crowley evidently has special ways of showing love.
inspiration from this post
more ineffable husbands moments ( x ) and ( x ).

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@notthebestomens
crowley evidently has special ways of showing love.
inspiration from this post
more ineffable husbands moments ( x ) and ( x ).
so anyway
Dear Mr. Gaiman, Please explain one moment in the Good Omens, when Aziraphale was imprisoned during the French Revolution, why he could not free himself from the chains? Why did Crowley do it? Is Aziraphale that vulnerable?
Not at all.
He could have miracled away the paint-gun stains too, if he'd wanted to. But you saw the expression on Aziraphale's face when Crowley turned up in the prison cell, and when Crowley vanished the paint-stains. It was the happiest he had been in ages.
But why did he say, "oh, good Lord"?HAHSHAHSHSHSHHSS. Was it the way Crowley sat or his outfit?
Well, it wouldn't do to make Crowley think he was too excited to see him, would it?
Hey! I was planning on watching good omens, but some people were calling queerbait on it. I honestly don’t care if it is or not, but what’s your opinion on the show?
Is it queerbaiting to have multiple characters who are explicitly non-binary? Is it queerbaiting to have a character occupy the bodies of both a man and a woman, and have their friend remark only positively to the change of outfit? Is it queerbaiting to have another actor play his character as both a woman and a man over time, and have no other characters bat an eye, and have the show take this example of A Man In A Dress completely seriously, without any trace of mockery? Is it queerbaiting for that actor's wardrobe to be outfitted with elements of woman's clothing even while the character is presenting "male"?
Is it queerbaiting to have a pair of characters who are dealing with the fallout and continuing threats of a complete rejection from their families for not complying with a set of rules they cannot personally abide by for reasons of both personality and choice? Is it queerbaiting to explore someone coping with that rejection, or someone realizing they can handle that rejection when they have something else worth fighting for?
Is it queerbaiting to have a pair of torn, complex characters who are On Watch for the simple act of associating with each other? Is it queerbaiting for these two to be at once hesitant and desperate to call each other their friend? Is it queerbaiting for their happy ending to be the two of them out to an extremely fancy dinner, in public, while a love song plays?
Do the characters played by David Tennant and Michael Sheen(&Miranda Richardson) kiss?
The answer to all of these questions is No, but it's that last one that people trip over when they fail to deploy any critical thinking. Or, frankly, observation skills. Queerness of gender aside, it's also ignoring, y'know, nonsexual forms of intimacy. As a gay asexual, I have to say I would love a happy ending out to an extremely fancy dinner, in public, while a love song plays, and my long term companion fondly watches me tuck in.
But apparently two characters who are immensely queer in gender, gender presentation, and their relation to Christianity/conservative families, finally being able to comfortably meet each other in the middle with undisguised affection and without fear, cannot be anything but "queerbaiting" because they don't kiss. Fuck that. Even if you view it only as friendship (which I personally don't), queer friendship is still revolutionary, especially up front and center.
I will need a moment
Quiet nights…
Happy Valentine's Day!
i have recently learned about white lipped pythons, and now you shall too!
nature’s holographic editions!
they are good & excellent spaghetti hatchlings
You got you a whole ass holographic python but people decided “HEY THEY HAVE WHITE LIPS LOLOLO” and wanted to name it after that?
Part 2 of my gift in the 2018 Good Omens Holiday Exchange for @sous-le-saule! Prompt was: crossovers with “the Good Place”, which I already wanted to make after watching the show!
the J stands for a name crowley doesn’t know yet maybe. a name he is kind of waiting to give himself. it’s a recognition that he could be someone else, if things were different, but also a recognition that he is already that person, a little bit. that he is his own person. it’s important to remember that crowley doesn’t actually mind being a demon - it’s the destruction of the earth bit that he’s got a problem with. it’s just all a bit bureaucratic, innit? and he’d be someone else a bit if he weren’t in the system, you know? he’s been working on it - this is why he is anthony crowley at all, and not still crawley - but the J is a name he doesn’t know yet. he’s waiting to discover it.
he spends the whole first summer in the cottage at the south downs trying out new ones. “anthony jonathan” he says one morning, coming down the stairs.
“what’s that, darling?” aziraphale calls.
“nothing,” he says. “wasn’t quite right.”
*
“anthony jeremiah crowley,” he says, while replanting an azalea bush. the bush tries to bloom in response, but doesn’t manage it convincingly. “no, you’re right,” crowley says. “that’s not it either.
*
“anthony jane crowley,” he says, while stirring the white wine into what is going to be a very good mushroom risotto in about an hour.
“jane who?” aziraphale says absently, having not really heard him, without looking up from his book at the table.
*
john. julian. jessica. jude. january. jersey. janice. joyce. joplin. juniper.
no, no, no.
*
“has it occurred to you,” aziraphale says one night, when they’re tucked up in bed together, “that instead of trying on all these new names, you might just, well–wait for it? what’s the rush, anyway?”
crowley shifts to look at him from across the pillows. “how did you know i was looking for a new name?” he hadn’t told aziraphale–not that he didn’t want aziraphale to know, really, but just that it was something he felt like he had to sort out on his own.
“bit obvious,” aziraphale says. “you left nameberry.com up on your phone the other day when you handed it to me so i could look up that picture of the dog we saw on the way home.”
“ah.”
“ah.”
aziraphale rolls over, putting a hand on crowely’s chest. “it’s all right if it takes a little time, you know,” he says.
“taken me six thousand years to figure this one out,” crowley points out, a little despondently.
aziraphale shrugs. “took me six thousand years to say i was in love with you,” he responds. “took me six thousand years to realise heaven and hell weren’t all that different. six thousand years to realise you loved me back. some things just…take time to figure out. it’s all right.”
crowley sighs, but he knows aziraphale’s right. “i just want to know all of myself already,” he says, scooting over into aziraphale’s hold. “i want to know everything i can be.”
“oh, my love,” aziraphale says, breathing into his hair. “i don’t think we ever know all of that about ourselves.”
*
he finds the name in december.
it’s a good month for name-finding. the end of something, the beginning of another. a goodbye and a remembrance, but also a facing forward into the future.
they’re dancing in the kitchen, and aziraphale is singing along to la vie en rose on the radio; they’re laughing, and the light is low but the oven is warm where they’re just waiting for a coq au vin to finish up.
il me l'a dit, l'a jure pour la vie, aziraphale sings, in a very bad french accent, pink-cheeked and beautiful, and crowley kisses the next line out of his mouth.
“je t’aime,” he tells aziraphale, as the song ends, and then he thinks, oh.
“je t’aime aussi,” aziraphale returns awkwardly, and then he catches crowley’s look. “what?” he asks.
“j’aime,” he says. “i love. j’aime.”
aziraphale’s cheeks turn a little pinker. “do you think so? but in french?”
“i like french,” crowley shrugs. “do you remember the bastille? that was when i first thought, maybe, you know? maybe you too. when was that, 1793? 1791?”
“haven’t the faintest,” aziraphale says. “it’s a very you thing, though. full of love, but secretly, only if one knows where to look. in english it’ll get pronounced as jaime. jay-me.”
“anthony jaime crowley,” he tries out. “that’s not bad, actually.”
“oh, do you like that as well?”
“i think i do,” crowley says. “anthony jaime crowley. and only you would know the real truth. only you and i would know j’aime, angel. it would be mine, but–it would be ours, a little bit. and that’s me, i think–my own, but yours too, a little bit.”
aziraphale is grinning a bit madly, and he holds crowley that much closer. “a secret middle name. how dashing of you. how entirely debonair.”
“i could go with james, if you like.” he puts on a ridiculous, affected accent, missing pierce brosnan by a mile and ending up somewhere closer to roger moore. “crowley, james crowley.”
“no,” aziraphale laughs. “no, i think i quite like jaime. anthony jaime crowley.” the radio starts playing la vie en rose again, just because aziraphale wants it to, and he holds crowley close, cheek to cheek. “is this the one, darling?”
“yeah,” crowley says. “for now, this is the one.”
I’m very very very tempted to draw a comic with these two dressed like THIS!
I love
Legs
I want you all to look at the opener of the 1990 Kirkus Media review for Good Omens.
transcendent
unless...?
This is a little older, something pver a month perhaps? It's based on this text post by @notthebestomens ! I couldn't find the original post, this screenshot will have to do;;;
Just something small and silly because I wanted to practice drawing something more chibi-like. It's really hard for me to draw for some reason hhh;;
Grade A fools (based off text post from @ineffablequotes )
Day 8 | Vintage Car