the face he makes when he wants food cuddles or sex
YOU ARE THE REASON
trying on a metaphor
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@pandareferee
the face he makes when he wants food cuddles or sex
dumb atla fanfic idea: ozai is thrown back in time—to the time when firelord azulon still sat on the throne. when ursa had not disappeared into the arms of her lover, ikem. when he still had his bending. when the avatar had not reappeared.
when all was right with the world.
ozai’s ready to conquer the world—nine years earlier than planned, nine years before sozin’s comet was set to arrive.
…
what he did not expect was that the one thing standing in his way of success was his eldest son—in the body of a five-year old.
((where ozai and zuko travel back in time and try to thwart each other in every way possible while everyone’s confused by second prince ozai’s great amount of disdain for his only son and said son’s pettiness towards his father))
*in the middle of a war meeting*
Ozai: I suggest we send Prince Zuko with the 37th battalion to fight against the Earth rebels.
War General, very concerned: Prince Zuko is a five-year old.
Ozai, staring at him straight in the eye: I am aware.
Zuko: Listen
Zuko: I have no idea who posted those wanted posters of my father
Zuko: Nor do I have any idea who keeps harassing him with rotten food
Zuko: And who chooped off his goatee
Zuko, making eye-contact with Ozai: It must’ve been the Blue Spirit.
*in the middle of another war meeting which Zuko managed to squeeze himself into*
Zuko, after an hour of low-key arguing with Ozai: I apologize for cutting you off, Father.
Zuko: But can you speak louder?
Zuko: Your ego is deafening.
@aboutiroh this is a beautiful addition. I present this:
Hakoda wasn’t sure what he expected when another Fire Nation ship came into view just seconds after the soldiers stormed down the first one.
“Shit,” he hears Bato mutter behind him.
Hakoda echoed the sentiment albeit silently. Their chances were looking way too grim. He grips his spear tighter. He could only hope Kya, their children, and the rest of tribe could escape safely and make it out alive.
Just as he was about to signal his men to charge, a white flag from the second ship was raised into the air, almost frantically.
Was this the Fire Nation’s new tactic? Hakoda wondered. Lulling their enemies into a false sense of security before ambushing them with greater numbers. He wasn’t going to fall for that. It doesn’t diminish their greater numbers though. The Fire Nation soldiers, loathe he is to admit it, could overpower them at this very moment already, except—
A visible tide of confusion rippled through the first wave of Fire Nation soldiers. They fall back. But not before Hakoda catches whiff of the words, “Dragon of the West”.
Ice washes over Hakoda. It was worse than he thought. He can already see his men hesistating, the younger ones shaking, in his peripheral.
He signals them to wait. Rushing would do them no good. He needed to see the number of men on board before changing strategies.
The hunk of metal docked, creaking grimly before the ramp lowered and hit the ice with a loud thud.
Hakoda blinked.
What came out was a child—likely around Sokka’s age—waving a white flag obviously too big for his body to carry.
The child, seeing that everyone was too stunned to react and attack, gave them a practiced, dimplomatic smile.
“Chief Hakoda,” he greets. “May I steal your children?”
This is the best AU because
- The Gaang is all 10 years younger, except Aang who is still 12.
- Zuko shows up at the SWT and goes “Chief Hakoda I know this sounds confusing but I need your children to stop my douchebag father and end this war”
- He finds Aang in that iceberg to prove his point “See, I even got the Avatar for you, now can I pleeeaaaase go travel the world with Sokka and Katara”
- Aang is very confused too but he just rolls with it
- Azula contemplates whether she should continue to try and impress her dad or go with Zuko. She goes with Zuko.
- Iroh hasn’t started his Siege of Ba Sing Se yet. He’s not post-redemption Iroh, but he’s got it in him somewhere and tiny Zuko awakens it.
- While they’re traveling on Appa, Zuko sees Toph and goes “WAIT we have to abduct that blind baby playing with the badgermoles”
- at this point nobody questions him anymore and they get baby Toph on board. She’s two and somehow still the most badass among all of them.
- Ozai is defeated by a bunch of toddlers and children and is now even more pathetic.
Additionally,
- Rumors of children being randomly abducted spread like wildfire.
- More so after a child from Kiyoshi Island, despite being neutral to the war, was stolen.
- With the knowledge that the Avatar has, in fact, reappeared, people conclude that the Avatar is a kidnapper.
- After kidnapping Toph, Zuko presents her to Aang saying, “This is you earthbending master.”
- Aang is hesistant. But then he sees baby Toph bend metal (“Uh, Zuko, I don’t think you should buy metal baby toys” “Trust me, Aang. I know what I’m doing”<<He does this because adult!Toph once said that plastic and wooden baby toys were for the weak) and he’s immediately sold.
- Nobody outside the gaang is sure whether or not Aang’s serious about calling a two-year old sifu. Said two year old cackles everytime she’s addressed that way.
- Sokka develops a childhood crush on Suki and bullies her in response. He stops when Suki beats his ass and gives him a stern talk.
- Sokka begins following Suki like a lost puppy.
- Katara first learns waterbending from the swampbenders when Zuko took them on a detour.
- Zuko sends Azula and Ursa letters every now and then, updating them about important stuff. (Dear mother, I am now travelling with a two-year old. Best wishes, Zuko)
- Ursa travels away from the Fire Nation in search of Zuko after Azula ran over to her and began bawling about Zuzu replacing her as his sister.
- Cue mother-daughter bonding as they travel around the Earth Kingdom in disguises in search of Zuko and his gaggle of toddlers. (Azula basks in the attention from her mother that she’s always yearned for.)
- Ursa bumps into Kya and Hakoda and team up. They exchange stories and they all agree that there needs to be a change in Firelord.
- Kya gives Azula candy, Hakoda teaches Azula how to defend herself with a knife, Ursa guides her through firebending katas. Needless to say, Azula is showered in actual love and is happy.
- Team Actually-Trying-To-Be-Good-Parents reunites with the gaang and after a bit of scolding and a fair share of fretting have dinner like one big family.
- To Sokka’s horror, Azula gets along very well with Momo. Azula also proceeds to teach Katara how to fight with a knife.
- Meanwhile, Iroh is travelling the world with Lu Ten after Ozai’s obvious assasination of the late Firelord Azulon. Together, they go through multiple spiritual hijinks, uncover lost civilizations, find themselves embroiled in conspiracies about cabbages, and discover the order of the white lotus.
- Zuko and Iroh’s letter exchanges are wild.
- Ozai ascends to the throne with an empty palace, heirs somewhere around the world, a half-cut goatee (courtesy of the Blue Spirit), and an avatar under the guidance of his son, gearing to end his reign once more. He briefly wonders if he should’ve chased after his son instead of assasinating his father.
Every single time. This post, I swear. It keeps getting better.
Okay but does Lu Ten end up as Firelord or do they just plop literal gremlin child Zuko on the throne and give him baby Firelord robes
Because, if it’s the latter, that’s adorable but hoo boy the royal tailors are going to hate puberty.
*after defeating Ozai*
Zuko, a 7-year old: I will ascend the throne.
Everyone: CHILD NO.
Zuko: I will ascend.
The Ozai loyalists at court are prepared for the greatest shitshow on earth once a literal 7-year old becomes Firelord and gleefully bid their time until his undoubtedly imminent failure, but the little demon is actually doing… well?
The tiny monster’s feet aren’t even touching the ground from where he sits on the throne, but he is nonetheless happily debunking the merits of class-specific household registration and demanding cuts be made to the military budget and when did he even learn those words?!
Lu Ten, of course, is delighted to be his little cousin’s advisor, because from up here he gets to see all the fantastic faces that the royal councillors make when their tiny Firelord talks about things like “our public schooling system is frankly atrocious, Minister Seng, and I will no longer stand idly by while our youth is fed propaganda; here, I’ve put together an overview of the new curriculum, you and the Cabinet of Education are to refine and implement this, effective immediately.”
Things get even better when, not 5 minutes later, the little Firelord proceeds to call the Minister of Education a “big dumdum”.
Okay but has no one considered just how bad it looks that Ozai is willing to throw down with toddlers in the first place?
I wonder how Zhao fits into this.
Because I find it hilarious if a newly promoted to Commander Zhao gets sent to capture kid sized Zuko and team avatar and has a reculant minor change of heart when he realize he draws the line at killing small kids. All thanks to team avatar being very adorable and also Zuko being very convincing.
Leading to a kid sized team avatar reglarly getting help from a Commander Zhao who despite this may or may not still wanna kill the moon
Bold of you to assume Zhao wouldn’t fight a child (and lose; not even to a special memory-adult child. Just a regular child).
Bold of you to assume he wasn’t at least partially convinced to help them because he fought small kids and got beaten by them which caused a small change of heart a.k.a. he reevaluated his position a bit. Remember, I said he drew the line at killing children not that he wouldn’t fight them
I kind of think Zhao is basically Heinz Doofenshmirtz in this version.
Yes, he’s still technically THE VILLAIN, but is anyone really scared? Or is he just getting slapped around by the Moon Spirit on occasion while a group of kids try to keep him from getting himself killed?
“A princess?”
*adjusts hair*
“THE MOON PRINCESS?!”
Appa Plushie 3.0
So, last year I decided to make an Appa Plushie for my niece. I already did a test model which looked like this.
Based on that I started a third attempt, this time with the correct colours and fabric.
I began with the established pattern.
Which gave me those parts. I then started sewing those together. First where the legs, head and body parts separatly.
Then I attached the legs to the underbelly and after that connected it to the upper part. The last part was sewing in the head.
And the finished product.
Well not finished, it still has to be filled and the horns, eyes, mouth and arrow attached. But I'm pretty happy with it so far.
Unnamed character appreciation: Foaming mouth guy
Today we will look at this guy
Look at him, he has it all. Passion, immaculate taste in wardrobe, possibly rabies and apparently he once dated Suki. I wish I had half the enthusiasm for anything this guy has for Aang.
Foaming mouth guy appeared in 104. The warriors of Kyoshi and 205 Avatar Day. I for one think that wasn’t enough:(
so I came to a realization while reading some stuff about ozai. bitchlord had the shortest reign of any firelord ever, but that isn’t the funniest thing yet. it was listed that the most notable victories of his reign was the surrender of omashu and the fall of ba sing se.
both of those were led by azula, not ozai. in short, his fourteen year old mentally unstable daughter did more in ozai’s seven year term than ozai ever did.
do what you want with this information. loserlord, indeed.
He didn’t even get the throne on his own, Ursa masterminded the entire coup for him
the tags say no lies
ozai fought two thirteen year olds as a grown man. the first one surrendered. the second one did not surrender and went on to absolutely kick his ass.
lostamongdreams:
bookspaperscissors:
0kiwi0
Random but am i the only one who thinks of Sokka from The Last Airbender when i see the first picture?
That is because IT IS sokka and Azula from Avatar teh last airbender ( i know because i am the one who drew them both XD)
Secret kiss - by saniika
sokkla modern au 😳
hot take but i think ur atla blog icon says a lot about u
ppl who have sokka icons r a little bit more laid back but probably on the smarter side and have dad humor
suki icon havers are generally icons
katara icon havers take no bullshit but deep down are gentle af. but they could cut a bitch tho
s2 zuko icon havers are the most chaotic and switch into all caps super easily
s3 zuko icon havers are just tryna vibe and have a lot to figure out but theyre more calm than the above category, they do tend to go super emo tho occassionally
s1 zuko icon havers r here to shitpost
if u have a toph icon ur probably incredible and we dont really deserve u but we r glad u r here
aang icon == underrated blog, nuanced wholesome takes
bro,,, vibe check my turtleduck
some additions:
comic zuko icon means you have strong opinions on zuko's hair and live for angst (thanks wife for the take @fyrelordzuko )
turtleduck icon havers r very very cute but if you start them off on a subject they will absolutely go off. u r not ready. quack quack motherf*ckers. they have the range
minor background character icon havers? sometimes u confuse us and uve suffered a bit in life but ur a real trooper and we r proud of u
subtype of s3 zuko is fire lord zuko and if thats u then ur extra emo and ur responsibilities weigh u down if u need a hug you know where to find me
i was asked for some more in the replies so here ya go:
iroh icon means you’re kind of an old soul, you’ve seen a lot, but you’re not afraid to stir up some shit now and again, i see you, also you really personify the phrase ‘the duality of man’ in the things you do, mad respect
azula icon means you like to pretend you’re real tough but underneath that you’ve got a gentle heart and you care, you really freaking care about shit, also you get things done, like you’re a powerhouse
@hopiekinz said that momo icons are here for the crocverse and the crocverse only and yeah okay ill take that, that checks out
sometimes i lay in bed and think about that one time sokka literally had enough confidence to pin azula to the wall
just… who tf does that??? a MAN, thats who
and they just look each other in the eyes like ????
azula isn’t even fazed, not even a little bit
and the whole time im just here like
Update on my appa plushie:
sokka was the only kid in that show with social skills and a brain and he effortlessly charmed literally every. single. person. he met especially royalty no matter the age or nation this is why the writers had to nerf him and make him a non bender cause if he coulda bend anything the show woulda been called sokka and his good pal the avatar and its main conflicts would all be resolved by the third episode tops
Sokka wrote this
I'd watch that.
let's be real fire is the weakest element there is but everyone gives them a pass because they look the sexiest. all form no function.
Throughout the show, we see Aang struggle with the idea of obtaining unlimited power, while simultaneously staying true to who he is - a fun loving, accepting, sweet boy. Aang never wished to be the Avatar, but he is, and he cannot neglect his responsibility to the world. To us, we might see the Avatar State as some awesome godlike power, and in some ways it is, but the show diverges what we would expect by having Aang fear it. Aang’s victory at the Northern Water Tribe with the help of the ocean spirit is not treated as an amazing accomplishment, but rather, something that haunts Aang throughout the second and even third season. He often has nightmares about it, and about the destruction he is capable of. He does not enjoy the fact that his body can be used as a vessel for all of the previous Avatar’s, rendering him as more or less an empty shell that will do their bidding. Through out season two, the question becomes: is it better to use your unlimited power to end the war, or to try and stay true to the things which make you human?
Aang faces these questions head on, much like the element of the season: Earth. He is pressured in the first episode of seaosn two to use the Avatar State to his advantage, even if it means going against the person he is. Katara says, “I’m not saying the Avatar State doesn’t have incredible, and helpful power... but you have to understand... for the people that love you, watching you be in that much rage and pain is really scary.”
In the episode The Desert, we see Aang’s grief over the loss of Appa, yet another sacrifice he unwillingly makes to the world, force him again into the Avatar State.
As Aang battles internally with whether to choose emotion vs. power, toward the finale of season two, he is asked to make another sacrfice, and asks a very valid and important question:
Aang’s decision at first glance might seem like a foolish one to make, to choose attachment rather than godlike power, but his choice is affirmed by Iroh. “Perfection and power are overrated. I think you are very wise to choose happiness and love.” Aang, a character who has been forced to sacrifice everything he has for the rest of the world, is now being asked to give up one of the biggest attachments he feels, and asks with good reason as to why he should have to. How is it fair for him to have to sacrifice everything for everyone else? This plays out on an even bigger scale in season three, as Aang is pressured to give up his own morality and cultural views for the rest of the world. Sadly, his wish to not give up his love for Katara does not last, because Aang is not allowed to have a choice. He is forced in his battle with Azula, Zuko, and the Dai Li to let go of his earthly attachments, and his love for Katara, forced to choose power over emotion.
This moment is not painted as a positive thing, but as a tragedy. Aang is a boy who has experienced unimaginable loss, sacrificing his culture, his entire sense of belonging, and now finally the love which he feels in order to try and rise to the responsibility of saving the world. It is only seconds after he makes this sacrifice that he is killed by Azula. Typically, we would see a main character, or any character really, gaining power to defeat an enemy as something good or as something to celebrate, but not in Avatar. This moment is heart breaking, and his death that follows moments after is even more so.
Aang being forced to strip himself of all that he is is not treated as a good thing, and he is for lack of better words, punished for being forced to choose power over love. One of the reasons this specific battle is so emotionally driven isn’t only because Aang dies, but because Katara is present. Aang might have felt that it were in his best interest and in hers to let her go to reach his full potential of the Avatar State, and he does accomplish this, but it is Katara who does not let him go. Devestated, she creates a giant wave as she rushes to catch him as he plummets to the ground, not even caring if she were to drown the Dai Li, Zuko, or Azula in the process.
Katara tries to heal him, and it seems as if he truly is dead as she sobs over his body, before he comes back to life. Aang is saved not because he is somehow lucky, or because Katara is simply an amazing healer, but because Aang has someone in the world who loves him deeply.
Aang is given a second chance at life because Katara gives it to him. It is Katara’s unwavering belief, support, and love in Aang which not only broke him out of the iceberg, bringing the Avatar and the symbol of hope back to the world, but that also brings his soul back to his body at the end of season two, launching his character into his last and final arc of the show: staying true to his beliefs and emotions despite the demand to assert unlimited power where compassion and forgiveness should be.
In the first episode of season three, Katara and Aang exchange a short moment of dialogue that is very powerful in meaning, both for each character and also for a huge theme of the show:
Aang: I went down. I didn’t just get hurt, did I? It was worse than that. I was gone, but you brought me back.
Katara: I just used the spirit water from the North Pole. I don’t know what I did, exactly.
Aang: you saved me.
Aang’s character development has always been interesting to me, specifically in the way it tackled the theme of having unlimited power. He is very much a character that sacrifices, and then sacrifices some more, but is never really rewarded for doing so. The contrast between the Crossroads of Destiny, season two episode 20, and Avatar Aang, season three episode 21, will always fascinate me. Zuko comes to a crossroad in the finale of season two, but Aang does as well. Both Zuko and Aang make the wrong choice, Zuko siding with Azula, and Aang trading a part of himself to obtain power.
Contrast the Crossroads of Destiny to Avatar Aang, where Aang goes from having a decision made for him to making his own decision and standing by it. He is first forced to choose power, which ultimately gets him killed. But by the end of the show, Aang has learned that no one can make his decisions for him, nor do they have the right to. Aang is pressured by everyone excluding Katara, to make the choice to kill Firelord Ozai, which would be his ultimate sacrifice - giving away his own morals for the world. But Aang has learned better by now, and refuses.
By standing strong on his decision to stay true to his own beliefs and morals, he is finally rewarded with the knowledge of energy bending, a skill no previous avatar had encountered. Aang demanded a third option repeatedly, refusing to cave to what others expected of him; for him to use unlimited power to end the war. To end violence with more violence, something Aang feared and avoided as much as possible. Aang is told by Ozai that he is weak regardless of being the avatar, but Ozai is a man who has let power consume him, completely erasing whatever morals he may have had prior. Aang, however, is a character that strikes me as so strong not because he is the avatar, but because of his spirit.
"The true mind can weather all the lies and illusions without being lost. The true heart can tough the poison of hatred without being harmed. Since beginning-less time, darkness thrives in the void, but always yields to purifying light. To bend another’s energy, your own spirit must be unbendable, or you will be corrupted, and destroyed.”
Aang, through trial and error, finally develops into a fully realized avatar, mastering the Avatar State and the power he possesses, while refusing to let it change any aspect of who he is.
We end the show with this being one of the last moments of Avatar Aang we see, as he has this moment of true peace. He affirms to us that sometimes, holding tight to the things that you love and believe in, and that make you who you are, are the most powerful actions you can take in life. That the world cannot take the things that you believe in, that it cannot take away your spirit so long as you do not let it.
#this is such an excellence #thank you for breaking it down so well #especially the crossroads of destiny episode #which a lot of aang haters jump on #(and a lot of one sided azula fans too but that's another post) #and honestly even tho i instinctively *knew* this about power/humanity as a theme of the show #i hadn't put two and two together wrt to crossroads specifically #but my god it's a direct parallel to literally the first episode of book 2 #when that crazy general wanted to turn aang into a weapon of mass destruction #guru parthik was incredibly wise and helpful #but even he didn't understand aang's destiny/ what aang needed to become not just a fully realized avatar but a fully realized self #and this theme of power vs humanity comes perfectly around in the series finale #when aang learns to finally control the avatar state - not by severing all earthy attachment but by holding fast to the core of who he is #an air nomad and an avatar #meanwhile azula gets all the power she sought #she's crowned firelord and sozin's comet makes her even more incredibly powerful #but it's cost her her humanity #as well as the human beings she had around her #and this imbalance breaks her #because power balanced with humanity/humility is one of the major themes sagdkaskfa i love good writing so fucking much #anyway op you are so fucking valid #aang
i understand from an artistic perspective why the four nations are color coded but imagine if that was just like…a thing in real life. like if you went to canada and everyone was wearing purple and you just had to live with that.
Tbh i always just attributed it to certain colors/dyes being more widely available/fashionable in different regions. Like green dye is much cheaper/readily available in the earth kingdom and red and blue fabrics are typically imported
Though i lowkey imagine red dye/fabrics are a good bit more expensive considering most fire nation citizens tend to wear more brown/grey fabrics and only have a few bright red highlights while fire nation royalty wears primarily red (consider the village from the painted lady). You can almost distinguish class from the amount of red a fire nation citizen is wearing (keeping in mind that katara and tophs bright red outfits they wore in season 3 were stolen). My theory is that more expensive/luxurious fabrics get a first wash in vibrant red dyes, and the run off is mixed with browns and greys to dye cheaper fabrics and sell to more common people. This would give cheaper fabrics a reddish hue and give an imitation of wealth, status, and fashion while being rather affordable.
But then you see nomads like chong that wear a mix of different colored fabrics from all over. Later in legend of korra you also see people from the united republic basically wearing whatever colors (and honestly at that point they probably found cheaper weays to dye/mass produce fabrics).
Another guess of mine is considering that the world has been at war for 100 years, most people are likely very nationalist and wearing only the colors of the nation is both fashionable and shows what side of the war youre on.
I think you’re definitely on to something, but I think it might be more of a culture and class thing. Culturally, the people wear the style of dress based on where they’re born. Water tribes and air nomads all had the same type and color of clothing. Except for Yue, who wore purple, everyone in both air and water nations wore the same vibrant hues of yellow and orange or blue and they all wore the same style for their people.
But the earth kingdom and fire nation are definitely more class based. Each culture has their unique style, but soldiers, upper class, and the ruling class had very saturated hues of red or green. Then, as you go down into the poorer people, the colors fade to beige and brown. In most instances, you can’t tell the difference between a poor earth farmer and a poor fire farmer. But these are people ruled by class systems and as we see in Ba Sing Se, the classes are kept physically separate.
I know that some earth kingdom high society women wear light green, and I’m assuming that’s a femininity high class kind of thing, but you can also see that they are expensive materials and designs, so that part doesn’t play into the “colors fade as you go down the totem pole of the class system” narrative, but it is distinct. The light green of the affluent earth girls is not the same as the light green Haru wears.
In the fire nation, except for Ty Lee, we don’t really see upper class women wearing light red or pink in a subordinate patriarchal manner as we do in the earth kingdom. The women in the fire nation are more equal than they are in the earth kingdom; the fire nation army has female soldiers, the only female earth kingdom soldiers are the Kyoshi Warriors, and they’re a special sect dedicated to Avatar Kyoshi.
I’m so HERE for this analysis
Also it’s important to factor in the fact that historically speaking, nations very much did exist on a spectrum of “color coded” (beyond stuff like flags/heraldry/uniforms, which all still exist in various forms today). As @because-im-freaking-greed points out in their addition to this post, depending on cultural norms and dye availability, the colours everyone could wear varied wildly from place to place. So you’d get the most common peasants wearing red all over the place in one country, when in another only the most elite members could afford red dye at all. The ancient country of Phoenicia (located along the coast of modern-day Lebanon) is literally called that in our history books because the ancient Greeks only ever referred to them as “Purple Clothes People.”*
Nowadays we have much greater local diversity in dye availability due to the nature of modern transportation, which means we have much less global diversity in clothing-colour-country affiliations. For the same reason Canadians can eat bananas for breakfast every day, we all can wear whatever colour of the rainbow we please, and what associations do still exist (“green means Irish,” “USA is red white and blue”) are largely arbitrary. That doesn’t mean they’ve always been that way. In fact, it’s much more authentic, I would say, for A:TLA to portray such significant geographical variations in clothing colour. Especially with a hundred-year war on, there wouldn’t be anywhere near the level of efficiency in trade transportation that there is today, and when transportation was possible it was often dedicated solely or primarily either to invasion (Fire Nation), defense (everyone else) or escape (also everyone else). They certainly weren’t prioritizing moving dye materials halfway across the world.
(Honestly, I can’t overstate how important Appa was to the Gaang’s success. Fast, reliable, safe transport? In a world where you were lucky to steal an ostrich-horse for individual riding, and had to be constantly on guard to make sure no one else took her? Where there was next to no public access to any service for moving between cities, or even towns? Appa was indispensable, and not just because Appa is always indispensable)
Also (the other thing I read a lot of in the notes) people point out that, given how dramatically different the Water Tribe and Air Nomad kids were dressed, it was kind of weird that no one called them out on being The Avatar And Friends, which is fair. But, quite often, people did come up to them and go “hey, you’re the Avatar, right?” Like, Aang really wasn’t trying to hide, in the first two seasons. Plus, on the occasions when Aang did go undercover as, say, the grandfather of June Pipinpadaloxicopolis, well–in that particular situation they were posing as displaced individuals seeking asylum, who come from all over the world and are often dressed quite oddly indeed just out of necessity. The remainder of the time… Look: if you were an Earth Kingdom villager looking to sell (anything but cabbages), or even an undervalued Fire Nation soldier guarding an outpost nobody talks to or particularly cares about, would you really go out of your way to ask the three weird children where they got their weird clothes?
I am crafting a plush Appa for my godchild. This is my best attempt jet:)
Gotta love how in season 1 Momo sticks his hand in Sokka’s mouth and he freaks out and says “Momo you need to be a little more sensitive of my boundaries” and then two seasons later he’s literally putting his whole body into Appa’s mouth out of fear that Momo was eaten.