Jessica Williams: the best part of The Daily Show

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Jessica Williams: the best part of The Daily Show
I’m having a hard time with the context of “sobre” in this. Any of my Spanish speaking comrades help me out? Does it mean like “about life, almost life/survival”?
It means that we don’t want to just survive, we want to live.
LAFAYETTE, Colo. – An elementary school principal says she was fired for protecting children from humiliation.
Noelle Roni says she fought against a policy requiring kids to get their hands stamped if they don’t have enough money in their lunch account. She was fired from Peak to Peak Charter School in Lafayette in the fall.
“The kids are humiliated. They’re branded. It’s disrespectful. Where’s the human compassion? And these are little children,” she said.
Roni was principal for nine years before being fired. She calls it a wrongful termination, and wants her job back.
Why in the living fuck is this not signal boosted the shit out of?
"It’s not just two pesos; it’s the country:" Mexico City’s #PosMeSalto protests rising transit costs January 12, 2014
Mexico City’s extensive subway system, constantly packed with its 5 million daily users, has just become one of the most expensive public transit systems in the world. On December 13th, 2013 the subway fare was raised from three pesos (roughly 25 cents ) to five pesos (roughly 40 cents.) Basic mathematics informs you that this is a whopping 66.66% increase, placing Mexico City transit costs at the top of the list among the top 30 countries within the Organisation for Economic Co-operation and Development (OECD). To understand how a 50 cent fare is considered one of the most expensive in the world, you have to take into account Mexico City’s minimum wage which has stagnated around 64 pesos, just shy of five dollars for a day’s work. Therefore, a basic daily commute can account for a minimum of one sixth of one’s daily salary and sometimes up to one half if the commuter has to pay extra for buses or minivans to travel from their house or job to the subway stop.
Confronted by this daunting reality of prohibitively expensive public transit, hundreds of students and young people, largely coordinated via social networks, organized #PosMeSalto on the first day of the fare increase. #PosMeSalto loosely translates into, “guess, i’ll just jump,” a city wide transportation protest which took place in the majority of major train stations on the first day of the fare hike. In the stations, participants assisted thousands of commuters in jumping over the turnstiles, ducking under them or sliding through sideways. Even subway police officers declines to intervene, and some even assisted passengers to duck below, begging them not to vault over the turnstile.
One of the popular chants during the #PosMeSalto actions was “they didn’t survey me, I’m just gonna duck below.” Chanters were referencing a Mitofsky survey that was conducted over two days with only 2400 participants, or a mere .05% of the commuter population of the city. The questions were front loaded, asking commuters if they would be in favor of a two peso increase if the government promised to improve service, increase ventilation and up security in the wagons.
The population of the metropolitan area of Mexico City is currently estimated at 21 million people and has far outgrown the current system. Often commuters have to wait for three trains to pass by before they can even board a wagon in which people are literally packed in like sardines. With these kind of frustrations and questions worded with a focus on the improvements, 52% of the 2400 people surveyed said they would be in support of a fare hike. This government later plastered the statistic all over the subway system in slick advertising promoting the fare hike. In the months before the fare hike, many commuters, including the author of this article, noted a worsening of the subway service, and some suspected that the transit authorities slowed service to convince people of the necessity of a fare hike.
One student spoke anonymously in a video published by Subversiones AAC about what he viewed as the metro’s false promises. “We didn’t see any improvements when they raised the fare before, it continued to be the same, so it’s ridiculous for them to raise it,” commented the young man. Like him, many commuters were outraged by the Mitofsky survey and pointed out the small percentage of people who were surveyed, affirming their opposition to the fare hike.
In contrast, an independent group of multidisciplinary researchers from the Autonomous University of Mexico (UNAM) conducted an online study in which over 34,000 people participated, of which close to 30,000 entries were considered valid. Of these 30,000, who hailed from neighborhoods all across the city and metropolitan region, 93% said they were against the fare hike.
Full article
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So a friend of ours made portals out of mirrors and tube lights and set them up so they reflect each other infinitely. But, the coolest thing about it is he actually programmed the Portal gun to turn the lights on.
Hesitate by Alexa Meade and performance artist Sheila Vand - [video]
The artist’s statement:
Alexa Meade and Sheila Vand have collaborated on a body of work that explores the fluidity of form in relation to time and space. By stripping the subject of depth and dimension, a displacement of identity ensues, demonstrating the power of context over content.
Meade’s signature style of painting portraits on the body is submerged in a canvas of milk, where Vand’s performance is dictated by the opposing forces of fixed shadows and fluid space. Together, the artists compose an expressive identity for each image, but as the milk interacts with the pre-arranged pose, a new identity is formed that must be constantly re-imagined and re-shaped in the moment. As the paint seeps away into the milk, Vand’s performance must continually shift to accommodate its new context and form while Meade’s photography must capture the ephemeral moments before they de-materialize. The result is an ever-evolving, time-based portrait that includes every layer of the process within each consecutive frame. Each new visual identity is a product of the versions that came before.
The surface of the milk intersects Vand’s body at an uneven and unusual plane, creating a sense of movement and depth beneath her compressed form. This play on dimensionality in the picture plane evokes an optical illusion that activates the viewer’s experience by challenging their common perceptions. The identifiable becomes ineffable, giving the flat photography of the painted three-dimensional space an unsettling tone. By blending the borders between the subject and its surroundings, identity is muted and we’re left with the distilled nuances that shape the space.
Why isn’t all performance art this cool.
Aganetha Dyck is an artist who places sculptures in apiary hives, allowing the bees to create honeycomb to encrust the objects.
From Postcards From Google Earth
-“The images are screenshots from Google Earth. They are glitches that occur when the 2d satellite imagery and 3d terrain don’t line up quite right, or structures such as bridges get projected down onto the terrain below, creating fabulous and unintentional distortions”
Clement Valla
love you girls
A prison cannot be improved. With the exception of a few unimportant little improvements, there is absolutely nothing to do but demolish it.
Peter Kropotkin (via marlkarx)