you know this fucking tune
They made it into a ringtone because it was old enough to be public domain, and Nokia (I think?) didn’t want to have to pay royalties.
… I like the full version.
h
Today's Document
todays bird

Discoholic 🪩

JBB: An Artblog!

Love Begins
I'd rather be in outer space 🛸

oozey mess
No title available

izzy's playlists!

祝日 / Permanent Vacation

if i look back, i am lost

Kaledo Art
No title available
hello vonnie
Three Goblin Art

Origami Around
Claire Keane
KIROKAZE
AnasAbdin

seen from United States
seen from France

seen from United States
seen from Malaysia
seen from United States

seen from Germany

seen from United States
seen from United States
seen from Netherlands
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from Germany

seen from United States
seen from United States
seen from United States

seen from United States
@nowonstage
you know this fucking tune
They made it into a ringtone because it was old enough to be public domain, and Nokia (I think?) didn’t want to have to pay royalties.
… I like the full version.
Daft Punk performing at the 50th Annual Grammy Awards
Miss someone until they come back, or until you come back, until their absence in your life becomes something to be avoided at all costs. Miss them until you don’t have to anymore, until you’re reunited in your favorite booth in your favorite restaurant ordering your favorite meal, miss them until it feels like you never left. Or miss them until you can’t anymore, until the things you miss are identified and cataloged as things and not a person, until you figure out that easy company and long talks and unblinking, all-knowing eye contact will find you again the way they found you the first time. Miss someone until you don’t.
Stephanie Georgopulus, How To Miss Someone (via thelovejournals)
A post about romantic relationships
so I’ve been in a relationship for 5 years now. And I see a lot of posts about how people think relationships mean having butterflies forever, your heart beating faster when they walk into a room, about cuddling together every night, legs intertwined, that you’d be so happy to live together you’d sleep on a double bed with each other every night.
And its not really like that, at least not to me.
You stop getting the butterflies when you live together. Your heart no longer speeds up when you see them, but instead, everything calms down. When youre in the room with them, you feel calm, and secure. When you cuddle them you feel your heart beat slow, and the sound of their breathing carry you towards comfort. It doesnt feel like a roller coaster anymore, it feels like home.
You don’t sleep curled up with each other every night, legs twisted between theirs so tight its hard to tell where yours begin and theirs end.
Instead, you sleep comfortably, side by side, sometimes facing different directions. But every night, you find yourself scooting backwards on the bed so you bump into them. You snuggle against their arm, or stroke their hair as they fall asleep. There are nights when my boyfriend, in his sleep, reaches around me and pulls me to him, like a child with his teddybear, like I am his comfort.
In the wee hours of the morning before the dawn breaks, when the world is blue and you see through cracked eyes, you curl into their chest and inhale their scent before drifting back to sleep.
Kisses aren’t always romantic and firey anymore. But there are so much more of them now. There are cold kisses when you’re eating ice cream in the summer, and sticky kisses over breakfast pancakes. There’s “im leaving now” kisses, and “one more kiss before you go” kisses. There’s sleepy morning kisses before work, when you don’t remember the alarm going off but instead the press of their lips against yours is what brings you into the day.
There’s kisses before sleep, and, you are so sweet with the things you do kisses. There’s kisses because you treat animals so tenderly, and I’m so glad i’m with you and not someone else kisses. There’s quick kisses in the aisles of the grocery store, when its loud and you gravitate together, when instead of having your own personal space and their own personal space, its both of yours together, and you step into their chest to take up less area together.
You don’t always text each other with confessions of love and care like you used to, because that’s a given now, and you’ve moved on to quirky inside jokes about the life youve built together. You share looks of exasperation and amusement in public, your own little world against the outside one.
Relationships aren’t always a fairy tale. They’re not always fireworks and sparks, at least, after the start.
But they are a quiet rhythm and hum of love and care. It’s not a fire in your soul, but one in your hearth, keeping you warm and comfortable, comforting you as you drowsily drift into sleep.
And I love that.
You Know You’re a Music Major When...
You’re not shocked at having ten classes this semester.
You’d prefer these ten classes to having six and a science lab any day of the week.
“Tarantella,” “Scarlatti,” “Prestississimo,” and “Largo espressivo” mean things to you, and it’s not a coffee or pasta.
You once heard a rumor about someone who stayed up for three days straight before their jury and aced it. You’ve considered doing the same.
Dairy is a forbidden food. So is coffee, but that doesn’t keep it from being a good idea any time of day.
You can tell the difference between a viola and a violin.
If someone’s wandering around the music building with a knife, you assume they’re an oboist who got distracted from making their reeds.
You pity no one more than the piano majors at the start of every year, because they get mobbed by people looking for accompanists.
You arrive in the music lounge really early one morning to find someone asleep on a couch who never left last night. This doesn’t surprise you.
After a late night practice session, YOU become the person who sleep on the couch overnight.
You have been known to attend geology club meetings for the free pizza.
You have performed for campus events for the catering.
You’ve performed at coffee shops for free coffee.
You loved Pitch Perfect. (even if you’re not a voice major.) (especially if you’re not a voice major.)
You genuinely don’t know what to do with a day off because seriously, you don’t even have a concert to go to? Or any homework? Are you dying and someone forgot to tell you?
You meet someone who’s been in school for six years with two music majors and are surprised they graduate soon.
You visited the science building on campus one time. It was a strange place. You hope you don’t ever have a class there.
You’ve genuinely never seen the inside of at least two major buildings on campus because all your classes are in the music building.
If you had to choose between a winning lottery ticket and a job with your favorite orchestra/band/choir/opera house, you’d have to think long and hard.
If your ensemble director says ‘Once more through and then I’ll let you go early,” you know it translates to “Five more times through and a lecture, and you’ll be getting out five minutes late.”
Twelve hour class days are normal.
You’ve been known to bring music theory homework to parties.
You will personally murder the next person who asks you to perform something for them on the spot.
You have tried literally the weirdest things ever to avoid a cold during performance week.
You get to do the coolest thing every all day every day.
Harsh truth.
Majoring in Music!
Perhaps it’s time to have a discussion about what goes into studying/majoring in music!
The most often thing I hear when I say “I major in music” is, “Man, I wish I could do something that easy” or something along the lines of it not being a real major or a legitimate study.
NOPE.
First of all, in a lot of schools/academies/programs, before you even get to think about auditioning you have to maintain a GPA and a good record like everyone else in the world. Then, if you manage to pass an audition, you then have to maintain that GPA (in both music AND general ed classes, but we’ll get there in a minute) in order to stay enrolled in our major. I.E: C+ or better is a common standard. I would guess that the confusion comes from the idea that majoring is music is like taking music appreciation or marching band in high school.
On the contrary, college level music majors are expected to have been playing/singing their respective instruments for numerous years before their auditions. Rather than learning how to play/read/sing music, we are majoring in order to become masters of instruments we have already dedicated most of our time to learning!
“Music classes aren’t real classes!”
Actually, they are! On a standard music major curriculum, you will find not only your general studies (English Comps, Public Speaking, Maths, Sciences, History, Literature, etc.), but also a full and required music curriculum. Many will be general-study-like classes such as:
Music Theory - https://en.wikipedia.org/wiki/Music_theory Mechanics, functions, and structure of music.
Ear Training - https://en.wikipedia.org/wiki/Ear_training Being able to sing/play/repeat/dictate music using only your ears/without looking at sheet music.
Sightsinging - Being able to play/sing music upon seeing it for the first time without hesitation. For anyone that wants any kind of a career in the music field, this is a surprisingly high demand skill.
Music History - No link for this one as it’s pretty self-explanatory. This class is just as expansive as European or American History classes, and involves learning from the very creation of music to the modern music you hear on the radio today. A lot of these classes also involve “listening tests”, in which a piece of music is played and you must be able to identify the composer, the name, and sometimes the mechanics of it. Why? That’ll come later.
Piano - Every music major, regardless of what instrument/voice part they play/sing, are required to have a basic knowledge of piano. Enough to know the technique and play intermediate pieces fluently.
Ensembles - On top of your general studies AND music studies, you are required to learn the skills of responsibility, commitment, and teamwork by joining one or more school ensembles. These can include orchestras, jazz bands, choirs, marching/concert/symphonic bands, and multiple other small ensembles. These often meet for more than two times a week, and are expected to be managed with just as much attention as your other classes as they appear as grades on your transcript. These particular grades come from concerts/rehearsal attendance which is mandatory unless you’re on your deathbed.
Applied Lessons - Here’s the big one! Universally, in order to be a music major, you must profess at least one instrument (sometimes two are declared, one being the major and the other being a minor). In lessons, you work together with a teacher/teachers who have already become proficient in your instrument and have made a career out of it. It is their job (as a mentor) to help you with technique (everything from stage and audience etiquette to physical, mental, and emotional technique when it comes to approaching both your music and your instrument), and your job (as a protégé) to use that information and apply it to your classes, ensembles, and all around musical career. Sometimes we keep practice journals, and are sometimes even required to report the number of hours we practice a week. With music coming from our applied lessons professors, ensembles, and piano proficiency, practicing 1-3 hours a day, 20+ hours a week is not unusual. Just like grades, practice time must be handled with priority.
Recitals/Juries - Here’s where most people have a misconception about music classes in general. Just like other majors, we are tested with written midterms and finals in both our general studies AND music classes. On top of that, we have examinations called “juries” at the end of every semester. A jury is an exclusive performance for the music faculty of the school, and is an opportunity for you to display what you have learned while working in your lessons. This makes our programs far from an “easy A”, as failing these classes, exams, and juries is a very real possibility. Instead of simply repeating classes, failure can some times lead to a drop from the program, requiring a student to reaudition and prove themselves once again. Recitals are public performances for classmates/parents/the community, and are a grade as well.
Concert Credits - Many programs have another requirement known as “concert attendance”, in which we must attend a required number of school/local performances such as symphonies, recitals, musicals, plays, etc. It’s somewhat of a “field experience” task, allowing us to see professionals apply the knowledge that we are currently perfecting in school.
So let’s add this all up so far, shall we?
A full load of general studies courses.
A full load of music studies courses.
Lessons
Juries/Recitals
Ensembles/Concerts
Concert Attendance
Seems like a lot, right? We aren’t done yet!
That whole list up there is for just a bachelor’s degree. In order to move on, there are more auditions to be had for graduate schools, in which we will repeat this whole cycle again with more advanced coursework, dissertations, etc. There are also other degrees to be had with different requirements. If someone would like to get a degree in music composition, they will manage all of that as well as conducting classes, orchestration classes, and much more.
Going back to the whole listening test/outlandish amounts of exams thing: becoming a music major is an all encompassing job. We must learn and be aware of everything that happens in our field, because rather than be building on other people’s work, we will be using theirs as foundation to create our own! It is our job to become masters at what we do so we can pass down the knowledge and keep this field going!
Besides: when we graduate, even those with doctorates STILL have to audition for the rest of their careers.
The fun thing about music is that until you retire, you are in a constant state of auditioning. University professors, orchestra members, Broadway musicians, composers, singers, and everyone else must keep practicing, keep studying, and keep on their toes if they expect to be able to compete in our industry.
What goes into an audition? A lot of times, everything on that list. All of that studying listed above ends up being VERY useful, because auditions often include sight-singing, aural (ear-training) tests, proficiency in your scales and warm-ups, AND orchestral excerpts/whatever material is being used by the ensemble for which you are auditioning.
The important thing about this is that I am aiming to dispel the “Music is an easy A” or “Music is for people that couldn’t hack science or math” myth. We aren’t any better than the rest of our peers in college, but we work just as hard, if not harder at what we want to do in life.
People call us crazy because we follow our hearts instead of the road that was laid out for us. Upon becoming majors of music, we all had to accept a harsh reality that doing what we love would consume most of our lives, and that we will always be fighting for what we want. The truth is that the industry is competitive and if you want something, you might have to sacrifice everything to get it.
And there is an industry! Music degrees are far from useless. Plenty of research can indicate that jobs such as conducting for an orchestra, designing music for tv/film/video games, and even music therapy can pay up to six figures in salary!
Think twice about belittling a music/art student for what they study. We take our mid-terms and finals just like you, as well as balance a whole second academic career’s worth of classes on our shoulders. I have met some of the most awe-inspiring, passionate, amazing people through music, and I can’t say that I regret it for even one day.
In a workshop I led many years ago, a young violinist played a solo Bach movement extremely well, but that deeper something was not present. The class knew it. Using a theater-game approach to the problem, I asked the student to imagine that she was an international spy whose “cover” was that of a traveling violinist. The music she played was actually code for a life-and-death message that only certain other agents could understand. When she played this Bach movement on stage, one person in the audience would interpret the code, and then make a phone call that would ultimately save the lives of some political prisoners. With that suggestion, the young violinist became thoughtful and serious. After a long moment of reflection, she played it again. It was nearly the same but in a crucial way it was far superior. It was artistically fulfilling; it was profound. What had that suggestion done for her playing? The class discussed what had happened. The first time she played, her audience sensed her ego on display: she was proud of her playing; she used the music to prove her competency on the instrument; she was outside the music. As a spy who could save lives – and because she took the acting challenge seriously – she no longer thought of herself, but rather of the life-saving message encoded in the music, a message that had to be communicated with clarity for a higher purpose than showing off her technique. I then asked the class: is there a message encoded in the music? Is it possible that others might understand the music’s meaning when it is played so as to project that message? Might music save lives? The answer to all of those questions is yes. We played a theater game that changed the focus of the player’s attention. The game was about the intrinsic meaning of the music, which speaks in its own untranslatable language, a kind of code we musicians understand on its own terms. The theater game opened the door to emotional authenticity.
Bruce Adolphe, Beyond the page: music students and emotion | OUPblog (via gestopft)
Stressing yourself about not having things all figured out is going to slow you down. Just chill out and be patient. All will be well soon.
- Unknown
(Click images for full size or visit HERE)
The past two days (Feb. 9th-10th 2017) immigration authorities have been making a series of arrests in at least 6 states across the country. Immigration lawyers and advocates confirmed that they are arresting a currently unknown number of undocumented immigrants. These raids are targeting people freely - meaning those who once would have been dubbed “low risk/low priority” such as those without criminal records are being arrested.
The Department of Homeland Security, which oversees ICE, has confirmed that home and workplace raids have occurred in Atlanta, Los Angeles, and other cities they refuse to identify. But we know from the arrest of Guadalupe Garcia de Rayos that Arizona has been targeted and immigration lawyers and activists have also documented raids over the past 48 hours in:
Vista, California
Pomona, California
Compton, California
Austin, Texas
Dallas, Texas
Pflugerville, Texas
Alexandria, Virginia
Annandale, Virginia
Charlotte, North Carolina
Burlington, North Carolina
Plant City, Florida
The Hudson Valley region of New York
Wichita, Kansas
There have also been reports from immigration activists and lawyers that ICE has checkpoints targeting immigrants for ID checks and they’ve been setting up in neighborhoods, often in unmarked cars. Federal immigration officials are currently declining to say how many are currently detained from recent raids. ICE is also declining to give out any information regarding the number of people being detained. Immigration activists and lawyers can confirm that some who have been taken in are being detained while some were deported immediately. (x) (x) (x) (x)
Transcripts/Translations collected from various reblogs of this and similar posts:
What to do if ICE comes to your door?
Do not open doors! ICE cannot come in without a signed warrant or if you let them in. Tell them to pass the warrant under the door before you open.
Remain silent! ICE can use anything you say against you in your immigration case so claim your right to remain silent! Say “I plead the fifth amendment and choose to remain silent”.
Do not sign! Don’t sign anything ICE gives you without talking to an attorney.
Report the raid! Report immediately to the UWD hotline 1-844.343.1623. Take pictures, video and notes: badge numbers, number of agents, exactly what happened!
Fight back! Get a trustworthy attorney and explore all options to fight your case. If detained, you may be able to get bail. Don’t give up hope!
(transcription by @strangestructures)
Spanish tranlation / Traducción al español
En caso de redadas ¿qué puedes hacer?
¡No abras la puerta! Pregúntale a la migra i tienen una orden de arresto y que te la pasen por debajo de la puerta.
¡Guarda silencio! Tiene el derecho a permanecer callado/a. Si te confrontan agentes de inmigración, di: “Uso mi derecho bajo la quinta enmienda, y tengo el derecho a mantenerme callado/a.” Los agentes de inmigración pueden usar cualquier cosa que digas en tu contra en tu caso de inmigración.
¡No firmes! No firmes nada que te den los agentes de inmigración sin hablar con un abogado.
¡Haz un plan y pelea! Sí inmigración detiene a ti o a un ser uerido, busca un abogado de confianza, y haz planes para que alguien cuide a tus hijos. Tu puedes pelear un caso óde detencin y tal vez recibir una fianza.
(translation by @strangestructures)
French translation. / Traduction française.
Que faire si les agents d'immigration sont à votre porte?
N'ouvrez pas la porte! Les agents d'immigration n'ont pas le droit d'entrer à moins de présenter un mandat. Disez leur de le passer par dessous la porte.
Restez silencieux! Les agents d'immigrations peuvent utilisez tout ce que vous disez contre vous dans votre affaire d'immigration. Vous avez le droit de garder le silence. Dites “Je plaide le cinquième amendement et décide de garder le silence.” (En anglais: “I plead the fifth amendment and choose my right to remain silent”, phonétiquement “Aïe plide de fifz amèned'mente ènd tchouse tou rimèine saïlente.”)
Ne signez rien! Ne signez rien sans parler à un avocat.
Documentez le raid! Informez immédiatement l'organisation “United we Dream” en appelant au numéro suivant: 1-844-343-1623. Faites des photos, filmez et notez tout: les numéros de badges, le nombre d'agents et les évenements exacts.
Défendez vous! Parlez à un avocat de confiance et explorez toutes les possibilités pour défendre votre cas. Si vous êtes détenu, vous pouvez éventuellement être libéré contre caution – ne perdez pas espoir!
(translation by @strangestructures)
Brazilian Portuguese:
URGENTE: se você não tem permissão para estar nos EUA, NÃO abra a porta se um agente do serviço de imigração (ICE) estiver batendo. Não responda a nenhuma pergunta do agente se ele tentar falar com você. Você tem o direito de permanecer calado. Você NÃO tem que dar seu nome ao agente. Se você está no trabalho, pergunte ao agente se está livre pra sair, e se ele disser que sim, SAIA. Você tem direito de falar com um advogado.
(translation by @theexitgarden)
OMG
HMS Indefatigable, HMS Surprise, HMS Temeraire, HMS Victory, HMS Euryalus, and HMS Leander
From Geoff Hunt’s definitive series of prints ‘Fighting Sail 1773-1815’ depicting some of the naval ships of the period.
Today in America
this movie……………
Guys seriously would you LOOK at mini Adam Scott from Boy Meets World circa 1994
was this when he was mayor
JOINTS IN MOTION
As said by IFL science
Cameron Drake of San Francisco has created a collection of magnificent images showing joints in motion. He was aided by orthopedic physician Dr. Noah Weiss and the finished product is completely amazing. If you’d like to know more about the project, please check out Drake’s blog.
Jacqueline du Pré 26 January 1945 - 19 October 1987