GREECE. Naxos. 2003 Carl De Keyzer
Sade Olutola

Kiana Khansmith
Keni

blake kathryn

Love Begins
One Nice Bug Per Day
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS

#extradirty

No title available
he wasn't even looking at me and he found me

Andulka

oozey mess

if i look back, i am lost
KIROKAZE
untitled
Not today Justin

@theartofmadeline

gracie abrams

seen from United States

seen from T1
seen from Hungary

seen from Germany
seen from United States
seen from Malaysia
seen from Spain

seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Brazil

seen from United States

seen from United States
seen from United States
@oofbit
GREECE. Naxos. 2003 Carl De Keyzer
Casa Pàdua, Barcelona, Spain,
Designed by Jeroni Granel y Manresa,
Photo by Miguel Borrell
Aware of you, chaotically.
Anaïs Nin, from ‘A Literate Passion: Letters of Anaïs Nin & Henry Miller 1932-1953′
POOR THINGS (2023) dir. Yorgos Lanthimos
Palestinian artist Asmaa Aljueithni shares a photo of the only thing that survived the airstrike that left her Gaza home in ruins: one of her paintings.
This is fabulous. It is? You're in the dark period. Before light and wisdom come to you. You must forge through it, and once on the other side... you will be grateful to this moment. But you must keep going.
POOR THINGS (2023) dir. Yorgos Lanthimos
English will have to phone and leave message after message of desire on our machines English will have to learn what to say to please us
— Mohja Kahf, as excerpted in Maya Salameh's How to Make an Algorithm in the Microwave
You knelt before me, your scent of hairspray and menthol kaylighing my lungs, took my face in your palms, placed a crown of daisies in my hair and held me down
until I bloomed, my mouth spilling flowers, feverish through the fodes and gardens, donkey-bites and alleys, the dolls-house terraces where girls dreamt.
I knew the time had come to yield like a meadow so I did, love, and you moved through me like the May breeze and I was blessed.
— Liz Berry, from "The Visitation," The Republic of Motherhood
In the vespers I was glorious, so raw I felt each mote. Kites beheld my glowing jellyfish brain. My heart was carmine, radiant as a saint in a wayside shrine. I raised my arms to the sky and the air kissed me with its stinging worshipful mouth.
— Liz Berry, from "Connemara," The Republic of Motherhood
last night I had planned to go out to a party but then felt instead like just boarding the subway & riding & riding with my body quiet & deep in a book but it’s hard to work up the resolve to do that so I went to the party & did what I could to contain all that riding inside me
— Daniel Sarah Karasik, “riding,” Plenitude (via lifeinpoetry)
Mossy frog (Theloderma corticale), photo taken by David Okidoki.
Fig. 2. The limited view of ordinary perception. Tertium organum (the third organ of thought) a key to the enigmas of the world. 1920.
aleksandra waliszewska // yves olade // joy priest, horsepower // richard siken, wishbone
ig: damsontreepottery