âMisotodimentâ
Jean-Luc Godard - Le Gai Savoir (1969)

JVL
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âMisotodimentâ
Jean-Luc Godard - Le Gai Savoir (1969)
â List of my favourite female performances [14/?] âGuess thereâs some justice in the world. You suffer, you go through hell⊠but then happiness comes along for everyone.â GIULIETTA MASINA as MARIA CECCARELLI in âą le notti di cabiria (Federico Fellini, 1957)
THE PARTY (2017) dir. Sally Potter
âI donât think. It might ruin everything. It usually does.â
Funeral Parade of Roses (Toshio Matsumoto, 1969)
if i were your father, iâd hold you round the shoulders and say, âitâs not your fault. you did nothing wrong.â but i canât say that. you killed your mother, and i killed my wife.
drive my car (2021) dir. ryusuke hamaguchi
No direction home, Jeremy Miranda
Fallen Angels (1995) // dir. Wong Kar-wai
Pain and Glory (2019) dir. Pedro AlmodĂłvar
Drive My Car (ăă©ă€ăă»ăă€ă»ă«ăŒ), dir. Ryusuke Hamaguchi (2021)
Y Tu Mamå También, 2001 dir. Alfonso Cuarón
I feel as if Iâve been looking for you for a very long time.
PHANTOM THREAD 2017, dir. Paul Thomas Anderson
Call Me by Your Name (2017) dir. Luca Guadagnino
âTo what extent do you feel like you were playing Pedro AlmodĂłvar himself in Pain and Glory?â âTo a big extent. I knew that it was his alter ego. But the situation is this: Maybe everything that you see in the movie, maybe not all of them happened in the way that they are described. But still, I think this movie is more AlmodĂłvar than AlmodĂłvar. Why? Because what are we? Are we the things that we have done, the things that we have said, or are we the things that we wanted to say but we didnât say? The things that we wanted to do but we never did? AlmodĂłvar, in this movie, comes to terms with himself and his fans, and with the people that probably he left circles open. There is reconciliation with his mother. There is forgiveness. For him, I think this movie became very therapeutic in a way, because I remember that he was getting happier and happier as the movie was advancingâ â Antonio Banderas on Pain and Glory
Works by Angela Davis
âRacism, Birth Control and Reproductive Rightsâ in Women, Race and Class, 1981
âRace and Criminalization; Black Americans and the Punishment Industryâ in The House that Race Built, ed. Wahneema Lubiano, 1997
âPolitical Prisoners, Prisons and Black Liberationâ, originally from If They Come in the Morning: Voices of Resistance, ed. Angela Davis & Betty Aptheker, 1971
âRape, Racism and the Myth of the Black Rapistâ in Women, Race and Class, 1981
âI Used to be Your Sweet Mama: Ideology, Sexuality and Domesticityâ in Blues Legacies and Black Feminism: Gertrude âMaâ Rainey, Bessie Smith, and Billie Holiday, 1999
âFrom the Prison of Slavery to the Slavery of Prison: Frederick Douglass and the Convict Lease Systemâ in The Angela Y. Davis Reader, ed. Joy James, 1998
Angela Davis: An Autobiography, 1974 [reprinted in 1988]
âRacialized Punishment and Prison Abolitionâ in The Angela Y. Davis Reader, ed. Joy James, 1998
âReflections on the Black Womanâs Role in the Community of Slavesâ in The Massachusetts Review , 1972
âGlobalism and the Prison-Industrial Complex: An Interview with Angela Davisâ, conducted by Avery F. Gordon, 1999
âClass and Race in the Early Womenâs Rights Campaignâ in Women, Race and Class, 1981
Are Prisons Obsolete, 2003
Alternatively, all of this can be found in my Angela Davis dropbox
READ THESE, and if you can afford to, please BUY her books, too! Here are 10 Black-owned bookstores, all of which are taking online orders, via afrotech.
Updated links for some of the above, active as of 6/20:Â
âPolitical Prisoners, Prisons and Black Liberationâ
âReflections on the Black Womanâs Role in the Community of Slavesâ (Requires free registration to read. DO IT)
All About My Mother (1999) dir. Pedro AlmodĂłvar
IN THE MOOD FOR LOVE (2000) DIR. WONG KAR-WAI
I had nothing to do. I wanted to hear your voice.