GO ON VERA!

a LIT WINDOW film

[on-vera]

Alain Delon is as beautiful as it gets when it comes to longish hair on the head and the face.

[on-vera]

From a recent interview with Pedro Costa wherein he talks about the limitations of B-Pictures leading to their beautiful lighting schema. 

[on-vera]

[dustrial-inc]

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More party looks.

[psbelectronica]

Julie Christie in Milan, Italy, 1968.

[on-vera]

Calling it: if we ever make a sequel to GOV!, this is the look for Jessi to rock.

[on-vera]

Everything I want in cinema.

[on-vera]

Surprisingly dope back and forth about how movies have changed and how they get made. I think there’s some good lessons for us in there...

[on-vera]

Gil Scott-Heron - 'Me And The Devil' (Official HD Video)

Gil Scott-Heron's video for "Me And The Devil", out Feb 22. Taken from his forthcoming album "I'm New Here" USA: http://tinyurl.com/GilScottHeronUSA UK: http...

A great video for a great song from a great man.

[on-vera]

Long before Cronenberg and Lynch, Bunuel was the poet laureate of body-horror.

— larryagross (@larryagross) September 30, 2015

[krysuvik]

sonia rykiel spring 2008

[on-vera]

GOWNS _+_?

Saved onto this blog I dunno how or why... But could be dope inspiration for a party look....

[itsalltooabsurd-deactivated2012]

[on-vera]

#nightmare castle#amanti d'oltretomba#mario caiano

Saved onto this blog I dunno how or why....

[on-vera]

Perhaps a cue to use for cutting the VR sequence??? Perhaps. Simply perhaps.

[mistaken-film]

A clip from the beginning of Sauve qui peut, Godard’s “second first film,” which features some of my favorite footage of a girl riding a bike, and some great guitar solo'ing. 

[mistaken-film]

Claire's tunes

I made a playlist of songs that Claire might be listening to during the time of our story. Or, songs that might speak to her character past, present, and future.

[on-vera]

Perhaps Vera’s tunes, too!?

[nevver]

I am become death, Trey Ratcliff

[on-vera]

“Too Many Books!”

[on-vera]

New Faves (in progress)

The Awful Truth, 1937, d. Leo McCarey

Duelle, 1976, d. Jacques Rivette

Ørdet, 1955, d. Carl Th. Dreyer

The Master, 2012, d. Paul Thomas Anderson

Love Streams, 1984, d. John Cassavetes

Beau Travail, 1999, d. Claire Denis

L’année dernière à Marienbad, 1961, d. Alain Resnais

Every Man For Him/self//Slow-motion, 1981, d. JLG, Jean-Luc Godard

The Birds, 1963, d. Alfred Hitchcock (or every single one!)

Esther Kahn, 2000, d. Arnaud Desplechin

Voyage to Italy, 1954, d. Roberto Rossellini

Le cochon, 1970, d. Jean Eustache et Jean-Michel Barjol

French Cancan, 1954, d. Jean Renoir [ou Le crime de M. Lange, 1936, ou tous de ces films sur tous de ces ce-çi]

Rear Window, 1954, d. Alfred Hitchcock [or The Man Who Knew Too Much, 1934, or Rope, 1944, but I’ll try to keep listing favorites below…]

Playtime, 1967, d. Jacques Tati [or Gertrud, 1964, Carl Th. Dreyer, although their pleasures are more or less opposite while being apposite.]

A man escaped. d. Robert Bresson. 1956. A graf to come on the importance of Bresson. The enduring legacy of le cinématographe.

Dead Ringers, 1988, d. David Cronenberg. Another graf to come.

On Dangerous Ground, 1952, d. Nicholas Ray (Ida Lupino)

Celine et Julie vont en bateau, 1973, d. Jacques Rivette

Eloge de l’amour, 2001, JLG [or Vivre sa vie, 1962, or all of them, much higher than 19 or even 7 above us here…]

INLAND EMPIRE, 2006, d. David Lynch

Bad Lieutenant, 1992, d. Abel Ferrara

Close-Up, 1992, d. Abbas Kiarostami [or Certified Copy, 2010]

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