7x15 - Badda-Bing Badda-Bang
reference
2025 on Tumblr: Trends That Defined the Year
No title available
d e v o n
PUT YOUR BEARD IN MY MOUTH

No title available
tumblr dot com
Cosimo Galluzzi
official daine visual archive
No title available
The Bowery Presents
sheepfilms
Keni
No title available
🩵 avery cochrane 🩵
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap

Origami Around
Show & Tell

PR's Tumblrdome
seen from United States

seen from Mexico
seen from United States
seen from United States
seen from Argentina
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Jordan
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from United States

seen from United States
@operaforthelayman
7x15 - Badda-Bing Badda-Bang
reference
Lise Davidsen in Mariusz Treliński's production of La forza del destino. Metropolitan Opera, 2024. (Photo: Karen Almond / Met Opera)
Jonas Kaufmann in Tosca
Hi~~~~~
ANYONE STILL HERE?
Just was at opening night after 19 months of HIATUS.
I'm feeling FIRE in my BONES.
Not the opera, (it was a'ight) -- TALKING ABOUT VIGOR!!!!!!!!!!!!
Anyway, I'm gonna clean this shit up and go back to TALKING SHIT about OPERA BABYYYY. Whose around?
It sounds like the music that foreshadows a boss fight.
Rigoletto by Geunjoo Baik
Maria Callas in ‘La Traviata’
Anthony Roth Costanzo, star of the Met’s upcoming production of Akhnaten, liked a comment of mine on Facebook showing the setup of the tech elements of the opera from the Met’s public page and I’m loving it
This one specifically
love every single word of this
Oh good lord 😂 good for him
Rigoletto by Geunjoo Baik
Don Giovanni: Looking back… I have no regrets.
Every single character in the opera: You should.
The Lobbyer Chandeliers at the Metropolitan Opera.
Ailyn Pérez in Le nozze di Figaro. Metropolitan Opera, 2018. (Photo: Ken Howard)
mydaywithd:
Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest and most highly-respected opera stage in the world, and once took the Holy Orders just so that she could sneak into a convent and shag a nun.
(via Feminism)