ┊ ┊⋆。˚ ♄
┊ ┊ ┊ ┊ ┊✭ ·。˚ ⋆ ˚
┊ ┊ ┊ ┊˚ . ⋆ ·⠀
┊ ┊✷⠀⋆ ·⠀˚ .
┊ ┊ ˚ . . · * ⠀
┊ . ˚ ✩
. · *
The planet Saturn can be concealing when it wants to be, as one of the symbols for Saturn’s corresponding sephiroth, Binah, is known as the outer robes of concealment. It conceals in the way a womb conceals a child for nurturing, safety and development. It’s through structure, time and limitation (Saturn’s associations), the full revelation gets withheld until something is ready to emerge or be understood. Raw wisdom (Chokmah) needs time to marinate because prematurely revealing leads to a risk of misunderstanding that wisdom. For example a mother’s doesn’t explain adult concepts to a child. Not cause she’s hiding the truth but because the child must grow into understanding. This is a positive form of Saturn’s concealment. However, there’s also a very nefarious and debilitating version of concealment as well. A book/film that perfectly displays both aspects would be “The Giver” by Lois Lowry.
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Note: Lois Lowry has Uttara Bhadrapada as her Sun nakshatra, within the sign of Pisces. UBP is known as one of the Saturn lorded nakshatras. Lowery also has her Lagna in Capricorn with Ketu in Capricorn, which Capricorn is a Saturn-ruled rasi.
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⠀✷⠀ ♄ ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ ♄ ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ♄ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
In the film the Giver, it revolves around a seemingly utopian society, within a community that has managed to remove all the negative aspects of our world from the minds of people in the community through suppressing emotions, memories, freedom of choice and individuality. However, there is one member of the community that’s allow to retain their emotions and memories, and that’s the Receiver of Memory (known as the Giver). Their purpose is to act as a living archive of the past, a carrier of memory, pain and truth that everyone else can be relived from carrying themselves. The Giver lives in isolation, within but separate from the community itself and simultaneously an intricate part of it. Now, the ones who dictates who this role goes to are the Council of Elders, who are also aware of these memories existence but the Giver holds the burden of carrying them, while the Council of Elders makes sure that these memories remain suppressed. Their general role within the community is of a overseers, controlling every aspect of this carefully manufactured society, enforcing sameness and order.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ♄ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ♄ ⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
It’s in Binah where the “vision of sorrow” dwells. It’s not just about sorrow but about accepting all of existence as it is, even the seemingly negative aspects of it. This is understanding in a state of completion, which brings sorrow. The Receiver of Memory embodies the vision of sorrow, and actually lives in a state of burden because of the immense weight of this role. It’s such a vital role to the community that if the Receiver of Memory were to somehow wander off and get lost from the community then all of those memories he carried would return to everyone, which includes all of the emotions and sensations that follow along with it. This would be overwhelming for the members of the community, as they have never experienced them before, and it could risk the community becoming destabilized, confused and chaotic altogether. The Council of Elders rules, guidelines and protocols makes sure that this would never happen, especially in their decision on who becomes the receiver of memory. The current receiver of memory in book and film deliberately chooses to not share all he knows to the members of the community, even though he could but he doesn’t because he does not want to overwhelm them as well. It would be too much of a overstimulating experience for the collective that it could probably cause them to spiral.
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Note: Interestingly the Receiver of Memory is the only one allowed to have a locked door, unlike the rest of the community’s doors, which come without a lock, so all of the doors in the community are unlocked.
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✷⠀ ♄ ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ ♄ ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ♄ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
This sentiment can be seen in Uttara Bhadrapada’s, presiding deity Ahirbudhnya. The thousand headed serpent that resides in the depths of the sea, the base of foundation, carrying the world on its hoods. Receiving and guarding the knowledge Vishnu passed onto him through his penance (Ahirbudhnya-saṃhitā). Ahirbudhnya acts as a guardian to this sacred knowledge, so just like how he guards the hidden crystalline grid (Barbara Pijan attributes this to UBP, via their deity Ahirbudhnya) beneath the earth, where cosmic knowledge and energetic treasures of the earth are stored. The Receiver of Memory safeguards the collective memory of humanity (the one that the community has grown to be made aware of). His role is unseen but still essential. The memories he carries are like jewels, powerful, dangerous and sacred. Just like the serpent in the depths, he carries the weight of the world not above ground but in silence (Binah’s virtue is silence) and internally, until one’s prepared to receive it. As I said it’s an important role and the Council of Elders carefully chooses who’s to become the receiver of memory within the community because they essentially carry the power to destabilize the very community they resides in as well, so it’s important that it’s not just anyone becoming the receiver.
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Note: The Receiver of Memory is Saturn’s robe of concealment, Binah’s sorrow, and Uttara Bhadrapada’s serpent guardian all in one. A living vault of memory and one that must remain closed until the consciousness of the receiver is mature enough to open it.
(2) Note: Though UBP is a Saturn nakshatra, it’s still in the sign of Pisces, associated to 12th house, so it’s ultimate purpose revolves around achieving moksha and moksha is liberation. It’s in the 12th house where all things come to an end. The 10th (societal structures and hierarchies) and 11th (communities) are essentially being dissolved here.
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⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ♄ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ♄ ⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
In the world of The Giver, the role now known as the Giver was originally called the Receiver of Memory (which from here on, out, this paragraph I will be using The Giver rather than receiver of memory). When the Council of Elders selects a new Receiver within the community, the title evolves. The newly chosen individual inherits the responsibilities and wisdom of the Giver, reflecting a continuity that predates the community’s adoption of “sameness”. This transfer is not merely symbolic, it occurs through a form of energetic transmission, whereby the outgoing Giver imparts accumulated knowledge, experience and emotional depth to the incoming Receiver. In this sense, the process resembles an initiation, transforming the individual into a guardian of the community’s unseen infrastructure and a crystalline grid composed of energetic “treasures” and frequencies that form a intricate geometric structure. Through this system, the Giver serves as the living repository of memory, ensuring the stability and continuity of the society while carrying the weight of its collective past.
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Note: The actor who plays as the Giver, Jeff Bridges, has Saturn in the first house. An absolute perfect casting choice on par to the director for channeling Saturn through a physical vessel (Lagna). On top of that, he’s a Jyestha sun, and that nakshatra in itself relates to the elderly and senior positions.
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⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ♄ ⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ♄ ⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ ♄ ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ ♄ ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ♄ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
As for the Council of Elders, the theme of concealment (it’s shadow aspect) becomes clear. What was originally Saturn and Binah’s role as a container of wisdom shifts into something rigid, sterile and suppressive. Instead of nurturing understanding, the structure hardens into a shell that traps rather than reveals. In this state, it ceases to be Binah in its true sense because the spark of Chokmah (the living current of wisdom) becomes veiled. The womb of development becomes a hallow form, more prison than a sanctuary. The Council reflects this distortion, as they hold the framework of memory but only in a detached, abstract sense. Unlike the Giver, they do not feel the weight of experience and the grief, the awe, the depth of lived truth that comes with it. Their detachment allows them to govern effectively but it mirrors Binah’s shadow such as, form without essence, law without empathy and order without wisdom.
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Note: Meryl Streep plays the role of chief elder in this film, which is the elder that makes the final decisions when it comes to the community. She has Pushya nakshatra as her lagna. Pushya’s a Saturn-ruled nakshatra as well.
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⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ♄ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ♄ ⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
S**or*l (censoring for safety reasons) is Binah in its shadow, a structure where wisdom is veiled and the spirit within is obscured. The vitality that should animate life is trapped, just as the community in The Giver is absent of color, emotion and choice in exchange for “sameness”. Everything has form, but its meaning is concealed beneath layers of suppression. On the surface, the community appears orderly and even successful because of the efficiency of the system woven within, however this order works solely at a surface level. The members in the community function, yet without much depth. Emotions are flattened into faint impressions, relationships reduced to assigned roles and individuality dissolved into uniformity.
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Note: Members of the community are required to take pills, presented as a treatment for “stirrings”, which are feelings of sexual desires and romantic attraction. While the pills are described as suppressing those specific emotions, their effect extends more broadly to the dampening of powerful emotions in general.
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⠀✷⠀ * ⠀✵ ⠀ ˚ . . ♄ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ♄ ⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ♄ ⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ♄ ⠀⠀ *⠀.
It’s lacking of that je ne sais quoi that really places that special touch to life. The salt that makes a cuisine flavorful. This is the effect סתריאל (shadow function of Binah), it fosters dissociation and emotional numbness. It offers a seemingly protective shield but only by concealing what truly lives underneath. To avoid facing reality, one must remain in this suppressed state, where the fullness of life is perpetually deferred. What is being suppressed here is not just isolated emotions or memories but the entire human experience itself. The people are denied the richness of joy (emotions are regulated here) and love, yes but also the depth that comes through sorrow, loss, pain and mortality. The protagonist, Jonas, even reflect on this, “They have never known pain, he thought. The realization made him feel desperately lonely.”
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ♄ ⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ♄ ⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
✷⠀ ♄ ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ ♄ ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ♄ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
In Binah, the vision of sorrow emerges precisely because true understanding embraces the totality of existence, both its light and shadows. סתריאל seemingly inverts this, by hiding that totality behind illusion. The community’s safety is revealed as a deceitful bubble, an artificial safety net that actually stunts growth, which leaves its members trapped in a half-life. They function but never truly live. Interestingly enough, the translation of סתריאל is the “concealment of god/concealing ones” (also known as dark Saturn). It’s a labyrinth shrouded in darkness. Confusion, ignorance, and deceit lives here, especially for those who refuse to accept life’s truths. In this shadow sephiroth, one must be able to use discernment to see through the illusion but also be able to be the illusionist, concealer and author of confusion themselves without necessarily being caught in ignorance.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ♄ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ♄ ⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ♄ . · ✷⠀⠀ *⠀.
While doing research for this, I also noticed how closely things started to remind me of the alchemical concept of the “Black Sun” (also associated with Saturn), particularly the nigredo, which it’s translated to the blackening. This is the first stage and probably one of the most challenging of the three stages in the Great Work (the process of working with the prima matera to create the philosopher stone, lead to gold). This is total dissolution, where matter and the self are stripped down to their basic and unformed state. It’s the needed decomposition, breaking down of old structures and forms in preparation for refinement and transformation. From a psychological, Jungian standpoint, it’s a confrontation with the shadow. Our repressed fears, illusions and suppressed truths that must be faced to achieve a deeper understanding than what we thought we knew.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
⠀✷⠀ ♄ ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ ♄ ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ♄ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
I can say that the Giver metaphorically initiates Jonas into the stage of Nigredo, the blackening. Prior to this, Jonas lived in a state of unadulterated ignorance go his surroundings. Just blissfully unaware of what was truly happening to and around him, while simultaneously willingly abiding to it all. In alchemical terms, he was like lead, the dense, unrefined base material (associated to Saturn), containing potential yet undeveloped and heavy with inertia. However, during his sessions with the Giver, he becomes increasingly aware and with this awareness comes sorrow, pain and the knowing of one’s own mortality that his community had essentially “shielded” him from. His naive perception is dissolved, much like lead undergoing the blackening process, confronting the shadow of reality and experiencing the weight of existence in its entirety (vision of sorrow). Jonas starts to change, desires change and begins to actively reckon with the concealed truths around him but this confrontation with the darkness is only the beginning of his journey, which ultimately moves towards Albedo, the whitening, symbolized by his travel into the snow.
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ♄ ⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ♄ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═
✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦
Note: The chief elder and the council of elders can be representative of Capricorn, while the community itself embodies Aquarius, an extension of the council’s ideology (additional note: which the 9th house is the house of all kinds of ideologies, philosophies and beliefs, which are essentially codified entering into the 10th house). The stage of Capricorn is the moment where we make a name for ourselves in this world and find our seat in the established order and hierarchy of our society, as well where we meet the authorities of this existing structure. The nakshatras within this further explores the nuances of this process. Once we’ve completed that stage, in Capricorn, we move onto Aquarius, still a Saturn-ruled rasi. Now that we got ourselves established in the world, it’s here where we build our network circles, furthering our influence but also our support system which would ultimately aid in growth of our gain. Which the nakshatras within Aquarius also further explores the nuances of this process. However, we’re put in this dichotomy now cause it’s the sign before we enter into Pisces. Adding this to the list of exploration to explore further!
✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦ ♄ ✦
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ♄ ⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ♄ ⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .🪐⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ♄ ⠀ ˚ . · * ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.
Welcome to the end of this post. Here is where you’ll find a late 2000s, Justin Biber sending you his love and gratitude 🫶 I don’t have much to say, maybe it’s cause I was so immersed in this energy, an energy that actually took a lot out of me (I’m drained even now coming back to it lol) but this has been in the vault for sometime cause I wasn’t necessarily done marinating on it. Anyways! see you again, till next time around :)
⠀✷⠀ * ⠀✵ ⠀ ˚ . . ✷ · *· .⠀⋆ ·⠀⠀ * . ⠀⠀ · ✷⠀⠀ * ✵ ⠀ ˚ . ⠀. ✷⠀ ˚ . . ✷⠀⠀ * ⠀ ˚ . ⠀⠀.⠀⠀ ˚ . . · * ⋆ · * . ⠀ * ✷ . · ✷⠀⠀ *⠀. ⠀ ˚ . ✷⠀⠀⋆ ·⠀⠀⠀ * .· ✷⠀ * ✵ ⠀ ˚ . .✷⠀ ˚ . . ✷⠀⠀ * ˚ .⠀. ✷⠀ ˚ . · ♄ ⋆ ·⠀⠀ * . ⠀⠀ * ✷ . · ✷⠀⠀ *⠀.




















