In the Latin beat rhythms one can marvel again at Hayworth's hypnotic force as a dancer. She enters through a door, drawn by the beat of male drummers, dressed in a clinging white two-piece that accentuates her body through the provocative forward thrust of her torso- a stance that is an invitation and a promise, and has become a trademark, like her hair. Where most dancers move from the hips down Hayworth moves from the knees up, her shoulders drawn back projecting her breast cage forward in the most enticing manner. To see her is to experience a sense of joy pure and simple. And all the more potent for being an invitation in the dark. -John Kobal
TONIGHT AND EVERY NIGHT (1945) dir. Victor Saville














