Just remembered I had this screenshot on my phone somewhere and had to post it here because it really speaks to me
Cosimo Galluzzi
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
d e v o n
🩵 avery cochrane 🩵
Keni

blake kathryn
noise dept.
KIROKAZE
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Discoholic 🪩
Today's Document
Lint Roller? I Barely Know Her

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if i look back, i am lost
Xuebing Du
h
Show & Tell
Stranger Things

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@not-a-toad
Just remembered I had this screenshot on my phone somewhere and had to post it here because it really speaks to me
the first rule of detective fiction is that the detective in question should ALWAYS just be the nosiest person alive and never be a cop
Sudden realization that the skeins of yarn out on my laundry line to dry are. Phallic in appearance.
Come get your freshly scoured Churro wool dicks folks
THE GOOD PLACE (2016—2020) cr. Michael Schur
you see that man as a stern daddy dom. i see him as a pathetic wet dish rag ready to be wrung out. we are not the same (but we are still brothers in arms).
actually, perhaps more honestly, i see him as a chew toy
ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
As someone who has written academic papers about the role of disguise and deceit in the Odyssey — Nobody is so damn important.
Prior to this point, when Odysseus tries to exercise Xenia (ancient Greek guest rites/hospitality code), he did what he was supposed to do. (Well, we think so anyway — notably, the most famous books of the Odyssey are told by Odysseus, who isn’t exactly a reliable narrator.)
But when Polyphemus kills and eats some of the men, the game changes. The Cyclops makes it clear he has no intention of abiding by Zeus’s laws, and will cannibalize the lot of the men. So, Odysseus responds in kind — he breaks Xenia and lies. He introduces himself under a false name as part of a trick. Polyphemus then breaks Xenia again — he tells Nobody he’ll be eaten last, and that is the Cyclops’ guest gift to him.
Odysseus’ transgression is clearly the lesser one. The Nobody trick works. It gets Odysseus and most of his crew out of the cave alive.
But, crucially, before leaving Odysseus sheds his disguise. He admits his true identity, in detail, so he can boast of his achievements and add vanquishing a Cyclops to the list. And it bites him in the ass spectacularly.
The only reason why Polyphemus can curse Odysseus, can bid his father Poseidon to curse the man who blinded him, is because he now knows who did it. If Odysseus had kept his mouth shut, he might have safely made it home from there. But while a big part of why the Nobody disguise vs. real name reveal is showing Odysseus’s hubris, it’s not just about that. It’s also about the start of a pattern that hurts him more than it helps him.
From this point in the Odyssey on, Odysseus lies about his identity constantly. And sometimes it protects him, but more often it’s a detriment or at least unnecessary. He’s lying about his identity primarily to people who are on his side — a kindly loyal swineherd, his son, his faithful wife, his ailing father.
The last one is especially damning, because happens when Odysseus has already killed the suitors and returned home and reunited with the rest of his family sans disguises. He knows from everyone else that Laertes never betrayed him or his legacy, but was mourning his son and heartbroken for almost a decade. Odysseus has publicly declared his return to everyone else — his father doesn’t know because he’s living in squalor remotely. But Odysseus doesn’t tell his father who he is. He makes up a fake identity and tells a story implying Laertes’ son is dead. And when Laertes bursts out crying, then Odysseus drops the charade and finally admits who he really was.
There was no utility to that lie. No loyalty to test. No hidden threats to worry about. But Odysseus still instinctively lies to his beloved father about who he is, only dropping the charade when he sees the damage it’s doing to his relationships.
Because at this point, lying is pathological for Odysseus. He can’t seem to stop doing it. Because with Polyphemus, a lie protected him and the truth hurt him. That is the point of the “ Nobody” disguise.
And they fucking cut it???
This is awesome on so many levels.
Ladies and Gentlemen i present to you John Carpenter’s The Thing, as performed by the claymated, Antarctic cast of the hit children’s animation Pingu. Directed by Lee Hardcastle, in under 3 minutes. Noot, Noot.
Oh my fucking god.
JESUS CHRIST
I’m still amazed at how they got a “noot noot” to sound so much like a “fuck you”
How it feels when someone prevs you
When a character is assured enough in their own power that they are completely relaxed in dangerous situations??? When that same character becomes tense and uncomfortable in the mundane because they don't have a framework for peace?????? When they help navigate violence for another character and in return that character helps them navigate softness??????????? That's all, your honour
i love the linguistic trend of expressing something difficult to describe by just not including an adjective where there usually would be one. “i had a day today,” or “he’s definitely one of the characters of all time.”
it’s like i can’t describe this so i just won’t. you get it tho.
I understand that you were aiming for a morally grey protagonist, but in practice what you've ended up with is more of a moral beige.
@ancient-tree-with-deathwish replied:
how do you distinguish grey from other colours beyond black and wite?
Distinguishing features of moral beige:
The protagonist is constantly agonising over Hard Choices; however, circumstances always conspire to prevent them from actually having to make those choices, so in practice they're just angsting over stuff they might have done.
The text exhibits a recurring pattern whereby the protagonist seems to to have made a Hard Choice, but new information is reliably revealed shortly thereafter which retroactively establishes that whatever they did was the morally upright course after all.
The protagonist's moral impulses are straightforwardly heroic, except in one specific context which lacks any clear real-world analogue; for example, being prejudiced against telepaths.
The protagonist's actions are consistently reasonable based on the information available to them – they're merely operating on bad information basically all the time due to a bizarre conspiracy and/or a series of increasingly implausible misunderstandings.
The protagonist always ends up doing the right thing (for some fuzzy value of "right"), but, like, they're really grumpy about it.
Thinking about the whole "there is no platonic explanation for this" thing and how it doesn't account for intense platonic situationships and anyways I think we should start saying "there is no casual explanation for this" bc really what we're talking about is the way the characters in question are Obsessed with each other
A lot of people are responding to this with some variation of "there is no heterosexual explanation for this" which, to be fair, can be fun and accurate in the right circumstance, but also makes me a little sad?
Like idk man maybe the heteros deserve to get funky with it too... Maybe it'd be cool if we normalized platonic intimacy for everyone?
I am sorry to inform my queer siblings, but we did not corner the market on this one. It's silly and harmful to think we did.
Happy Moon Landing Eve! Remember to leave out milk and cookies for Buzz Aldrin and Neil Armstrong, and don’t let Michael Collins convince you to prank NASA!
If Tumblr is still here next July 19th, I fully expect this post to obliterate my activity feed.
one of the tweets of all time to me
mustard snob canon
when ur mutuals are mutual with each other
pro: squad con: i saw this post like 18 times today