Roots | How Joy Orbison's 'Hyph Mngo' Sparked An Underground Revolution
The year is 2009 and one debut single is about to revolutionize electronic music forever, its maker - a 22 year old kid from South London, Peter O'Grady.
The late naughties were arguably the most exciting time for the development of dance music. Dubstep had firmly embedded the sounds of its deep basslines into the veins of the UK underground at the hands of pioneers like Skream and Benga. Labels like Hessle Audio began to emerge, pushing the boundaries of what exactly a club record could be. Had the constraints formed by the origins of dubstep, the very foundations of the genre, begun to render it stale?
June 25th, 2009, Rinse FM, Blackdown in the mix - "I'm not gonna lie... This tune is massive." That was the very moment those iconic synth lines drew their first breath, and Joy Orbison became hot sh*t. Nearly 15 years later it remains a dancefloor anthem and has become a timeless classic.
Broken punchy bass drums, rising euphoric chords, and the lushest of pads all held together by a vocal sample from Janet Jackson's 1989 'Love Will Never Do (Without You)'. There are few records that saw as much club time as this A' side, yet somehow it slipped through the cracks and dodged the status of 'rinsed' - or maybe it didn't but it's just too f*cking good to leave on the shelf.
Nevertheless, it didn't avoid criticism (does anything?). Simon Reynolds wasn't a fan and labeled it "undeveloped" - however he was quickly rebutted by Tom Lea of FACT Mag who said "It’s the dude’s first single: he’s got a lifetime to hone song structure. For now, he’s created a moment." I like that statement - the idea that this track is more than just a piece of music, it's a moment, an encapsulated experience, one that lives on decades after its creation. That, for me, is what makes this record such a rarity.
'Hyph Mngo' tells the story of a young producer who broke the rules and rose to stardom. Today we know Joy Orbison as one of the best in the game, with a back catalog of immaculate solo works and collaborations like Joy Overmono's 'Bromley' to prove it.
I leave you with this quote from Carlo Rovelli's '7 Brief Lessons On Physics', one that I believe highlights the beauty of the beyond - the same innovative beauty that the substratum of Joy O's 'Hyph Mngo' was forged upon in 2009.
"Here, in the vanguard, beyond the borders of knowledge, science becomes even more beautiful - incandescent in the forge of nascent ideas, of intuitions, of attempts. Of roads taken and then abandoned, of enthusiasms. In the effort to imagine what has not yet been imagined."
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