forever chasing the media high I got after watching chapter 15 of the mandalorian
Noah Kahan

oozey mess

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The Stonewall Inn

Kiana Khansmith

Discoholic 🪩

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forever chasing the media high I got after watching chapter 15 of the mandalorian
Processing the Season 2 Finale of The Mandalorian
I was holding off on making any really in-depth analysis posts until after The Mandalorian Season 2 finale, with the original hope that S2E8 would close the narrative loop on what has been set up in the first two seasons of the show.
What I’m going to do instead is break down why I (and many others) are so comprehensively disappointed in the finale. I think the reasons why people are disappointed are complex and merit some serious discussion. This is going to be very, very, very long, and will be broken down into different sections. My intent is to lay out the emotional and narrative foundations of the show in the hope of demonstrating why the finale fails to follow through on those things. The core argument I will make is this:
the Season 2 finale failed to resolve the tensions that had been built up throughout the show; it also failed to stay faithful to the narrative rules of its own universe, and in doing so, retroactively damaged the meaning and value of all previous episodes.
With Season 3 a year out from now, I very obviously don’t know what’s going to happen or what the S2 finale has set up in terms of plot, aside from the obvious: Din and the kid are now split up; Grogu is going to be training as a Jedi; Din and Bo-Katan are going to fight over the Darksaber; Gideon’s survival means he will remain an antagonising force in the series. I am going to treat Seasons 1 and 2 as their own full, complete texts, because there is no other way to go about analysing the show without veering into speculative territory or discussing the endless connections this show has to the broader SW universe. I think that’s an important discussion to have on its own, but it is not what will be done here.
When relevant, I will reference outside SW canon, but only to the extent that it has a direct impact on the show. My reason for this is that, while the show itself is its own full text, it is consciously nested within the broader fabric of the Star Wars universe, and the lore outside the immediate show informs the narrative intent of the writers, even if it is not stated explicitly within The Mandalorian itself.
I say this to make it clear that I know the show is going to continue, so the reasons why the showrunners decided to take it in the direction they did are still unclear. Having said that, I think it is reasonable to treat the show as it exists now (with two full seasons having aired) as a complete product; a story arc within each season and a grander arc spanning both seasons.
If you follow me or have read some of the many, many posts I’ve made about this show, some of this is going to be a rehash of arguments I’ve made previously. I think it’s useful to collect in one place all the core elements of the show in order to demonstrate why the finale is so disconnected from those elements, so bear with me if you’ve heard some of this before. I’m also going to be referring to episodes by their season and episode number (ie S2E8) for clarity’s sake.
The main sections of this post will be:
Plot-drops
The meaning of Din’s armour
Nostalgia traps
This is going under a cut. As I said, it’s going to be extremely long, so I will break it into sections and subsections with headers for better readability.
With that preamble out of the way, let’s begin.
Keep reading
this is how the last ep went right
Some Hollow Knight doodles :3
i just think they’re neat
tiso gijinka attempt .....
I’m blaming this on- hm. I can only blame myself for making this I guess.
(this is something he says in game when you’re in the aquarium, I kid you not)
PSA: please practice social distancing responsibly and tactfully.
lol everytime i think about pale king being a dad is that one vine where this dad keeps pulling the sled away from his kid
pretty much
Song: White Face, Black Eyes- AJJ
Click for better quality.
Oooooh boy I can finally post this. I’ve been wanting to do something with an AJJ song for quite a while and this one was kind of perfect for Hollow Knight. And after talking about the Pale King with a friend I couldnt get this out of my head. I did initially want to do this with the bug versions of the characters, but those three panels with the gijinka versions of PK and THK were the first thing I drew and I just decided to stick with it.
THERE WAS SOMETHING WEIRD THAT BUGGED ME ABOUT YOUR VESSEL GIJINKAS' EYES AND I COULDNT PLACE IT BUT I FINALLY FIGURED OUT WHAT IT IS. GOOGLY EYES. THEYVE ALL GOT GOOGLY EYES. THEY LOOK LIKE PK GOT THE MATERIALS TO MAKE THEM AT A KIDS ARTS N CRAFTS STORE.
the vessels exist to fulfill my specific need to slap highly expressive cartoonish googly eyes onto everything i love
raymond in boxes
Cara gave it to him
Batter butt and legs
You would never take “The Pale King loved the Pure Vessel” away from me!
I was inspired by “Off balance” by @mrslittletall
In Hollow Knight, the False Knight turns into the Failed Champion in its “dream boss” form, and while it’s tempting to read the title change as representative of “how the False Knight sees himself” (similar to how Grey Prince Zote is undeniably how Bretta sees Zote) the other dream boss title changes don’t bear this interpretation out. The Soul Master becomes the Soul Tyrant, but he doesn’t think of himself as a bad guy– the game makes it quite clear that he dies believing in the rightness of his cause. And the Broken Vessel becomes the Lost Kin, and clearly they can’t think of themself as kin; that’s only a relation one can have to someone else.
Instead, these title changes are reflective of Little Ghost’s changing view of the characters as they learn more about their world. The Broken Vessel becomes the Lost Kin because Little Ghost learns more about the vessels and comes to empathize with their siblings. The Soul Master becomes the Soul Tyrant as Little Ghost recognizes the atrocities he committed against his subjects and empathizes with his victims. From this standpoint, the False Knight’s transformation into the Failed Champion reflects two changes in Little Ghost’s perspective: They come to learn about the oppression of the maggots and empathize with their plight, and they reject defining the Champion in terms of its failure to be a “true knight”, a designation which rests on the authority of the Pale King.
Little Ghost’s initial perspective, then, is of authority as it presents itself, but this is replaced with a sense of solidarity with the victims of Hallownest’s “higher beings”. By revealing this shift through the changing titles, Little Ghost puts a lie to the Pale King’s “No voice to cry suffering” but we already knew that bit was bullshit, didn’t we?
Winner of a half-intentional twitter poll for first art of 2020! Jango loves his tiny gremlin child, y’all.
Do not repost without my permission, thank you!