The Awful Truth, 1937, d. Leo McCarey
Duelle, 1976, d. Jacques Rivette
Ørdet, 1955, d. Carl Th. Dreyer
The Master, 2012, d. Paul Thomas Anderson
Love Streams, 1984, d. John Cassavetes
Beau Travail, 1999, d. Claire Denis
L’année dernière à Marienbad, 1961, d. Alain Resnais
Every Man For Him/self//Slow-motion, 1981, d. JLG, Jean-Luc Godard
The Birds, 1963, d. Alfred Hitchcock (or every single one!)
Esther Kahn, 2000, d. Arnaud Desplechin
Voyage to Italy, 1954, d. Roberto Rossellini
Le cochon, 1970, d. Jean Eustache et Jean-Michel Barjol
French Cancan, 1954, d. Jean Renoir [ou Le crime de M. Lange, 1936, ou tous de ces films sur tous de ces ce-çi]
Rear Window, 1954, d. Alfred Hitchcock [or The Man Who Knew Too Much, 1934, or Rope, 1944, but I’ll try to keep listing favorites below…]
Playtime, 1967, d. Jacques Tati [or Gertrud, 1964, Carl Th. Dreyer, although their pleasures are more or less opposite while being apposite.]
A man escaped. d. Robert Bresson. 1956. A graf to come on the importance of Bresson. The enduring legacy of le cinématographe.
Dead Ringers, 1988, d. David Cronenberg. Another graf to come.
On Dangerous Ground, 1952, d. Nicholas Ray (Ida Lupino)
Celine et Julie vont en bateau, 1973, d. Jacques Rivette
Eloge de l’amour, 2001, JLG [or Vivre sa vie, 1962, or all of them, much higher than 19 or even 7 above us here…]
INLAND EMPIRE, 2006, d. David Lynch
Bad Lieutenant, 1992, d. Abel Ferrara
Close-Up, 1992, d. Abbas Kiarostami [or Certified Copy, 2010]
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